Wednesday, November 6, 2019

Review: THAT BLUE SKY FEELING Volume 3

THAT BLUE SKY FEELING, VOL. 3
VIZ MEDIA – @VIZMedia

STORY: Okura
ART: Coma Hashii
TRANSLATION: Jocelyne Allen
LETTERS: Joanna Estep
EDITOR: Joel Enos
ISBN: 978-1-9747-0797-3; paperback (October 2019); Rated “T” for “Teen”
248pp, B&W, $10.99 U.S., $12.99 CAN, £6.99 UK

That Blue Sky Feeling is a coming-of-age manga from writer Okura and artist Coma Hashii.  It was published from 2017 to 2018 in the manga magazine, Gangan Joker and is an adaption of the webcomic, Sorairo Flutter.  VIZ Media published an English-language edition of That Blue Sky Feeling as a three-volume graphic novel series.

The series follows two high school boys.  Noshiro Dai is an outgoing high school student who finds himself drawn to Hikaru “Kou” Sanada, the school outcast, who is rumored to be gay.  The rumors don't bother Noshiro; instead, they make him even more determined to get close to Sanada.  Thus, what is set in motion is a surprising tale of first love.

As That Blue Sky Feeling, Vol. 3 (Chapters 15 to 21 to Final Chapter) opens, everyone is seeking young love.  New student, Makoto Morinaga, who is gay, is determined to date Noshiro, but there is a girl with her eye on Noshiro.  Her name is Natsu Aikawa, and, with the help of her friends, is building up the nerve to ask Noshiro on a date.

Sanada is chagrined when his friends meet Hide, the 26-year-old man who was once his boyfriend.  Also, Ayumi Yamamoto wants to get closer to Sanada, although she has heard the rumors that he is gay.  Meanwhile, Noshiro and Sanada each seems to struggle to discover the true nature of their relationship.

[This volume includes a two-page character profile section and a farewell from the creators and staff.]

That Blue Sky Feeling manga may have a category, but I am not sure what it would be.  I would not call it boys' love (BL), because, although there are gay characters, That Blue Sky Feeling really does not depict romantic relationships between male characters.  Category aside, this series is filled with love, companionship, and friendship.

That Blue Sky Feeling Graphic Novel Volume 3 is the final volume of the series.  Writer Okura and art Coma Hashii wrap up this portrait of young love with gentleness and with a sense of humor.  The creators, as they relate in a closing note to readers, wanted to offer a snapshot of youth and a depiction of the trials of the heart that come along with being young.  They certainly do that, especially in this final volume, and it makes for an endearing tale, in part, thanks to Jocelyne Allen's excellent English translation.  Joanna Estep's lettering adds the fizz and shojo sparkles to this tale of teens exploring the landscapes of love.

The story ends without fully committing to a romantic relationship between the two leads, but we learn that what they have is special – because they say so.  So instead of calling That Blue Sky Feeling BL manga, we can call it what it is.  It is a delightful manga with LGBT themes that explores the first yearnings of straight and gay love.

A
8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, November 5, 2019

Review: SUPERMAN: Year One #1

SUPERMAN YEAR ONE No. 1
DC COMICS/DC Black Label – @DCComics

[This review was originally posted on Patreon.]

STORY: Frank Miller
PENCILS: John Romita, Jr.
INKS: Danny Miki
COLORS: Alex Sinclair
LETTERS: John Workman
EDITOR: Mark Doyle
COVER: John Romita, Jr. and Danny Miki with Alex Sinclair
VARIANT COVER: Frank Miller with Alex Sinclair
64pp, Color, $7.99 U.S. (August 2019)

Mature Readers

Superman created by Jerry Siegel and Joe Shuster

Book One

Superman: Year One is a new three-issue comic book miniseries written by Frank Miller and drawn by John Romita, Jr.  It is published in an over-sized softcover format and is part of DC Comics' prestige imprint, “DC Black Label.”  Superman: Year One is a retelling of the early life of Clark Kent and of his first year as the superhero, Superman.  The rest of the creative team includes inker Danny Miki, colorist Alex Sinclair, and letterer John Workman.

Superman: Year One #1 opens on Krypton on the last day of its existence.  While the planet convulses in its death throes, a Kyrptionian man and woman send their infant son, Kal, off in a rocket ship to Earth.  There, under the Earth's yellow sun, Kal will more than thrive, and a human couple, Martha and Jonathan Kent, will make him their son, Clark Kent.

From the destroyed planet of Krypton to the bucolic grain fields of Kansas, this first chapter tracks Clark Kent's youth in Smallville.  He struggles to understand the nature of man and seeks to find his place in his adopted world.

If I remember correctly, Superman: Year One was meant to be the inaugural “DC Black Label” series and was supposed to debut sometime last year in the late summer or early fall.  [Batman: Damned became the first DC Black Label publication.]  DC Comics recently stated that Superman: Year One is to be Superman's official origin story.  I think Frank Miller also said that Superman: Year One is set in the world of his seminal comic book miniseries, Batman: The Dark Knight Returns.

All that aside, I find Superman: Year One intriguing.  There is a section of a line in the promotional material for Superman: Year One #1 that says “...the first chapter of SUPERMAN YEAR ONE tracks Clark Kent's youth in Kansas, as he comes to terms with his strange powers and struggles to find his place in our world.”  That is not quite accurate.

Writer Frank Miller does depict young Clark Kent finding a place to fit within the micro-world of Smallville High School (the freaks and geeks and outcast kids).  His only struggle is him trying to figure out when he should use his powers on bullies and to what extent he should use those powers.  In this way, Miller recalls the classic Superman character, a man of the people rather than as what he is now:  the greatest superhero of them all who is fighting the greatest threats of them all.  Also, by my reading, Clark does not seem to need to come to terms with his powers.  His powers are not something he doubts or fears; perhaps, he has to come to terms about when and where to use them.

Many previous stories about Superman's youth deal with the development of his powers in a physical context, especially concerning his strength and flight.  Miller delves into the development of Clark's super-powers in the context of his intellect and mental prowess.  Miller's young Clark Kent is thoughtful, but he is also devious and conniving.  It seems as if he is always thinking, learning, and planning, even when he is learning and receiving wisdom and knowledge from his parents, especially from his father, Jonathan.

Artist John Romita, Jr.'s storytelling is clear, offbeat, and, at times, quite dramatic.  I like how he captures the subtleties in Clark's nature and also his secretive side.  I am not quite sure that I like Romita's clear-line drawing style for this comic; Superman: Year One #1 is no where near Romita's best work, although it is better than most other comic book artists' best efforts.  Still, I am glad that super-inker Danny Miki's inking brings a lush, brushwork feel to the art.

Alex Sinclair's coloring pounds the sentimental shit out of this story; without Sinclair's power-hues, this story would, in places, trend toward the nostalgic.  Also, a book that aspires to be important needs an important letterer, and John Workman is a monumental letterer.

So I am happy to report that I am happy that Superman: Year One is off to a fine start.  As I said, I am intrigued, because I had been cynical from the time this project was announced.  Yes, let's see where Superman: Year One goes.  Maybe, it will be worthy of being the definitive origin of Superman.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Monday, November 4, 2019

BOOM! Studios from Diamond Distributors for November 6, 2019

BOOM! STUDIOS

SEP191263    B B FREE #1 (OF 12) CVR A DUNLAP    $3.99
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JUL191323    BOLIVAR EATS NEW YORK HC DISCOVERY ADVENTURE    $14.99
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JUL191334    MIGHTY MORPHIN POWER RANGERS DLX HC SHATTERED GRID    $75.00
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JUL191355    STEVEN UNIVERSE WELCOME TO BEACH CITY TP    $14.99
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Dark Horse Comics from Diamond Distributors for November 6, 2019

DARK HORSE COMICS

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APR190324    DISNEY 365 DAYS WITH WINNIE THE POOH HC    $24.99
SEP190295    EVERYTHING #3 (MR)    $3.99
JUL190437    FIGHT CLUB 2020 CALENDAR    $14.99
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SEP190297    RUBY FALLS #2 (OF 4) (MR)    $3.99
JUN190319    SUPER MARIO ART OF SUPER MARIO ODYSSEY HC    $49.99

DC Comics from Diamond Distributors for November 6, 2019

DC COMICS

AUG190599    BATMAN #82 ACETATE    $3.99
AUG190600    BATMAN #82 CARD STOCK VAR ED    $4.99
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SEP190533    DOLLAR COMICS FLASHPOINT #1    $1.00
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AUG190685    SUPERMAN ACTION COMICS HC VOL 02 LEVIATHAN RISING    $24.99
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SEP190531    YOUNG JUSTICE #10 VAR ED    $3.99

Dynamite Entertainment from Diamond Distributors for November 6, 2019

DYNAMITE

MAY191146    BARBARELLA TP VOL 03 BURNING DOWN HOUSE    $17.99
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IDW Publishing from Diamond Distributors for November 6, 2019

IDW PUBLISHING

AUG190754    ADDAMS FAMILY THE BODIES CVR A MURPHY    $4.99
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