I Reads You: Review

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Wednesday, April 2, 2025

#IReadsYou Review: LORD OF THE JUNGE Volume 3 #5

LORD OF THE JUNGLE VOLUME 3 #5

DYNAMITE ENTERTAINMENT

STORY: Dan Jurgens

ART: Benito Gallego

COLORS: Francesco Segala with Agnes Pozza

LETTERS: Carlos M. Mangual

EDITOR: Matt Idelson

COVER: Philip Tan

32pp, Color, $3.99 U.S. (May 2023)

Rated Teen+

“Law of the Jungle”

Tarzan is one of the most famous fictional characters in the world. Tarzan was an orphan and the archetypal “feral child,” and in this instance, he was raised in the African jungle by great apes. Tarzan was born a noble, John Clayton, Lord Greystoke, but he rejected civilization and lived in the wilds of Africa as a heroic adventurer. Tarzan was created by Edgar Rice Burroughs and first appeared in the novel, Tarzan of the Apes, which began serialization in All-Story Magazines in 1912, before it was published in book form in 1914. Tarzan would go onto to be a multimedia star, appearing in films, on television, and in comic books.

The latest Tarzan comic book is Dynamite Entertainment's Lord of the Jungle Volume 3. It is written by Dan Jurgens; drawn by Benito Gallego; colored by Francesco Segala; and lettered by Carlos M. Mangual. Tarzan's friend, an African local named Bouanga, recounts an event that occurs in the early years of Tarzan's adventures. Now, the Lord of the Jungle has returned to right a past wrong no matter what manner of beast or obstacle stands in his way.

Lord of the Jungle Volume 3 #5 (“Law of the Jungle”) opens in Africa, in the 1959. Tarzan's old friend, Bouanga, is being interrogated by local police. Where is Tarzan, they demand of Bouanga? Meanwhile, Tarzan has traveled to “ the Valley of Mists,” where he means to keep his promise to return the “Diamonds of the Triad,” the jewels that were once treasures from the Valley of Mists.

Bouanga tells the story of how Carson, a white hunter from England, first encountered Tarzan decades earlier. He also tells of the mission Tarzan undertook to save Bouanga's life – a mission to steal “the Treasures of the Mists.” What happened when Tarzan attempted to steal the diamonds? How went his meeting with the valley's inhabitants, the Tiakklan tribe, and Dzianni, their chief?

THE LOWDOWN: Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles. One of them is Lord of the Jungle Volume 3 #5, which is only the fifth issue of a solo Dynamite Tarzan comic book that I have read.

Writer Dan Jurgens continues this old-fashioned jungle adventure that spans two eras of Tarzan's life. A gripping action-thriller, it enthralls and engages on every page. I like that Jurgens captures both the human and the wild-man-warrior in Tarzan and that he shows the vulnerability of both sides. Tarzan knows loyalty and apparently, has compassion, although that shouldn't surprise me.

Artist Benito Gallego's storytelling remains consistently good, and it is some of the most beautifully drawn comic book art being published today. It is a good thing that Gallego's drawing style resembles that of the late comic book legend, Joe Kubert. Kubert had a four-year stint (1972-76) as writer-artist and later as writer-only of DC Comics' Tarzan comic book series, considered by some to be among his best work.

Colorist Francesco Segala's lovely colors capture the varied moods of this story's settings, both in time and locale, and gives this tale a sense that it is from a bygone era. Letterer Carlos M. Mangual brings a sense of high drama and with his stylish, emotive fonts

Lord of the Jungle Volume 3 #5, like previous issues, strongly delivers on the potential the first issue promised. I rarely read Tarzan comic books, but I will read this series' entire run. I highly recommend it to you, dear readers.

I READS YOU RECOMMENDS: Fans of Tarzan comic books will want to read Lord of the Jungle Volume 3.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Tuesday, April 1, 2025

#IReadsYou Review: DREAMOVER Original Graphic Novel

DREAMOVER

IDW PUBLISHING/Top Shelf Productions

CARTOONIST: Dani Diaz

EDITOR: Leigh Walton

EiC: Chris Staros

ISBN: 978-1-60309-546-4; paperback with French flaps | 6" x 8.5" (January 14, 2025)

Diamond Code: NOV241133 (January 15, 2025)

312pp, Color, $19.99 U.S.; $26.99 CAN

Age: 13 to 17

Grades: 8 to 12

Dreamover is a 2025 original graphic novel created by Dani Diaz. Published by Top Shelf Productions, this full-color, paperback book is Diaz's debut work. Dreamover follows two best friends, adolescents who are becoming more than friends when a sleepover becomes a “dreamover.”

Dreamover opens in the pre-smartphone 2000s. It introduces two characters who have been friends since the third grade. Amber is a headstrong girl and goofball with a temper, while Nico Davis is shy and self-conscious boy. Amber has had a crush on Nico for a long time, and she can't hide her feelings any longer. Amber and Nico are also close with a few other friends. There is Drew, who seems to be on the verge of coming out, and also Stella and Grace, who are already, seemingly a couple.

The friends have just finished eighth-grade, and that milestone is being marked by an eighth-grade beach trip. There, Amber confesses her love to Nico and discovers that the feeling is mutual. This begins a glorious and blissful summer of first love.

However, when the school year comes around again. Amber, Nico, and their friends have entered high school, specifically Barrington High with its 2000 students. Amber and Nico cling to each other through bullies, homework, early mornings, and other stressful situations. As they maintain their closeness, however, Amber and Nico begin to alienate and neglect Drew and Stella and Grace.

Amber wishes she and Nico could get away. One night, Amber gets her wish after the two fall asleep playing video games. Soon, a sleepover turns into a dreamover, but it isn't as perfect and as magical as it sounds...

THE LOWDOWN: I have been on the mailing list of Top Shelf Productions editor-in-chief, Chris Staros, for over two decades. Back in January, I received one of his emails that announce new publications. When I saw the write up and promo art for Dreamover, it was like being struck by magical lightning. I knew I had to read it, and my Amazon gift card balance made that a possibility.

Comics are not so much a “sequential art” as they are a graphics-based art that yields graphical storytelling. In Dreamover, author and creator Dani Diaz through her work here testifies to the fact that not only illustrations, but also colors and lettering are art when it comes to comic book storytelling. They are a narrative grouping that makes storytelling more than about mere words.

Dreamover is a story told through pictures and graphics. The narrative is not about the intellect, but is about emotions, impressions, and visuals. We have to feel as much as we read. That's how we understand Amber and Nico: the tumult and exhilaration which defines both their relationship with one another and with their friends and also the surreal journey through dreams and dreamscapes that ultimately challenges each individual's expectations. Diaz touches upon magical realism, coming-of-age drama, and slice-of-life melodrama, but most of all she grapples with the reality of how a small and intimate relationship between two children involves big and complicated emotions.

In time, as more people discover Dreamover, Dani Diaz may discover the back-handed joy of “imitation is the sincerest form of flattery.” The visual and graphic splendor of this story and how the author uses it to depict the vagaries of young love has some similarities to the colorful wonderland comics narratives of the past. That includes the work of Windsor McKay, Moebius, Chester Brown, Trina Robbins, and Jim Woodring, to name a few. As these artists had disciples, so I believe that Diaz will, also. I have to believe that Dreamover will have descendants, so to speak. That is because Dreamover is magical and inescapable, and I wish this graphic novel didn't have an ending.

I READS YOU RECOMMENDS: Fans of young adult original graphic novels and of Top Shelf's YA graphic novels will want to read Dreamover.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

You can buy DREAMOVER directly from Top Shelf Productions or you can buy it from Amazon, in which case I collect a bounty on that sale.

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Thursday, March 27, 2025

#IReadsYou Review: THE MAGIC ORDER 4 #6

THE MAGIC ORDER 4 #6 (OF 6)

IMAGE COMICS/Netflix

STORY: Mark Millar

ART: Dike Ruan

COLORS: Giovanna Niro

LETTERS: Clem Robins

EDITORIAL: Sarah Unwin

COVER: Dike Ruan with Giovanna Niro

VARIANT COVER ARTISTS: Javier Fernández with Alejandro Sánchez; Dike Ruan

36pp, Color, $3.99 U.S. (August 2023)

Rated M / Mature

The Magic Order created by Mark Millar at Netflix

The Magic Order 4 is a six-issue miniseries from writer Mark Millar and artist Dike Ruan. The is the fourth installment of The Magic Order series, which began with the 2018-19 miniseries written by Millar and drawn by Olivier Coipel. The Magic Order is a band of sorcerers, magicians, and wizards – with a focus on the Moonstone family – that live ordinary lives by day, but protect humanity from darkness and monsters of impossible sizes by night. Colorist Giovanna Niro and letterer Clem Robins complete the series creative team.

The Magic Order focuses on a coup within the Order, one that has left the Moonstones defeated … seemingly … by the dark one who always wanted to rule the order – the supposedly defeated Madame Albany. Now, to save everything, Cordelia Moonstone, the now deposed leader, will have to go way down in the dirty dirty to restore order.

The Magic Order 4 #6 opens as Madame Albany prepares to face the consequences of bringing the Wizard King from the world/dimension known as “Kolthur” back to Earth. However, Albany wants to face the consequences. It's all part of her quest for revenge, even if it means she goes back to being dead. The only ones who are around to face the Wizard King are several apprentice wizards.

Madame Albany isn't the only one with a trick or two up her magical sleeves. How will Cordelia defeat a being of infinite power? And can she finally end the long-running “wizard wars?”

THE LOWDOWN: In late 2021, the Millarworld division of Netflix began providing me with PDF copies of its comic books for review. That has given me the opportunity to read many Millarworld titles, especially my favorite, The Magic Order.

Because of The Magic Order 4 #6, I can justify saying that The Magic Order series is the most interesting comic book about magic that I've read since Alan Moore and J.H. Williams' Promethea. I can also safely say that The Magic Order is the most inventive and intense comic book about magic since Steve Ditko and Marvel Comics' Strange Tales unleashed Doctor Strange on newsstands. When the Netflix series adaptation of The Magic Order arrives, I hope that it is every bit as weird as Disney and Marvel Studios 2016 film, Doctor Strange.

Writer Mark Millar never disappoints with The Magic Order. It seems that he loves his readers enough to keep throwing one surprise after another at us. Not only does he cleverly resolve this fourth volume with something he's previously referenced, but he also drops a bomb on the last page about what is coming in the next series. And the surprises certainly explode under Clem Robins' lettering.

Artist Dike Ruan turned in some fabulous graphical storytelling in this series. His every line and every brushstroke is an exercise in the intensity and insanity of dark magic. Ruan made this series feel dangerous, and colorist Giovanna Niro made it all burn before our very eyes. I hope this isn't the last we see of Ruan in this franchise.

The Magic Order 4 #6 is a delight from the first sound effect to the last caption box. Dare I say, dear readers, that The Magic Order 4 is magical?

I READS YOU RECOMMENDS: Fans of Mark Millar and of The Magic Order will want to read The Magic Order 4.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Wednesday, March 26, 2025

#IReadsYou Review: SUPERGUY #1

SUPERGUY #1

STORY: Anthony Iannaccio

SCRIPT: Anthony Iannaccio

ART: Joey Murphy

COLORS: Joey Murphy

LETTERS: Joey Murphy

COVER: Joey Murphy

VARIANT COVER ARTISTS: Ahmed Raafat; Dominque Barlow; Billy Lahiff

28pp, Color, $10.00 U.S., $13.00 (variants); reward bundles

Superguy created by Anthony Iannaccio and Joey Murphy

“There Goes My Hero”

Superguy #1 is a new comic book from writer Anthony Iannaccio and artist Joey Murphy. The series follows the adventures and misadventures of a self-absorbed superhero, who is usually in his underwear, and his earnest robot sidekick, who has a mysterious and likely dark past. The story and script are by Iannaccio and the art, colors, and lettering are by Murphy.

Superguy #1 (“There Goes My Hero”) opens in Thebig City, specifically Thebig City Elementary School. It was supposed to be the school's “Graduation Day,” but that has been canceled so that they can have “Superguy Day!” Although the kids are excited to see Thebig City's favorite superhero, that superhero, the aforementioned Superguy, can't be bothered to show up on time.

Superguy can't even be bothered to do his job, so that's why his loyal sidekick, Robotguy, steps into the job and starts saving the day. Eventually, however, that is going to rub a super-someone the wrong way. Before long, there is a battle for the ages, and no one really understands how bad it will get or how many players are watching from the sidelines.

THE LOWDOWN: Last year, Anthony Iannaccio sent me a PDF copy of a Superguy preview story that he and Joey Murphy produced. Iannaccio also generously provided me with an advanced PDF copy of Superguy #1, which is the subject of a new Kickstarter crowdfunding campaign.

I was really impressed by the Superguy preview I read last year. It was the kind of comic book story that young'un Leroy would have flipped over. I can say the same for Superguy #1, and I've been trying to figure out why that is so.

Perhaps, I think of Superguy as something that will appeal to comics readers, young and old, because it seems as much like a broadcast network animated television series as much as it is actually a comic book. Superguy is sort of like Fox's long-running animated series, “The Simpsons,” combined with humor of Seth MacFarlane, another Fox animation mainstay, but without the more obviously adult content. Superguy #1 is a humor comic book that does not downplay the superhero fantasy elements, and it is also a superhero comic book that does not temper the humor. Perhaps, I see its potential for broad appeal in the fact that it broadly embraces more than one or two genres and subgenres.

Iannaccio and Murphy are a good team; they are like a seamless pairing that cannot go astray. Iannaccio offers a suite of snappy comedy, sharp dialogue, and lively jokes that it usually takes a team of writers to produce. This is an impressive feat on his part. Murphy is a humor comics artist with solid drawing and storytelling chops. There is a consistency in his compositions that suggests a veteran talent, even if Murphy hasn't been doing this a long time. Murphy's art and storytelling depicts humor and comic timing so well that this also makes it seem like he is an old hand at comedy and comics.

In his own way, Superguy is a lovable man-child, full of jealousies and self-importance. Robotguy is a stand-up hero, as good as any human good guy, but destined to face his darkness. I love these characters. I love this comic book. I love what Iannaccio and Murphy are doing here. So far, their Superguy #1 Kickstarter is doing exceedingly well. I hope they make enough dough to fund at least a few more issues of Superguy because this comic book is a super-read.

I READS YOU RECOMMENDS: Fans of pure comic book fun will want to read Superguy #1 over and over again.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

Linktree for Anthony Iannaccio social media: https://linktr.ee/mrtonynacho

Link to the Joey Murphy's IG page: https://www.instagram.com/jorion/

Kickstarter link: https://www.kickstarter.com/projects/mrtonynacho/superguy-1

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Tuesday, March 25, 2025

#IReadsYou Review: SCOOBY-DOO, Where Are You? #131

SCOOBY-DOO, WHERE ARE YOU? (2010) #131

DC COMICS

STORY: Derek Fridolfs; Sholly Fisch

PENCILS: Walter Carzon; Randy Elliot

INKS: Horacio Ottolini; Randy Elliot

COLORS: Silvana Brys; Pamela Lovas

LETTERS: Saida Temofonte

EDITORS: Courtney Jordan; Harvey Richards (reprint)

COVER: Derek Fridolfs with Silvana Brys

32pp, Color, $2.99 U.S. (February 2025)

Ages 8+

“Scaries Not Included”

Welcome, dear readers, to my continuing journey through the Scooby-Doo, Where Are You? comic book series, which began publication in 2010. I continue to renew my subscription so that I can continue to review this series for you, dear readers.

Scooby-Doo, Where Are You? #131 opens with “Scaries Not Included,” which is written by Derek Fridolfs and drawn by Walter Carzon (pencils) and Horacio Ottolini (inks). The story finds Mystery Inc.: Scooby-Doo, Shaggy, Fred, Daphne, and Velma attending the “Coolsville Collectible Toy Fair.” There, they hope to collect items for the “Children's Toy Drive.”

What they find instead is agitated toy collectors looking for items that are exclusive to the toy fair. Everyone is caught up in exclusives fever when an elf, specifically an elf-like “drow,” crashes the show. Can the gang survive collector's mania long enough to solve the mystery of this dark elf?

As usual, the second story, “Not Just Yeti,” is a reprint story. It is written by Sholly Fisch and drawn Randy Elliot. [This story was originally published in Scooby-Doo, Where Are You #94 (cover date: October 2018).] The story opens at “Benji Ford's Rockin' Gym,” an indoor climbing wall facility. It's being haunted by a “yeti,” and the owner, Benji Ford, believes that the only ones who can help him are the experts of Mystery Inc. While the gang has taken on the yetis a.k.a. “abominable snowmen,” in the past, this is the first time a yeti mystery is set on top of an indoor climbing wall and not at or near the top of a mountain. So what is really going on here?

Scooby-Doo, Where Are You? #131 offers a Christmas-like theme via the opening story, “Scaries Not Included.” Although there isn't much Christmas spirit among the toy collectors in this new story, it is a treat from Scooby-Doo comic book stalwarts: Derek Fridolfs, Walter Carzon, and Horacio Ottolini. I consider that a Christmas gift from this comic book series. Also, “Scaries Not Included” accurately depicts the collector's mania atmosphere that permeates conventions and toy fairs where show exclusive toys, action figures, and play sets are offered.

The reprint story, “Not Just Yeti,” another duo of Scooby-Doo stalwart creatives, Sholly Fisch and Randy Elliot, offer a Scooby-Doo mystery favorite supernatural pest, the yeti. Honestly, yetis in Scooby-Doo television series have always scared me, so I consider this tale a nice offering.

Scooby-Doo, Where Are You? #131 offers a reading experience that is a bit more fun than what the previous issue presented. So grab your “Scooby Snacks” and read this issue, and maybe watch a Scooby-Doo movie, later. And until next time, Scooby-Dooby-Doo!

[This comic book includes a seven-page preview of the DC Comics original graphic novel, “Anti-Hero” by Kate Karyus Quinn, Demitria Lunetta, and Maca Gil.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Thursday, March 20, 2025

#IReadsYou Manga Review: "TOMIE Complete Deluxe Edition"

TOMIE COMPLETE DELUXE EDITION

VIZ MEDIA

CARTOONIST: Junji Ito

TRANSLATION: Naomi Kokubo

LETTERS: Eric Erbes

EDITOR: Masumi Washington

ISBN: 978-1-4215-9056-1; hardcover (December 2016); Rated “T+” for “Older Teen”

400pp, B&W, $34.99 U.S., $46.99 CAN, £25.00 UK

Tomie is a horror manga written and drawn by Junji Ito (the creator of the the acclaimed dark fantasy and horror manga, Uzumaki). Tomie was Ito's first published work and was published in Monthly Halloween (where it was originally submitted) and later in Nemuki from 1987 to 2000. The manga centers on the titular character, a beautiful, but supernaturally dangerous young woman named Tomie.

Dark Horse Comics last published Tomie in English a decade ago as Museum of Terror. Now, VIZ Media has returned Tomie to print in Tomie: Complete Deluxe Edition. This special, over-sized manga (5.7 x 8.4) hardcover was released under the VIZ Signature imprint December 20, 2016. It has a suggested reader rating of ‘T+’ for Older Teens and a print MSRP of $34.99 U.S. / $46.99 CAN.

In Tomie, Junji Ito introduces Tomie Kawakami, who seems to be of high school age. She is a femme fatale with long black hair and a beauty mark just under her left eye. Tomie can seduce nearly any man, and after she has them in her thrall, she drives these men to murder, even though the victim is often Tomie herself. The story is always the same; while one lover seeks to keep Tomie for himself, another lover grows terrified of this seemingly immortal succubus-like female. Soon, all her lovers come to realize that no matter how many times they kill her, the world will never be free of Tomie.

THE LOWDOWN: As far as I am concerned, dear reader, Junji Ito is an undisputed master of horror comics and not just of horror manga. He truly deserves to be called a visionary as he has continually pushed the horror genre in provocative directions with works such as Uzumaki and Gyo also with the fantastic phantasms that are the short stories found in the collections known as Fragments of Horror.

The Tomie manga is highly effective, shockingly so when one considers that it was the debut long form work of Ito. I think that readers will be delighted by the thoroughly mesmerizing Tomie and her unsettling, but engrossing reign of fright. I think that readers will be happy that this classic horror manga is collected in a high quality hardcover. If nothing else, you can use it to bash in Tomie's head, although you know the bitch will be back.

I READS YOU RECOMMENDS: Anyone who has ever read and enjoyed work by Junji Ito or who love horror manga will find joy in Tomie Complete Deluxe Edition.

A+

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

EDITED: Wednesday, March 19, 2025

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Wednesday, March 19, 2025

#IReadsYou Movie Review: HELLBOY: THE CROOKED MAN

Hellboy: The Crooked Man (2024)

Running time: 99 minutes (1 hour, 39 minutes)

MPA – R for strong bloody violence and gore throughout, and language

DIRECTOR: Brian Taylor

WRITERS: Brian Taylor, Christopher Golden, and Mike Mignola (based upon the Dark Horse comic book series created by Mike Mignola)

PRODUCERS: Jeffrey Greenstein, Sam Schulte, Robert Van Norden, Yariv Lerner, Mike Richardson, Les Weldon, and Jonathan Yunger

CINEMATOGRAPHER: Ivan Vatsov (D.o.P.)

EDITOR: Ryan Denmark

COMPOSER: Sven Faulconer

SUPERHERO/FANTASY/HORROR

Starring: Jack Kesy, Jefferson White, Adeline Rudolph, Leah McNamara, Joseph Marcell, Martin Bassindale, Hannah Margetson, Bogdan Haralambov, Carola Columbo, Anton Trendafilov, Michael Flemming, and Suzanne Bertish

Hellboy: The Crooked Man is a 2024 superhero, horror, and dark fantasy film from director Brian Taylor. The film is based on the Hellboy character and comic books created by Mike Mignola and published by Dark Horse Comics. The film is also the second reboot of the Hellboy film franchise. In Hellboy: The Crooked Man, Hellboy and a first-time field agent unexpectedly find themselves in a mountain community dominated by witchcraft and ruled over by a local demon.

Hellboy: The Crooked Man opens in 1959. We meet Hellboy (Jack Kesy) and Special Agent Bobbie Jo Song (Adeline Rudolph), both of the Bureau for Paranormal Research and Defense (BPRD). The two are transporting a supernatural toxic spider by train when something goes awry, and they suddenly find themselves stranded in the Appalachian Mountains. They wander until they come to a backwoods community that is filled with superstition and with the belief in witches.

They meet a former local, Tom Ferrell (Jefferson White), himself a witch, who has home to atone for his sins and to settle a hateful debt he owes. Witches and witchcraft, however, are not the only things that haunt this isolated mountain community. The devil is about in the form of Mister Onselm (Martin Bassindale), also known as “The Crooked Man.” He has come to collect a debt, and Hellboy, Song and Ferrell are the resistance. Soon, the mountain church of the blind Reverend Watts (Joseph Marcell) will be the scene of an epic battle of good versus evil.

I am not a big fan of Guillermo del Toro's 2004 film, Hellboy, the first film in the series. It has great production values, and it is a gorgeous movie filled with fantastical visual elements. On the other hand, the story is executed in a clunky and awkward fashion, and the characters are not particularly interesting. However, del Toro's follow-up to that film, the Oscar-nominated Hellboy II: The Golden Army (2008), is one of my all-time favorite films, and I consider it to be one of the best-ever films adapted from a comic book. Director Neil Marshall's 2019 film, Hellboy, was supposed to reboot the Hellboy film franchise. It was a box office bomb, with its worldwide box office failing to recoup even the film's production costs, but Hellboy 2019 is far superior to Hellboy 2004. It is closer to Hellboy II, in terms of quality, and almost seems like a reworking of the plot of the 2008 film.

All that said, Hellboy: The Crooked Man is another try at rebooting or restarting the series. I remember reading press and promotion for The Crooked Man stating that it was the closest of the four films in terms of being faithful to the comic book. I get that being faithful to the comic book is important to comic book people, especially the comic book creators and fans, but in the larger world of the film business, that is irrelevant. What the people behind Hellboy: The Crooked Man should have been doing is telling the world that The Crooked Man is one helluva movie...

...Because it is. Hellboy: The Crooked Man is a mutha f**kin' good movie. I enjoyed the hell outta it, so much so that I might owe The Crooked Man of the film a debt. I am not trying to say that it is perfect, because it is not. Hellboy: The Crooked Man starts off slow, dry, awkward, and forced, and its first act seems like a collection of contrivances.

Then, the movie loses it mind and goes bonkers, and Hellboy: The Crooked Man flips the script so fast that I didn't know what hit me. The Crooked Man's director, Brian Taylor, is known for his work with fellow writer-director Mark Neveldine, and the duo specializes in directing nutty and bonkers film like Crank (2006) and the 2011 comic book movie, Ghost Rider: Spirit of Vengeance. The duo also wrote the kooky horror-Western film hybrid, Jonah Hex (2010).

Going solo on The Crooked Man, Taylor busts out a film that takes the gruesome dead of the 1982 film, Creepshow, and mixes them with hoary hell hounds of director Sam Raimi's The Evil Dead (1981). The result is the most horrifying film in the Hellboy franchise, a film with enough bone-rattling folk horror to convince many viewers that it is a legit horror flick.

I find that David Harbour, who played Hellboy in the 2019 film, didn't stray far in his performance from what Guillermo del Toro's Hellboy star, Ron Perlman, did with the character. The Crooked Man's Hellboy actor, Jack Kesy, is more like Jeff Bridges' “Jeffrey 'The Dude' Lebowski” (from The Big Lebowski) than he is like the dark-fantasy action hero of the previous Hellboy films. It is not that Kesy is better or worse, for the matter; it is just that he takes a different path to bringing the character to life.

There are other good performances in this film. Jefferson White makes a mark as Tom Ferrell, but there are times when both White and his character, Ferrell, seem to get lost in the hell-raising of this film. Adeline Rudolph, however, does not get lost as Bobbie Jo Song, and Rudolph's robust performance makes Song not so much a supporting character as she is a co-lead. I would be remiss if I didn't mention Joseph Marcell as Reverend Watts because he is a scene-stealer in the role. I was shocked to learn that Marcell played “Geoffrey Butler,” the butler on the former NBC sitcom, “The Fresh Prince of Bel-Air (1990-96).

Hellboy: The Crooked Man lacks the superhero fantasy, blockbuster bombast of its predecessors, but it is a truly unique superhero movie convincingly cos-playing a scary movie. I don't want to give away too many of its chilling, goose flesh-raising frights. The film did receive mixed reviews, but here, I won't send a mixed message. Hellboy: The Crooked Man is a damn good movie, and I would be damned if I said otherwise.

A-

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Wednesday, March 5, 2025

#IReadsYou Review: GEEK-GIRL #15

GEEK-GIRL #15

MARKOSIA ENTERPRISES, LTD.

STORY: Sam Johnson

ART: Carlos Granda

COLORS: Chunlin Zhao

LETTERS: Paul McLaren

COVERS: Carlos Granda with Chunlin Zhao; Aaron Felizmenio

24pp, Color, $3.99 U.S. (January 2025)

Rated T+

Geek-Girl created by Sam Johnson

“Identity Crisis” Part 5: “Coming Together.”

Created by Sam Johnson, Geek-Girl is a comic book character that debuted in the 2016 Geek-Girl miniseries, She returned in a second miniseries, 2018's Geek-Girl Vol. 2, which subsequently became an ongoing series. Geek-Girl Vol. 2 is written by Sam Johnson; drawn by Carlos Granda; colored by Chunlin Zhao; and lettered by Paul McLaren.

Geek-Girl focuses on Ruby Kaye of Acorn Ridge, Maine, a sexy and popular college coed who inadvertently becomes a superhero. Ruby dons a pair of super-tech eye glasses that give her super-powers. Ruby's BFF, Summer James, then talks her into trying to be a superhero, even providing her with a moniker. Now, Ruby is Maine's newest superhero, “Geek-Girl,” but the female super-villain, Identity Thief, has stolen her powers.

Geek-Girl #15 (“Coming Together.”) opens in the wake of Ruby's confrontation with Identity Thief in a bid to get her powers back. Ruby is shocked to learn that Identity Thief also stole the powers of one of her most dangerous opponents, Lightning Storm. But what did Identity Thief really steal. With a little help from her friends, Ruby might finally defeat Identity Thief and get some answers.

Meanwhile, Summer has gained powers of her own via the power-sharing group, “The Hive.” But does she really understand what she has gotten herself into and what it costs?

THE LOWDOWN: Geek-Girl creator-writer Sam Johnson regularly sends me PDF review copies of the latest issues of Geek-Girl, and has been doing so for several years. I enjoy reading about Geek-Girl and her (mis)adventures. I like this comic book enough to keep encouraging you to give this addictive series a try, dear readers.

Geek-Girl #15 brings to an end the “Identity Thief” story arc that began in Geek-Girl #11. Writer Sam Johnson wraps up this arc, but he also gifts his readers with plenty ghosts of Christmas-futures in the form of emerging subplots. I don't want to say that this is my favorite issue, but I want to say that Johnson does what he does so often. That is he makes an issue so good that you immediately want more, so this could be my favorite until the next issue. Truth is that Johnson is quite good at writing superhero comic books, but how he does it is like no other writer. Geek-Girl always seems fresh and is always crackling with energy, but without a reliance on decades of prior storytelling, as is the case with what is passing for the new hotness in current American comic books.

Artist Carlos Granda is quite good at capturing facial expressions and the quirkiness and oddness in the way people act in the context of emotions and speech. That really serves him well in Geek-Girl #15, which has a hilarious bit about pronouns. Granda has also created his own unique superhero storytelling language. He is quietly moving beyond the expected and into new territories of naturalism, surrealism, and realism. It seems like an impossible trio, but he is doing something new and something that is exiting to read. Granda's excellent storytelling here shows all the more under Chunlin Zhao's excellent colors (as usual) and Paul McLaren's consistent lettering.

I enjoyed Geek-Girl #15, and I heartily recommend it to you, dear readers. Geek-Girl captures the charm and magic of classic comic books and adds a clever modern touch. I know that more of you will want to discover it.

I READS YOU RECOMMENDS: Fans of lovable superheroes will find an all-around winner in Geek-Girl.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

You can get more information about Geek-Girl #15 and purchase it here or at https://samjohnsoncomics.wixsite.com/geekgirlcomics.

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Tuesday, March 4, 2025

#IReadsYou Review: SPACE GHOST #3

SPACE GHOST VOL. 1 #3

DYNAMITE ENTERTAINMENT

STORY: David Pepose

ART: Jonathan Lau

COLORS: Andrew Dalhouse

LETTERS: Taylor Esposito

EDITOR: Joseph Rybandt

COVER: Francesco Mattina

VARIANT COVER ARTISTS: Jae Lee with June Chung; Bjorn Barends; Michael Cho

32pp, Color, $4.99 U.S. (July 2024)

Rated “Teen”

“Beware the Web of the Widow!”

Space Ghost is a superhero character created by the American animation studio and production company, Hanna-Barbera Productions. The character first appeared in the Saturday morning cartoon series, “Space Ghost,” which was originally broadcast on CBS from September 1966 to September 1967 for 20 episodes.

In his original incarnation, Space Ghost was a superhero whose base of operations was a small world known as “Ghost Planet.” He fought super-villains in outer space with his teen sidekicks, Jan and Jace, and their monkey, Blip. His main weapons were power bands he wore around his wrists and lower arms; the bands fired off multiple energy beam-based attacks, including heat, cold, and force, to name a few. Space Ghost could also fly, survive in space, and turn invisible (his “Inviso Power”). He also had a space ship known as “the Phantom Cruiser.”

Space Ghost sporadically appeared in various comic book publications over a fifty year period. Dynamite Entertainment has just launched a new Space Ghost comic book as part of its licensing agreement with Warner Bros. Entitled Space Ghost Volume 1, it is written by David Pepose; drawn by Jonathan Lau; colored by Andrew Dalhouse; and lettered by Taylor Esposito. In the new series, twins Jan and Jace Keplar and their pet monkey, Blip, meet that legendary cosmic vigilante known as “the Space Ghost.”

Space Ghost Volume 1 #3 (“Beware the Web of the Widow!”) opens as Space Ghost, Jan, Jace, and Blip battle Lizard Slavers, and the tide is turning... against our heroes! Enter the Widow. Not only is she their savior, but she also has an offer that is hard to refuse: join her in a heist that will penetrate Robo Corp central.

Now, Space Ghost can find out why Robo Corp's CEO, Dr. Xander Ibal, has placed a five million-credits bounty on his head. What does he want of him that is different from what the Galactic Patrol wants? Will Space Ghost, Jan, and Jace find answers or betrayal?

THE LOWDOWN: Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles. Space Ghost Volume 1 #3 is the latest, but it is not the first Space Ghost comic book that I have read.

The first three issues of Dynamite's Space Ghost revival comic book are a pure delight. Comic books like this new Space Ghost are why I keep reading comic books long after growing bored with my core Marvel and DC Comics titles. With this third issue, writer David Pepose makes things perfectly clear: the first two issues of this series were not flukes. As a spinner of Space Ghost yarns, Pepose is the real fucking deal.

Jonathan Lau's illustrations and Andrew Dalhouse's colors make for a gritty narrative, but they also turn Pepose's script into the perfect Space Ghost storytelling. Grit and edge aside, Lau and Dalhouse capture the classic energy of the original Hanna-Barbera “Space Ghost” animated series. Letterer Taylor Esposito also does his part to capture that classic cool.

I highly recommend Space Ghost Volume 1. It is easily one of the best comic book media adaptations that I have read in years, dear readers.

I READS YOU RECOMMENDS: Fans of Dynamite Entertainment's Warner Bros. comic book series will want to read Space Ghost Volume 1.

★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Saturday, March 1, 2025

#IReadsYou Movie Review: HELLBOY 2004

Hellboy (2004)

Running time: 122 minutes (2 hours, 2 minutes)

MPAA – PG-13 for sci-fi action violence and frightening images

DIRECTOR: Guillermo del Toro

WRITERS: Guillermo del Toro; from screen story by Peter Briggs & Guillermo del Toro (based upon the comic book by Mike Mignola)

PRODUCERS: Lawrence Gordon, Lloyd Levin, and Mike Richardson

CINEMATOGRAPHER: Guillermo Navarro

EDITOR: Peter Amundson

COMPOSER: Marco Beltrami

HORROR/ACTION/ADVENTURE and SCI/FANTASY

Starring: Ron Perlman, Selma Blair, Jeffrey Tambor, Karel Roden, Rupert Evans, John Hurt, Corey Johnson, Doug Jones, Brian Caspe, James Babson, Biddy Hodson, Jim Howick, Kevin Trainor, and (voice) David Hyde Pierce

Hellboy is a 2004 American superhero and horror-fantasy film from director Guillermo del Toro. The film is based upon the Hellboy comic book franchise and character created by writer-artist Mike Mignola. Hellboy the movie focuses on a demon who becomes a defender against the forces of darkness after being conjured by the Nazis as an infant.

Mike Mignola’s titular character of his wonderful Hellboy comic books comes to life in director Guillermo del Toro’s colorful and well-dressed B-movie, Hellboy. This horror/action flick is dry, slow, and even the action is deadpan, although there are a few funny and genuinely scary moments. Now, I can describe a plethora of movies as having “a few good moments,” but this movie does have quite a few.

The film begins late in World War II. A young scientist, Trevor “Broom” Bruttenholm (Kevin Trainor) and a squad of Allied soldiers come upon a group of Nazi kooks. The kooks include the Russian mystic, Grigori Rasputin (Karel Roden), in the midst of a ritual to summon a group of big bow wow evil gods. The Allies stop the evil that is coming “from the other side,” but something does slip through – a little demon kid they name Hellboy.

Sixty years later, Hellboy (Ron Perlman) is now an adult, having been raised by Trevor Bruttenholm (John Hurt). Hellboy is the main man/strongman for "The Bureau of Paranormal Research and Defense," which is a group fighting the good fight against all manner of bogeymen and boogens. Our entry into this dark world of supernatural special operations is an FBI newbie, John Myers (Rupert Evans). Myers comes just in time, as Rasputin and his gang of uglies are back to finish what they started six decades earlier.

Hellboy is a pleasant diversion, and it certainly is pretty to look at, featuring colorful art direction, set decoration, and makeup. Hellboy looks a lot like Guillermo del Toro’s last film, Blade II, but whereas the latter had a dark atmosphere and a convincing, unbroken line of suspense, Hellboy is flat and too long to be as flat as it is. Perlman is, at times, almost D.O.A. as the title character, and then, quite lively at other times. I don’t think Perlman's interpretation of Hellboy really fits the comic book original version of the character. The four color Hellboy is more humble and earthy, whereas Perlman’s creation often comes across as a cocky, uncouth roughneck.

Hellboy has excellent production values. It is a great looking film, from its set and environments to its costumes and hair and make-up that transform actors into a menagerie of inventive and imaginative characters. Still,I don't think audiences have to see Hellboy in a theater; they can save it for a rental.

B-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Tuesday, February 25, 2025

#IReadsYou Review: RED SONJA Black White Red #4

RED SONJA BLACK WHITE RED #4
DYNAMITE ENTERTAINMENT

STORY: Sanya Anwar; Phillip Kennedy Johnson; Chuck Brown
ART: Sanya Anwar; Steve Beach; Drew Moss
COLORS: Kike J. Diaz; Steve Beach; Drew Moss
LETTERS: Hassan Otsmane-Elhaou
EDITOR: Nate Cosby
COVER: Lucio Parrillo
VARIANT COVER ARTISTS: Cat Staggs; Jae Lee; Lucio Parrillo; Rachel Hollon (cosplay)
32pp, Color, $3.99 U.S. (October 2021)

Rated Teen+

Based on the characters and stories created by Roy Thomas, Barry Windsor-Smith, and Robert E. Howard

Conan the Barbarian #23 (cover dated: February 1973) saw the debut of a high fantasy, sword and sorcery heroine, Red Sonja. Created by writer Roy Thomas and artist Barry Windsor-Smith, Red Sonja was loosely based on “Red Sonya of Rogatino,” a female character that appeared in the 1934 short story, “The Shadow of the Vulture,” written by Robert E. Howard (1906-1936), the creator of the character, Conan the Cimmerian.

In 2005, Dynamite Entertainment began publishing comic books featuring differing versions of the character. One of those is Red Sonja Black White and Red, an anthology comic book featuring stories from well known comic book writers and artists, with the art presented in black, white, and red.

Red Sonja Black White and Red #4 is comprised of three stories. The first is “The Iron Maiden,” and it is written and drawn by Sanya Anwar; colored by Kike J. Diaz; and lettered by Hassan Otsmane-Elahou. The second story is “The Iron Queen,” and it is written by Phillip Kennedy Johnson; drawn by Steve Beach; and lettered by Hassan Otsmane-Elahou. The third story is “Cold Monger,” and it is written by Chuck Brown; drawn by Drew Moss; and lettered by Hassan Otsmane-Elahou. I'll review each story separately.

THE LOWDOWN: Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles. One of them is Red Sonja Black White and Red #4, which is the third issue of the title that I have read.

“The Iron Maiden” by Sanya Anwar, Kike J. Diaz, and Hassan Otsmane-Elahou:
After being grievously injured, Sonja of Hyrkania passes out. When she awakens, she is under the care of Oenila, and two more different women there couldn't be. However, when Sonja later tries to save Oenila, she learns that a women can be a warrior on a different kind of battlefield.

“The Iron Maiden” is a nice story, but I think it doesn't show its power until the very end. I do like that the story shows that every woman does not have to be a she-devil with a sword in order to be brave in a struggle that she must face.

“The Iron Queen” by Phillip Kennedy Johnson, Steve Beach, and Hassan Otsmane-Elahou:
This a tale of Red Sonja's past and present, one that finds her aged and waiting for the opportunity to be great again. It takes a young woman who idolizes her to remind the She-Devil that she was and still is a she-devil.

The art for “The Iron Queen” by Steve Beach is beautiful, and has a quality that recalls the “ink-wash” art that could be found in Savage Sword of Conan, the old Marvel Conan comics magazine. Johnson's story is nice, but I'm sure that I have read something just like it in the past.

“Cold Monger” by Chuck Brown, Drew Moss, and Hassan Otsmane-Elahou:
Red Sonja meets a stranger in a strange, cold land. He tells her of King Ole VII, “the Cold Monger,” who uses magic to keep the land frozen and him in control of fire. Can the hot-blooded She-Devil with a Sword melt down the Cold Monger's rule?

I like “Cold Monger.” It's like a fairy tale with Red Sonja as the unnamed hero who passes through a land, staying only long enough to depose a despot.

It is not hard for me to pick a favorite story of the three offered in Red Sonja Black White and Red #4. “Cold Monger” by Chuck Brown, Drew Moss, and Hassan Otsmane-Elahou really stands out in this issue, which I must admit that I find to be the weakest issue of this series that I have read, thus far.

I READS YOU RECOMMENDS: Fans of Red Sonja will want to try Red Sonja Black White and Red.

B

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Thursday, February 20, 2025

#IReadsYou Review: SCOOBY-DOO, Where Are You #130

SCOOBY-DOO, WHERE ARE YOU? (2010) #130

DC COMICS

STORY: Sholly Fisch; Scotty Beatty

PENCILS: Valerio Chiola; Robert Pope

INKS: Valerio Chiola; Scott McRae

COLORS: Valerio Chiola; Heroic Age

LETTERS: Saida Temofonte; Dezi Sienty

EDITORS: Courtney Jordan; Kwanza Johnson (reprint)

COVER: Valerio Chiola

32pp, Color, $2.99 U.S. (December 2024)

Ages 8+

“Mayor May Not!”

Scooby-Doo, Where Are You? #130 opens with “Mayor May Not!,” which is written by Sholly Fisch and drawn by Valerio Chiola. The story finds Mystery Inc.: Scooby-Doo, Shaggy, Fred, Daphne, and Velma attending a costume ball thrown by Mayor Flowers. The party is also a campaign event for the mayor's reelection campaign. It seems as if the mayor has invited the whole city to this event, but did he also unknowingly invite a werewolf?

As usual, the second story, “Paranoidal Activity,” is a reprint story. It is written by Scott Beatty and drawn by Robert Pope and Scott McRae. [This story was originally published in Scooby-Doo, Where Are You #19 (cover date: May 2012).] The story opens as the Mystery Machine drives up to “the Spectral Silk Mill.” Mystery Inc. has been called to this old silk mill by its current owners, Mr. Stanislaus and Mr. Oliveri, to discover if the place really is haunted. For their latest case, the gang has decided to test their new high tech equipment in the detection of ghosts. Will that work, or will it just get in the way of the ghost-busting?

Scooby-Doo, Where Are You? #130 doesn't really have a theme so much as it finds its ghostly instigators in suspects that manage to be both surprising and expected. This isn't a particularly good issue, but like #129, the lead story is drawn by Valerio Chiola. I really dig Chiola's quirky and funky illustrative style which brings some needed freshness to the pages of this series that is well into its second decade. Chiola's squashed and stretched art reminds me of legendary cartoonist and Plastic Man creator, Jack Cole, and it looks like some of the graphical storytelling frequently found in kids' comics and graphic novels.

Scooby-Doo, Where Are You? #130 may not be top of the line, but it is still a Scooby-Doo comic book. So grab your “Scooby Snacks” and read this issue, and maybe watch a Scooby-Doo movie, later. And until next time, Scooby-Dooby-Doo!

[This comic book includes a seven-page preview of the DC Comics original graphic novel, “Deadman Tells the Spooky Tales” by Franco and Sara Richard, Isaac Goodhart, and others.]

Reviewed by Leroy Douresseaux a.k.a."I Reads You"

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Wednesday, February 19, 2025

#IReadsYou Movie Review: VENOM: THE LAST DANCE

Venom: The Last Dance (2024)

Running time: 110 minutes (1 hour, 50 minutes)

MPA – PG-13 for intense sequences of violence and action, bloody images and strong language

DIRECTOR: Kelly Marcel

WRITERS: Kelly Marcel; from a story by Kelly Marcel and Tom Hardy (based on the Marvel Comics)

PRODUCERS: Avi Arad, Amy Pascal, Matt Tolmach, Tom Hardy, Kelly Marcel, and Hutch Parker

CINEMATOGRAPHER: Fabian Wagner (D.o.P.)

EDITOR: Mark Sanger

COMPOSER: Dan Deacon

SUPERHERO/FANTASY/ACTION

Starring: Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Stephen Graham, Peggy Lu, Clark Backo, Alanna Ubach, Hala Finley, Dash McCloud, Cristo Fernandez, Jared Abrahamson, Jack Brady, Reid Scott, and Andy Serkis

Venom: The Last Dance is a 2024 superhero fantasy-action film directed by Kelly Marcel. The film is based on the Marvel Comics super-villain/anti-hero characters, Eddie Brock/Venom. Several comic book writers, artists, and editors contributed in the development of this duo, and artist Todd McFarlane and writer David Michelinie are the creators of Venom. This is also the third entry in the Venom film series. In Venom: The Last Dance, Eddie Brock and Venom are on the run from both an alien monster and a mysterious military officer, and they may be forced to break up their symbiotic partnership.

Venom: The Last Dance opens on Klyntar, the home world of the symbiotes. Knull (Andy Serkis), the creator of the symbiotes, seeks a way to escape the prison made for him by his rebellious creations. To that end, he has discovered a key – some thing called a “Codex” – that will free him. What and where is the codex?

Well, it is on Earth, and the Codex exists because of the relationship between the symbiote, Venom, and his human host, the former investigative reporter, Eddie Brock (Tom Hardy). They have just returned to Earth after their short stay in the multiverse (as seen in 2021's Spider-Man: No Way Home) and has landed in the Mexico of their own Earth. While there, Eddie and Venom learn that Eddie is being blamed for the death of Detective Patrick Mulligan (Stephen Graham).

Mulligan is not dead. He was infected by a symbiote (as seen in 2021's Venom: Let There Be Carnage). He has been imprisoned in an underground facility at “Area 55” (which is beneath “Area 51”), and is being held in captivity by the “Imperium Program.” There, Mulligan and his symbiote are under the watchful gazes of Imperium scientist, Dr. Teddy Paine (Juno Temple), and the Imperium's military commander, General Rex Strickland (Chiwetel Ejiofor).

Eddie and Venom are headed for New York City in a bid to clear Eddie's name, unaware that General Strickland is hunting them. The duo, however, is soon made aware of an even more dangerous hunter. Knull has sent a creature known as a “Xenophage” to capture the Codex within Eddie and Venom. Now, a year into their symbiotic relationship, Eddie Brock and Venom may have to make a most devastating and heart-wrenching decision in order to save the Earth and at least one of their lives.

Venom: The Last Dance is the fifth film in “Sony's Spider-Man Universe” line of films. It follows Venom (2018), Venom: Let There Be Carnage (2021), Morbius (2022), and Madame Web (2024). The Last Dance arrived in movie theaters a little more than a month before the series' sixth film, Kraven the Hunter (2024). This film series stars characters and properties commonly associated with Marvel Comics' character, Spider-Man. Sadly, media reports indicate that Kraven the Hunter will be the last entry in Sony's Spider-Man Universe.

Anyway, just before the halfway mark in Venom: The Last Dance, the Venom symbiote enters a horse, and “venomizes” it, creating a “Venom horse.” The sequence featuring Venom as a horse, which becomes a wild ride across the desert with Eddie on its back, is probably the liveliest moment in this movie. Venom does not venomize any more animals the rest of the way, but strangely, the beginning of the film's end-credits is a montage of venomized animals, everything from insects and birds to mammals and amphibians. A Venom movie featuring the Venom symbiote venomizing countless different insects and animals?! – now, that would be a Venom movie I'd love and a lot of people would watch. Sadly, that is what we get in Venom: The Last Dance.

Yes, there are some genuine character moments – such as Eddie/Venom's relationship with the Moon family – but even that is overwhelmed by Venom: The Last Dance's need to end. Yes, this isn't so much a movie as it is an execution or suicide pact. Venom is a trilogy and Venom: The Last Dance must be the end of it: that's what this movie feels like – a race to the end.

I found myself unable to really enjoy this movie. I really didn't connect with the film's best action scenes, and there were a few really good ones. Also, I feel like the Knull subplot was woefully underutilized. There are some good moments here, and by the end of the film, I thought the good things had been downplayed in favor of this movie's fatalistic mood. Ultimately, I think Venom: The Last Dance is only for fans of the series who will want to see it through to the end.

C+

★★½ out of 4 stars

[This film has one mid-credits scene and one scene that occurs at the end of the credits.]

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Friday, February 14, 2025

#IReadsYou Movie Review: CAPTAIN AMERICA: BRAVE NEW WORLD

Captain America: Brave New World (2025)

Running time: 118 minutes (1 hour, 58 minutes)

MPA – PG-13 for intense sequences of violence and action, and some strong language

DIRECTOR: Julius Onah

WRITERS: Rob Edwards, Malcolm Spellman & Dalan Musson, and Julius Onah & Peter Glanz; from a story by Rob Edwards and Malcolm Spellman & Dalan Musson (based on the Marvel Comics)

PRODUCERS: Kevin Feige and Nate Moore

CINEMATOGRAPHER: Kramer Morgenthau (D.o.P.)

EDITORS: Madeleine Gavin and Matthew Schmidt

COMPOSER: Laura Karpman

SUPERHERO/FANTASY/DRAMA and SCI-FI/ACTION/THRILLER

Starring: Anthony Mackie, Harrison Ford, Danny Ramirez, Shira Haas, Carl Lumbly, Tim Blake Nelson, Giancarlo Esposito, Xosha Roquemore, Johannes Haukur Johannesson, William Mark McCullough, and Takehiro Hira with Liv Tyler and Sebastian Stan

Captain America: Brave New World is a 2025 superhero and action film from Marvel Studios and directed by Julius Onah. The film focuses on the character, “Sam Wilson,” as the superhero, “Captain America.” Sam Wilson is a Marvel Comics character that was created by writer Stan Lee and artist Gene Colan and that first appeared in Captain America #117 (cover dated: September 1969). Captain America is a Marvel Comics character that was created by Joe Simon and Jack Kirby and that first appeared in Captain America Comics #1 (December 1940).

This film is the fourth film in the Captain America film series and also the 35th entry in the Marvel Cinematic Universe (MCU). In Captain America: Brave New World, Captain America must discover the identity of the mastermind behind a plan to launch the United States into a global war over access to an amazing new metal alloy.

Captain America: Brave New World focuses on Sam Wilson (Anthony Mackie), who is still early in his tenure as the superhero, Captain America, replacing his friend, the original Captain America, Steve Rogers. Wilson was once the superhero, “The Falcon,” and now, that mantle belongs to his partner, U.S. Air Force First Lt. Joaquin Torres (Danny Ramirez). Captain America and the Falcon begin the film on a mission in Oaxaca, Mexico where they take on the “Serpent Society” and its leader, Sidewinder (Giancarlo Esposito), in a bid to intercept the sale of a canister of “Adamantium.”

Adamantium is the new metal alloy that was discovered on the “Celestial Island,” located in the Indian Ocean. Celestial Island is really the gigantic carcass of the “Celestial Tiamut,” whose emergence was stopped by the Eternals (as seen in the 2021 film, Eternals). The U.S., Japan, and India are vying to mine adamantium, and to that end, the three countries are working on a treaty that would create the infrastructure in which the three nations would share control of the island.

The current President of the United States, Thaddeus Ross (Harrison Ford), formerly known as General “Thunderbolt” Ross, asks Sam to be the face of the adamantium treaty as Captain America. President Ross also wants Sam to join him in a plan to reform the superhero group, “The Avengers.” However, the announcement of the treaty is interrupted by an assassination attempt. Now, Sam's friend and mentor, Isaiah Bradley (Carl Lumbly), the Korean War veteran and once-imprisoned “super soldier,” is once again imprisoned because of the incident.

Despite a growing rift with President Ross, Sam decides to investigate the assassination attempt, and Joaquin joins him. Shadowing them is a former “Black Widow,” the Israeli Ruth Bat-Seraph (Shira Haas), but even she can't stop Captain America and the Falcon from discovering the mystery of a man named Samuel Sterns (Tim Blake Nelson). Can Sam Wilson stop a global war, and can Captain America really take on the creature known as the “Red Hulk.”

Captain America: Brave New World is the subject of an intense online and social media smear campaign. When you, dear readers, come across someone using the word, “woke,” to describe it, you should know that in the context of this film, “woke” is Confederate pig Latin for the name “Anthony Mackie.” People who complain that the story and/or the script are not good are against the film because of their grievances concerning an African-American actor, Antony Mackie, taking on the role of Captain America. With that said...

Captain America: Brave New World ties into some other Marvel Studios productions. Obviously, this film's “Celestial Island” subplot is related to events depicted in the 2021 film, Eternals. The Disney+/Marvel Studios series, “The Falcon and the Winter Soldier” (2021) is a prologue to Brave New World. Surprisingly, Brave New World acts as a sort of sequel to the second film in the MCU, 2008's The Incredible Hulk. There are also references to numerous other MCU films.

Captain America: Brave New World is a superb superhero movie and great action film. Director Julius Onah has helmed a film that is a rampaging good time at the movies, doing this in spite of delays and reshoots. He should take pride in making a Captain America film that is as good as or better than the previous three films in the series. The action is great, and the conspiracy at the heart of the story is intense and shockingly personal. The character drama is surprisingly potent and is both complex and complicated. Plus, the Captain America vs. Red Hulk battle in the film's last act fell on me like a tree; it is so intense that for a moment I wished I was wearing an adult diaper while watching it.

With Captain America: Brave New World, Anthony Mackie not only proves that he is a true Marvel leading man who can carry a MCU film, but he also proves that he is a Hollywood leading man. In subtle ways, his performance and speeches clearly define that which Mackie fights in the real world and Sam Wilson fights in his world. Watching Mackie chop up this movie with his dramatic chops, I realized that it was long overdue that he lead a Marvel film.

I must also admit that Harrison Ford brings down the thunder in his role as President Thaddeus Ross, a.k.a. “Thunderbolt” Ross. Ford dominates his scenes so much that only Mackie can really match him in Captain America: Brave New World. Seeing Ford here reminds me of what a find dramatic actor he is and how he has always been fun in action movies.

Danny Ramirez, Shira Haas, Carl Lumbly, Tim Blake Nelson, Giancarlo Esposito, and Xosha Roquemore also deliver solid turns in their respective supporting roles. They deserve to pop up in the MCU again, many more times. I guess it is obvious that I am still buzzing from seeing Captain America: Brave New World last night (Thursday, February 13th). I had not expected much from this film because I had listened to too much of the propaganda. I love being wrong in these instance. Captain America: Brave New World is going to be my favorite film of 2025 for awhile, dear readers, and I heartily recommend it to you.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Tuesday, February 11, 2025

#IReadsYou Review: SAVAGE TALES #1

SAVAGE TALES #1 ONE-SHOT (2022)
DYNAMITE ENTERTAINMENT

STORY: Scott Bryan Wilson; David Avallone
ART: Mariano Benitez Chapo; Will Rios; Al Barrionuevo; Hamish Munro-Cook
COLORS: Adrian Woolnough; Dinei Ribero; Jordi Escuin Llorach
LETTERS: Taylor Esposito
COVER: Arthur Suydam
VARIANT COVER ARTISTS: Liam Sharp; Rafael Kayanan; Arthur Suydam
32pp, Color, $4.99 U.S. (June 2022)

Rated Teen+

Savage Tales is the title of an anthology comic book series that has been used by both Dynamite Entertainment and Marvel Comics (twice). Dynamite recently brought its version back as a one-shot comic book.

Savage Tales #1 One-Shot contains four short stories. The first is a Vampirella tale entitled, “Horrible People Doing Horrible Things To Horrible People,” and is written by Scott Brian Wilson; drawn by Mariano Benitez Chapo; and colored by Adrian Woolnough. Next, is an Allan Quatermain tale, “Missionaries of Madness,” written by David Avallone; drawn by Will Rio; and colored by Dinei Ribero. The third is a Red Sonja story, “The Executioner's Sword,” written by Scott Brian Wilson; drawn by Al Barrionuevo; and colored by Jordi Escuin Llorach.

The final entry is a Captain Gullivar Jones story, “His War,” written by David Avallone; drawn by Hamish Munro-Cook; and colored by Dinei Ribero. All four stories are lettered by Taylor Esposito. I'll review each story separately.

THE LOWDOWN: Since July 2021, the marketing department at Dynamite Entertainment has been providing me with PDF review copies of some of their titles. One of them is Savage Tales #1 One-Shot, which is the first time I have read a Dynamite Savage Tales comic book.

“Horrible People Doing Horrible Things To Horrible People” by Scott Brian Wilson, Mariano Benitez Chapo, Adrian Woolnough, and Taylor Esposito:

Enjoying a drink in a bar, Vampirella meets an interesting fellow drinker who has interesting things to say about horrible people doing horrible thinks to other horrible people. At least, he thinks its interesting. Now, Vampirella is about to hand out a lesson in morality.

I Reads You says: I don't really remember any Vampirella tales from back in the Warren Publications days. Maybe, I need to buy some back issues. Anyway, this excellent tale by Scott Brian Wilson apparently recalls the good old days of Vampirella. The comeuppance Vampirella delivers does remind me of the fate of characters in the few original Warren comics short stories that I have read. Wilson offers enough brutality to make a reader feel pity for a man who likely does not deserve any, which I think makes this tale a winner. Mariano Benitez Chapo's smooth art gives the story a sense of impact; he makes the punishment mean something.

“Allan Quatermain and the Missionaries of Madness” by David Avallone, Will Rio, Dinei Ribero, and Taylor Esposito:

It is Durban, Africa, year 1883. The legendary big game hunter, Allan Quatermain, has come across a massacred village, and he knows who the culprits are. They call themselves “Servants of the Great Old Ones,” but they don't know that they are Quatermain's latest big game. Will his search for these “murderous missionaries, however, lead Quatermain to his own doom?

I Reads You says: Of course, Allan Quatermain is author H. Rider Haggard's (1856-1925) fictional big game hunter. Writer David Avallone's idea of bringing Quatermain into the realm of H.P. Lovecraft's domain is actually a good one, and I hope to see more. Will Rio's art and storytelling make “Missionaries of Madness” seem more like a Western than an African-set tale. This is also a welcomed bit of newness.

“The Executioner's Sword” by Scott Brian Wilson, Al Barrionuevo, Jordi Escuin Llorach, and Taylor Esposito:

Upon passing through a village, Red Sonja discovers that the local executioner has a very special sword which he uses to kill the condemned. But which, the executioner or his weapon, is cursed with an insatiable hunger?

I Reads You says: It is easy to create a good Red Sonja comics short story because the character is so special and has existed for so long that these stories practically write themselves. It is not easy to create a great Red Sonja comics short story; I know this because I have read enough to know. On writer Scott Brian Wilson's part, “The Executioner's Sword” is great story and an excellent piece of story craftsmanship in forging a morality tale in which the “She-Devil with a Sword” seems merciful and just rather than vengeful – which she often is.

Al Barrioneuvo's moody art conveys the sense of malaise and doom that hangs over the village in which the story is set. Barrioneuvo pulls off a rarity. He creates a Red Sonja who is different in spirit from every other Sonja, and that is something, indeed.

“His War” by David Avallone, Hamish Munro-Cook, Dinei Ribero, and Taylor Esposito:

Once upon a time, Captain Gullivar Jones was swashbuckling his way across Mars. Now, he is back on Earth and in the pit of the Great War (World War I). Is this return to Earth Gullivar's new beginning, and is it something he really wants?

I Reads You says: Captain Gullivar Jones is the science fiction military man created by Edwin Lester Arnold (1857-1935). By bringing Jones back to Earth to fight humanity's war, writer David Avallone creates the idea that his lead character needs healing and redemption. Beyond that, I can't say much. “His War” is more like a taste of a larger work, and this taste makes me think that the story could work as a graphic novel, prose novel, or even as an intriguing screenplay. Hamish Munro-Cook's art and graphical storytelling thoroughly sells the idea of man now grounded from his former fantastic realities.

If I have to reluctantly pick a favorite comics story in Savage Tales #1 One-Shot, it is a difficult choice. I think I will go with “The Executioner's Sword,” which is the most genuinely emotional and, dare I say it, human story of this publication.

I READS YOU RECOMMENDS: Fans of anthology comic books will want to read Savage Tales #1 One-Shot.

[This comic book includes “Dynamite Dispatch” July 2022, which features an interview with writer Phillip Kennedy Johnson about his new James Bond comic book series.]

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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