I Reads You Review: KULL: THE CAT AND THE SKULL #4

KULL: THE CAT AND THE SKULL #4
DARK HORSE COMICS

WRITER: David Lapham
ART: Gabriel Guzman
COLORS: Garry Henderson
LETTERS: Richard Starkings & Comicraft’s Jimmy Betancourt
COVER: Jo Chen
28pp, Colors, $3.50 U.S.

Kull the Conqueror (also known as Kull of Atlantis) is a fictional character created by Robert E. Howard (who also created Conan the Barbarian). Marvel Comics published the first comic book adaptations of the character in 1971. Now, Dark Horse Comics has the license to published Kull comic books.

The publisher’s latest Kull comic book miniseries is Kull: The Cat and the Skull. This story is an adaptation of a Kull short story first published in 1967, “Delcardes’ Cat” (also known as “The Cat and the Skull”). The series revolves around Kull’s encounter with Delcardes, one of the most beautiful women in the Seven Kingdoms, and an even more interesting creature, Delcardes’ traveling companion, the cat named Saremes. Because it is rumored that Saremes is of the old race, Kull is anxious to hear her counsel, as he takes on a serpent cult that is rallying under a powerful and mysterious wizard.

As Kull: The Cat and the Skull #4 begins, Kull’s trusted ally, Brule, returns to the palace, as Queen Igraine lies stricken. Meanwhile, the great serpent carries Kull to the world beneath the Forbidden Lake, where he encounters an ancient people enraged at his trespass. However, it is here where Conan will learn more about the fortune-seeing cat. Also, the identity of his true enemy is revealed.

I did not read the first three issues of this miniseries. I had forgotten about its existence until Dark Horse Comics was nice enough to send me a box of comics and books for review, and Kull: The Cat and the Skull #4 was among the books. First, I must say that the art by Gabriel Guzman and Garry Henderson (colors) is quiet pretty. It has an old timey feel that recalls Burne Hogarth’s Tarzan comic strip and Alex Raymond’s work on Flash Gordon. Thus, Guzman and Henderson’s work looks as if it belongs to the era when the Robert Howard short story, upon which this comic book is based, was written. [“Delcardes’ Cat” was first published three decades after Howard’s death.]

As for the script for this issue, it offers what amounts to at least two issues worth of story, yet there is no tension and little sense of conflict. Writer David Lapham presents every confrontation here as a chance for conversation. Seriously, everyone talks, threatens, begs, or makes grand proclamations. It’s so odd… and a little boring, and that’s a shame. There are imaginative scenarios and scenes here and some interesting soap-operatic subplots, but it all sort of dribbles away to anticlimax.

C+