Sunday, July 31, 2011
Legendary comics artist and writer Timothy Truman will give East Coast fans an exclusive first look at artwork, covers, and designs for Hawken, his highly-anticipated western horror series, at this year's Baltimore Comic-Con , August 20-21, 2011, at the Baltimore Convention Center , 1 West Pratt Street, Baltimore, MD 21201.
Co-created with his 28-year-old son, writer Benjamin Truman, the new project tells the tale of ghost-haunted pistolero Kitchell Hawken and his blood-drenched vendetta against the men who scalped and tortured him then left him for dead. The first issue ships in November from IDW Publishing.
Renowned for his work on such titles as hard-hitting action titles as Grimjack, Scout, Wilderness, Hawkworld, Turok, Jonah Hex, and Dark Horse Comics' Conan, Timothy is hardly a stranger to the BCC. "Baltimore is by far my favorite convention every year," Truman says. "I attended my first show several years ago, after I decided to take the day off and check it out as a 'civilian.' I was immediately impressed. Baltimore Comic-Con made me feel like a 'fan' again. I haven't missed a show since." To mark the Baltimore preview, Tim and Ben are preparing limited edition Hawken BCC t-shirts and prints especially for the appearance.
In his featured blog for the pop-culture site The Morton Report, journalist Bill Baker gave readers a taste of what to expect from the new tale:
"Over the course of his long and storied career, writer-artist Timothy Truman has had brushes with all manner of killers and antiheroes. But his latest encounter with the darker side of humanity, in the supernaturally-charged Western miniseries features Hawken, a character that he freely admits is perhaps the worst of the lot.
"According to Truman, the titular character, Kitchell Hawken 'has been many things in his day: Scout, tracker, trader, scalp-hunter, raider, hired gun.... But mostly, he's been a nasty son-of-a-bitch.'
"Each issue of the six-part tale follows the aged Hawken as he wreaks bloody vengeance upon the very men he used to work for, a cartel of corrupt politicians and arms merchants called the Tucson Ring. Along the way readers learn more about Hawken's reason for turning on his former employers and the many horrors that the haunted gunman has committed over the course of a blood-soaked life.
"And just to be clear, 'haunted' literally describes Hawken's situation, as the remorseless killer's accompanied throughout his vendetta by the ghost of every person he's killed, all unwilling companions forced by a curse to assist the gunslinger with his vengeance.
"Truman, who's become known for his ability to portray unlikable loners in convincing manner, freely admits, 'Folks would be hard-pressed to find a character as ruthless as Kit Hawken. He has good reasons for his rampage, and believe me, a rampage it is. For once, the bad guys have truly messed with the wrong man.'
"And while anyone might be hard-pressed to describe the proceedings as family fare, it is, in fact, a family affair. That's because Tim Truman's creative partner on this project is none other than Ben Truman, his son.
"Ben, who's scripting the series, works as a teacher in Tucson, AZ. As he describes it, the character and his sordid tale arose almost by chance during one of his parents' visits to the area last year. The younger Truman recalled that 'while driving through Crater Park I asked Dad if he's ever seen any accounts where a man had survived a scalping. Somehow, that kicked it off.
"'Hawken grew out of the landscapes of each new place we visited: His name in Flagstaff, his past in Bisbee, the curse in Tempe, his vendetta in Tombstone. By the time we left San Xavier Mission, the first issue was plotted.'
"The elder Truman gained widespread notoriety with his first two major efforts, Scout and .Grimjack These comics were some of the most critically lauded independent comics of the '80s, fan-favorites that catapulted Truman and his various creative partners into the upper echelons of the mainstream comics industry."
Each of the six issues of Hawken will cost $3.99 and contain 32 pages printed in antiqued duo-tone. The book joins such popular IDW titles as 30 Days of Night, Hasbro's Transformers and G.I. JOE, Paramount's Star Trek, Toho's Godzilla, HBO's True Blood, and the BBC's Dr. Who.
For more information, visit Tim's website or visit IDWPublishing.com.
This year's Baltimore Comic-Con will be held August 20-21, 2011. Convention hours are Saturday 10 AM to 6 PM and Sunday 10 AM to 5 PM. The ceremony and banquet for the Harvey Awards will be held Saturday night, August 21st.
Please use the following e-mail addresses to contact the Baltimore Comic-Con:
firstname.lastname@example.org - for any general press inquiries or to be added to our PR distribution
email@example.com - for requesting exhibitor, publisher, and Artist Alley applications
firstname.lastname@example.org - for inquiries about submitted registrations
email@example.com - for communications regarding the Harvey Awards ceremony and banquet
firstname.lastname@example.org - for general Baltimore Comic-Con inquiries
About The Baltimore Comic-Con
The Baltimore Comic-Con is celebrating its 12th year of bringing the comic book industry to the Baltimore and Washington D.C. area. With a guest list unequaled in the industry, the Baltimore Comic-Con will be held August 20-21, 2011. For more information, please visit http://www.baltimorecomiccon.com/.
About The Harvey Awards
The Harvey Awards are one of the comic book industry's oldest and most respected awards. With a history of over 20 years, the last 6 in conjunction with the Baltimore Comic-Con, the Harveys recognize outstanding achievements in over 20 categories. They are the only industry awards nominated and selected by the full body of comic book professionals. For more information, please visit http://www.harveyawards.org/.
CONGRATS TO MIKE MIGNOLA, RICHARD CORBEN, DAVE STEWART & JUANJO GUARNIDO!
July 27, MILWAUKIE, OR— The Eisner Awards took place on Friday night of Comic Con International. These prestigious awards honor the best of the best within the comics world. With the madness of San Diego Comic-Con behind us, Dark Horse Comics looks forward to an amazing fall publishing schedule ahead. But first, we’d like to congratulate our Eisner Award winners!
Best Single Issue (or One-Shot): Hellboy: Double Feature of Evil, by Mike Mignola and Richard Corben
Best Painter/Multimedia Artist (Interior Art): Juanjo Guarnido, Blacksad
Best Cover Artist: Mike Mignola, Hellboy, Baltimore: The Plague Ships
Best Coloring: Dave Stewart, Hellboy, B.P.R.D., Baltimore, Let Me In (Dark Horse); Detective Comics (DC); Neil Young’s Greendale, Daytripper, Joe the Barbarian (Vertigo/DC)
The Eisner Awards are part of, and underwritten by, Comic-Con International, a nonprofit educational organization dedicated to creating awareness of and appreciation for comics and related popular art forms, primarily through the presentation of conventions and events that celebrate the historic and ongoing contributions of comics to art and culture.
Well done, boys! Well done!
Saturday, July 30, 2011
STAR WARS: THE OLD REPUBLIC – THE LOST SUNS #2 (OF 5)
DARK HORSE BOOKS
["Star Wars Central" review page is here.]
SCRIPT: Alexander Freed
PENCIL ROUGHS: Dave Ross
PENCIL FINISHES: George Freeman
INKS: Mark McKenna
COLORS: Michael Atiyeh
LETTERS: Michael Heisler
COVER: Benjamin Carré
32pp, Color, $3.50
I’m not really into that part of the Star Wars Expanded Universe known as Star Wars: The Old Republic, but I like the comic book. Star Wars: The Old Republic – The Lost Suns is a comic book based upon the LucasArts online game, Star Wars: The Old Republic. While Dark Horse has published two previous series set in the Star Wars: The Old Republic time period, this is the first one set concurrent with the game.
In the Star Wars Expanded Universe, the Old Republic is the time period 1000 to 25000 years before the Battle of Yavin (abbreviated at BBY). For those that don’t know, the Battle of Yavin is the climactic battle in Stars Wars: Episode IV – A New Hope, during which Luke Skywalker destroys the Death Star.
Star Wars: The Old Republic – The Lost Suns is set in 3632 BBY and focuses on Theron Shan, a spy working for the Republic Strategic Information Service. Theron’s superior sends him on a mission to find Ngani Zho, the great Jedi who may have important information. Theron has strong ties to the long-missing Jedi, as Zho trained Theron’s mother, Satele Shan. Darth Mekhis, an old enemy of Satele’s, also wants Zho.
As Star Wars: The Old Republic – The Lost Suns #2 opens, Ngani Zho reveals the dark history of the Republic’s war with the Sith and the tragic peace accord. Theron finds Zho, but both his and Zho’s past complicate their mission.
While I’m only vaguely familiar with the whole “Old Republic” universe within a universe, I am enjoying The Lost Suns. The script for the second issue by Alexander Freed, a senior writer on The Old Republic online game, is more streamlined than the one for the first issue. Freed seamlessly weaves back story and the present action to create an engaging, enjoyable read. The art, with its clean compositions and no-frills design, makes it easy to comprehend this story, which is steeped in arcane Star Wars stuff.
Friday, July 29, 2011
FIRST ISSUES OF ORCHID, HOUSE OF NIGHT, AND THE STRAIN ARE $1.00!
July 27, MILWAUKIE, OR — Dark Horse Comics announced Preview night at San Diego Comic Con that its fall publishing schedule will include three major heavy hitters in the writing-talent department.
Tom Morello’s Orchid, P. C. Cast’s House of Night, and Guillermo del Toro’s The Strain will be joining the Dark Horse roster. These titles are sure to keep your eyes on the comics.
The first issue of each of these new series will be priced at $1.00 in comic stores, giving every fan something to talk about and a great starting point to begin reading these amazing new stories!
If you’re a comics fan who’s made the jump to digital, every issue of each comic will be available on release date through Dark Horse Digital for $1.99.
With prices like that on titles like these, expect a high demand and expect to read the whole series. They are not to be missed!
Tom Morello’s Orchid is on sale October 12.
P. C. Cast’s House of Night is on sale November 9.
Guillermo del Toro’s The Strain is on sale December 14.
Manga Masterpiece Recognized With The Comic Book Industry’s Most Prestigious Award
San Francisco, CA, July 28, 2011 – VIZ Media, LLC (VIZ Media), the largest distributor and licensor of anime and manga in North America, is proud to announce that NAOKI URASAWA’S 20th CENTURY BOYS was recognized with an Eisner Award in the Best U.S. Edition of International Material - Asia category during award ceremonies held at the recent Comic-Con International event in San Diego, CA. NAOKI URASAWA’S 20th CENTURY BOYS is published in North America by VIZ Media’s Signature imprint. Volume 17 of the series will be released in August.
20th CENTURY BOYS is the story of a group of boys who try to save the world. Humanity, having faced extinction at the end of the 20th century, would not have entered the new millennium if it weren't for them. In 1969, during their youth, they created a symbol. In 1997, as the coming disaster slowly starts to unfold, that symbol returns.
For Kenji, a simple convenience store manager who once dreamed of becoming a rock 'n' roll musician, a host of memories from his past come rushing back when one of his childhood friends mysteriously commits suicide. Could this new death be related to the rise of a bizarre new cult that's been implicated in several other murders and disappearances? Determined to dig deeper, Kenji reunites with some of his old buddies in the hope of learning the truth behind it all.
“We’re elated to have NAOKI URASAWA’S 20th CENTURY BOYS recognized by the comic book industry such a prestigious award,” says Andy Nakatani, Editorial Director at VIZ Media and editor for the title. “Urasawa‘s tense and dramatic storylines have firmly established him among the very top echelon of manga creators. With this, and other acclaimed series such as NAOKI URASAWA’S MONSTER and PLUTO: URASAWA ´ TEZUKA, Naoki Urasawa continues to push the boundaries of the manga genre, and we look forward to this award bringing his work to the attention of many new fans across North America.”
The Will Eisner Comic Industry Awards are considered the "Oscars" of the comic book industry [Utter foolishness - Leroy] and are named for renowned cartoonist Will Eisner (creator of The Spirit and several award-winning graphic novels). The awards are handed out each year in a gala ceremony at Comic-Con International in San Diego, the largest and oldest comic book convention in the United States.
Naoki Urasawa's career as a manga artist spans more than twenty years and has firmly established him as one of the true manga masters of Japan. Born in Tokyo in 1960, Urasawa debuted with BETA! in 1983 and hasn't stopped his impressive output since. Well-versed in a variety of genres, Urasawa's oeuvre encompasses a multitude of different subjects, such as a romantic comedy (YAWARA! A FASHIONABLE JUDO GIRL), a suspenseful human drama about a former mercenary (PINEAPPLE ARMY; story by Kazuya Kudo), a captivating psychological suspense story (NAOKI URASAWA’S MONSTER), a sci-fi adventure manga (NAOKI URASAWA’S 20TH CENTURY BOYS), and a modern reinterpretation of the work of the God of Manga, Osamu Tezuka (PLUTO: URASAWA X TEZUKA; co-authored with Takashi Nagasaki, supervised by Macoto Tezka, and with the cooperation of Tezuka Productions). Many of his books have spawned popular animated and live-action TV programs and films, and 2008 saw the theatrical release of the first of three live-action Japanese films based on NAOKI URASAWA’S 20TH CENTURY BOYS.
No stranger to accolades and awards, Urasawa is a three-time recipient of the prestigious Shogakukan Manga Award, a two-time recipient of the Osamu Tezuka Cultural Prize, and has received the Kodansha Manga Award. Urasawa has also become involved in the world of academia, and in 2008 accepted a guest teaching post at Nagoya Zokei University, where he teaches courses in, of course, manga.
For more information on NAOKI URASAWA’S 20th CENTURY BOYS and other VIZ Media manga titles, please visit www.viz.com/manga.
Thursday, July 28, 2011
FRAGMENTA 3: ON THE RECORD
CANDLE LIGHT PRESS
WRITER: John Ira Thomas
ARTISTS: Carter Allen, Jeremy Smith
56pp, Color, $7.00
I am a big fan of the comics, graphic novels, and various publications put out by Candle Light Press. Go read Zoo Force/Not Zoo Force.
In recent years, Candle Light Press and its leading man of letters, John Ira Thomas, have published small mooks (magazine/book) collecting odds and ends concerning CLP’s comics, graphic novels, aborted projects, etc. Those include Fragmenta: The Art of the Writer and Fragmenta 2: Cross Nurses & Agile Clothes.
Fragmenta 2, from Thomas and artist Will Beard, focused on stories that never made it all the way to finished form as a comic book or graphic novel. Thomas also shared his aborted attempts to create horror comics that capture the feel of cheap movies, especially horror/exploitation movies. It’s a must have.
Now, comes Fragmenta 3: On the Record. It’s a bit different. Fragmenta 3 is part script book, part history, and part transcripts based on recordings (record LPs). The material inside is based on real creators, real events, and fictional characters from actual comic books and graphic novels. The content of Fragmenta 3, however, is not necessarily based on actual published works.
Readers who are familiar with CLP’s comics and graphic novels will love Fragmenta 3. The opening two pages are a history of and manifesto about comic book creators dealing with Hollywood. It’s fun to read, and makes a lot of good points about staying true to the characters and what that means for creators, fans, and media rights holders. For me, reading the scripts was like experiencing old time radio programs, but since I am a fan of old time radio, perhaps, I’m just projecting my favorite things onto Fragmenta 3.
Like most anything Candle Light Press publishes, Fragmenta 3: On the Record is smart, funny, engaging, and simply a good read.
Visit the CLP store: http://candlelightpress.com/shopper/
Wednesday, July 27, 2011
STAR WARS: JEDI – THE DARK SIDE #3
DARK HORSE BOOKS
["Star Wars Central" review page is here.]
SCRIPT: Scott Allie
ARTIST: Mahmud Asrar
COLORS: Paul Mounts
LETTERS: Michael Heisler
COVER: Stéphane Roux
32pp, Color, $2.99
Star Wars: Jedi – The Dark Side is a recently launched Star Wars comic book series from Dark Horse Comics. It is set during “The Rise of the Empire” era, which is essentially the time period of the Star Wars prequel trilogy. This particular story takes place two decades before Star Wars: Episode I – The Phantom Menace.
In Star Wars: Jedi – The Dark Side, the Jedi Council sends Jedi Master Qui-Gon Jinn, his headstrong Padawan Xanatos, the beautiful Jedi Master Tahl, and the Padawan Orykan Tamarik (whose master is deceased) to the planet Telos IV. Their assignment is to quell the unrest caused by the mysterious death and possible assassination of High Priestess Liora.
As Star Wars: Jedi – The Dark Side #3 opens, Qui-Gon attempts to bring peace between Xanatos and his father, Lord Crion, the ruler of Telos IV. Father and son have a difficult relationship, made even more difficult by Crion’s pride and Xanatos’ stubborn ways. Xanatos’ sister, Nason, also tries to bring her brother and father together, but she may be endangering herself. Meanwhile, the dissidents on Telos IV grow bolder, and the mysterious Jedi figure that may be behind the planet’s troubles is revealed to Qui-Gon,
Writer Scott Allie has turned Star Wars into a high-quality court drama and conspiracy thriller. This is more like a summer potboiler prose novel than a comic book. Artist Mahmud Asrar does his best work in depicting the Jedi in action. His art captures the jumping, flipping, cart-wheeling Jedi of The Phantom Menace in still pictures that don’t lose the energy of the moving image originals. I didn’t think that I’d like this, but I’m actually looking forward to more, especially because Allie presents a richly characterized version of Qui-Gon.
Imagine the uproar if Barack Obama, in the middle of this historic revenue crunch and "We're so broke the world is going to end tomorrow!" debt-ceiling hystgeria, decided to declare a second “one-time tax holiday” for, say, unwed single mothers, or recipients of public assistance? Middle America would be running through the streets, firing shotguns out its truck window, waving chainsaws in mall lobbies, etc.
Best Continuing Series
Chew, by John Layman and Rob Guillory (Image)
Best Short Story
"Post Mortem," by Greg Rucka and Michael Lark, in I Am an Avenger #2 (Marvel)
Best Single Issue (or One-Shot)
Hellboy: Double Feature of Evil, by Mike Mignola and Richard Corben (Dark Horse)
Best Limited Series
Daytripper, by Fábio Moon and Gabriel Bá (Vertigo/DC)
Best New Series
American Vampire, by Scott Snyder, Stephen King, and Rafael Albuquerque (Vertigo/DC)
Best Publication for Kids
Tiny Titans, by Art Baltazar and Franco (DC)
Best Publication for Teens
Smile, by Raina Telgemeier (Scholastic Graphix)
Best Humor Publication
I Thought You Would Be Funnier, by Shannon Wheeler (BOOM!)
Mouse Guard: Legends of the Guard, edited by Paul Morrissey and David Petersen (Archaia)
Best Digital Comic
Abominable Charles Christopher, by Karl Kerschl, www.abominable.cc
Best Reality-Based Work
It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)
Best Graphic Album—New
Return of the Dapper Men, by Jim McCann and Janet Lee (Archaia)
Wilson, by Daniel Clowes (Drawn & Quarterly)
Best Graphic Album—Reprint
Wednesday Comics, edited by Mark Chiarello (DC)
Best Adaptation from Another Work
The Marvelous Land of Oz, by L. Frank Baum, adapted by Eric Shanower and Skottie Young (Marvel)
Best Archival Collection/Project—Strips
Archie: The Complete Daily Newspaper Strips, 1946–1948, by Bob Montana, edited by Greg Goldstein (IDW)
Best Archival Collection/Project—Comic Books
Dave Stevens' The Rocketeer Artist's Edition, edited by Scott Dunbier (IDW)
Best U.S. Edition of International Material
It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)
Best U.S. Edition of International Material—Asia
Naoki Urasawa's 20th Century Boys, by Naoki Urasawa (VIZ Media)
Joe Hill, Lock & Key (IDW)
Darwyn Cooke, Richard Stark's Parker: The Outfit (IDW)
Best Penciller/Inker or Penciller/Inker Team
Skottie Young, The Marvelous Land of Oz (Marvel)
Best Painter/Multimedia Artist (interior art)
Juanjo Guarnido, Blacksad (Dark Horse)
Best Cover Artist
Mike Mignola, Hellboy, Baltimore: The Plague Ships (Dark Horse)
Dave Stewart, Hellboy, BPRD, Baltimore, Let Me In (Dark Horse); Detective Comics (DC); Neil Young's Greendale, Daytripper, Joe the Barbarian (Vertigo/DC)
Todd Klein, Fables, The Unwritten, Joe the Barbarian, iZombie (Vertigo/DC); Tom Strong and the Robots of Doom (WildStorm/DC); SHIELD (Marvel); Driver for the Dead (Radical)
Best Comics-Related Periodical/Journalism
ComicBookResources, produced by Jonah Weiland (www.comicbookresources.com)
Best Comics-Related Book
75 Years of DC Comics: The Art of Modern Mythmaking, by Paul Levitz (TASCHEN)
Best Publication Design
Dave Stevens' The Rocketeer Artist's Edition, designed by Randall Dahlk (IDW)
HALL OF FAME
Judges' Choices: Ernie Bushmiller, Jack Jackson, Martin Nodell, Lynd Ward
Elected: Mort Drucker, Harvey Pekar, Roy Thomas, Marv Wolfman
Russ Manning Promising Newcomer Award:
Bob Clampett Humanitarian Award:
Bill Finger Excellence in Comic Book Writing Award:
Del Connell, Bob Haney
Will Eisner Spirit of Comics Retailer Award:
Comics & Vegetables, Tel Aviv, Israel - Yuval Sharon, Danny Amitai
IDW Garners Five Trophies
SAN DIEGO – The 2011 Will Eisner Comic Industry Awards, presented by Comic-Con International (Comic-Con®), ended on an unusual note Friday night with the Best Graphic Album-New category going to two winners: Jim McCann and Janet Lee's Return of the Dapper Men (published by Archaia) and Dan Clowes's Wilson (published by Drawn & Quarterly). The awards, considered the "Oscars®" of comics [Considered by whom? Morons? - Leroy], were presented in a gala ceremony at the Indigo Ballroom of the Hilton Bayfront. The "Eisners," which honor comics' best and brightest, were held as part of Comic-Con, the world's largest comic book and popular arts event in the Western Hemisphere.
The Graphic Album category is somewhat comparable to "Best Picture" in the comics industry [What a ridiculous thing to claim - Leroy]. Other notable winners included horror novelist Joe Hill for Best Writer (Locke & Key, IDW), Chew (Image) by John Layman and Rob Guillory for Best Continuing Series, Daytripper (Vertigo/DC) by Brazilian brothers Gabriel Bá and Fábio Moon for Best Limited Series, and American Vampire (Vertigo/DC) by Scott Snyder, Stephen King, and Rafael Albuquerque for Best New Series.
Creators who received multiple awards were Hellboy creator Mike Mignola (Best Cover Artist, Best Single Issue for Hellboy: Double Feature of Evil, published by Dark Horse), famed French cartoonist Jacques Tardi (Best Reality-Based Work and Best U.S. Edition of International Material for It Was the War of the Trenches, published by Fantagraphics), and artist Skottie Young (Best Adaption from Another Work and Best Penciller/Inker for The Marvelous Land of Oz, published by Marvel).
The publisher taking away the most awards was IDW, with five total, including two for Dave Stevens' The Rocketeer Artist's Edition, in addition to Joe Hill's Best Writer nod and Darwyn Cooke's win for Best Writer/Artist. DC Comics had four winners plus two shared, along with bragging rights for the Best Comics-Related Book: 75 Years of DC Comics, by Paul Levitz. Dark Horse had three winners (including the two for Mignola) plus two shared. Marvel Comics received three trophies, while Archaia and Fantagraphics receive two. Other publishers taking home trophies included BOOM!, Drawn & Quarterly, Image, Scholastic, and VIZ.
The evening was presided over by Bill Morrison, creative director for Matt Groening's Bongo Comics. The evening was divided into three segments, each with special hosts. It kicked off with writer/actors Ben Garant and Tom Lennon (Reno 911, Night at the Museum), who acted out their script for a multimillion-dollar Eisner Awards opening number. The second segment was hosted by Comic-Con special guests Anina Bennett and Paul Guinan, creators of the steampunk bestseller Boilerplate: History's Mechanical Marvel. The host for the final segment was actor/voice actor Phil LaMarr (Pee Wee's Playhouse, Futurama, Samurai Jack).
Presenters during the evening included actor/author Lance Henriksen (Millennium, Aliens); bestselling author Glen David Gold (Carter Beats the Devil); British talk show host and comics author Jonathan Ross; Eisner nominees Gerry Alanguilan, Ian Boothby, Joe Hill, Gabriel Rodriguez, Greg Rucka, and Jill Thompson; and Comic-Con special guests Dave Gibbons, Joëlle Jones, Patrick McDonnell, and Walter and Louise Simonson.
Sergio Aragonés once again presented the Hall of Fame Awards. The eight inductees and their acceptors were: Nancy creator Ernie Bushmiller (accepted by Denis Kitchen), MAD cartoonist Mort Drucker (accepted by MAD art director Sam Viviano), underground comix pioneer Jack Jackson (accepted by his son, Sam) Green Lantern co-creator Martin Nodell (accepted by his son, Spencer), autobiographical comics writer Harvey Pekar (accepted by his wife, Joyce Brabner), comics writer/editor Roy Thomas, pioneer graphic novelist Lynd Ward (accepted by his daughter, Robin Ward Savage), and comics writer/artist Marv Wolfman.
Among the other awards given out over the evening were the Comic-Con's Clampett and Manning awards. The Bob Clampett Humanitarian Award, presented by Bob's daughter Ruth, went to Mutts cartoonist Patrick McDonnell, for his efforts for animal welfare. The Russ Manning Promising Newcomer Award went to Nate Simpson (writer/artist of Nonplayer, published by Image Comics) and was presented by past Manning recipient Chris Bailey.
The seventh annual Bill Finger Award for Excellence in Comic Book Writing was presented by Mark Evanier to 93-year-old Del Connell (prolific Dell Comics/Disney writer, Space Family Robinson), accepted by his son, Brady, and to the late Bob Haney (Metamorpho, Brave & the Bold, Doom Patrol), whose award was accepted by Ramona Fradon. Maggie Thompson (editor of Comics Buyers Guide) introduced the special In Memoriam video salute.
The Will Eisner Spirit of Comics Retailer Award, given to a store that has done an outstanding job of supporting the comics art medium both in the community and within the industry at large, went to Comics & Vegetables of Tel Aviv, Israel. Baby Tattoo, publishers of books for kids and adults, sponsored the retailer award.
The title sponsor for this year's Eisner Awards was Advanced Micro Devices which gave away a free computer to a lucky audience member. The principal sponsors were Gentle Giant Studios and Lebonfon Printing. Supporting sponsors were Alternate Reality Comics of Las Vegas; Atlantis Fantasyworld of Santa Cruz, CA; Diamond Comic Distributors; Flying Colors and Other Cool Stuff of Concord, CA; mycomicshop.com; Strange Adventures of Halifax, Nova Scotia; Warp 1 of Edmonton, Alberta; and Mel Thompson and Associates.
The Eisner Awards are part of, and underwritten by, Comic-Con International: San Diego, a nonprofit educational organization dedicated to creating awareness of and appreciation for comics and related popular art forms, primarily through the presentation of conventions and events that celebrate the historic and ongoing contributions of comics to art and culture.
Tuesday, July 26, 2011
MAY110188 ACTION COMICS #903 (DOOMSDAY) $2.99
NOV100304 AME COMI BATGIRL V.1 BLACK SUIT VARIANT PVC FIGURE $60.00
NOV100303 AME COMI CATWOMAN V.2 BLUE SUIT VARIANT PVC FIG $60.00
MAY110286 AMERICAN VAMPIRE #17 (MR) $2.99
MAR110348 BATMAN STREETS OF GOTHAM HC VOL 03 HOUSE OF HUSH $22.99
MAY110201 BATMAN THE DARK KNIGHT #4 (RES) $2.99
APR110195 BLACKEST NIGHT RISE OF THE BLACK LANTERNS TP $19.99
APR110196 BLACKEST NIGHT TALES OF THE CORPS TP $19.99
MAY110182 BRIGHTEST DAY AFTERMATH SEARCH FOR SWAMP THING #2 (OF 3) $2.99
MAY110274 CARTOON NETWORK ACTION PACK #62 $2.99
MAY110238 DC COMICS PRESENTS SHAZAM #1 $7.99
MAY110194 DC RETROACTIVE GREEN LANTERN THE 70S #1 $4.99
MAY110196 DC RETROACTIVE JUSTICE LEAGUE AMERICA THE 70S #1 $4.99
MAY110191 DC RETROACTIVE SUPERMAN THE 70S #1 $4.99
MAY110200 DETECTIVE COMICS #880 $2.99
MAY110288 FABLES #107 (MR) $2.99
MAY118213 FLASHPOINT ABIN SUR THE GREEN LANTERN #1 (OF 3) 2ND PTG $2.99
MAY110181 FLASHPOINT HAL JORDAN #2 (OF 3) $2.99
MAY110179 FLASHPOINT KID FLASH LOST #2 (OF 3) $2.99
MAY110177 FLASHPOINT LOIS LANE AND THE RESISTANCE #2 (OF 3) $2.99
MAY110180 FLASHPOINT PROJECT SUPERMAN #2 (OF 3) $2.99
APR110231 GEARS OF WAR #18 (MR) $2.99
MAY110211 GOTHAM CITY SIRENS #25 $2.99
MAY110222 GREEN ARROW #14 $2.99
MAY110158 GREEN LANTERN CORPS #62 $2.99
MAY110160 GREEN LANTERN EMERALD WARRIORS #12 $2.99
NOV100297 HEROES OF THE DCU BLACKEST NIGHT ATROCITUS BUST $70.00
NOV100301 HEROES OF THE DCU HAWK BUST $70.00
MAR110354 JUSTICE HC $39.99
MAY110223 JUSTICE SOCIETY OF AMERICA #53 $2.99
NOV100298 RED LANTERN 1/4 SCALE POWER BATTERY & RING PROP $35.00
MAY110231 TEEN TITANS #98 $2.99
NOV100302 WOMEN OF THE DCU SER 3 DOVE BUST $70.00
MAY110218 WONDER WOMAN #613 $2.99
MAY110234 XOMBI #5 $2.99
MAY110272 YOUNG JUSTICE #6 $2.99
MAY110632 AMAZING SPIDER-MAN #666 SPI $3.99
MAY110733 ASTONISHING SPIDER-MAN AND WOLVERINE PREM HC $24.99
MAY110673 ASTONISHING X-MEN #40 $3.99
MAY110591 AVENGERS ACADEMY #16 FEAR $2.99
MAY110744 AVENGERS ACADEMY TP VOL 01 PERMANENT RECORD $19.99
MAY110745 AVENGERS BY BRIAN MICHAEL BENDIS TP VOL 01 $19.99
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DARK HORSE BOOKS
SCRIPT: Arvid Nelson
PENCILS: Andrea Mutti
INKS: Pierluigi Baldassini
COLORS: Michael Atiyeh
LETTERS: Michael Heisler
COVER: Glenn Fabry
32pp, Color, $3.50
“After the Impact” Part 2 of 3
Rage, the upcoming first-person shooter game from id Software, is also a comic book. Dark Horse Comics is publishing the three-issue comic book miniseries, also entitled Rage, based on the game from the developers of Doom and Quake. Written by Arvid Nelson (Rex Mundi) and drawn by Andrea Mutti, “After the Impact,” is an original tale and an introduction to the world of Rage.
Rage takes place on an Earth that was struck by Asteroid 99942 – codename: Apophis – on April 13, 2037. Five billion people die within 24 hours, but a tiny fraction of the population survived devastation by living in burrowing cryo arks. They emerged to find Earth a wasteland controlled by a global military dictatorship called the Authority. It is 2095, and Dr. Elizabeth Cadence is revived. Now, she is the scientist determined to discover the full extent of the Authority’s deceptions.
In Rage #2, Elizabeth believes that the radiation from Apophis is not the cause of the mutation that has turned survivors into mindless, bloodthirsty marauders. She confronts her old colleague Dr. Antonin Kvasir, a fellow survivor who is also working for the Authority, but whatever he knows, he is afraid to discuss for fear of being murdered. Meanwhile, Elizabeth discovers just how much of a bastard Authority officer, Colonel James Casey, is.
I’m not sure if Rage the comic book will make anyone want to play Rage the came, but if they read Rage, they’ll be getting a good read. The streamlined script by Arvid Nelson offers deft characterization and engaging conflict. The excellent art by Andrea Mutti is ideally fit for science fiction comics and has a graphic style that captures this story’s grittiness. I don’t know about the game, but the comic book is certainly good.
Monday, July 25, 2011
DARK HORSE COMICS
WRITER: Ron Marz
PENCILS: Bart Sears
INKS: Randy Elliot
COLORS: Mark Roberts
LETTERS: Troy Peteri
COVER: Stjepan Sejic
32pp, Color, $3.50
What do I hate about Conan: Island of No Return? I hate that it’s over. I also love Stjepan Sejic’s cover, which reminds me of the covers for The Savage Sword of Conan, one of my all time favorite comic books,
Conan: Island of No Return is a two-issue miniseries that, according to Dark Horse Comics, will act as an interlude to the main series, Conan: Road of Kings. Island of No Return follows Conan and half-sisters/thieves, Brenna and Venya, to a remote island that is supposedly home to the fabled treasure hoard of late Prince Mikkinos.
As Conan: Island of No Return #2 begins, Conan and the sisters learn that they aren’t the only ones on the island looking for treasure. As the stakes rise, Conan begins to wonder how much not to trust the sisters. If he thinks they’re dangerous, wait until he meets the thing guarding the treasure.
[This comic book includes an episode of “The Adventures of Two-Gun Bob” by Jim and Ruth Keegan.]
THE LOWDOWN: Because the second issue was very enjoyable to read, I can stand by what I said about the first issue of Conan: Island of No Return. Ron Marz has written a fast moving tale that has some of the best things that make Conan great – sword-fighting, sorcery, monsters, lost treasure, and treacherous gorgeous women.
Bart Sears, whose art I enjoyed in the first issue, actually improves. His sinewy pencils capture the sharp edges in both plot and character motivation, but in this issue, the compositions are more robust. They capture Conan’s brawny physique and cat-like grace and give power to the fight scenes. The inking by Randy Elliot, which seemed too heavy over Sears’ pencils in the first issue, actually improves and embellishes the best aspects of the art. I was not really crazy about the colors, but now the colors make this book sparkle and bring to life the ruins, rubble, and caverns that are the setting for this tale.
Sunday, July 24, 2011
FANTAGRAPHICS BOOKS TO PUBLISH THE EC COMICS LIBRARY
Fantagraphics Books President and Co-Publisher Gary Groth announced today at Comic-Con International that it has entered into a publishing agreement with William M. Gaines Agent, Inc. to publish the EC Comics Library, be- ginning in Summer 2012. The announcement teams two of the most storied comics publishers in history and aims to reintroduce the timeless work of EC to contemporary readers.
Fantagraphics will re-package the EC Comics (with the exception of MAD, which is now owned by DC Comics/Time Warner) in a series of handsome hardcovers devoted to specific artists and writers. While virtually all previous EC collections have been published by comic book title, Fantagraphics will collect the comics by artist, allowing fans to finally own single-volume tomes collecting the work of their favorite creators.
“It pleases me greatly to be in partnership with such an influential company as Fantagraphics,” said Cathy Gaines Mifsud, President of William M. Gaines Agent, Inc. “It’s a pleasure to be working with a company that shares similar values, yet retains unique and distinct creativity. I trust them fully to carry on the iconic EC brand.”
Entertaining Comics may have been the greatest mainstream publisher in comics history, with an attention to quality and consistency that has never been rivaled. Under the stewardship of William Gaines (who took over the company from his father, Max Gaines, in 1947), EC’s “New Trend” line employed a Murderer’s Row of writers and artists including Harvey Kurtzman, Wally Wood, Jack Davis, Johnny Craig, Al Feldstein, Reed Crandall, Will Elder, Frank Frazetta, Graham Ingels, Jack Kamen, Bernard Krigstein, John Severin, Al Williamson, Joe Orlando, and many others.
“EC was the most consistently literate and quality-minded publisher in the history of mainstream comics,” said Groth. “Editors Al Feldstein and Harvey Kurtzman were aware that comics was an artistic medium in a way that few editors did, and publisher Bill Gaines was unique in taking a hands-on approach to his comics line, choosing his editors wisely, giving them such editorial freedom and latitude, and taking such personal pride —and responsibility— in his comics. This was simply unheard of in mainstream comics; if more publishers had had Gaines’ integrity, the history of comics would’ve been vastly different.”
Like most of its contemporaries, EC specialized in genre fiction, specifically horror, crime, science-fiction, war, and satire, with several titles that seeped into the public consciousness long after their demise, including Tales from the Crypt, Two-Fisted Tales, Weird Science, and of course MAD. Unlike most of its contemporaries, Gaines and his staff took great pride in crafting socially aware works that transcended their genres. “At a time when comics were consid- ered sub-literate junk by the reading public, Gaines and the EC creators were impressing people like Ray Bradbury with the aesthetic possibilities of the medium. That was no mean feat,” Groth added.
The first four books in the series will be:
• “Corpse on the Imjin” and Other Stories by Harvey Kurtzman. This will reprint all the war stories Kurtzman wrote and drew himself in Two-Fisted Tales and Frontline Combat, including all 23 of his covers — each a masterpiece in its own right. This volume will also include all the war stories that Kurtzman wrote and laid out but were drawn by artists who weren’t regularly featured in his war books: Gene Colan, Joe Kubert, Alex Toth, Dave Berg, Ric Estrada, Russ Heath, and others. (The regulars were Jack Davis, John Severin, Wally Wood, and George Evans, each of whom will later be the subject of their own war comics collections). Kurtzman’s war comics are still considered to be the gold standard for the genre, with a devotion not only to historical accuracy but also to resisting any impulse to glamorize wartime; a WWII veteran himself, Kurtzman’s humanistic approach was in stark contrast to the simp- leminded, jingoistic efforts of EC’s rival publishers, and paved the way for other popular media to depict the true face of war.
• “Came the Dawn” and Other Stories by Wally Wood: Though often remembered for his science-fiction work, Wood’s heavy, noirish brushstrokes were perfectly suited for EC’s rough-hewn suspense stories in (the appropriately titled) Shock SuspenStories and this volume will collect them all for the first time.
• Jack Davis’s horror stories (exact title t.b.a.): Jack Davis’s gift for caricature has made him an icon in the advertis- ing world and helped define MAD magazine, but he was also one of the most versatile cartoonists of his generation; after “Ghastly” Graham Ingels, Davis was EC’s most prolific horror artist, appearing in all three of EC’s horror titles — Haunt of Fear, Vault of Horror, and Crypt of Terror. This will collect the entirety of Davis’s horror work, all of which was written by Al Feldstein.
• Al Williamson’s science-fiction stories (exact title t.b.a.): EC published two SF comics — Weird Fantasy and Weird Science — and Williamson was one of the stars, with an illustrative style that carried on the tradition of the great adventure comic strips like Alex Raymond’s Flash Gordon. This volume will compile all 174 pages of Williamson’s SF stories.
“EC featured many of the best artists working at the time — innovators like Kurtzman, Bernie Krigstein, and Johnny Craig, illustrators like Al Williamson and Jack Kamen, and renaissance cartoonists like Wally Wood, Will Elder, and Jack Davis,” said Groth. “Many of these artists did the best work of their careers for EC, and that is directly attributable to the creative environment Gaines created.”
Fantagraphics will be publishing four EC collections a year, beginning in Summer 2012.
“Came the Dawn” and Other Stories
By: Wally Wood, Al Feldstein, et al.
Release Date: July 2012
Black & White • Hardcover • 7” x 10”
“Corpse on the Imjin” and Other Stories
By: Harvey Kurtzman et al.
Release Date: July 2012
Black & White • Hardcover • 7” x 10”
*The EC Comics bullet logo is a trademark of William M. Gaines Agent, Inc.
**Images © 2011 William M. Gaines Agent, Inc.
JULY 23, 2011, SAN DIEGO, CA—Fantagraphics Books President and Co-Publisher Gary Groth announced today at Comic-Con International that the Seattle-based publisher has entered into an agreement to publish The Complete ZAP Comix in Fall of 2012.
ZAP remains the best-known and most influential underground comic of all-time, and in many ways is Ground Zero for the entire field of underground, alternative, literary and art comics that exists today. Created by Robert Crumb, it was one of the defining events in the counterculture of the 1960s and singlehandedly launched the “underground comix” era.
“ZAP took comics from children to adults, crushing The Comics Code Authority in the process,” proclaimed ZAP artist Victor Moscoso.
The Complete ZAP Comix will be published as a two-volume, slipcased hardcover set, printed slightly larger than the original comics, and shot from the original negatives to the comic books, ensuring the finest reproduction ever seen of the material. It will also include the rarely-seen ZAM, a one-shot mini-comic/jam spinoff of ZAP from 1974, as well as other supplementary features, interviews with the artists, and other surprises.
“ZAP may be the most significant series in the history of American comics,” said Fantagraphics President and Co- Publisher Gary Groth. “Its cultural preeminence is the result of artistic merit, not collectibility or economics and that sets it apart from most comics series that have achieved this level of public awareness or notoriety. The artists that Crumb invited into ZAP each proved to be a stylistic virtuoso with a unique point of view and an uncompromising vision. ZAP was the vanguard of a movement that segued into the alternative comics of the ’80s and the graphic novels of the ’00s. We couldn’t be prouder to collect this landmark series in its entirety in a beautifully packaged two-volume set.”
Originally printed by Beat writer Charles Plymell in an edition of around 3,500 copies, ZAP #1 was the first title published by the late Don Donahue under the Apex Novelties imprint, and was infamously sold on the streets of Haight-Ashbury out of a baby stroller pushed by Crumb’s ex-wife, Dana. Over time, the series’ 16 issues have sold millions of copies.
Although R. Crumb had initially created ZAP as a showcase for his own work, the success of the first issue led him to open up the pages of subsequent issues to several other artists. He invited his peers S. Clay Wilson, Robert Wil- liams, “Spain” Rodriguez, Gilbert Shelton, Victor Moscoso and Rick Griffin to join him, effectively creating an artists’ collective that has remained mostly constant in the subsequent decades; when Rick Griffin died in 1991, the artist Paul Mavrides was invited to join the group.
“Fantagraphics’ The Complete ZAP Comix, as designed by Victor Moscoso, will be a classy item for the bookshelves of underground comics fans — those who can afford it, that is,” said ZAP artist Gilbert Shelton. “I imagine most of the original readers wish they still had their copy of the first edition of ZAP # 1, which sells for over ten thousand dollars now, if in perfect condition. But part of the secret of the success of underground comix was that they werecheaply produced and turned yellow and fell apart quickly, and also that they were borrowed and never returned by one’s friends, thereby forcing you to buy another copy. This will not happen with the new collected edition, which will be produced under the most rigorous of quality control.”
“Much as the effect EC’s MAD had on the mid-20th Century, ZAP was equally influential and disruptive to cultural mores at the end of the 20th Century, but without the hindrance of the old comic book code that cramped graphic novel expression for 40 years,” said ZAP artist Robert Williams. “I’m very pleased that Fantagraphics will release this long-awaited compendium of ZAP Comix.”
“When Robert Crumb started ZAP in 1968, no one had any idea that it would still be alive 45 years later,” Shelton added. “This exercise in anarchy — there were never any rules, restrictions, or editorial policy — is still the flagship of the underground comics movement. I tried, and failed, to get my fellow ZAPsters to correct their spelling errors, but they would not be subjected to such editorial tyranny. I also wanted to let other artists into the group, but it was decided to restrict the number of contributors to seven. So be it. Spell free or die, I now say.”
Fantagraphics will be publishing the The Complete ZAP Comix in Fall of 2012.
The Complete ZAP Comix
By: R. Crumb, S. Clay Wilson, Robert Williams, Spain Rodriguez, Gilbert Shelton, Victor Moscoso, Rick Griffin, & Paul Mavrides
Release Date: Fall 2012
Page Count: 800 PP
B & W + Full Color • Two-Volume, Slipcased Hardcover Set
Extension of VIZ Media’s Digital Platform Expands Manga Audience to All Web Users in U.S. and Canada
San Francisco and San Diego, CA, July 22, 2011 – VIZ Media, the largest distributor and licensor of anime and manga in the North America, announced the launch of VIZManga.com at their 25th Anniversary Party in San Diego during the annual Comic-Con International convention. The website joins VIZ Media’s existing digital manga platform and launched with 40 series currently available on the VIZ MANGA App for iOS devices, including the wildly popular titles NARUTO, BLEACH, BLUE EXORCIST, OURAN HIGH SCHOOL HOST CLUB and VAMPIRE KNIGHT. With this expansion of the platform, fans can browse and access their digital manga from VIZManga.com and through the VIZ Manga Apps for the iPad™ and iPhone™/iPod™ touch. With one account, registered users will be able to view their purchases across even more devices than ever.
“Our digital publishing team wants manga to be available to as many fans as possible, no matter what device or digital experience people prefer,” said Brian Piech, Vice President, Digital Publishing. “Making our extensive library of the best titles direct from Japan available on VIZManga.com is a natural extension of our current VIZ MANGA apps available on all iOS devices. One purchase can now be read across multiple devices.”
VIZ Media’s digital manga platform allows for universal access for fans from their iPhone, iPod touch, iPad, or now, VIZManga.com. Pricing for manga titles on the web will be identical to the VIZ MANGA app. The first chapter of all manga titles will be available as a free preview. Through July 31st, all Volume 1 manga titles will be 40% off.
The VIZ Media digital platform now has an online destination for reading manga on desktop/laptop computers and on Android-powered devices with built-in web browsers. The VIZ Manga App continues to be the top app for reading manga on iOS devices and features a rapidly growing library of the most popular manga series in the world, currently offering 40 series and over 300 volumes, with new additions and free Chapter 1 previews added weekly.
For more information, visit http://www.vizmanga.com/ or www.VIZ.com/apps.
Saturday, July 23, 2011
DARK HORSE COMICS
WRITER: Mario Hernandez
ARTIST: Gilbert Hernandez
PIN-UP: Jaime Hernandez
EXTRA ART: Mario Hernandez, Gilbert Hernandez
ISBN: 978-1-59582-556-8; hardcover
144pp, B&W, $19.99 U.S., $21.99 CAN
I love Love and Rockets and its creators, Los Bros., Gilbert Hernandez and his brother, Jaime Hernandez. There is a third brother, Mario Hernandez, who created Love and Rockets with his better known brothers, but who doesn’t produce comix as much as Beto and Xaime do.
Citizen Rex was a six-issue miniseries from Mario and Gilbert Hernandez published by Dark Horse Comics in 2009. The recently released Citizen Rex HC collects the original six issues with new text material from Mario and sketchbook drawings from both Mario and Gilbert. There is also frontispiece art by Jaime.
Citizen Rex revolves around two characters. The first is Sergio Bauntin, a gossip blogger also known as “Bloggo.” Sergio writes a web column titled, “The 3 O’Clock” that debunks urban legends and also takes shots at the elite.
The second primary character is CTZ-RX-1, who is also called “Citizen Rex” or just Rex. Rex is the most famous life-like robot in the world. 20 years before this story is set, Rex was involved in a scandalous affair with socialite, Renata Skink. This affair is what brought Rex’s popularity down and led to his deactivation.
Now, Rex is back, but why no one seems to know. Maybe, his return is tied to the simmering robot rights movement. Perhaps, it involves the recent activities of his creator, robot developer, GRA. Whatever the reason, Sergio is drawn into a conspiracy that involves his father, his uncles, his aunts, and even Renata Skink’s daughter, Sigi. There are also plenty of powerful people, including scientists and criminals, that don’t want the truth coming out regarding their dark past and their darker plans for the future.
Practically all of Gilbert Hernandez’s comix, from his soap operatic, generations-spanning, Luba stories to his quirky B-movie-style, science fiction and weird fiction tales. When Mario acts as Gilbert’s collaborator, specifically as the writer, the two create comix that are like Gilbert’s, but are more linear in the storytelling. The Mario-Gilbert stories are less nonsensical, but are no less inventive and imaginative.
Citizen Rex is set in a bizarre, sexy future, but that world is familiar in terms of people’s desires, political machinations, and corporate crimes. The characters, large or small, are as interesting as they are quirky, and Gilbert’s ability to make each character unique gives each character a sense of individuality.
As a work of science fiction, Citizen Rex is both thoughtful and plausible. It makes salient points about the conflict between humans and advancing technology and also what it means to be human. In fact, Citizen Rex does that better than science fiction movies about artificial intelligence that only pretend to be thoughtful, but are really all about action scenes and set pieces.
Of course, Citizen Rex has plenty of melodrama, and there are indeed several big action set pieces. At the heart of this book, however, is the theme of the inscrutable nature of humans and, in this case, robots.
The Citizen Rex HC sketchbook material and extras are generous and extensive, so readers will get a detailed look at the behind-the-scenes creation of this graphic novel. Apparently Neil Gaiman, as guest editor, selected this to be in Houghton Mifflin’s Best American Comics 2010. Citizen Rex deserves inclusion; it is one of the really quality science fiction comic books of this new century.
Friday, July 22, 2011
Gardena, CA (July 20, 2011) - Digital Manga inc. is proud to announce the launch of our latest imprint: PROJECT-H!
Project-H is a special publishing imprint, http://www.projecth-books.com/, powered by 801 Media. The titles are explicit Seinen Hentai manga with the age rating M 18+. The first three titles to be released are Riosuke Yasui’s Shocking Pink! (Aug 24th), Hiroshi Itaba’s Three P (Oct 20th), and KUON Michiyoshi’s Embrace and Bloom (Nov23rd)!
Pre-orders for the two books are available now through Akadot Retail, akadot.com, and for wholesale through Digital Manga Direct , http://www.dmd-sales.com/
SHOCKING PINK! written and illustrated by Riosuke Yasui - Rated M (Ages 18+), 5″ x 7.2″, MSRP: $17.95 US, $19.99 CAD, Available: August 24, 2011*Available for Pre-order Now!
When a girl claiming to be the descendent of Lui Bei, the founding emperor of the Shu Han state of the ancient Three Kingdoms of China, approaches you because your name is almost identical to said emperor's chancellor and prize strategist, what is a boy to do? Especially when she is very attractive and really, really, really wants you to become her royal strategist as she carves out her destiny? Join in the romp of course, and enjoy the delights offered along the way!
THREE P written and illustrated by Hiroshi Itaba - Rated M (Ages 18+), 5″ x 7.2″, MSRP: $17.95 US, $19.99 CAD, Available: October 20, 2011 *Available for Pre-order TBA
Come and check out the 3 sizzling hot college co-eds: Reika, Sara and Mizume. Reika – she looks conservative, like a girl next door, but watch out! She’s the wild one! She always gets what she wants! Sara – men just don’t know how to say “no” to her pretty cute face! And Mizume – is the beautiful one and she plays hard-to-get with men. These gal pals have no secrets from each other! They talk about their boyfriend problems, sex problems and compare notes! What would you do if you found out that your boyfriend is cheating on you? Would you be mad or would ask them if you can join them for a threesome? They’ll show you how to have fun! This oneshot contains 9 short stories of these 3 co-eds having lots of naughty sex!
EMBRACE & BLOOM written and illustrated by Kuon Michiyoshi - Rated M (Ages 18+), 5″ x 7.2″, MSRP: $17.95 US, $19.99 CAD, Available: November 23, 2011 *Available for Pre-order TBA
This anthology features works about hot & steamy sexcapade of nine delicious young ladies who aim to please and be pleased. Lots of erotic scenes to get your senses tickled! Come and check out which one of the nine you like the best!
*Pre-orders available through Digital Manga Direct, DMI’s Publisher’s Direct program. Please visit our website at http://www.dmd-sales.com/ to make an account and an order.
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About Digital Manga Publishing
Located in Gardena, CA, Digital Manga Publishing is one of the industry's most unconventional and innovative companies, specializing in building corporate and cultural bridges from Japan to the Western Hemisphere - specifically through the licensing, importation and preparation of anime (Japanese animation), manga (Japanese comic books) and related merchandise for the North American mainstream and subculture markets. In this capacity, DMI serves as a catalyst for the expansion of Japanese pop culture institutions into global arenas. The company's imprint line includes DMP: its mainstream imprint, DMP PLATINUM: its classic manga imprint, JUNE´: its boys love imprint, 801 MEDIA: its adult boys love imprint, DokiDoki: its exclusive co-publishing imprint with Shinshokan Publishing, Project-H: its Seinen Hentai manga imprint powered by 801 Media, and DMG: its own digital distribution initiative.
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