DC COMICS – @DCComics
[This review was originally posted on Patreon.]
WRITER: Tony Isabella
ART: Clayton Henry
COLORS: Pete Pantazis
LETTERS: Josh Reed
COVER: Clayton Henry with Tomeu Morey
VARIANT COVER: Ken Lashley with Juan Fernandez
32pp, Color, $3.99 U.S. (January 2018)
Rated “T” for “Teen”
Black Lightning created by Tony Isabella and Trevor Von Eeden
Cold Dead Hands Part One: “Ready to Do It All Over”
Black Lightning is a DC Comics superhero. Also known by his civilian identity, Jefferson Pierce, the character was one of the first major African American superheroes to appear in DC Comics. Pierce debuted in Black Lightning #1 (cover dated: April 1977), and was created by writer Tony Isabella and artist Trevor Von Eeden.
Black Lightning returns in a new six-issue miniseries, entitled Black Lighting: Cold Dead Hands. It is written by Tony Isabella; drawn by Clayton Henry; colored by Pete Pantazis; and lettered by Josh Reed.
Black Lightning: Cold Dead Hands #1 (“Ready to Do It All Over”) finds Jefferson Pierce back in Cleveland, already having to play superhero. On the plus side, Pierce has been learning to maximize his electricity-based powers, and in his first battle back, Black Lightning takes down members of “The Weathermen,” street thieves in the possession of advanced weaponry.
His success is tempered, however, by the state of affairs in Cleveland. The local police do not want what they see as superhero interference, and some of them may be willing to shoot Black Lightning to make their point. Also, Black Lightning's take down of “The Weathermen” has earned him the ire of a very powerful and very bad man.
First, Black Lightning: Cold Dead Hands #1 looks dazzling from the art, graphics, and design perspective. Clayton Henry's art features strong composition and dynamic layout and design. Pete Pantazis posts layers of color that are luscious like flowing cake frosting. The color effects on the energy blasts from weapons, the arcs of Black Lightning's electricity, and the gold of Lightning's goggles are radiant.
Josh Reed's lettering is quite effecting; at least to me, it seems that the word balloons were placed for maximum effect. Reed's work never intrudes; instead, he creates a rhythm that builds a sense of rising tension and also suggests that Black Lightning is in an increasingly precarious position.
Isabella's story is also quite good. He should write more comic books. I like the way that he creates a sense of tension around Black Lightning, which gives the story edge and latent hostility. Remember, 12-year-old Tamir Rice, shot to death by a Cleveland police officer, was described as “menacing,” by those who made disingenuous arguments in support of his killing? That is basically what Black Lightning faces; he is a superhero in a place inclined to think of him as a menace. We, the readers (at least, some of us) do not think of him as a menace. Isabella creates a scenario in which many distrust Black Lightning, to one extent or another, so as the narrative precedes, the hero finds himself under a spreading malaise.
Isabella increases the obstacles against his hero and that makes a compelling story that will, in turn, make readers want to come back for more. I want to come back for more.
A
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
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