HISTORY OF THE MARVEL UNIVERSE No. 1
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
WRITER: Mark Waid
PENCILS: Javier Rodríguez
INKS: Álvaro López
COLORS: Javier Rodríguez
LETTERS: VC's Joe Caramagna
EDITOR: Tom Brevoort
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
MISC. ART: Phil Noto
COVER: Steve McNiven and Mark Farmer with Sunny Gho
VARIANT COVER ARTISTS: Nick Bradshaw with John Rauch; John Buscema with Jason Keith; David Marquez with Matthew Wilson; Javier Rodríguez and Álvaro López
44pp, Color, $4.99 U.S. (September 2019)
Rated T
History of the Marvel Universe is a comic book miniseries that chronicles completely, for the first time, everything that was, is, or will be in the Marvel Universe. History of the Marvel Universe is written by Mark Waid; drawn by Javier Rodríguez (pencils/colors) and Álvaro López (inks); and lettered by Joe Caramagna.
History of the Marvel Universe #1 opens at “the End of Time.” There, Franklin Richards and the planet-devouring Galactus await the final death of the universe. Although both will move to the universe born of the death of this one, Richards is concerned about memories. Before it all ends, he wants the history of this universe to have meant something. Richards asks Galactus to help him remember everything. Thus, Galactus recounts the history of this universe, beginning with a first chapter. It starts at the so-called “Big Bang” and ends both in the Wild West of The Rawhide Kid and The Two-Gun Kid and in the wild north of Canada where a boy named James Howlett emerges.
There is no doubt about it. Marvel Comics' History of the Marvel Universe #1 has more than a passing resemblance to DC Comics' 1986, two-issue miniseries, History of the DC Universe. It is true that Mark Waid and Javier Rodríguez could find no better template than the one writer Marv Wolfman and artist George Perez laid down in History of the DC Universe.
Some people consider Mark Waid an unofficial Marvel Comics historian; I imagine some people at Marvel probably think that. Waid does a good job gathering the varied “histories” about the beginnings, the ancient times, the recent centuries, etc. that have been depicted in five decades of Marvel Comics titles. Waid also mixes in threads from Marvel's predecessor Timely Comics and the two decades of material the predates the publication of The Fantastic Four #1. Of course, Waid has to take into consideration decades of “retcons,” in which Marvel Comics scribes went back and changed things after the fact – the Avengers of one million years ago, introduced in Avengers #1 (2018). I won't say that this first issue is a great read, but there are some interesting bits in this first issue.
I can say that I love the art team of Javier Rodríguez (pencils/colors) and Álvaro López. Here, they don't have to engage in graphical storytelling, so much as they have to draw pictures that illustrate Mark Waid's text. [Waid's script is presented in caption boxes, not word balloons, all well-crafted by Joe Caramagna.] Their art reminds me of art of Alan Davis.
Speaking of which, Davis' longtime inker, Mark Farmer, inks Steve McNiven's cover pencil art – with excellent results. So, in conclusion, History of the Marvel Universe #1 is an occasionally interesting curiosity, but honestly, you, dear readers, don't need to read it to enjoy Marvel Comics titles. History of the Marvel Universe #1 is not the monumental work that Marvel Comics' monumental history deserves. [I think the history of the Marvel Universe would be best told in a long-running, ongoing comic book series, which won't happen.]
6 out of 10
[This comic book includes four pages of annotations, which list the Marvel Comics publications which acted as reference for the story in History of the Marvel Universe #1.]
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-----------------------
[“We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.”]
Showing posts with label Alvaro Lopez. Show all posts
Showing posts with label Alvaro Lopez. Show all posts
Wednesday, March 11, 2020
#IReadsYou Review: HISTORY OF THE MARVEL UNIVERSE #1
Labels:
Alvaro Lopez,
David Marquez,
Jason Keith,
John Buscema,
John Rauch,
Mark Farmer,
Mark Waid,
Marvel,
Matthew Wilson,
Nick Bradshaw,
Phil Noto,
Review,
Steve McNiven,
Sunny Gho,
Wolverine
Thursday, November 8, 2012
Albert Avilla Reviews: X-Men #37
X-Men #37
Marvel Comics
Reviewed by Albert Avilla
Writer: Brian Wood
Pencils: David Lopez
Inks: Alvaro Lopez
human being 2 of 2 (Spoilers)
This was a nice, little pleasant story; not what I like in my superhero stories. That's what I get for thinking potential will be reality. The story begins with proto-mutant, Shepherd, in a dog fight with two fighter jets. He's more than holding his own when Pixie comes in and teleports him away. Pixie and Shepherd have a conversation where both show that friendship is important.
At the same time, Storm and Colossus have a long-time friendship that is falling apart. Storm has to give Piotr the old beat down with a lightning bolt. Colossus is falling for Cyclops's agenda. Shepherd turns out to be a major letdown, cutting and running during a major turning point in mutant history. Pixie wanted to follow him to whatever paradise he went to. Real heroes don't leave when there is a fight to be won or forget their friends during troubling times. Shepherd could have turned out to be the next great X-Men antagonist or ally, but he was just a one night stand.
The art was a joy. The landscapes and the characters pull you into the story. If Shepherd was leaving that beautiful island to go somewhere better, it must truly be paradise.
I rate X-Men #37 Read a Friend's Copy. Al-O-Meter Ranking #3 (of 5)
Marvel Comics
Reviewed by Albert Avilla
Writer: Brian Wood
Pencils: David Lopez
Inks: Alvaro Lopez
human being 2 of 2 (Spoilers)
This was a nice, little pleasant story; not what I like in my superhero stories. That's what I get for thinking potential will be reality. The story begins with proto-mutant, Shepherd, in a dog fight with two fighter jets. He's more than holding his own when Pixie comes in and teleports him away. Pixie and Shepherd have a conversation where both show that friendship is important.
At the same time, Storm and Colossus have a long-time friendship that is falling apart. Storm has to give Piotr the old beat down with a lightning bolt. Colossus is falling for Cyclops's agenda. Shepherd turns out to be a major letdown, cutting and running during a major turning point in mutant history. Pixie wanted to follow him to whatever paradise he went to. Real heroes don't leave when there is a fight to be won or forget their friends during troubling times. Shepherd could have turned out to be the next great X-Men antagonist or ally, but he was just a one night stand.
The art was a joy. The landscapes and the characters pull you into the story. If Shepherd was leaving that beautiful island to go somewhere better, it must truly be paradise.
I rate X-Men #37 Read a Friend's Copy. Al-O-Meter Ranking #3 (of 5)
Labels:
Albert Avilla,
Alvaro Lopez,
Brian Wood,
David Lopez,
Marvel,
Review,
X-Men
Subscribe to:
Posts (Atom)