#IReadsYou Review: DONALD DUCK: MAGIC AND MAYHEM (Graphic Novel)

DONALD DUCK: MAGIC AND MAYHEM

FANTAGRAPHICS/Disney

STORY: Alberto Savini

TRANSLATION: Daniele Mittica

DIALOGUE: Joe Torcivia

PENCILS: Vitale Mangiatordi; Mattia Surroz; Emilio Urbano; Libero Ermetti; Mario Ferracina

INKS: Tommaso Ronda; Mattia Surroz; Roberta Zanotta; Stefano Porcu; Mario Ferracina

COLORS: Francesca Vivaldi; Annalisa Ferrari; Francesca Dramis; Connie Daidone

LETTERS: Paul Baresh and Ben Horak with Arancia Studio

DESIGN: Justin Allan-Spencer; C. Hwang

EDITOR: David Gerstein

COVER: Libero Ermetti with Arancia Studio

MISC. ART: Francesco D'Ippolito with Arancia Studio; Mirka Andolfo; Marco Mazzarello with Valeria De Sanctis

ISBN: 979-8-8750-0045-4; hardback; 6.9" × 9.3" (February 2025)

116pp, Color, $19.99 U.S.

Donald Duck: Magic and Mayhem is a 2025 hardback graphic novel starring Walt Disney's classic character, Donald Duck.  This book was published in March by Fantagraphics under their line of “Disney Originals.”  I think that “Disney Originals” are collections of new and recent comics starring Disney characters, likely originating from Europe.  This line is different from Fantagraphics' other line, “Disney Masters,” which reprints Disney comic books produced by comic book writers and artists from North America and from around the world who are considered masters storytellers in the Disney comic book tradition.

2024 was the 90th anniversary of Donald Duck's first appearance, which occurred in the 1934 animated short film, The Wise Little Hen, which was part of Walt Disney's “Silly Symphonies” line of animated shorts.  1934 was also the debut of the black and white animated short film, Orphan's Benefit, which introduced Donald as the comic foil of Disney's headline character, Mickey Mouse.

In 2024. a quintet of European Disney modern comics masters (likely all Italian) produced a suite of Donald Duck stories to celebrate his anniversary.  The plots kicks off with Donald finding himself having a hard time, but fate downloads an unusual app onto his smartphone.  When activated, the app frees the “Smartphone XL-Genie,” and this genie tells Donald that he will grant him one wish (and only one wish) each day.  With the words “App-Racadabra!,” Donald can experience his fondest dreams and wackiest wishes.  Will Donald's own foibles and imperfections, however, turn these fondest dreams into one nightmare scenario after another?

The five stories included in Donald Duck: Magic and Mayhem are as follows:

Chapter 1: “App-Racadabra!”

Chapter 2: “The Price of Fame”

Chapter 3: “Keep Perfectly Calm!”

Chapter 4: “How Hard Can It Be?”

Chapter 5: “The Luckiest Duck in the World”

Donald Duck: Magic and Mayhem also stars Uncle Scrooge McDuck, Daisy Duck, Cousin Fethry Duck, and, of course, the nephews:  Huey, Dewey, and Louie.  [I have to add this note.  This graphic novel is my first encounter with “Fethry Duck,” a character that apparently debuted in 1964!]

THE LOWDOWN:  I have been reviewing various Disney comic books produced by American publisher, Dynamite Entertainment, most or all of which I assume are American originals.  I almost always get a lot of visits and even more hits on my blogs when I review Disney films and publications, which is also the case with the Dynamite titles.  I decided to see if I would have similar luck with a Fantagraphics Disney title.  After discovering the existence of Donald Duck: Magic and Mayhem, I used some Amazon gift card credit and purchased it.

Editor David Gerstein offers an excellent short “Foreword” to Donald Duck: Magic and Mayhem.  In it, he talks about the way Disney has portrayed and depicted Donald for the majority of his existence.  Donald wants to lead a normal life, but finds himself involved with adventure that often becomes misadventure.  He is beset by bad luck, but he also usually seeks the easy way out.  He assumes that he can do anything, which inevitably leads to more dramatic disasters.  And as everyone who has ever seen him in film, television, and/or comic books knows, Donald is – as Gerstein puts it – “recklessly feisty and 'wreck-lessly' cranky.”

In the opening story, “App-Racadabra,” Donald gets in trouble merely because he wants to test his pancake-making meddle against the vlogger, “Doug Delish.”  The problem is that Donald is trying to make his magical recipe and Doug's at the same time.  Disaster ensues, and that's where the Smartphone XL-Genie comes into the story.  Afterwards, Donald uses the genie to fix things that he broke or to make himself better.  I am not spoiling things by telling you, dear readers, that this all leads to Donald learning that he really just needs to be himself.  This happens in this graphic novel's final tale, “The Luckiest Duck in the World,” the only one of the five tales that actually pits Donald against Uncle Scrooge.

I feel that I've spoiled enough.  What I want to tell you is that is if you love Donald Duck and/or Donald Duck comic books, this book is a treat that your imagination will want to have.  It's also a steal at the cover price of $19.99.  The creative teams that produced these five tales are true practitioners of the art and magic of Disney comics.  I found myself engrossed in these stories, especially the final one, and the art and colors are superb and look and feel like they belong in classic Disney comics.

I envy the readers in Europe who get to see these comics first, but I am glad that Fantagraphics is brings these “Disney Originals” to North American readers.  Please, support high-quality American graphic novels, and buy this or any of Fantagraphics' other Disney publications.

I READS YOU RECOMMENDS:  Fans of Fantagraphics Disney books and of Disney comic books in general will want to read Donald Duck: Magic and Mayhem.

A

★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

DONALD DUCK: MAGIC AND MAYHEM is available at Amazon.

https://www.fantagraphics.com/collections/disney-originals

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#IReadsYou Review: RED SONJA Black White Red #6

RED SONJA BLACK WHITE RED #6
DYNAMITE ENTERTAINMENT

STORY: David Avallone; Shannon Watters; Bob Q
ART: Jonathan Lau; Ro Stein; Bob Q
COLORS: Kike J. Diaz; Ted Brandt; Bob Q
LETTERS: Jeff Eckleberry; Hassan Otsmane-Elhaou
EDITOR: Nate Cosby
COVER: Jae Lee
VARIANT COVER ARTISTS: Lesley Leirix Li; Jonathan Lau; Jae Lee; Saphire Nova (cosplay)
32pp, Color, $3.99 U.S. (January 2022)

Rated Teen+

Based on the characters and stories created by Roy Thomas, Barry Windsor-Smith, and Robert E. Howard

Conan the Barbarian #23 (cover dated: February 1973) saw the debut of a high fantasy, sword and sorcery heroine, Red Sonja.  Created by writer Roy Thomas and artist Barry Windsor-Smith, Red Sonja was loosely based on “Red Sonya of Rogatino,” a female character that appeared in the 1934 short story, “The Shadow of the Vulture,” written by Robert E. Howard (1906-1936), the creator of the character, Conan the Cimmerian.

In 2005, Dynamite Entertainment began publishing comic books featuring differing versions of the character.  One of those is Red Sonja Black White and Red, an anthology comic book featuring stories from well known comic book writers and artists, with the art presented in black, white, and red.

Red Sonja Black White and Red #6 is comprised of three stories.  The first is “The Daring Rescue of Prince Maximilian (Beloved of All the Peoples),” which is written by David Avallone; drawn by Jonathan Lau; colored by Kike J. Diaz; and lettered by Jeff Eckleberry.  The second is “Morgona the Crimson,” which is written by Shannon Watters; drawn by Ro Stein; colored by Ted Brandt; and lettered by Jeff Eckleberry.  The third is “The Giant,” which is written, drawn, and colored by Bob Q and lettered by Hassan Otsmane-Elhaou.

THE LOWDOWN:   In July 2021, Dynamite Entertainment's marketing department began providing me with PDF review copies of some of their titles.  One of them is Red Sonja Black White and Red #6, which is the fifth issue of the title that I have read.

“The Daring Rescue of Prince Maximilian (Beloved of All the Peoples)” by David Avallone, Jonathan Lau, Kike J. Diaz, and Jeff Eckleberry:
Envoys from the Kingdom of Levkoy have approached Red Sonja.  They offer gold if she can rescue their beloved Prince Maximilian from six brigands.  But things are not as they seem, and Red Sonja wonders if she should make a different, if not better deal.

Writer David Avallone offers a nice twist on the sword and sorcery mercenary tale with “The Daring Rescue of Prince Maximilian (Beloved of All the Peoples).”  The treat here, however, is Jonathan Lau's gorgeous art.  Not only does it recall classic Barry Windsor-Smith era and John Buscema era Conan the Barbarian, but Lau also offers inventive and eye-catching page design.

“Morgona the Crimson” by Shannon Watters, Ro Stein, Ted Brandt, and Jeff Eckleberry:
Red Sonja has recently discovered that when she rescues someone they thank her as … Morgona the Crimson!  And the people she helps are so grateful that they gift her food and livestock.  Who the hell is Morgona the Crimson?

Once upon a time, I would have ignored “Morgona the Crimson.”  Over the last three decades, however, I have heard so many horrible tales of identity theft (and also “unauthorized use of an access card) that this story resonates with me.  Shannon Watters' tale is timely and visceral, and Ro Stein's art captures both a sense of dark comedy and Sonja's frustration.  Plus, this tale has a gag cartoon quality that is hard to resist.

“The Giant” by Bob Q and Hassan Otsmane-Elhaou:
A fortune teller warns Red Sonja of her demise if she takes on “the Guardian,” a giant that guards a crossing.  After her initial confrontation with the Guardian, Sonja wonders.

“The Giant” has nice art and a clever resolution.  I would like this story to be longer because I want to know what happens afterwards...

It is hard for me to pick a favorite story from the offerings in Red Sonja Black White and Red #6.  I'll call it a tie between “The Daring Rescue of Prince Maximilian (Beloved of All the Peoples)” and “Morgona the Crimson.”

I READS YOU RECOMMENDS:  Fans of Red Sonja will want to try Red Sonja Black White and Red.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

You can find these stories and more in the hardcover trade collection, RED SONJA: BLACK, WHITE, RED VOL. 2, which is available at Amazon.

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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: SAVAGE TALES #1 (2025)

SAVAGE TALES #1 (2025)

DYNAMITE ENTERTAINMENT

STORY: David Avallone; Kurt Busiek

ART: Hamish Cook; Eman Casallos; Mariano Benitez Chapo; Benjamin Dewey

COLORS: Jorge Sutil

LETTERS: Jeff Eckleberry; Simon Bowland

COVER: Arthur Suydam

VARIANT COVER ARTISTS: Liam Sharp; Rafael Kayanan; Arthur Suydam

32pp, Color, $4.99 U.S. (February 2025)

Rated Teen+

Savage Tales is the title of an anthology comic book series that has been used by both Dynamite Entertainment and Marvel Comics (twice).  Dynamite recently brought its version back as a series of occasionally-published one-shots.

The 2025 edition of Savage Tales #1 has four short stories.  Three of them are new stories written by David Avallone.  These stories feature Gullivar of Mars (drawn by Hamish Cook); John Carter and Dejah Thoris of Mars (drawn by Eman Casallos); and Vampirella (drawn by Mariano Benitez Chapo).  All of Avallone's stories are colored by Jorge Sutil and lettered by Jeff Eckleberry.

The fourth entry is a Red Sonja story written by Kurt Busiek; drawn by Benjamin Dewey; and lettered by Simon Bowland.  This story was originally published in Red Sonja: Black, White, Red #1 (July 2021).

I will summarize and review each story individually.

THE LOWDOWN:  Since July 2021, the marketing department at Dynamite Entertainment has been providing me with PDF review copies of some of their titles.  One of them is the 2025 edition of Savage Tales #1, but this is not the first time I have read a Dynamite Savage Tales comic book.

Gullivar of Mars: “His War Chapter Three” by Avallone and Cook:

Captain Gullivar Jones is based on the character, Lt. Gulllivar Jones, who first appeared in the novel, Lieut. Gullivar Jones: His Vacation, written by Edwin Lester Arnold and published in 1905.  Writer David Avallone has been reworking the character over the past few years.

“His War” chronicles Jones' life since he first left Mars and eventually fought in “the Great War” (World War I).  Now, Jones has returned to Mars twenty years after his original time on the planet.  What he discovers is that he might be the reason for the once lush planet's sorry state, and his reunion with his beloved “Heru” (a princess of Mars) is also off to a sorry state.

Avallone has a deft touch with vintage and classic characters, and because of author Edwin Lester Arnold's influence on the science fiction sub-genre, “planetary romance,” Gullivar Jones is both vintage and classic.  This may be the best chapter of Avallone's revival yet, primarily because he immediately puts Jones in a life or death situation.  Hamish Cook's art and storytelling captures the edgy mood and tense action of the story's first person narration.  Cook makes me wish that this story could be published as a graphic novel.

John Carter and Dejah Thoris of Mars: “A Mutiny on Mars” by Avallone and Casallos:

“A Mutiny on Mars” opens in the distant past on the planet of “Barsoom” (Mars”) and finds royal couple, John Carter and Dejah Thoris, on a scientific expedition.  Instead of science, they find betrayal and a plot to kidnap John.

Avallone weaves a nice tale that will entertain those familiar with the world of Edgar Rice Burroughs' “Barsoom” series.  Eman Casallos and Jorge Sutil's art and colors give this story the kind of exotic and esoteric aesthetic that at least I expect of comic book stories set in the world of Barsoom.

Vampirella: “The Real Thing” by Avallone and Chapo:

Avallone weaves a rather surprising and delightful tale featuring Vampirella, a truly classic character that often suffers from overexposure.  Vampirella is working as a lowly assistant on the television series, “Draculette.”  Among the production crew, there are some real doubters who are about to discover the truth about vampires.  The question is whether or not Vampirella will step in to save the day or let the blood flow.

Mariano Benitez Chapo proves to be perfectly capable of turning Avallone's humorous scripts into a fun comics story that pops on the page.  Avallone is really good at blending supernatural horror comics with humor comics, and Chapo's art captures the snappiness of Avallone's banter here.  They'd make a good pairing on an Elvira series.  As he does in the other two original stories, Jeff Eckleberry adds a stylish flair with his lettering for this story.

Red Sonja: “Seeing Red” by Busiek and Dewey:

“Seeing Red” opens in a place called the “Mountains of Night” where Red Sonja will enter a crypt as part of a deal she made with an ambitious wannabe ruler.  What she's finds is certain death at the hands or claws of a creature that moves too fast for her to see.  And that's got the “She-Devil with a Sword” seeing red.

I did read the 2021 Red Sonja: Black, White, Red series – every issue except the first, so “Seeing Red” is new to me.  Kurt Busiek delivers a tale that reads as if it is a Conan the Barbarian tale from Marvel Comics' classic black and white magazine, The Savage Sword of Conan.  Benjamin Dewey's art certainly sells this story's classic Marvel vibe with rock-solid compositions that are perfect for Red Sonja's comic book brand of sword and sorcery.  As always I love the pounding vibe Simon Bowland's lettering gives this story.

If I had to reluctantly pick a favorite comics story in Savage Tales #1 (2025), it would be a difficult choice.  So, I will instead suggest you get this comic book, dear readers, and decide for yourself.

I READS YOU RECOMMENDS:  Fans of anthology comic books will want to read Savage Tales #1.

A

★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: ARCHIE & FRIENDS LEVEL UP! #1

ARCHIE & FRIENDS LEVEL UP! #1 (#19)

ARCHIE COMIC PUBLICATIONS, INC.

STORY: Ian Flynn; Hal Smith; George Gladir; Bill Golliher

PENCILS: Steve Butler; Doug Crane; Dan DeCarlo; Sam Schwartz;

INKS: Lily Butler; Scott McRae; Mike Esposito; Rudy Lapick; Samm Schwartz; Dan DeCarlo

COLORS: Glenn Whitmore; Barry Grossman

LETTERS: Jack Morelli; Bill Yoshida

EDITORS: Jamie Lee Rotante; Vincent Lovallo; Stephen Oswald

EiC: Mike Pellerito

COVER: Dan Parent with Rosario “Tito” Peňa

VARIANT COVER: Dan DeCarlo

32pp, Color, $4.99 U.S. (June 2025); on sale in comic book shops April 2, 2025

Rating: All-Ages

“Servers You Right”

Eternal high school student and teenage boy, Archie Andrews, and his friends made their debut in M.L.J. Magazines' Pep Comics #22 (cover dated: December 1941), and before long, Archie was the publisher's headliner character.  In 1946, the company changed its named to Archie Comic Publications, also known as “Archie Comics.”

Archie Comics published the series, Archie & Friends, from 1992 to 2012 for 159 issues.  Since 2019, Archie has been publishing a new iteration of Archie & Friends as a series of themed one-shot comic books.  The latest is Archie & Friends (Level Up!) No.1, the nineteenth issue in the series.  It features one new five-page story and five reprint stories.  Entitled “Servers You Right,” the new story is written by Ian Flynn; drawn by Steve Butler (pencils) and Lily Butler (inks); colored by Glenn Whitmore; and lettered by the great Jack Morelli.

Archie and Friends in Level Up! in “Servers You Right”:

Archie and the Gang (Betty, Veronica, and Jughead) come together to play the video game, “Crafty Miners,” an open world video game where you can do anything.  The fun and games turn a little edgier when Veronica decides to be her normal self, and Reggie shows up to do some damage.  Can Dilton, the server administrator, save the day?

THE LOWDOWN:   For several years, Archie's marketing department has been sending me PDF copies of some of their titles for review.  One of the most recent is Archie & Friends Level Up! (which is titled Archie and Friends, No. 1 (#19), in the indicia).

The Archie & Friends series has previously offered movie-themed editions in the past, such as Archie and Friends Hot Summer Movies (cover dated: July 2023), which included the story, “Riverdale Jones and the Burger of Destiny,” a parody of the then upcoming film, Indiana Jones and the Dial of Destiny (2023).  The target for parody this time is the recent smash hit, Warner Bros. film, A Minecraft Movie, which is based on the video game, Minecraft, which debuted in 2011.

I don't have much interest in the movie, but I will likely watch it when it arrives on the Warner Bros. Discovery streaming service, Max, in a few months.  Surprisingly, the script by Ian Flynn offers a rather nice scenario, which could have become a rather nice full-size, standalone story instead of this good five-page story.  I wish Archie would have let Flynn fly on this one.

The art team of Steve Butler (pencils) and Lily Butler (inks) deliver some standout work.  As far as my experience with their Archie Comics work, this is the best looking that I have seen in terms of composition and aesthetics.  And I say this as a fan of their Archie work.  “Servers You Right” has captured my imagination in a way I did not expect.  Glenn Whitmore's colors really serve the art quite well, and, as always, Jack Morelli's lettering hits it hard.

In addition to the main stories, there are five reprint stories.  Two with Archie as the star, and one each with Betty, Jughead, and Sabrina the Teenage Witch as the star. I grew up on classic-style Archie Comics.  So, there is something comforting about seeing Archie, Betty, Veronica, and Jughead in both all-new and classic adventures.  I will always recommend classic-style Archie titles, so I am giving Archie and Friends Level Up! a heartier recommendation than usual because of the Butlers' art.

I READS YOU RECOMMENDS:  Fans of classic-style Archie Comics will want to find a copy of Archie & Friends Level Up!.

B+

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://archiecomics.com/

https://twitter.com/archiecomics

https://www.instagram.com/archiecomics/

https://www.facebook.com/ArchieComicsOfficial?ref=tn_tnmn

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https://www.goodreads.com/user/show/8914136-archie-comics

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------

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#IReadsYou Review: RED SONJA Black White Red #5

RED SONJA BLACK WHITE RED #5
DYNAMITE ENTERTAINMENT

STORY: Jacob Edgar; Oliver Gerlach; Frank Tieri
ART: Jacob Edgar; Alex Moore; Lee Ferguson
COLORS: Giorgio Spalletta; Alex Moore; Kike J. Diaz
LETTERS: Hassan Otsmane-Elhaou
EDITOR: Nate Cosby
COVER: Lucio Parrillo
VARIANT COVER ARTISTS: Joshua Sway Swaby; Jae Lee; Lucio Parrillo; Rachel Hollon (cosplay)
32pp, Color, $3.99 U.S. (December 2021)

Rated Teen+

Based on the characters and stories created by Roy Thomas, Barry Windsor-Smith, and Robert E. Howard

Conan the Barbarian #23 (cover dated: February 1973) saw the debut of a high fantasy, sword and sorcery heroine, Red Sonja.  Created by writer Roy Thomas and artist Barry Windsor-Smith, Red Sonja was loosely based on “Red Sonya of Rogatino,” a female character that appeared in the 1934 short story, “The Shadow of the Vulture,” written by Robert E. Howard (1906-1936), the creator of the character, Conan the Cimmerian.

In 2005, Dynamite Entertainment began publishing comic books featuring differing versions of the character.  One of those is Red Sonja Black White and Red, an anthology comic book featuring stories from well known comic book writers and artists, with the art presented in black, white, and red.

Red Sonja Black White and Red #5 is comprised of three stories.  The first is “The Hunted,” which is written and drawn by Jacob Edgar; colored by Giorgio Spalletta; and lettered by Hassan Otsmane-Elahou.  The second is “The Chill Touch of Sorcery!,” which is written by Oliver Gerlach; drawn and colored by Alex Moore; and lettered by Hassan Otsmane-Elahou.  The third is “Erik the Black, He-Demon with an Axe,” which is written by Frank Tieri; drawn by Lee Ferguson; colored by Kike J. Diaz; and lettered by Hassan Otsmane-Elahou.

THE LOWDOWN:   Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is Red Sonja Black White and Red #5, which is the fourth issue of the title that I have read.

“The Hunted” by Jacob Edgar, Giorgio Spalletta, and Hassan Otsmane-Elahou:
Baron Raaf wants someone to bring him the head of Red Sonja.  Is that “Yul, the Eternal,” called an immortal because no man has ever drawn his blood?  Are Wenyl and Fenyl, speedy and skilled with a dagger, the men who can kill the She-Devil?  Can an archer take her down?  Who is the hunted?

“The Hunted is a thoroughly enjoyable story.  Like many of the short stories in this series, “The Hunted” is for Red Sonja fans because they don't need the narrative to unveil Sonja's character as they know her.  Readers only need a clever plot, and this one is.

“The Chill Touch of Sorcery!” by Oliver Gerlach, Alex Moore, and Hassan Otsmane-Elahou:
Red Sonja is pursuing a sorceress across a treacherous, icy landscape.  It is a good story, but not a great story.  I do like the artist's use of page design here.

“Erik the Black, He-Demon with an Axe” by Frank Tieri, Lee Ferguson, Kike J. Diaz, Hassan Otsmane-Elahou:
In a bar full of assassins, pirates, thieves, barbarians, she-bitches, etc., everyone gives Red Sonja, the She-Devil with a Sword a wide birth … except Erik the Black, He-Demon with an Axe.  He says that he is here to kick “the fine, metal bikined ass” of Red Sonja...

Writer Frank Tieri offers his usual meaty, violent storytelling, which I enjoy, but with a neat twist.  Lee Ferguson's art fits this story's “tale of” back-story aspects.  It all works.

It is not hard for me to pick a favorite story of the three offered in Red Sonja Black White and Red #5.  It is “The Hunted” by Jacob Edgar, Giorgio Spalletta, and Hassan Otsmane-Elahou.  However, “Erik the Black, He-Demon with an Axe” is a nice runner-up and would be my favorite otherwise.

I READS YOU RECOMMENDS:  Fans of Red Sonja will want to try Red Sonja Black White and Red.

A-

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

You can find these stories and more in the hardcover trade collection, RED SONJA: BLACK, WHITE, RED VOL. 2, which is available at Amazon.

https://twitter.com/DynamiteComics
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https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like these, BOOKS PAGE, GRAPHIC NOVELS, or MANGA PAGE and BUY something(s).

#IReadsYou Review: SAVAGE TALES: Winter Special One-Shot

SAVAGE TALES: WINTER SPECIAL ONE-SHOT

DYNAMITE ENTERTAINMENT

STORY: Scott Bryan Wilson; David Avallone

ART: Max Fuchs; Eman Casallos; Mariano Benitez Chapo; Hamish Munro-Cook

COLORS: Gab Contreras; Adriano Augusto; Adrian Woolnough; Jorge Sutil

LETTERS: Taylor Esposito

COVER: Arthur Suydam

32pp, Color, $4.99 U.S. (December 2022)

Rated Teen+

Savage Tales is the title of an anthology comic book series that has been used by both Dynamite Entertainment and Marvel Comics (twice).  Dynamite recently brought its version back as a series of one-shot comic books.

Savage Tales Winter Special One-Shot contains four short comics stories.  There is a Draculina story, “Juicing with the Devil,” which is written by Scott Bryan Wilson; drawn by Max Fuchs; and colored by Gab Contreras.  Next up is a John Carter & Dejah Thoris story, “A Honeymoon on Mars,” which is written by David Avallone; drawn by Emas Casallos; and colored by Adriano Augusto.  Third is Vampirella story, “Crypt Junkies,” which is written by Wilson; drawn by Mariano Benitez Chapo; and colored by Adrian Woolnough.  Last is a Captain Gullivar Jones story, “His War Chapter II,” which is written by Avallone; drawn by Hamish Munro-Cook; and colored by Jorge Sutil.

All four stories are lettered by Taylor Esposito.  I am reviewing each story separately.

THE LOWDOWN:  Since July 2021, the marketing department at Dynamite Entertainment has been providing me with PDF review copies of some of their titles.  One of them is Savage Tales Winter Special One-Shot, which is the second time I have read a Dynamite Savage Tales comic book.

Draculina in “Juicing with the Devil” by Scott Bryan Wilson, Max Fuchs, and Gab Contreras:

Story:  A skinny young man is transformed from weakling to muscular strongman – by a demon.  The cost for this is that the transformed human must join his demon benefactor in a wrestling match against Draculina...

My thoughts:  This is a delightful story, very well drawn and colored.  The writer perfectly captures both the desperation and subsequent self-delusion of a guy who finally gets everything he thought he wanted and more.

John Carter & Dejah Thoris in “A Honeymoon on Mars,” by David Avallone, Emas Casallos, and Adriano Augusto:

Story:  An aerial outing sends John and Dejah on a rescue mission, but the result is the revelation of John Carter's savage past – one that is longer than he expected.

My thoughts:  This story is beautifully drawn by Emas Casallos and colored by Adriano Augusto in a way that remind me of stories from issues of old Heavy Metal and Epic Magazine.  Writer David Avallone deftly reconciles or perhaps, redeems John Carter of some of his past military affiliations, with emphasis on one in particular.

Vampirella in “Crypt Junkies” by Wilson, Mariano Benitez Chapo, and Adrian Woolnough:

Story:  Trash TV junkie, Vampirella, has a chance to appear on her favorite reality television series, “Crypt Junkies.”  The show basically breaks into sealed graves, tombs, crypts, etc. in order to “see the wonders inside.”  But maybe no one should be opening the "Grave of Omuo."

My thoughts:  This is another very well drawn story, and it really conveys the power and tragedy of writer Scott Bryan Wilson's clever tale.  I'd call “Crypt Junkies” one of the few original comic book stories that genuinely mixes the styles of Robert E. Howard and H.P. Lovecraft.

Captain Gullivar Jones in “His War Chapter II” by Avallone, Hamish Munro-Cook, and Jorge Sutil:

Story:  The story opens in France, September 1918.  The Earth man, Gullivar Jones, who once adventured on Mars, is now returned to Earth and trapped in the muck and mire of World War I.  He can wish himself away from this and return to Mars, but now, how is life on Mars?

My thoughts:  Gullivar Jones is the science fiction military man created by Edwin Lester Arnold.  Jones made one literary appearance in the 1905 novel, Lieut, Gullivar Jones: His Vacation.  Now, writer David Avallone is giving him new life in the medium of comics.  I think what Avallone is doing is creating a sequel to a character that was short-lived, or he is, at least, giving new life to an abandoned character.  In two chapters, he and Munro-Cook have breathed new life into Captain Gullivar Jones in a way that is true to old-timey science fiction and is also an intriguing reboot.  What makes me anticipate more of this is that the possibilities are endless … or at least Avallone and Munro-Cook think so.

Wow.  This issue is full of excellent stories, all well lettered by award-winning letterer, Taylor Esposito.  If I have to reluctantly pick a favorite comics story from Savage Tales Winter Special One-Shot, I will have to make a difficult choice.  I think I will go with “Crypt Junkies,” if only for the fact that it feels like it has potential to be a media franchise, but my eye is also on Gullivar Jones.

I READS YOU RECOMMENDS:  Fans of anthology comic books will want to read Savage Tales: Winter Special One-Shot.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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#IReadsYou Review: RED SONJA Black White Red #4

RED SONJA BLACK WHITE RED #4
DYNAMITE ENTERTAINMENT

STORY: Sanya Anwar; Phillip Kennedy Johnson; Chuck Brown
ART: Sanya Anwar; Steve Beach; Drew Moss
COLORS: Kike J. Diaz; Steve Beach; Drew Moss
LETTERS: Hassan Otsmane-Elhaou
EDITOR: Nate Cosby
COVER: Lucio Parrillo
VARIANT COVER ARTISTS: Cat Staggs; Jae Lee; Lucio Parrillo; Rachel Hollon (cosplay)
32pp, Color, $3.99 U.S. (October 2021)

Rated Teen+

Based on the characters and stories created by Roy Thomas, Barry Windsor-Smith, and Robert E. Howard

Conan the Barbarian #23 (cover dated: February 1973) saw the debut of a high fantasy, sword and sorcery heroine, Red Sonja.  Created by writer Roy Thomas and artist Barry Windsor-Smith, Red Sonja was loosely based on “Red Sonya of Rogatino,” a female character that appeared in the 1934 short story, “The Shadow of the Vulture,” written by Robert E. Howard (1906-1936), the creator of the character, Conan the Cimmerian.

In 2005, Dynamite Entertainment began publishing comic books featuring differing versions of the character.  One of those is Red Sonja Black White and Red, an anthology comic book featuring stories from well known comic book writers and artists, with the art presented in black, white, and red.

Red Sonja Black White and Red #4 is comprised of three stories.  The first is “The Iron Maiden,” and it is written and drawn by Sanya Anwar; colored by Kike J. Diaz; and lettered by Hassan Otsmane-Elahou.  The second story is “The Iron Queen,” and it is written by Phillip Kennedy Johnson; drawn by Steve Beach; and lettered by Hassan Otsmane-Elahou.  The third story is “Cold Monger,” and it is written by Chuck Brown; drawn by Drew Moss; and lettered by Hassan Otsmane-Elahou.   I'll review each story separately.

THE LOWDOWN:   Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is Red Sonja Black White and Red #4, which is the third issue of the title that I have read.

“The Iron Maiden” by Sanya Anwar, Kike J. Diaz, and Hassan Otsmane-Elahou:
After being grievously injured, Sonja of Hyrkania passes out.  When she awakens, she is under the care of Oenila, and two more different women there couldn't be.  However, when Sonja later tries to save Oenila, she learns that a women can be a warrior on a different kind of battlefield.

“The Iron Maiden” is a nice story, but I think it doesn't show its power until the very end.  I do like that the story shows that every woman does not have to be a she-devil with a sword in order to be brave in a struggle that she must face.

“The Iron Queen” by Phillip Kennedy Johnson, Steve Beach, and Hassan Otsmane-Elahou:
This a tale of Red Sonja's past and present, one that finds her aged and waiting for the opportunity to be great again.  It takes a young woman who idolizes her to remind the She-Devil that she was and still is a she-devil.

The art for “The Iron Queen” by Steve Beach is beautiful, and has a quality that recalls the “ink-wash” art that could be found in Savage Sword of Conan, the old Marvel Conan comics magazine.  Johnson's story is nice, but I'm sure that I have read something just like it in the past.

“Cold Monger” by Chuck Brown, Drew Moss, and Hassan Otsmane-Elahou:
Red Sonja meets a stranger in a strange, cold land.  He tells her of King Ole VII, “the Cold Monger,” who uses magic to keep the land frozen and him in control of fire.  Can the hot-blooded She-Devil with a Sword melt down the Cold Monger's rule?

I like “Cold Monger.”  It's like a fairy tale with Red Sonja as the unnamed hero who passes through a land, staying only long enough to depose a despot.

It is not hard for me to pick a favorite story of the three offered in Red Sonja Black White and Red #4.  “Cold Monger” by Chuck Brown, Drew Moss, and Hassan Otsmane-Elahou really stands out in this issue, which I must admit that I find to be the weakest issue of this series that I have read, thus far.

I READS YOU RECOMMENDS:  Fans of Red Sonja will want to try Red Sonja Black White and Red.

B

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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#IReadsYou Review: SAVAGE TALES #1

SAVAGE TALES #1 ONE-SHOT (2022)
DYNAMITE ENTERTAINMENT

STORY: Scott Bryan Wilson; David Avallone
ART: Mariano Benitez Chapo; Will Rios; Al Barrionuevo; Hamish Munro-Cook
COLORS: Adrian Woolnough; Dinei Ribero; Jordi Escuin Llorach
LETTERS: Taylor Esposito
COVER: Arthur Suydam
VARIANT COVER ARTISTS: Liam Sharp; Rafael Kayanan; Arthur Suydam
32pp, Color, $4.99 U.S. (June 2022)

Rated Teen+

Savage Tales is the title of an anthology comic book series that has been used by both Dynamite Entertainment and Marvel Comics (twice).  Dynamite recently brought its version back as a one-shot comic book.

Savage Tales #1 One-Shot contains four short stories.  The first is a Vampirella tale entitled, “Horrible People Doing Horrible Things To Horrible People,” and is written by Scott Brian Wilson; drawn by Mariano Benitez Chapo; and colored by Adrian Woolnough.  Next, is an Allan Quatermain tale, “Missionaries of Madness,” written by David Avallone; drawn by Will Rio; and colored by Dinei Ribero.  The third is a Red Sonja story, “The Executioner's Sword,” written by Scott Brian Wilson; drawn by Al Barrionuevo; and colored by Jordi Escuin Llorach.

The final entry is a Captain Gullivar Jones story, “His War,” written by David Avallone; drawn by Hamish Munro-Cook; and colored by Dinei Ribero.  All four stories are lettered by Taylor Esposito.  I'll review each story separately.

THE LOWDOWN:  Since July 2021, the marketing department at Dynamite Entertainment has been providing me with PDF review copies of some of their titles.  One of them is Savage Tales #1 One-Shot, which is the first time I have read a Dynamite Savage Tales comic book.

“Horrible People Doing Horrible Things To Horrible People” by Scott Brian Wilson, Mariano Benitez Chapo, Adrian Woolnough, and Taylor Esposito:

Enjoying a drink in a bar, Vampirella meets an interesting fellow drinker who has interesting things to say about horrible people doing horrible thinks to other horrible people.  At least, he thinks its interesting.  Now, Vampirella is about to hand out a lesson in morality.

I Reads You says:  I don't really remember any Vampirella tales from back in the Warren Publications days.  Maybe, I need to buy some back issues.  Anyway, this excellent tale by Scott Brian Wilson apparently recalls the good old days of Vampirella.  The comeuppance Vampirella delivers does remind me of the fate of characters in the few original Warren comics short stories that I have read.  Wilson offers enough brutality to make a reader feel pity for a man who likely does not deserve any, which I think makes this tale a winner. Mariano Benitez Chapo's smooth art gives the story a sense of impact; he makes the punishment mean something.

“Allan Quatermain and the Missionaries of Madness” by David Avallone, Will Rio, Dinei Ribero, and Taylor Esposito:

It is Durban, Africa, year 1883.  The legendary big game hunter, Allan Quatermain, has come across a massacred village, and he knows who the culprits are.  They call themselves “Servants of the Great Old Ones,” but they don't know that they are Quatermain's latest big game.  Will his search for these “murderous missionaries, however, lead Quatermain to his own doom?

I Reads You says:  Of course, Allan Quatermain is author H. Rider Haggard's (1856-1925) fictional big game hunter.  Writer David Avallone's idea of bringing Quatermain into the realm of H.P. Lovecraft's domain is actually a good one, and I hope to see more.  Will Rio's art and storytelling make “Missionaries of Madness” seem more like a Western than an African-set tale.  This is also a welcomed bit of newness.

“The Executioner's Sword” by Scott Brian Wilson, Al Barrionuevo, Jordi Escuin Llorach, and Taylor Esposito:

Upon passing through a village, Red Sonja discovers that the local executioner has a very special sword which he uses to kill the condemned.  But which, the executioner or his weapon, is cursed with an insatiable hunger?

I Reads You says:  It is easy to create a good Red Sonja comics short story because the character is so special and has existed for so long that these stories practically write themselves.  It is not easy to create a great Red Sonja comics short story; I know this because I have read enough to know.  On writer Scott Brian Wilson's part, “The Executioner's Sword” is great story and an excellent piece of story craftsmanship in forging a morality tale in which the “She-Devil with a Sword” seems merciful and just rather than vengeful – which she often is.

Al Barrioneuvo's moody art conveys the sense of malaise and doom that hangs over the village in which the story is set.  Barrioneuvo pulls off a rarity.  He creates a Red Sonja who is different in spirit from every other Sonja, and that is something, indeed.

“His War” by David Avallone, Hamish Munro-Cook, Dinei Ribero, and Taylor Esposito:

Once upon a time, Captain Gullivar Jones was swashbuckling his way across Mars.  Now, he is back on Earth and in the pit of the Great War (World War I).  Is this return to Earth Gullivar's new beginning, and is it something he really wants?

I Reads You says:  Captain Gullivar Jones is the science fiction military man created by Edwin Lester Arnold (1857-1935).  By bringing Jones back to Earth to fight humanity's war, writer David Avallone creates the idea that his lead character needs healing and redemption.  Beyond that, I can't say much.  “His War” is more like a taste of a larger work, and this taste makes me think that the story could work as a graphic novel, prose novel, or even as an intriguing screenplay.  Hamish Munro-Cook's art and graphical storytelling thoroughly sells the idea of man now grounded from his former fantastic realities.

If I have to reluctantly pick a favorite comics story in Savage Tales #1 One-Shot, it is a difficult choice.  I think I will go with “The Executioner's Sword,” which is the most genuinely emotional and, dare I say it, human story of this publication.

I READS YOU RECOMMENDS:  Fans of anthology comic books will want to read Savage Tales #1 One-Shot.

[This comic book includes “Dynamite Dispatch” July 2022, which features an interview with writer Phillip Kennedy Johnson about his new James Bond comic book series.]

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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#IReadsYou Review: ARCHIE'S VALENTINE'S SPECTACULAR #1

ARCHIE VALENTINE'S SPECTACULAR #1 (2024)

ARCHIE COMIC PUBLICATIONS, INC.

STORY: Ian Flynn; Francis Bonnet; Dan Parent; Frank Doyle

PENCILS: Holly G!; Dan Parent; Samm Schwartz

INKS: Jim Amash; Bob Smith

COLORS: Glenn Whitmore

LETTERS: Jack Morelli; Samm Schwartz

EDITORS: Jamie Lee Rotante; Vincent Lovallo; Stephen Oswald

EiC: Mike Pellerito

COVER: Dan Parent with Rosario “Tito” Peña

32pp, Color, $3.99 U.S. (March 2024) – On-sale February 

Rating: All-Ages

“Paths to the Heart”

Eternal high school student and teenage boy, Archie Andrews, and his friends made their debut in M.L.J. Magazines' Pep Comics #22 (cover dated: December 1941), and before long, Archie was the publisher's headliner character.  In 1946, the company changed its named to Archie Comic Publications, also known as “Archie Comics.”

Archie Comics frequently publishes themed one-shot comic books featuring Archie's characters (sometimes referred to as “the Archie Gang”).  One of them is the Archie Valentine's Spectacular No. 1.  The 2024 edition of this comic book has one new story and four reprint stories.  Entitled “Paths to the Heart,” the new story is written by Ian Flynn; drawn by Holly G! (pencils) and Jim Amash (inks); colored by Glenn Whitmore; and lettered by the great Jack Morelli.

“Paths to the Heart”:

As the story opens, the Spirits of Valentine's Day:  “Flowers, Hearts & Candy” have come to inspire love and connections.  As usual, Betty and Veronica are each struggling with what to get Archie for Valentine's Day.  Flowers has a suggestion for Betty; get Archie flowers.  Hearts has an idea for Veronica; she should confess her true feelings of love to Archie instead of buying him something.  But Candy thinks – Surprise! – that candy is the best gift.  But will these three spirits make things better or make them worse?

THE LOWDOWN:  Archie Comics has been sending me PDF review copies of their titles for several years.  Archie Valentine's Spectacular No.1 is the latest.

“Paths to the Heart” is really not a story; rather, it is the start of a story.  I imagine quite a bit of hijinks could have ensued, but they don't because “Paths to the Heart” ends before it really begins.

Sabrina Spellman in “Heartbreaker Havoc”:

Although it isn't this comic book's new story, “Heartbreaker Havoc” is the new story in Archie Jumbo Comics #347.  I'm glad that it was added to this issue.  It is written by Francis Bonnet; drawn by Holly G! (pencils) and Jim Amash (inks); colored by Glenn Whitmore; and lettered by the great Jack Morelli.

“Heartbreaker Havoc” opens on the grounds of Riverdale High School.  Sabrina Spellman a.k.a. “Sabrina the Teenage-Witch” witnesses Jughead Jones spurn Ethel Muggs after she asks him to take her on a Valentine's dinner date.  Sabrina cannot use her magic to make someone fall in love, but she can conjure up a cupid to do her dirty work.  She inadvertently ends up summoning “Heartbreaker,” a devilish cupid whose specialty is ruining love.  Now, Sabrina struggles to send “Heartbreaker” back to his realm, and she will need help from a surprising figure to do so.

Now, “Heartbreaker Havoc” is a successful Archie five-pager.  It has a beginning, middle, and end, and it actually works.  Best of all, it reads like classic Archie Comics, and I really enjoyed it.  It saves this edition of Archie Valentine's Spectacular No. 1.

If you are like me and love classic-style Archie Comics, you will love these stories.  And Archie Valentine's Spectacular is for you.

I READS YOU RECOMMENDS:  Fans of classic-style Archie Comics will want to find a copy of Archie Valentine's Spectacular No. 1.

B+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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#IReadsYou Review: NOW: The New Comics Anthology #13

NOW: THE NEW COMICS ANTHOLOGY #13

FANTAGRAPHICS BOOKS

CARTOONISTS: Roman Muradov; Nathan Gelgud; Caitlin Skaalrud; Stacy Gougoulis; Cyntha Alfonso; Josh Pettinger; Ross Murray; Steven Weissman; Emil Friis Ernst; Kayla E.

DESIGN: Kayla E.

EDITOR: Eric Reynolds

COVER: Kayla E.

BACKCOVER: Kayla E.

ISBN: 978-1-68396-963-1; paperback (May 2024)

112pp, Color, $12.99 U.S.

NOW: The New Comics Anthology is an alternative-comics anthology series launched in 2017 and edited by Eric Reynolds.  Now is published by alt-comix and art comics publisher, Fantagraphics Books.  Over its four-plus decades of existence, Fantagraphics has published what is probably the most diverse collection of comic book anthologies in the history of North American comic books.  That line-up includes such titles as Anything Goes, Critters, Mome, Pictopia, and Zero Zero, to name a few.

NOW: The New Comics Anthology #13 offers a selection of works from ten cartoonists and comics creators, as well as a back cover “comics strip” from one of its contributors, Kayla E.  Now #13, as usual, holds to editor Eric Reynolds' creed (from NOW #1) that this anthology showcase “...as broad a range of quality comic art as possible...”

The current contributors list also includes a Leroy favorite, the great Steven Weissman.  But let's take a look at each of Now #13's cartoonists' contributions individually:

THE LOWDOWN:  The illustration that acts as Now #13's cover art is entitled “There is a Great Void,” and is produced by Kayla E.  Kayla is all over this issue.

“Conceptual Illustration” by Roman Muradov:

This is a funny one-pager about a particular moment in an art/illustration class.  It reminds me of the stories friends of mine told me about disputes between instructors and professors and students in college art classes.

“Paul Schrader on Big Decisions and Pauline Kael” and “Paul Schrader: Man of His Word” by Nathan Gelgud”:

Cartoonist Nathan Gelgud's comics are sometimes about the movies and movie stars, and he offers two such entries in Now #13.  The first is this volume's second story, “Paul Schrader on Big Decisions and Pauline Kael.”  The second is this volume's fourth story, “Paul Schrader: Man of His Word.”  Both of them focus on real-life screenwriter and film director, Paul Schrader, who is best known for his collaborations with director Martin Scorsese.  Schrader wrote Scorsese's 1976 film, Taxi Driver, and co-wrote his 1980 film, Raging Bull.

These two stories portray Schrader, who can be both outspoken and an outspoken asshole, as the put-upon one.  That gives the “adversaries” in both stories a target for their ire, which in turn creates humorous scenarios.  I find these two stories entertaining because I am a fan of American films and of its history, but both stories would be funny even if the characters had different professions.  I could read a rather large collection of these humorous American cinema-related stories, or I'm sure I could enjoy more of Gelgud's work in general.

“How to Make Comics” by Caitlin Skaalrud”

If someone were to describe making comics, Skaalrud's contributions to Now #13 perfectly captures what it can be like trying to make comics. Sometimes, it is a vain attempt to orchestrate chaos and then, attempt to make chaos friends with madness and disorder.  Also, “How to Make Comics” is a beautiful and lyrical narrative work.

“Pig” by Stacy Gougoulis:

Told in pages of three-color, with the third color shifting at varying intervals, “Pig” is about love and mortality.  Centering on an elderly woman in need of a heart and on the pig that might provide that heart, Gougoulis' story challenges the reader's perception of how the story should, could, or would end.  I'm not crazy about “choose your adventure” stories because I want to read the author's story even if I don't like the ending (see Anthony Horowitz's Moriarity: A Novel).  “Pig” exemplifies why we should almost always choose the author's adventure.

“Escape from the Center” by Cynthia Alfonso:

This is like an exhibit at a college art show, and that's okay.  I like it.

“Laird Bell” by Josh Pettinger:

This is a very sharp short, short story that uncomfortably made me think of the recent fatal shooting attack on a CEO of a repulsive health insurance conglomerate.  With “Laird Bell,” Pettinger deftly manages to make what is scary seem sweet, quaint, and humorous.  Sadly, fiction is the only place where scenarios involving stalking and homicidal intent are sweet.

“Anything Sinister” by Ross Murray:

If there is an entry here that could launch a television series on a streaming network, it is New Zealander Ross Murray's “Anything Sinister.”  Focusing on a woman beset by a mysterious and debilitating back injury, it encapsulates how an unexpected event, especially a lingering medical condition can leave a person without any resources or without enough resources to make his or her life not fall apart. Considering the events of my life these past years, I felt “Anything Sinister” in my heart.  It made me tear-up.

“The Vals Vs. Fresh Gurls” by Steven Weissman:

This story is a lot funnier and more playful than Weissman's usual Now contributions.

“Lizard Person” by Emil Fries Ernst:

The Danish cartoonist offers a story that is impressively metaphorical.  You won't see the ending coming, although it seems obvious once you get there.

“You Cannot Live on Bread Alone” and “L'il Kayla Takes a Tumble” (back cover) by Kayla E.:

Kayla E. takes old comics and re-purposes them for her dark tales of domesticity and modern life.  If the classic TV series, “I Love Lucy,” were created today, it would be closer to Kayla E.'s vision than it would be to the original 1950s series.

I usually pick a “best of” entry after each edition of Now that I review.  My favorite Now #13 entry is “Anything Sinister” by Ross Murray.  The truth is that I could have picked any of several stories as my Now #13 favorite.  This edition of the series really emphasizes something that can get lost in the focus on the art comics aspects of Now, and that is the fact that this anthology has featured and continues to feature some excellent storytelling in the form of the comics medium.  Also, there is a nice international flavor to Now #13.

If Now were a prose anthology, critics would call it “literary.”

I READS YOU RECOMMENDS:  Fans of classic alternative-comics anthologies and of The New Yorker will want to discover NOW: The New Comics Anthology.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

You can buy Now #13 at Fantagraphics.

https://www.fantagraphics.com/

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https://www.youtube.com/channel/UCtLxEaspctVar287DtdsMww

Now #13 contributors on the Web. Please, visit them and maybe buy something:

Cynthia Alfonso: https://www.instagram.com/zyn_vaites/

https://www.kaylaework.com/

Emil Friis Ernst: https://www.beingernst.com/

https://nathangelgud.com/

https://www.stacygougoulis.com/

Roman Muradov: https://bluebed.net/

https://www.rossmurray.com/

https://www.instagram.com/josh_pettinger/?hl=en

Caitlin Skaalrud: https://www.talkweirdpress.org/

https://www.instagram.com/wei_ss_man/?hl=en

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#IReadsYou Review: ARCHIE CHRISTMAS SPECTACULAR #1

ARCHIE CHRISTMAS SPECTACULAR #1 (2023)

ARCHIE COMIC PUBLICATIONS, INC.

STORY: Tom DeFalco; Frances Bonnet; Dan Parent; Bill Golliher

PENCILS: Holly G!; Bill Galvan; Dan Parent; Bill Golliher

INKS: Jim Amash; Bob Smith

COLORS: Glenn Whitmore

LETTERS: Jack Morelli

EDITORS: Jamie Lee Rotante; Vincent Lovallo; Stephen Oswald

EiC: Mike Pellerito

COVER: Steven Butler and Lily Butler with Rosario “Tito” Peña

32pp, Color, $3.99 U.S. (January 2024; on-sale December 6, 2023)

Rating: All-Ages

“Christmas Chaos!”

Eternal high school student and teenage boy, Archie Andrews, and his friends made their debut in M.L.J. Magazines' Pep Comics #22 (cover dated: December 1941), and before long, Archie was the publisher's headliner character.  In 1946, the company changed its named to Archie Comic Publications, also known as “Archie Comics.”

Archie Comics frequently publishes holiday themed one-shot comic books featuring Archie's characters (sometimes referred to as “the Archie Gang”).  The latest is the Archie Christmas Spectacular.  It features one new story and four reprint stories.  Entitled “Christmas Chaos,” the new story introduces Archie Comics' newest characters: Jangles, Sourplum, and Grumpus.  The story is written by Tom DeFalco; drawn by Holly G! (pencils) and Jim Amash (inks); colored by Glenn Whitmore; and lettered by the great Jack Morelli.

Archie and the Gang in “Christmas Chaos”:

The story opens at Riverdale High where Archie, Betty, Veronica and the rest of the gang are decorating the gym for the annual big Christmas party, “the Riverdale Holiday Happening.”  They are waiting for the arrival of their friends, Jingle the Christmas Elf and Sugar Plum the Christmas Fairy.

However, the two have mistakenly teleported inside the “Eyegor Estate,” and now, they are the prisoners of Grumpus.  In their stead, Grumpus sends Naughty Christmas Elf Jangles and Sour Plum to Riverdale High.  Will the mischievous pair keep the Holiday Happening from happening, or can right magic make everything right again?

THE LOWDOWN:  I have been reading comic books, on and off, for decades.  I have sporadically read Archie Comics titles over that time.  For many years now, Archie's marketing department has been sending PDF copies of some of their titles for review.  Archie Christmas Spectacular is the latest.

I like Archie Christmas Spectacular, especially because there is a bit of pop Gothic in this story, especially that one panel that features the Eyegor Estate.  The story has a sweet Christmas slash Happy Holidays ending.  I can like a comic book that makes me jealous because I can't attend its admittedly fictional party, but damn, the Riverdale Holiday Happening looks like a blast.

The rest of this issue features reprints of classic-style Archie Christmas and holiday stories.  Dear readers, I will always recommend classic-style Archie, especially when it comes in Christmas packaging – anytime of the year.

I READS YOU RECOMMENDS:  Fans of classic-style Archie Comics will want to find a copy of Archie Christmas Spectacular.

B+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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#IReadsYou Review: JOSIE ANNUAL SPECTACULAR #1

JOSIE ANNUAL SPECTACULAR, NO. 1

ARCHIE COMIC PUBLICATIONS, INC.

STORY: Ian Flynn, Holly G!

PENCILS: Steven Butler; Dan DeCarlo; Holly G!

INKS: Lily Butler; Jim DeCarlo; John Costanza

COLORS: Glenn Whitmore; Bill Yoshida

LETTERS: Jack Morelli; Bill Yoshida

EDITORS: Jamie Lee Rotante; Vincent Lovallo; Stephen Oswald

EiC: Mike Pellerito

COVER: Steven Butler and Lily Butler with Rosario “Tito” Peña

32pp, Color, $3.99 U.S. (December 2024); on-sale November 6, 2024

Rating: All-Ages

Josie and the Pussycats in “Encore No More!”

In December 1962, Archie Comics introduced the character, Josie Jones, in Archie's Pals 'n' Gals #23 (cover dated: Winter 1962-1963).  Created by Dan DeCarlo, Josie Jones would become “Josie McCoy,” and she would join her friends, Melody and Valerie, in the band, “Josie and the Pussycats.”

Archie is releasing a trio of “annual spectaculars” that involve the machinations of a new character, “Mother Striga.”  She made her debut in Sabrina Annual Spectacular, No. 1.  Her story continued in the Archie Halloween Spectacular.  Striga's debut arc concludes in Josie Annual Spectacular, No. 1 (November 6, 2024).

Josie Annual Spectacular, No. 1 includes one new story and two reprint stories with the second reprint being a two-part tale.  The new story, the Mother Striga tale, is entitled “Encore No More!”  It is written by Ian Flynn; drawn by Steven Butler (pencils) and Lily Butler (inks); colored by Glenn Whitmore; and lettered by the great Jack Morelli.

Josie and the Pussycats in “Encore No More!”:

Alexandra Cabot makes an emergency call to her friend, Sabrina the Teenage Witch.  Apparently, Mother Striga has bewitched Josie and the Pussycats, and their concert at Eyegore Estates has turned into a real monsters ball.  Their music is brainwashing the monster-people.  Luckily, Sabrina believes that this state of affairs can play in her favor in ending the threat of Mother Striga.  But she'll need Alexandra's help to do it.

Meanwhile, Sabrina's cat, Salem Saberhagen, and Alexandra's cat, Sebastian, are reunited.  Now, it is up to them to do their part to free Josie and the Pussycats.

THE LOWDOWN:  I have been a fan of the Josie and the Pussycats franchise since I was a small child.  I am crazy about classic Josie comic books that were published from the 1960s to the early 1980s, and I still love the two 1970s animated television series based on the comics.

Josie Annual Spectacular No. 1 brings an end to the Mother Striga introductory story arc.  I imagine that the character will make a return, likely in an “Archie Horror” one-shot.  Writer Ian Flynn does good work getting a lot out of what amounts to a 15-page story that is serialized over three issues.  Honestly, he offers enough subplots and ideas for three full issues, but he ends this arc on a nice and unusual note.  I must mention that while “Encore No More!” is ostensibly a Josie and the Pussycats tale, Josie supporting character, Alexandra Cabot, and Sabrina are the leads.

I am really impressed with the art throughout this arc.  The team of Steven Butler (pencils) and Lily Butler (inks) deliver some really good-looking art.  Their compositions are like an homage to Josie and the Pussycats legend Dan DeCarlo, but with a stylish modern sensibility.  It really is eye candy.  The colors by Glenn Whitmore add a surreal touch to the art and to the story, while also giving the narrative a kind of low wattage occult edginess.  The lettering by the great Jack Morelli gives voice to the spicy dialogue which closes this story on a winning note... and a note of warning.

In these reviews, I always warn readers that I will always recommend classic-style Archie Comics titles.  Josie Annual Spectacular No. 1 is kinda new because it is classic-style Archie Comics with an eye towards reinvigorating it.  I recommend this entire “Mother Striga” line.

I READS YOU RECOMMENDS:  Fans of classic-style Archie Comics and of Josie and the Pussycats will definitely want to get a copy of Josie Annual Spectacular No. 1.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://archiecomics.com/

https://twitter.com/archiecomics

https://www.instagram.com/archiecomics/

https://www.facebook.com/ArchieComicsOfficial?ref=tn_tnmn

https://www.youtube.com/user/ArchieComicsOfficial

https://www.goodreads.com/user/show/8914136-archie-comics

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like these, BOOKS PAGE, GRAPHIC NOVELS, or MANGA PAGE and BUY something(s).