Dark Horse Comics from Diamond Distributors for May 28 2014

DARK HORSE COMICS

MAR140043 CAPTAIN MIDNIGHT #11 $2.99
JAN140142 CAPTAIN MIDNIGHT TP VOL 02 BRAVE OLD WORLD $14.99
MAR140072 CONAN THE AVENGER #2 $3.50
JAN140192 EERIE ARCHIVES HC VOL 16 $49.99
MAR140035 ELFQUEST FINAL QUEST #3 $3.50
MAR140049 FURIOUS #5 $3.99
MAR140037 HALO ESCALATION #6 $3.99
MAR140074 KING CONAN CONQUEROR #4 $3.50
MAR140038 MASS EFFECT FOUNDATION #11 $3.99
MAR140057 MASSIVE #23 $3.50
MAR140058 MIND MGMT #22 $3.99
MAR140050 PARIAH #4 $3.99
JAN140154 RESIDENT ALIEN TP VOL 02 SUCIDE BLONDE $14.99
MAR140059 SERENITY LEAVES ON THE WIND #5 $3.50
JAN140131 SLEDGEHAMMER 44 TP VOL 01 $19.99
MAR140019 STAR WARS #8 LUCAS DRAFT $3.99
MAR140016 STAR WARS LEGACY II #15 $2.99
MAR140023 STAR WARS REBEL HEIST #2 HUGHES MAIN CVR $3.50
MAR140041 TOMB RAIDER #4 $3.50
MAR140052 VANDROID #4 $3.99

Image Comics from Diamond Distributors for May 28 2014

IMAGE COMICS

MAR140533 ADVENTURES OF APOCALYPSE AL TP VOL 01 $9.99
MAR140535 BLACK SCIENCE TP VOL 01 HOW TO FALL FOREVER (MR) $9.99
MAR140477 C.O.W.L. #1 (MR) $3.50
MAR140497 CHEW / REVIVAL #1 (MR) $4.99
JAN140550 CRAWL SPACE OVERSIZED OMNIBUS HC $49.99
MAR140566 DEAD BODY ROAD #6 (MR) $2.99
MAR148302 DEADLY CLASS #3 3RD PTG (MR) $3.50
MAR140567 DEADLY CLASS #5 (MR) $3.50
MAR140536 DRUMHELLAR TP VOL 01 BADLANDS AND BAD TRIPS (MR) $14.99
JAN140587 ELEPHANTMEN #57 (MR) $3.99
MAR140574 FUSE #4 (MR) $3.50
MAR140594 SEX #13 (MR) $2.99
FEB140628 SHELTERED #9 $2.99
MAR140600 SKULLKICKERS #27 $3.50
MAR148275 SOUTHERN BASTARDS #1 2ND PTG (MR) $3.50
MAR140601 SOUTHERN BASTARDS #2 (MR) $3.50
MAR140602 SOVEREIGN #3 (MR) $2.99
MAR140610 THIEF OF THIEVES #21 (MR) $2.99
MAR140475 TREES #1 (MR) $2.99
MAR140551 UMBRAL TP VOL 01 OUT O/T SHADOWS (MR) $9.99

IMAGE COMICS/MCFARLANE TOYS

FEB140649 TMP MLB SERIES 32 AF PI
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Comics, Magazines and Books from Diamond Distributors for May 28 2014

PREVIEWS PUBLICATIONS
APR140005 PREVIEWS #309 JUNE 2014 $4.50
APR140008 PREVIEWS #309 JUNE 2014 CUSTOMER ORDER FORM PI

COMICS & GRAPHIC NOVELS

FEB141404 ACG CLASSICS ADV INTO UNKNOWN SGN SLIPCASE ED COLL PACK $169.99
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MAR141169 AMATEURS GN $14.99
MAR141020 AMERIKA GN $20.00
APR141263 ATTACK ON TITAN COLOSSAL ED TP VOL 01 $59.99
MAR140934 BART SIMPSON COMICS #90 $2.99
MAR141340 BRASS SUN #1 $3.99
MAR141000 BRAVEST WARRIORS #20 MAIN CVRS $3.99
MAR141464 BTOOOM GN VOL 06 (MR) $11.99
MAR141225 CAGE OF EDEN GN VOL 14 $10.99
MAR140941 CLIVE BARKERS NIGHTBREED #1 (MR) $3.99
MAR140881 CROSSED BADLANDS #54 (MR) $3.99
MAR140884 CROSSED BADLANDS #54 FATAL FANTASY CVR (MR) $3.99
MAR140883 CROSSED BADLANDS #54 TORTURE CVR (MR) $3.99
MAR140882 CROSSED BADLANDS #54 WRAP CVR (MR) $3.99
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JAN131120 DF MY LITTLE PONY FRIENDSHIP IS MAGIC #1 REMARK ED $25.00
APR131112 DF X-FILES SEASON 10 #1 EXC HARRIS SGN ED PI
MAR141111 DOC SAVAGE ANNUAL 2014 $5.99
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MAR141215 FINAL INCAL DLX ED HC (MR) $99.95
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MAR140935 FUTURAMA COMICS #71 $2.99
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MAR141267 GLACIAL PERIOD HC NEW PTG $22.99
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MAR140931 IN CROWD TP HIGH TIDE $14.99
APR140796 INDIE COMICS MAGAZINE #8 (MR) $6.49
MAR140979 INTERESTING DRUG HC (MR) $24.99
MAR141467 JACK FROST TP VOL 10 $13.00
APR140951 JOAN OF ARC PROLOGUE $1.99
FEB140933 JUGHEAD & ARCHIE DOUBLE DIGEST #2 $3.99
FEB141427 KANOKON GN COLL ED VOL 04 $20.99
MAR141223 KODT BUNDLE OF TROUBLE TP VOL 43 $15.99
MAR141274 LEGEND OF BOLD RILEY #1 $3.99
JAN140965 LEGEND OF OZ THE WICKED WEST ONGOING #18 $3.50
MAR140848 MEGA MAN #37 REG CVR $2.99
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MAR140980 MIDAS FLESH #6 $3.99
FEB141430 MY BOYFRIEND IS A VAMPIRE GN COLL ED VOL 07 (MR) $17.99
MAR141236 MY LITTLE MONSTER GN VOL 02 $10.99
MAR140793 NATHAN HALES HAZARDOUS TALES HC VOL 04 TREATIES TRENCHES $12.95
MAR141005 PEANUTS VOL 2 #18 $3.99
APR141173 PETTY THEFT GN (MR) $19.95
MAR141266 PHANTOMS OF THE LOUVRE HC $29.99
MAR141478 PUELLA MAGI KAZUMI MAGICA GN VOL 05 INNOCENT MALICE $13.00
MAR140891 ROVER RED CHARLIE #6 (MR) $5.99
MAR140892 ROVER RED CHARLIE #6 WRAP CVR (MR) $5.99
FEB141411 ROY THOMAS PRESENTS COLL PACK PLANET COMICS $89.99
FEB141122 SCAM ULTIMATE COLLECTION HC (MR) $34.99
MAR141408 SHADOWMAN END TIMES #2 DEKAL CVR $3.99
FEB141022 SHAHRAZAD TP VOL 01 $17.99
MAR140851 SONIC SUPER SIZED DIGEST #7 $3.99
MAR141479 SOUL EATER TP VOL 20 (MR) $13.00
MAR141021 SPAIN & MOROCCO HC (MR) $25.00
APR141361 STAR TREK COMICS CLASSICS TP VOL 02 DEATH BEFORE DISHONOR $14.95
APR141363 STAR TREK COMICS CLASSICS TP VOL 04 RETURN OF THE WORTHY $14.95
FEB141054 TANPOPO COLLECTION HC VOL 02 $24.99
MAR141006 TAROT WITCH OF THE BLACK ROSE #86 (MR) $2.95
MAR141278 THANIEL #3 (MR) $3.99
MAR141497 TRIAGE X GN VOL 06 (MR) $14.00
MAR141106 TWILIGHT ZONE #5 $3.99
MAR141498 UNTIL DEATH DO US PART GN VOL 06 $18.99
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FEB141224 WEAPON BROWN TP (MR) $22.99

MAGAZINES
SEP131555 BRICKJOURNAL #27 $8.95
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BOOKS
FEB141589 ART OF JOHN HARRIS BEYOND THE HORIZON HC $34.95
MAR141570 CONSOLE WARS SEGA NINTENDO & BATTLE DEFINED GENERATION HC $28.99
MAR141562 EVERYBODY DIES CHILDRENS BOOK FOR GROWN UPS HC $14.99
MAR141553 LOST NOTEBOOKS HERMAN SCHULTHEIS & SECRETS OF DISNEY HC $75.00
MAR141568 NEIL GAIMAN ART OF NEIL GAIMAN VISUAL BIO HC $39.99
APR141174 THE WORN ARCHIVE SC (MR) $29.95
MAR142396 WARHAMMER 40K VULKAN LIVES MMPB $9.99
APR141565 YEARS BEST SCIENCE FICTION & FANTASY SC 2014 ED $19.95

Arata: The Legend - Demonization

I read Arata: The Legend, Vol. 17

I posted a review at the ComicBookBin, which has free smart phone apps and comics, and seeks donations from its readers.  You can follow me on Twitter and follow my Indiegogo campaign.

I Reads You Review: A GAME OF THRONES #19

GEORGE R.R. MARTIN’S A GAME OF THRONES #19
DYNAMITE ENTERTAINMENT – @dynamitecomics

WRITER: George R.R. Martin
ADAPTATION: Daniel Abraham
ART: Tommy Patterson
COLORS: Ivan Nunes
LETTERS: Marshall Dillon
COVER: Mike S. Miller
32pp, Color, $3.99 U.S. (2014)

Dynamite Entertainment is currently producing a comic book adaptation of A Game of Thrones, the 1996 novel from science fiction and fantasy author, George R.R. Martin.  The novel is the first book in Martin’s best-selling A Song of Ice and Fire series of high fantasy novels.  That series is also the basis for the award-winning and popular HBO television series, “Game of Thrones.”

George R.R. Martin’s A Game of Thrones is a planned 24-issue comic book series.  Science fiction and fantasy novelist, Daniel Abraham, who sometimes collaborates with Martin on fiction, adapts the novel into comic book form.  Artist Tommy Patterson draws A Game of Thrones the comic book, with Ivan Nunes coloring the art.  I have read and reviewed A Game of Thrones the comic book series via three volumes of A Game of Thrones: The Graphic Novel, Bantam Books’ hardcover reprint of the Dynamite comic book series.

George R.R. Martin’s A Game of Thrones #19 opens with Lord Tyrion Lannister (the dwarf) in the company of his new allies, the mountain men, who are suspicious of him.  He has promised these warrior clansmen much.  Now, they ride to the Trident where Tyrion will meet his father, Lord Tywin Lannister, and try to complete the bargains he made.  Will Tywin go along with a son for whom he really does not care?

Meanwhile, Robb Stark, son of the imprisoned Lord Eddard Stark, marches to meet the Lannisters, but to reach them, he needs the Crossing which will take him to Riverrun.  However, Walder Frey, Lord of the Crossing, has not given his permission, allowing Stark’s forces to cross.  Now, Lady Catelyn Stark, wife of Eddard and mother of Robb, must find a way to make someone who is supposed to be an ally act like an ally.

Prior to reading A Game of Thrones: The Graphic Novel: Volume 1, I was not familiar with A Game of Thrones, although I had heard of the television series.  I did not even know that the novel was being adapted into comic book form until Random House sent me a review copy of the first graphic novel in early 2012.  Since I have enjoyed the graphic novel collections so much, I have been planning on reading individual issues of Dynamite Entertainment’s series.  As luck would have it, I happened to be visiting a comic book store the week George R.R. Martin’s A Game of Thrones #19 was released.  [A Game of Thrones: The Graphic Novel: Volume 3 concluded with issue #18]

As I have with the collections, I thoroughly enjoyed #19.  Daniel Abraham and Tommy Patterson are not producing a slap-dash licensed product.  This comic book is filled with the kind of character details that enrich the story.  It does not matter how big a scene is or how many characters are involved, Abraham makes every bit of dialogue matter and every scene important to moving the narrative.

Patterson’s compositions transport readers to another world.  It may not be anyone else version of A Game of Thrones, but Patterson makes you believe that his art is not just a depiction, but is an actual world brought to life.  Ivan Nunes’ colors add the extra bit of spark that makes the drama vivid.

George R.R. Martin’s A Game of Thrones #19 is not just a good fantasy comic book; it is a good comic book – period.  I wish other fantasy authors were so luck to have Daniel Abraham and Tommy Patterson adapting their novels to comic book form.

A

www.DYNAMITE.com

Reviewed by Leroy Douresseaux

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

Nisekoi: What’s in a Name?

I read Nisekoi: False Love, Vol. 3: What's in a Name?

I posted a review at the ComicBookbin, which is fundraising.  You can follow me on Twitter and view my Indiegogo campaign.

I Reads You Review: UNCANNY X-MEN in Days of Future Past

UNCANNY X-MEN IN DAYS OF FUTURE PAST
MARVEL COMICS – @Marvel

PLOT: Chris Claremont and John Byrne
STORY: Chris Claremont
PENCILS: John Byrne
INKS: Terry Austin
COLORS: Glynis Oliver
LETTERS: Tom Orzechowski
EDITORS: Louise Simonson (original), Gregory Wright (reprint)
EiC: Tom DeFalco
COVER: Jackson Guice and Scott Williams
ISBN: 0-87135-582-5; paperback (1989)
48pp, Color, $3.95 U.S., $5.00 CAN

One of the most famous stories ever published in an X-Men comic book is known as “Days of Future Past.”  The two-part story was originally published in The X-Men #141 (“Days of Future Past,” cover dated: January 1981) and #142 (“Mind Out of Time!” cover dated: February 1981).  The popularity of “Days of the Future Past” is affirmed in the fact that the story has been continued and retold and has also influenced and inspired other X-Men publications and stories in the decades since its original publication.  This story is also the basis for the shortly to be released film, X-Men: Days of Future Past (20th Century Fox, 2014).

“Days of Future Past” was the creation of writer Chris Claremont and artist John Byrne, who were both credited as the story’s “co-plotters,” with Claremont providing the script and Byrne providing the pencil art.  Their collaborators were Terry Austin (ink art), Glynis Oliver (colors), Tom Orzechowski (letters), and Louise Simonson (editor).

I first read the story ages ago.  It simultaneously stunned and thrilled me, so much so that I immediately reread it.  This story had it all:  a dystopian future, an assassination conspiracy, dead X-Men, X-Men in peril, X-Men murdered before my very eyes, Sentinels (which were then new to me), the Brotherhood of Evil Mutants, and a superhero/super-villain battle.

The X-Men #141 also probably has one of the most famous (if not the most famous) X-Men comic book covers.  Over the years, I made reading “Days of Future Past” an annual event.  One of my repeat readings was courtesy of a 1989 single-issue reprint entitled, The Uncanny X-Men in Days of Future Past.  When I recently discovered that I no longer had a copy of this comic book, I bought one from Mile High Comics, during a sale.  Because of the new X-Men movie, I decided to read and review The Uncanny X-Men in Days of Future Past.

“Days of Future Past” alternates between the (then) present year of 1980, and the (then) future year of 2013.  The X-Men #141 (“Days of Future Past”) opens in the year 2013.  The story introduces a dystopian future North America that is ruled by the mutant-hunting Sentinels.  Mutants are incarcerated in internment camps, and people are classified by their genetics.  The Sentinels not only killed almost all the X-Men, but they also killed many superheroes, including the Fantastic Four.

We meet an adult Kate Pryde.  She is one of the last surviving X-Men, along with Wolverine, Storm, and Colossus.  Kate and the X-Men join Magneto, Franklin Richards (son of Reed Richards and Sue Storm of the Fantastic Four), and his girlfriend, a telepath named Rachel, in a seemingly-impossible plan to travel into the past and change the horrible era in which they live.

On the eve of a feared nuclear holocaust, Kate’s mind travels backward through time to posses the body of her younger self, Kitty Pryde.  There, she convinces the X-Men: Storm, Wolverine, Colossus, Nightcrawler and Angel that they must stop a plot by the newly reassembled Brotherhood of Evil Mutants:  Mystique, Destiny, Avalanche, Pyro, and Blob.  The Brotherhood plans to assassinate United States Senator Robert Kelly, a pivotal event in mutant–human history.

The X-Men #142 (“Mind Out of Time!”) finds the X-Men and the Brotherhood of Evil Mutants in a pitched battle in and around the Congressional building.  Meanwhile, in 2013, the few remaining X-Men make their last stand.

Apparently, Marvel Comics has designated that “Days of Future Past” takes place in Earth-811 in the Marvel “multiverse.”  When I first read “Days of Future Past,” I saw it as probably the real future for the X-Men.  I also saw it as the height of the X-Men run by the team of Chris Claremont, John Byrne and Terry Austin.  There would be no letdown, however, as this team would produce only one more issue of the X-Men after “Days of Future Past.”  Byrne exited the title to become both a writer and an artist, taking over the Fantastic Four.

As much as I have enjoyed reading the X-Men comic books that came after “Days of Future Past,” only a few have even come close to being as close to this Claremont-Byrne classic.  I think some people consider this Byrne’s best work as an artist.  For a long time, I agreed with that, but, as an artist, Byrne would go on to produce much more polished work, with a stronger sense of composition and design than what is found in his original X-Men run.  As a writer, I won’t compare his collaborative X-Men work with his work as a writer-artist on Fantastic Four and on various Superman titles.  Indeed, he was really good on those, too.

I think of X-Men #1 to #66; #94 to #143 (the final Claremont-Byrne-Austin); and Giant-Sized X-Men #1 to be the core of X-Men “mythology.”  Everything that springs after these issues is not quite fan fiction, but much of it seems like a vain attempt to replicate the Claremont-Byrne blueprint.  I think the reason why “Days of Future Past” means so much to me is because it marked the end of an extended run of what I see as the best and the most important of the X-Men.

From the publication of the first issue of The X-Men to “Days of Future Past,” the title introduced startling new concepts, offered gripping narratives full of drama, melodrama, and soap opera, and sometimes presented visionary graphics, graphical elements, and graphical storytelling.  Pretty much everything since “Days of Future Past” has been a rehash, a copy, or a slavishly inspired remake.

A+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.