SHARKEY THE BOUNTY HUNTER No. 1 (OF 6)
IMAGE COMICS/Netflix – @ImageComics @netflix
[This review was originally posted on Patreon.]
WRITER: Mark Millar – @mrmarkmillar
ARTIST: Simone Bianchi
COLORS: Simone Bianchi
LETTERS: Peter Doherty
EDITOR: Rachel Fulton
COVER: Simone Bianchi
VARIANT COVER ARTISTS: Frank Quitely; Matteo Scalera with Moreno Dinisio; Ozgur Ildirim; Karl Kerschl
28pp, Color, $3.99 U.S. (February 2019)
Rated M / Mature
Sharkey The Bounty Hunter is a new comic book miniseries from writer Mark Millar and artist-colorist Simone Bianchi. Peter Doherty completes the series' creative team. Sharkey The Bounty Hunter focuses on a blue-collar bounty hunter who tracks wanted criminals across the galaxy in his converted, rocket-powered, ice-cream truck . This is third comic book series produced by Mark Millar since he sold his company, Millarworld, to Netflix.
Sharkey The Bounty Hunter #1 opens on the planet “Tefi-8,” where galactic bounty hunter, Sharkey, is bagging his latest quarry, “Multiple Jax.” It is, however, hard out there for a bounty hunter pimp, as the bounty on Jax does not yield enough cash for the debt-ridden Sharkey. Now, the amount on a new bounty, Edra Deering, the most dangerous woman in the galaxy, might alleviate Sharkey of his money woes... if he can capture her. Sharkey, however, isn't the only hunter chasing this hot bounty, and Sharkey is also, suddenly saddled with a child.
While reading Sharkey The Bounty Hunter #1, I kept thinking about the 1990-91 Lobo miniseries by Keith Giffen, Alan Grant, and Simon Bisley with Lovern Kindzierski and Todd Klein (for DC Comics). Everything about this first issue summons the spirit of that first wild and woolly Lobo miniseries. To me, Sharkey is a leaner, down-on-his-luck version of Lobo, and because of his fidelity to integrity, he is less violent and more approachable than Lobo, whose popularity first exploded about 30 years ago.
Artist Simone Bianchi's graphical storytelling is at once familiar and then, foreign. I have seen similar in Heavy Metal and in a number of full-color science fiction comic books series published by Marvel/Epic Comics and DC Comics, back when each publisher was pretending to care about creator-owned comic books. Then, when I look at Bianchi's work here again... and again, it looks as if Bianchi seems to be striving to find something new. Here and there, in this first issue, he does.
Sharkey The Bounty Hunter #1 does not blow me away like last year's The Magic Order #1 did. Still, there is much about this first issue that is alluring, calling me back to the spaceways for a second issue of Sharkey the Bounty Hunter. I won't resist.
7.5 out of 10
http://www.millarworld.tv/
www.imagecomics.com
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-------------------------------
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Wednesday, December 11, 2019
Review: SHARKEY THE BOUNTY HUNTER #1
Labels:
Frank Quitely,
Image Comics,
Karl Kerschl,
Mark Millar,
Review,
Simone Bianchi
Tuesday, December 10, 2019
Review: HOUSE OF X #1
HOUSE OF X No. 1
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
STORY: Jonathan Hickman
ART: Pepe Larraz
COLORS: Marte Gracia
LETTERS: VC's Clayton Cowles
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebuski”
COVER: Pepe Larraz with Marte Gracia
VARIANT COVER ARTISTS: Mark Brooks; Marco Checchetto; John Tyler Christopher; Dave Cockrum with Jesus Aburtov; Mike Huddleston; Joe Madureira with Peter Steigerwald; Phil Noto; Sara Pichelli with Dean White; Humberto Ramos with Edgar Delgado; Skottie Young
56pp, Color, $5.99 U.S. (September 2019)
Rated T+
The X-Men created by Stan Lee and Jack Kirby
“The House That Xavier Built”
The X-Men are a Marvel Comics superhero team created by editor Stan Lee and artist Jack Kirby. The X-Men debuted in the comic book, The X-Men #1 (cover dated: September 1963), and the focus of that comic book was Professor Charles Xavier a/k/a “Professor X” and his small circle of students. Each student had a unique power or ability granted to them because each student was a mutant, and each had a code name. The students were Scott Summers (Cyclops), Jean Grey (Marvel Girl), Warren Worthington III (Angel), Henry “Hank” McCoy (Beast), and Bobby Drake (Iceman).
From time to time, the X-Men concept is changed in some way via a relaunch or revamp. The most famous was the debut of the “new X-Men” in Giant-Size X-Men #1 (cover dated: May 1975). Once consistently among the bestselling comic books in the United States (and often the bestselling comic book), the X-Men have fallen on hard times, especially over the last decade. Part of the problem is that the editorial powers that be at Marvel Comics have spent much of the last two decades revamping, relaunching, remaking the X-Men, and especially involving the X-Men line of comic books in ultimately pointless title crossover events.
However, fans and readers have hope for this new X-Men thing. The latest remodeling comes via a pair of six-issue miniseries, House of X and Powers of X, published biweekly on an alternating schedule. The first to debut is House of X. It is written by written Jonathan Hickman; drawn by Pepe Larraz; colored by Marte Gracia; and lettered by Clayton Cowles.
House of X #1 (“The House That Xavier Built”) opens on a world that has changed. In the last half year, Professor Charles Xavier (a.k.a. “Professor X”) has been rolling out his master plan for mutant-kind. Xavier wants to bring mutants out of the shadow of mankind and into the light once more. On the island of Krakoa is a home for mutants only, a place where they can be safe.
As a gift to the ever-suspicious humanity, Xavier is offering miracle pharmaceuticals. However, seeing Armageddon in this new world order, a secret organization of humans has activated the “Orchis protocols.” Plus, the activities of Sabertooth and Mystique earn the attention of the Fantastic Four, and this issue story also stars Magneto, Cyclops, and Jean Grey to name a few.
“Did you honestly think we were going to sit around and take it forever?” is what Cyclops asks the Invisible Woman during a standoff between the X-Man and the Fantastic Four. Fight the power, indeed, but this first chapter of House of X is as much about evolution as it is about self-defense. In Jonathan Hickman's radical revamp of Marvel's X-Men franchise, the mutants of the Marvel Universe have more than a sanctuary; they have a home. Apparently, they are going to spend their time in their new home being great and striving for greater – socially and scientifically, and that is making humans, especially certain human interests, suspicious and preparing for war.
I don't know where Hickman is taking Marvel's X-Men line, but, in House of X #1, he has created the kind of first issue that makes readers so curious that they just have to come back for more. At the local comic shop I visit, all issues of House of X and Powers of X have been sellouts.
In this first issue, the art by Pepe Larraz is pretty, but the graphical storytelling does not come across as being as striking and as radical as Hickman's script is. However, Marte Gracia's coloring is a glorious display, and Clayton Cowles' lettering keeps the shifting ground of House of X #1's story and book design coherent.
Will House of X #1 be a seminal moment in the history of X-Men comic books? We will see, but it is a must-read for anyone who has ever been a fan of X-Men comic books.
8.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-----------------------------
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
STORY: Jonathan Hickman
ART: Pepe Larraz
COLORS: Marte Gracia
LETTERS: VC's Clayton Cowles
EDITOR: Jordan D. White
EiC: Akria Yoshida a.k.a. “C.B. Cebuski”
COVER: Pepe Larraz with Marte Gracia
VARIANT COVER ARTISTS: Mark Brooks; Marco Checchetto; John Tyler Christopher; Dave Cockrum with Jesus Aburtov; Mike Huddleston; Joe Madureira with Peter Steigerwald; Phil Noto; Sara Pichelli with Dean White; Humberto Ramos with Edgar Delgado; Skottie Young
56pp, Color, $5.99 U.S. (September 2019)
Rated T+
The X-Men created by Stan Lee and Jack Kirby
“The House That Xavier Built”
The X-Men are a Marvel Comics superhero team created by editor Stan Lee and artist Jack Kirby. The X-Men debuted in the comic book, The X-Men #1 (cover dated: September 1963), and the focus of that comic book was Professor Charles Xavier a/k/a “Professor X” and his small circle of students. Each student had a unique power or ability granted to them because each student was a mutant, and each had a code name. The students were Scott Summers (Cyclops), Jean Grey (Marvel Girl), Warren Worthington III (Angel), Henry “Hank” McCoy (Beast), and Bobby Drake (Iceman).
From time to time, the X-Men concept is changed in some way via a relaunch or revamp. The most famous was the debut of the “new X-Men” in Giant-Size X-Men #1 (cover dated: May 1975). Once consistently among the bestselling comic books in the United States (and often the bestselling comic book), the X-Men have fallen on hard times, especially over the last decade. Part of the problem is that the editorial powers that be at Marvel Comics have spent much of the last two decades revamping, relaunching, remaking the X-Men, and especially involving the X-Men line of comic books in ultimately pointless title crossover events.
However, fans and readers have hope for this new X-Men thing. The latest remodeling comes via a pair of six-issue miniseries, House of X and Powers of X, published biweekly on an alternating schedule. The first to debut is House of X. It is written by written Jonathan Hickman; drawn by Pepe Larraz; colored by Marte Gracia; and lettered by Clayton Cowles.
House of X #1 (“The House That Xavier Built”) opens on a world that has changed. In the last half year, Professor Charles Xavier (a.k.a. “Professor X”) has been rolling out his master plan for mutant-kind. Xavier wants to bring mutants out of the shadow of mankind and into the light once more. On the island of Krakoa is a home for mutants only, a place where they can be safe.
As a gift to the ever-suspicious humanity, Xavier is offering miracle pharmaceuticals. However, seeing Armageddon in this new world order, a secret organization of humans has activated the “Orchis protocols.” Plus, the activities of Sabertooth and Mystique earn the attention of the Fantastic Four, and this issue story also stars Magneto, Cyclops, and Jean Grey to name a few.
“Did you honestly think we were going to sit around and take it forever?” is what Cyclops asks the Invisible Woman during a standoff between the X-Man and the Fantastic Four. Fight the power, indeed, but this first chapter of House of X is as much about evolution as it is about self-defense. In Jonathan Hickman's radical revamp of Marvel's X-Men franchise, the mutants of the Marvel Universe have more than a sanctuary; they have a home. Apparently, they are going to spend their time in their new home being great and striving for greater – socially and scientifically, and that is making humans, especially certain human interests, suspicious and preparing for war.
I don't know where Hickman is taking Marvel's X-Men line, but, in House of X #1, he has created the kind of first issue that makes readers so curious that they just have to come back for more. At the local comic shop I visit, all issues of House of X and Powers of X have been sellouts.
In this first issue, the art by Pepe Larraz is pretty, but the graphical storytelling does not come across as being as striking and as radical as Hickman's script is. However, Marte Gracia's coloring is a glorious display, and Clayton Cowles' lettering keeps the shifting ground of House of X #1's story and book design coherent.
Will House of X #1 be a seminal moment in the history of X-Men comic books? We will see, but it is a must-read for anyone who has ever been a fan of X-Men comic books.
8.5 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-----------------------------
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Monday, December 9, 2019
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DC Comics from Diamond Distributors for December 11, 2019
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OCT198337 BASKETFUL OF HEADS #1 (OF 7) 2ND PTG (MR) $3.99
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SEP190570 GREEN LANTERN REBIRTH DLX ED HC $39.99
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IDW Publishing from Diamond Distributors for December 11, 2019
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OCT190736 DISNEY AFTERNOON GIANT #8 $5.99
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JUL190719 GHOST TREE TP $15.99
AUG190806 JOE HILL GRAPHIC NOVEL COLLECTION TP $29.99
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JUL190745 TMNT ULTIMATE COLL TP VOL 04 $29.99
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