Showing posts with label Del Rey Books. Show all posts
Showing posts with label Del Rey Books. Show all posts

Tuesday, March 9, 2021

#IReadsYou Book Review: STAR WARS THE HIGH REPUBLIC: Light of the Jedi

STAR WARS: THE HIGH REPUBLIC: LIGHT OF THE JEDI
RANDOM HOUSE/Del Rey

[This review was originally posted on Patreon, and visit the "Star Wars Central" review page here.]

AUTHOR: Charles Soule
COVER: Joseph Meehan
ISBN: 978-0-593-15771-8; hardcover (January 5, 2021)
400pp, B&W, $28.99 U.S., $38.99 CAN

Star Wars: The High Republic: Light of the Jedi is a 2021 Star Wars novel from author Charles Soule. Star Wars: The High Republic is an all-new storytelling initiative set in the world of Star Wars.  This publishing program will feature interconnected stories that will be told across multiple publishers, including book and comic book publishers, and that will be targeted at multiple age groups of readers.

Star Wars: The High Republic's saga takes place 200 years prior to the events depicted in the film, Star Wars: Episode I – The Phantom Menace (1999), in an all-new time period.  The High Republic is set in an era when both the Galactic Republic and the Jedi Order are at the height of their power, serving and protecting the galaxy.  This is a hopeful and optimistic time, and the Republic and the Jedi are noble and respected.

Star Wars: The High Republic: Light of the Jedi opens in a golden age.  Intrepid hyperspace scouts have expanded the reach of the Republic to the furthest stars and into the Outer Rim.  Worlds flourish under the benevolent leadership of the Senate on the Core world of Coruscant and its leader, Chancellor Lina Soh.  Peace reigns, enforced by the wisdom and strength of the order of Force users known as the Jedi Knights, who are at the height of their power.  The light of the Jedi spreads across the Republic, and every citizen knows that “We are all Republic.”

The Republic has a new project, “the Starlight Beacon,” which will connect the inhabitants and new settlers of the worlds of the Outer Rim to the Mid Rim and Core worlds.  In fact, the “Legacy Run,” a Kaniff Yards Class 4 modular freight transport, is traveling through hyperspace with a full contingent of new setters to the Outer Rim.  Then, a shocking catastrophe in hyperspace tears the Legacy Run apart, and multiple pieces and sections of the ship emerge from hyperspace like a flurry of shrapnel.

These “Emergences” from hyperspace into real space threaten disaster and total destruction for the entire Hetzal System, an Outer Rim system of mostly agricultural worlds.  The Jedi quickly race to the scene, but the scope of what will be called “The Great Disaster” pushes even the Jedi to their limit.  A single mistake on their part could cost billions of lives.

Behind this emergency is a new enemy, a band of marauding and mysterious “space vikings” known as “the Nihil.”  The threat of the Nihil has largely stayed beyond the boundary of the Republic, but this hyperspace disaster is part of a new sinister plan that just might strike fear into this golden age of the Republic.

THE LOWDOWN:  Star Wars: The High Republic: Light of the Jedi is the first Star Wars novel that I have read in about eight and a half years.  The last one I read was author James Luceno's Star Wars: Darth Plagueis (2012), which was part of the defunct “Star Wars Expanded Universe.”  Star Wars: The High Republic: Light of the Jedi is the perfect book to welcome a returning Star Wars novel reader to the franchise.

Charles Soule is a novelist and attorney, but I know him as one of Marvel Comics' very best Star Wars comic book writers … ever.  I was surprised to see that he would write one of the novels that would launch Star Wars: The High Republic, but Soule turns out to be one of those perfect choices.

Star Wars: The High Republic: Light of the Jedi works because Soule's prose and storytelling slowly draws the readers into the narrative.  Then, he forces readers to race through this book that roils like a summer potboiler novel.  The chapters are relatively short; there are 44 of them, plus a prologue, an epilogue, and a few interludes, but almost everyone of them packs a wallop.  Anytime is the right time for a book that you, dear readers, can't put down.

Soule gives readers a good taste of the characters:  Jedi, non-Jedi, and adversaries in Star Wars: The High Republic: Light of the Jedi, but character writing isn't what Soule does best in this book.  In a way, the characters' personalities, conflicts, histories, relationships, doubts, goals, motivations, etc. seem somewhat allusive.  I think that is partly because these characters are still in a state of development so early in this publishing program.

Still, Jedi like Avar Kriss, Loden Greatstorm, Bell Zettifer, and Elzar Mann promise to be quite interesting and fun.  What is the highest recommendation that I can give Star Wars: The High Republic: Light of the Jedi?  By the time I reached the end of this book, I really wanted there to be more.

I READS YOU RECOMMENDS:  Fans of Star Wars novels will certainly want to give Star Wars: The High Republic: Light of the Jedi a try.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/DelReyStarWars
https://twitter.com/DelReyBooks
http://www.randomhousebooks.com/
https://www.starwars.com/the-high-republic
https://twitter.com/starwars
https://www.starwars.com/
https://twitter.com/CharlesSoule


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Friday, June 19, 2020

Book Review: STAR WARS: Luke Skywalker and the Shadows of Mindor

STAR WARS: LUKE SKYWALKER AND THE SHADOWS OF MINDOR
DEL REY/BALLANTINE BOOKS

[Visit the "Star Wars Central" review page here.]

AUTHOR: Matthew Stover
COVER: David Seeley
ISBN: 978-0-345-47744-6; hardcover (December 30, 2008)
331pp, B&W, $27.00 U.S., $32.00 CAN

In the Star Wars® Expanded Universe (EU), there were apparently, at one point, six eras, measures of time in which the Star Wars stories were set.  The Expanded Universe was rendered moot a few years after the Walt Disney Company bought Star Wars' parent company, Lucasfilm Ltd. in December 2012.  The EU eras were Sith, Prequel (Star Wars: Episodes I-III), Classic (Star Wars: Episodes IV-VI), New Republic, New Jedi Order, and Legacy.

Star Wars: Luke Skywalker and the Shadows of Mindor, is a 2008 “New Republic” era novel from author Matthew Stover.  Stover has penned other Star Wars novels including the Star Wars: Episode III – Revenge of the Sith novelization.

Luke Skywalker and the Shadows of Mindor opens six months after the events depicted in the film, Return of the Jedi.  The victorious Rebel Alliance is still struggling with the remnants of the Empire.  These surviving Imperial forces are determined to crush the rebellion, and now there is a new enemy.  Calling himself Lord Shadowspawn, he commands black-armored stormtroopers and launches raids and acts of piracy and terrorism against the New Republic, and their path of pillaging and wholesale slaughter leaves a wake of destruction.

General Luke Skywalker and the NRDF (New Republic Defense Forces) trace Lord Shadowspawn to a strategically advantageous base on the planet Mindor and launch a raid that actually plays directly in Shadowspawn’s hands.  Using ancient Sith knowledge and secret Imperial technology, Shadowspawn decimates the NRDF forces, and Luke Skywalker is seemingly lost during raid, possibly killed.  Han Solo, Princess Leia, Chewbacca, Lando Calrissian, See-Threepio, Artoo-Detoo, and the Rogue Squadron rush to the rescue, but are they in time to stop Shadowspawn’s power play for galaxy-wide dominion?

THE LOWDOWN:  It’s been almost 10 years since I’ve read a Star Wars novel (the last being Vector Prime), but I was ready for Luke Skywalker and the Shadows of Mindor.  For one thing, this book features many of my favorite characters from classic Star Wars.  In Mindor, author Matthew Stover seems to have written a book with two minds.

One of them is a space opera with non-stop action; the other is hard science fiction that is jargon-heavy and has enough dogfights to feel like a sci-fi flight simulator.  The former is a page-turner – an exciting read for a Star Wars fanboy like me.  The latter is sometimes dry, sometimes mildly interesting.  Luckily, both sides come together to create a potboiler of a novel by the middle of story.

The characterizations, in general, are good, and I especially like where Stover has Luke Skywalker at in terms of the post Return of the Jedi character.  Luke in this book is the confident last Jedi, the hero we saw in ROTJ, but he is conflicted about his place in the New Republic, especially about the lives of the men that are placed in his hands when he becomes a general.  As many reasons as there are why this book is fun to read, it’s Stover’s take on Luke Skywalker that makes Luke Skywalker and the Shadows of Mindor a quality Star Wars novel.

I READS YOU RECOMMENDS:  People who read every Star Wars novel or who come close will, of course, want Star Wars: Luke Skywalker and the Shadows of Mindor.  Fans of the original trilogy will definitely want to give this a read, precisely because the story takes place so close to the “Classic Era.”

B+
7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.



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Monday, March 16, 2020

Comics, Magazines and Books from Diamond Distributors for March 18, 2020

COMICS & GRAPHIC NOVELS

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Monday, November 13, 2017

Comics, Magazines and Books from Diamond Distributors for November 15, 2017

COMICS & GRAPHIC NOVELS

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Monday, December 3, 2012

IReadsYou Review: UGLIES: Cutters

UGLIES: CUTTERS
BALLANTINE BOOKS/DEL REY – @delreyspectra

CREATOR: Scott Westerfeld
WRITERS: Scott Westerfeld, Devin Grayson
ART: Steven Cummings
TONES/LETTERS: Yishan Li
COVER: Steven Cummings with Espen Grundetjern
ISBN: 978-0-345-52723-3; paperback (December 4, 2012)
176pp, B&W, $10.99 U.S., $12.99 CAN

Scott Westerfeld is an American science fiction author who has written several book series aimed at the young adult market (YA). The Uglies is a series of young adult, science fiction/fantasy novels written by Westerfeld. The series, which began in 2005 with the publication of Uglies, is set 300 years in the future in a time in which everyone is turned “pretty” by extreme cosmetic surgery. The Uglies’ central character is Tally Youngblood, a teen girl who rebels against this forced conformity.

Uglies: Cutters is the second of two original graphic novels that are set in the world of the Uglies and tell new stories through the eyes of Tally’s friend, Shay, another teen girl. Like the first graphic novel (Uglies: Shay’s Story), Uglies: Cutters is scripted by Devin Grayson from a story by Scott Westerfeld and is drawn by artist Steven Cummings.

Uglies: Cutters apparently takes place after the second prose novel in the series, Pretties (2005). The series’ lead character, Tally Youngblood, and her best friend, Shay, have undergone “the Surge,” which is the rite-of-passage surgery that transforms them from “Ugly” to “Pretty.” Shay now lives in New Pretty Town enjoying the good life, and she is hoping to be inducted into Tally’s clique, the “Crims” (short for “criminal”).

Shay, however, is troubled by her new life as a stunning beauty. She is plagued by bad dreams and is somewhat distressed that she cannot remember much about her time in “The Smoke,” a wilderness camp where runaways live. She also has noticed that both Tally and Zane, a boy Shay likes, are always together and have been acting strangely. Suddenly, distrustful of her friend, Shay starts to gather a rebellious group of her own, the “Cutters.” But Shay is fighting on three fronts: against Tally, the mysterious Special Circumstances, and Dr. Cable, and this fight will be tougher than she realizes.

Like Shay’s Story, Uglies: Cutters deals with adolescent themes of emotional and physical change, but Cutters is more about the aftermath of such changes. Cutters also emphasizes the conflict within social groups, depicting rivalries and jealousies. Cutters is about suspicious minds, and Shay’s mind is full of suspicions, and, in a way, that makes her something akin to an unreliable narrator. For instance, is she creating a love triangle (involving herself, Tally, and Zane) where none exists? The fun is that you never know how much truth there is to her inklings.

Early in Cutters, the authors focus in on the shallowness of Pretty life, so much so that the story turns as shallow as party-happy Pretty. Gradually, however, the narrative comes together, and Cutters reveals itself to be something more than just science fiction-fantasy. It is also a mystery story, with the lead characters trying to unravel a conspiracy and uncover secrets, all the while going through some mean teen angst. Uglies: Cutters starts off badly, but gets better as the story goes along. It ends with a bang, maybe even leaving you wanting more.

B

www.delreybooks.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

-----------------------------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like these, BOOKS PAGE, GRAPHIC NOVELS, or MANGA PAGE and BUY something(s).


Saturday, November 3, 2012

Review - BLOOD CRIME: An Original Hollows Graphic Novel


BLOOD CRIME: AN ORIGINAL HOLLOWS GRAPHIC NOVEL
DEL REY/RANDOM HOUSE – @randomhouse

WRITER: Kim Harrison
ART: Gemma Magno
LETTERS/COLORS: Mae Hao
COVER: Juliana Kolesova
ISBN: 978-0-345-52102-6; hardcover (October 2012)
176pp, Color, $25.00 U.S., $29.95 CAN

Kim Harrison is a penname used by American author Dawn Cook. Harrison is known as the author of the Hollows series, which is also called the Rachel Morgan series. This series of mystery/urban fantasy novels and short stories focuses on Rachel Mariana Morgan, a witch detective, and her partner, Ivy Alisha Tamwood, a living vampire.

The Hollows series has already spawned one graphic novel, Blood Work (July 2011), written by Harrison and drawn by Pedro Maia. This week sees the release of the second one, which is also written by Harrison; it is entitled Blood Crime: An Original Hollows Graphic Novel. Drawn by Gemma Magno with colors by Mae Hao, Blood Crime finds Ivy and Rachel delving into a conspiracy that seems to target several people, including themselves.

Without going too deeply into the mythology (as I understand it), the Hollow series takes place in an alternate history version of Earth. In the 1960s, a plague killed off a significant portion of the human population, an event called “The Turn.” The Inderlanders: vampires, werewolves, witches, and some other supernatural species made themselves known during the plague. The Hollows series is set about 40 years after the Turn. Rachel and Ivy work for Inderland Security (I.S.).

As Blood Crime begins, someone makes an attempt on Rachel’s life, or so Ivy thinks. Suspecting vampire involvement, Ivy confronts her vampire master, Piscary, who is apparently jealous of Ivy’s growing feelings and bloodlust (or just plain lust) for Rachel. Meanwhile, the vampire Celeste offers George, a human, immortality if he helps her in her scheme against the two I.S. agents. Another vampire, Art, is also looking to do some killing, and Ivy and Rachel are even suspicious of their I.S. supervisor, Denon. Who wants to kill whom and will anyone find out in time to save their own lives?

Like some of the other graphic novels of the urban fantasy genre that I’ve read, Blood Crimes starts off slowly, but it finishes strongly. This graphic novel has seven chapters, and I read Chapters Four through Six with gusto.

I find the characters to be a little flat. I was interested in Ivy (the narrator here) and Rachel, but I didn’t particularly care about the rest. Maybe, they read better in the prose novels, but in this graphic novel, they frustrated me because their motivations and desires were shallow or mostly missing. I think Harrison’s relative inexperience in writing comics shows not only in the characters, but in the way the plot seems awkward in the early chapters.

Artist Gemma Magno has a peculiar drawing style, but it fits this odd concept. Close-ups and medium shots are her strength when it comes to figure drawing, but panels that take in the backgrounds and environments suggest that she is not as skilled in set creation as she is at figure drawing. Mae Hao’s funky colors, however, have a way of… coloring over any of Magno’s glitches. Together, they give the book a distinctive and catchy graphic and visual style.

My complaints aside, I enjoyed reading Blood Crime: An Original Hollows Graphic Novel. I think readers who want urban fantasy comic books and fans of Kim Harrison will want this full-color graphic novel.

Blood Crime: An Original Hollows Graphic Novel includes a sketchbook section, which shows off Magno’s skill at figure drawing and at character design. There are also a few pages of story/script to art comparison.

B

Reviewed by Leroy Douresseaux


Friday, July 27, 2012

Review: Karen Marie Moning's Fever Moon

FEVER MOON (OGN)
BALLANTINE BOOKS/DEL REY

STORY/CREATOR: Karen Marie Moning
ADAPTATION/SCRIPT: David Lawrence
PENCILS: Al Rio, Cliff Richards
INKS: Julia Pinto, Joe Pimentel, and Dan Borgones
COLORS: Katrina Mae Hao and Rainier Beredo
LETTERS: Zachary R. Matheny
COVER: Al Rio with Stephen Youll and Mae Hao
ISBN: 978-0-345-52548-2; hardcover
192pp, Color, $25.00 U.S., $29.95 CAN

Karen Marie Moning is a New York Times bestselling author and has won the RITA Award from the Romance Writers of America. Moning is the author of a popular series of urban fantasy novels known as the “Fever Series.” Moning makes her first foray into the world of comic books with Fever Moon, an original graphic novel. Fever Dream corresponds with the events depicted in Moning’s novel, Shadowfever (January 2011).

Moning wrote a new story specifically for this graphic novel, which David Lawrence turned into a script for a comic book. Lawrence is known for his work adapting novels into comic books, having adapted the works of fantasy novelist Patricia Briggs into comic book for Del Rey. Al Rio provided most of the pencil art for this graphic novel before his death; fellow Brazilian artist, Cliff Richards, finished penciling the Fever Moon.

As in the “Fever” novels, the star of Fever Moon is MacKayla Lane, who was a normal 20-something, small town, Georgia girl before tragedy struck. She travels to Ireland to investigate the murder of her sister, where she learns that the Celtic folklore concerning fairies is true. The “Fae” are split into the Light (Seelie) and Dark (Unseelie) and their war has spilled over into the human world. MacKayla becomes a “sidhe-ser,” a person who can see the Fae for who and what they are, even when they use glamour to hide their true appearances.

Now, MacKayla is facing an eerie, dangerous being that steals parts of people faces – an ear here, an eye there, a random mouth, etc. Appearing as a tall, gaunt, faceless man nattily dressed in tailcoat and spats, he is terrorizing Dublin and leaving his victims in a coma. MacKayla not only has to discover what kind of creature the attacker is; she must also find a way to stop him. And time is not on MacKayla’s side.

I must admit that it was not until I received a review copy of Fever Moon with press materials from Del Rey that I learned that Al Rio had died. I had become a fan of his work in recent years because his art style was a funky kind of ersatz J. Scott Campbell. Rio did his Campbell thing on Fever Moon; in fact, MacKayla Lane looks like she came out of Campbell’s infrequently published comic book property, Danger Girl. The art here is such a Danger Girl knockoff that I often found it off-putting. Rio’s style is so prominent that it is hard not to notice the change when Cliff Richards takes over as pencil artist. Richard’ style, at least the one here, is non-descript.

Perhaps, the easy thing to do is to say that the art, regardless of style, works from a storytelling point of view; there is a functional quality to it. Combined with the captions and word balloons, the reader can easily figure out what’s going on in the story because of the clear graphical storytelling. Like the art, the story is also efficient. Lawrence translates Moning’s story and the world of “Fever” in such a way that he quickly gets the reader into the story, lest that reader become frustrated and leave, which you won’t.

Lawrence makes sure you understand the characters, settings, and over-arching plot, and “Fever,” at least as far as Fever Moon is concerned, is a fun place to be. Whatever the novels may be, Fever Moon works as a comic book. It has a weird, pulp-inspired quality that made me think that Fever Moon exists outside of any book series. It is genuinely a comic book, so the people behind this graphic novel succeeded. They created an independent urban fantasy comic book, and a good one, at that.

B+


Wednesday, June 6, 2012

I Reads You Review: STAR WARS: Darth Plagueis

STAR WARS: DARTH PLAGUEIS
DEL REY/BALLANTINE BOOKS

["Star Wars Central" review page is here.]

AUTHOR: James Luceno
COVER: Torstein Nordstrand
ISBN: 978-0-345-51128-7; hardcover
394pp, B&W, $27.00 U.S., $29.00 CAN

Star Wars: Darth Plagueis is a 2012 science fiction novel written by James Luceno and is set in the Star Wars Expanded Universe. The novel belongs to the “Rise of the Empire Era,” which is the one thousand year period before the events depicted in the original Star Wars film (1977), also known as Star Wars: Episode IV – A New Hope.

Star Wars: Darth Plagueis also takes place over the 35-period that leads into Star Wars: Episode I – The Phantom Menace. However, of the last 30 pages of this novel, 22 pages transpire during the events depicted in The Phantom Menace and 8 pages occur immediately afterwards.

Darth Plagueis is the Sith Lord of legend mentioned by Supreme Chancellor Palpatine to Anakin Skywalker about mid-way through Star Wars: Episode III – Revenge of the Sith. Now, Star Wars: Darth Plagueis tells the story of Darth Plagueis, one of the most brilliant Sith Lords ever to live. He is Hego Damask, a member of the powerful Banking Clan, and as an apprentice to the Dark Side, Damask embraced the ruthless ways of the Sith. After killing his master, Darth Tenebrous, however, Damask is determined to never suffer the same fate. He wants power over both life and death.

Using his vast financial resources, Damask plunges into wicked scientific research. He even meets the young man, Palpatine, scion of a noble family from the resource-rich planet of Naboo. Palpatine eventually becomes Plagueis’ apprentice, Darth Sidious, and the master sets his apprentice on course to one day rule the galactic government. In the meantime, Sidious is determined to learn the secrets of the Sith, the ones of which even Plagueis is unaware and also the ones his master wishes to keep from him. The ultimate goal of both Sith is the destruction of the Jedi Order, but this quest is a path fraught with peril as the traps they set for their enemies also threaten to ensnare them.

For me, Star Wars novels take the science fiction action and adventure of the films and transform that into riveting prose. That prose is supposed to help me mentally visualize something similar to what I’ve seen (countless times) in six Star Wars movies. James Luceno does not do that for me with Star Wars: Darth Plagueis; he wrote something different. I was initially disappointed, especially while reading the early chapters of the book, but like the father in that classic television series, Luceno knows best.

Star Wars: Darth Plagueis is a political novel. Call it a political thriller, a political conspiracy drama, or even a political character drama, but this novel is filled with backstage politicking, back-biting, back-stabbing, subterfuge, manipulation, political assassination, trumped-up wars, etc. In creating this kind of story, Luceno could not rely on X-Wing dogfights and space battles. He has to focus on characters, and so he fills this novel with an ensemble of engaging characters. They are the kind of sly and salty players that you will love even when you are thinking that you would like to put them to the lightsaber. Either Plagueis or Sidious alone could carry an entire novel, and despite what the title says, this novel is more about Sidious than it is about his master. To me, it is clear that Luceno loves Sidious, and it is hard not to love the man who would become Emperor of the known galaxy. Palpatine is the thinking man’s bastard: always plotting, surprisingly droll, witty and thoughtful, and always three steps ahead of everyone else.

Readers will be interested to know that we learn about the young Palpatine, which is his family’s surname, but we don’t learn his first name. The origin of Darth Maul is presented, and we see how Nute Gunray moved up the Trade Federation ladder. There are lots of other tidbits, but I leave that up to you, dear reader, to discover, because this book is worth reading. I will tell you, however, that Star Wars: Darth Plagueis is the Star Wars novel that takes you to the halls of power and to the places where secret deals are made. You’ll find blood on the floor, bodies around every corner, and a story that will grab you by the neck. Plus, there is some kind of creepy Anakin reveal that I’d rather not think about again. Go. Read.

A-

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Thursday, February 23, 2012

IReadsYou Review: UGLIES: Shay's Story

UGLIES: SHAY’S STORY
BALLANTINE BOOKS/DEL REY

CREATOR: Scott Westerfeld
WRITERS: Scott Westerfeld, Devin Grayson
ART: Steven Cummings
TONES/LETTERS: Yishan Li
ISBN: 978-0-345-52722-6; paperback
208pp, B&W, $10.99 U.S., $12.99 CAN

Scott Westerfeld is an American science fiction author who has written several book series aimed at the young adult market (YA). One of them is the Uglies series, a quartet of science fiction and fantasy novels that began in 2005 with the publication of Uglies (Simon Pulse). The Uglies is set 300 years in the future in a time in which everyone is turned “pretty” by extreme cosmetic surgery. The Uglies’ central character is Tally Youngblood, a teen girl who rebels against this forced conformity.

Uglies: Shay’s Story is the first of two original graphic novels set in the world of the Uglies and tells new stories through the eyes of Tally’s friend, Shay, another teen girl. Uglies: Shay’s Story is scripted by Devin Grayson from a story by Scott Westerfeld and is drawn by artist Steven Cummings.

As Uglies: Shay’s Story begins, Shay is a few months shy of her sixteenth birthday, the age at which one undergoes “the Surge,” which is the rite-of-passage surgery that will transform her into a “Pretty.” Currently, she is an “Ugly,” an ordinary human who has not had the surgery. Shay befriends “the Crims” (criminals), a group of fellow teens who say they don’t want to have the surgery. She joins the Crims: Zane, Croy, Astrix, and Ho by exploring past the monitored borders and going into the forbidden, ungoverned wild. This journey makes her think about her future. Shay must decide the path she will choose: become a Pretty or remain one of the Uglies.

Like the source material (the Uglies novels, of course), Uglies: Shay’s Story deals with adolescent themes of emotional and physical change. What really drives Shay’s Story is conflict. The central conflict is a personal one: preservation of one’s personal will versus the longing to conform. The other line of conflicts pits a dystopian society’s need for uniformity against the Uglies’ rebellious urges.

The conflicts play out in the most interesting ways because the players are teenagers about to enter adulthood, but who are also about to enter a world of choice and responsibility. Is becoming a “Pretty” about evolution and accepting adulthood? Are the teens who runaway just afraid to grow up? Uglies: Shay’s Story is a pop concept tailor-made for Hollywood, but the narrative plays out as a coming-of-age story that wants to be more complicated than the latest hot thing. It’s exciting and edgy, like our teenage years.

B+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Tuesday, January 17, 2012

Comics and Magazines from Diamond Distributors for January 18 2012

COMICS

NOV110721 ARCHIE & FRIENDS DOUBLE DIGEST #12 $3.99

AUG111044 BILL GRIFFITH LOST AND FOUND 1970 - 1994 TP $35.00

NOV110671 BREATHE HC (O/A) $19.95

JUL110819 BRIAN KEENE DEAD NEW WORLD 6 PACK $20.00

OCT110851 CALIGULA #6 (OF 6) (MR) $3.99

OCT110852 CALIGULA #6 (OF 6) WRAP CVR (MR) $3.99

MAY110860 CHARISMAGIC #4 $2.99

OCT111220 CLINT #13 (MR) $6.99

AUG110862 CODE GEASS QUEEN GN VOL 04 (RES) $10.99

NOV110765 CROSSED PSYCHOPATH #7 (OF 7) (RES) (MR) $3.99

NOV110769 CROSSED PSYCHOPATH #7 (OF 7) B&W RETAILER BONUS ED (MR PI

NOV110766 CROSSED PSYCHOPATH #7 (OF 7) TORTURE CVR (RES) (MR) $3.99

NOV110767 CROSSED PSYCHOPATH #7 (OF 7) WRAP CVR (RES) (MR) $3.99

SEP110735 DARK AXIS RISE O/T OVERMEN #2 (OF 4) (MR) $3.99

NOV110750 DEAD MANS RUN #1 CVR A PARKER $3.50

NOV110751 DEAD MANS RUN #1 CVR B BENITEZ $3.50

AUG111036 DF WOLVERINE & X-MEN #1 MATCHING SGN SET $349.99

AUG111139 DISNEY FAIRIES GN VOL 07 TINKER BELL PERFECT FAIRY $7.99

AUG111140 DISNEY FAIRIES HC VOL 07 TINKER BELL PERFECT FAIRY $11.99

NOV111092 DPD DOKTORMENTOR JAIL BABE SURGEON #4 (MR) $9.95

JUN110829 FRAGGLE ROCK CLASSICS TP VOL 01 $9.95

AUG110995 GREEN HORNET #21 $3.99

OCT111044 HACK SLASH EVA MONSTERS BALL TP (MR) $16.99

OCT110939 HAPPINESS IS WARM BLANKET CHARLIE BROWN HC SDCC VAR $39.99

SEP110737 HELLDORADO #2 (OF 3) (MR) $3.99

NOV110811 HELLRAISER MASTERPIECES #6 (MR) $3.99

NOV110727 JUGHEAD #211 $2.99

NOV110728 JUGHEADS DOUBLE DIGEST #177 $3.99

NOV110870 KIRBY GENESIS DRAGONSBANE #1 $3.99

OCT110867 LEGEND OF OZ THE WICKED WEST #2 $3.50

OCT110967 LORD OF THE JUNGLE #1 (MR) $1.00

SEP111216 MAZEWORLD GN $29.99

AUG110877 MISADVENTURES OF ADAM WEST #4 (MR) $3.99

SEP111051 PATRICIA BRIGGS ALPHA & OMEGA CRY WOLF VOL 01 #4 $3.99

NOV110924 PATRICIA BRIGGS MERCY THOMPSON MOON CALLED TP VOL 02 $16.99

NOV110832 PLANET OF THE APES #10 $3.99

OCT110759 PRINCELESS #3 $3.99

AUG110787 PRODIGAL EGG OF FIRST LIGHT TP $12.95

MAY111036 RAISE THE DEAD II HC $19.99

JUN111044 RED SONJA #62 $3.99

NOV110947 RED SONJA RAVEN $4.99

SEP111044 ROBERT JORDAN WHEEL OF TIME EYE O/T WORLD #19 $3.99

NOV110799 SIMPSONS COMICS #186 $2.99

OCT110819 SONIC THE HEDGEHOG ARCHIVES TP VOL 17 $7.99

NOV110736 SONIC UNIVERSE #36 $2.99

OCT111371 STAR WARS DARTH PLAGUEIS HC $27.00

NOV110804 STEED AND MRS PEEL #1 (OF 6) $3.99

SEP110951 TAROT WITCH OF THE BLACK ROSE #71 DLX ED (MR) $19.99

NOV111118 TWIN SPICA GN VOL 11 $13.95

NOV110925 VOLTRON #2 $3.99

AUG111228 WALLY WOOD STRANGE WORLDS OF SCIENCE FICTION HC $39.95

NOV111062 WASTELAND #33 (MR) $1.00

NOV110841 WORDGIRL GN VOL 03 WORD UP $7.99

MAGAZINES
NOV111189 BACK ISSUE #54 $8.95
OCT111310 CLASSIC MARVEL FIG COLL MAG #164 CLASSIC CAPTAIN MARVEL $14.00
OCT111311 CLASSIC MARVEL FIG COLL MAG #165 PHOTON $14.00
OCT111312 COMIC HEROES MAGAZINE #10 $18.99
OCT111323 DC SUPERHERO FIG COLL MAG #98 ANIMAL MAN $14.00
OCT111324 DC SUPERHERO FIG COLL MAG #99 SUPERBOY $14.00
NOV111221 HORRORHOUND #33 $6.99
NOV111244 LOCUS #612 $6.95
AUG111401 MEGAMI NOV 2011 #67 $16.60
AUG111402 NEWTYPE NOV 2011 #54 $16.00
APR111363 STAR WARS VEHICLES COLL MAG #75 UT-AT $18.00
JUL111438 STAR WARS VEHICLES COLL MAG #76 TECHNO UNION SHIP $18.00
APR111362 STAR WARS VEHICLES COLL MAG #77 COMMERCE GUILD SUPPORT SHIP $18.00
OCT111346 UNDYING MONSTERS MAGAZINE #3 $9.95
OCT112053 WHITE DWARF #384 PI

Friday, December 3, 2010

Friday, August 13, 2010

Monday, August 2, 2010

Friday, June 25, 2010

The Last Airbender the Comic Book

I read The Last Airbender

I posted a review at the Comic Book Bin (which has updated its iPhone app).  This an OEL manga adaptation of the upcoming movie based upon the Nickelodeon series, Avatar: The Last Airbender.


Tuesday, May 4, 2010

Into the Dark

I read The Stuff of Legend: Book 1: The Dark

I posted a review at the Comic Book Bin.  This is book from Villard/Del Rey Books collecting the indie comic book series.