DC Comics from Lunar/UCS Distributors for December 22, 2020

 DC COMICS:

Action Comics #1028 (Cover A John Romita Jr. & Klaus Janson), $3.99
Action Comics #1028 (Cover B Rafael Grampa Card Stock Variant), AR
Authority Volume 1 TP, $34.99
Batman Beyond #50 (Cover A Dan Mora), $3.99
Batman Beyond #50 (Cover B Francis Manapul), AR
Batman Superman #15 (Cover A David Marquez), $3.99
Batman Superman #15 (Cover B Travis Charest), AR
Batman The Rise And Fall Of The Batmen Omnibus HC, $150.00
Batman Whatever Happened To The Caped Crusader Deluxe 2020 Edition HC, $29.99
Batman White Knight Presents Harley Quinn #3 (Of 6)(Cover A Sean Murphy), $4.99
Batman White Knight Presents Harley Quinn #3 (Of 6)(Cover B Matteo Scalera), AR
Black Adam Endless Winter Special #1 (One Shot)(Cover A Dale Eaglesham), $3.99
Black Adam Endless Winter Special #1 (One Shot)(Cover B BossLogic Card Stock Variant), AR
Dark Nights Death Metal The Secret Origin #1 (One Shot)(Cover A Ivan Reis & Joe Prado), $5.99
Dark Nights Death Metal The Secret Origin #1 (One Shot)(Cover B Gary Frank), AR
DC Connect Checklist Poster #7, AR
DC Poster Portfolio Clay Mann TP, $24.99
DC Through The ’80s The End Of Eras HC, $49.99
Detective Comics #1033 (Cover A Brad Walker & Andrew Hennessy), $3.99
Detective Comics #1033 (Cover B Lee Bermejo Card Stock Variant), AR
Justice League Dark #29 (Cover A Kyle Hotz), $3.99
Justice League Dark #29 (Cover B Gleb Melnikov), AR
Last God #11 (Cover A Kai Carpenter), $4.99
Promethea The 20th Anniversary Deluxe Edition Volume 3 HC, $39.99
Red Hood #52 (Cover A Dan Mora), $3.99
Red Hood #52 (Cover B Skan), AR
Super Friends Saturday Morning Comics Volume 2 HC, $69.99
Superman Whatever Happened To The Man Of Tomorrow Deluxe 2020 Edition HC, $29.99
Terrifics Volume 4 The Tomorrow War TP, $24.99
Wonder Woman #769 (Cover A David Marquez), $3.99
Wonder Woman #769 (Cover B Joshua Middleton Card Stock Variant), AR

Review: HEROES IN CRISIS #1

HEROES IN CRISIS No. 1 (OF 9)
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Tom King
ART: Clay Mann
COLORS: Tomeu Morey
LETTERS: Clayton Cowles
EDITOR: Jamie S. Rich
COVER: Clay Mann with Tomeu Morey
VARIANT COVER ARTISTS: J.G. Jones with Paul Mounts; Francesco Mattina; Mark Brooks; Ryan Sook
32pp, Color, $3.99 U.S. (November 2018)

Rated “T+” for “Teen Plus”

Part 1: “I'm Just Warming Up”

Heroes in Crisis is a recently launched nine-issue event miniseries from DC Comics.  It is written by Tom King and drawn by Clay Mann, and finds the heroes of the DC Universe facing a crisis in the one place that they can find healing.  Colorist Tomeu Morey and letterer Clayton Cowles complete the Heroes in Crisis creative team.

Heroes in Crisis #1 (“I'm Just Warming Up”) opens at a small diner in rural Gordon, Nebraska.  Here, Booster Gold and Harley Quinn will engage in a bloody fight.  Meanwhile, the Trinity:  Superman, Batman, and Wonder Woman are racing to Sanctuary, an ultra-secret hospital for superheroes who have been traumatized by crime-fighting and cosmic combat.  Patients are winding up dead, and Gold and Quinn could be the reason.

Classic DC Comics prestige miniseries like Batman: The Dark Knight Returns and Watchmen had killer first issues that had most readers coming back for more, some of them even chomping at the bits for the second issue.  Heroes in Crisis #1 is not a killer first issue, but readers will come back for more because that is the thing to do.

Sometimes, it seems as if comic book readers must read event comic books simply because they will be something different, if not better, than the status quo of the monthly and regularly published comic book series.  After all this is an event miniseries, and that is what many comic book readers do – come back for the second issue of the event.  If Heroes in Crisis does not live up to the hype fewer readers will come back for each succeeding issue, but many will see the series through to the end.

I can say that the art team of illustrator Clay Mann and colorist Tomeu Morey are delivering some absolutely beautiful art.  It's like eye candy!  This may also be Clay Mann's best work to date; at least, I think so.

I will read the second issue, but if you choose to ignore Heroes in Crisis...  Well, it won't be like missing out on Batman: The Dark Knight Returns or Watchmen.

5.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Albert Avilla Reviews: Gambit #4

Gambit #4
Marvel Comics

Reviewed by Albert Avilla

Writer: James Asmus
Pencils: Clay Mann and Leonard Kirk
Inks: Seth Mann and Leonard Kirk

She’s the End of the World (Spoilers!)

This issue is the conclusion to the first story arc of the new Gambit series. Nothing significant happens in the story. Gambit and his lady open a portal to the realm of the gods to face a non-sentient feathered serpent. The story allows Gambit to show his resourcefulness and acrobatic abilities. He has an opportunity to save the damsel in distress. At one point Gambit enters the serpent and blows up its head from the inside. Where have we seen this before? Finally, Gambit gives up on trying to use the relic to close the portal and uses his powers to do the deed.

One prop that I can give the story is that it had action from beginning to the end. Gambit’s lady’s name is Joelle, and she has super powers which she doesn’t use to help Gambit. The story’s ending threw me for a loop. One minute Joelle is kissing Gambit and in the next, she’s knocking him out. If you want to break up, lets be cordial about it; there is no need for the violence.

On his return to New York, Gambit jumps into a car with a stranger. He ends up in the hands of Cich. I wonder what Cich has planned for him? Do you think he wants Gambit to steal something? A conclusion to a story arc should have a little more bang for your buck; this ended in a fizzle. The greatest challenge that Gambit faced was the hostile environment. This god didn’t wield very much power; it was just another big snake.

The art was an asset to the story. The artists were able to put large scenes in every panel. The scenes with Gambit and the serpent illustrate the size of the challenge that Gambit must overcome.

I rate Gambit #4 Read a Friends Copy. #3 (of 5) on the Al-O-Meter Ranking

I Reads You Review: GAMBIT #1

"The Remy LeBeau Affair"

GAMBIT #1
MARVEL COMICS

WRITER: James Asmus
PENCILS: Clay Mann
INKS: Seth Mann
COLORS: Rachelle Rosenberg
LETTERS: VC’s Cory Petit
COVER: Clay Mann and Seth Mann with Rachelle Rosenberg; variant cover by Chris Bachalo
28pp, Color, $2.99 U.S.

Marvel Comics superhero character, Gambit, is known as a member of the X-Men (one team or another). Before he was an X-Man, he was Remy LeBeau, a thief. He has the mutant ability to mentally create, control and manipulate pure kinetic energy. The best example of those powers-in-use is when Gambit “biokinetically” charges objects (such as playing cards) and turns them into small explosives.

Marvel has previously published two ongoing Gambit solo comic book series. The third is a new series written by James Asmus and drawn by the team of Clay Mann (pencils) and Seth Mann (inks). Asmus is an actor, playwright and sketch comic (and, yes, that’s what it has come to).

Gambit #1 (“Once a Thief…” Part One) finds our (anti) hero back to his old life on the wrong side of the law. Businessman Borya Cich is holding a fundraiser for the students of Empire State University at his palatial, private estate in Sagaponack, New York. Cich also has a reputation as a mogul who bankrolls “costumed bad-guys.”

With an invitation in hand, Gambit plans to not only attend the fundraiser as a guest, but to also crash Cich’s secret stash of super-gadgets and magical items. Security is tight, but Remy LeBeau, super-thief, can handle it. When the unexpected happens and things go wrong, LeBeau has to avoid being handled.

Having writers who come from outside of the comic book industry write comic books means having writers that inject fresh ideas into the medium. The fresh idea in Gambit #1 is having Remy LeBeau act as a kind of scruffy, superhero version of Thomas Crown (of the film, The Thomas Crown Affair) or maybe even of Danny Ocean (Ocean’s Eleven). I did write just a few paragraphs ago that it has come to that. What I mean is that this is just another comic book trying not to be a comic book, when the creators can make it act like a movie – of the kind you’ve probably already seen a hundred times.

I must also admit that while I didn’t expect much of this issue, I did find it mildly entertaining in spots. However, Asmus writes way too much interior dialogue, and the other characters are mostly empty paper.

When I first flipped through the book, I was appalled by the art. After reading it, I can say that the compositions and storytelling are good, but that murky, fake, watercolor-style color has got to go. I wouldn’t mind reading future issues of this series, but I won’t pay $2.99 again to do it.

C+