Showing posts with label John Stanisci. Show all posts
Showing posts with label John Stanisci. Show all posts

Sunday, June 19, 2011

I Reads You Review: STATIC SHOCK SPECIAL 1

STATIC SHOCK SPECIAL 1
DC COMICS

WRITERS: Felicia D. Henderson; Matt Wayne
PENCILS: Denys Cowan; John Paul Leon
INKS: Rodney Ramos, Prentis Rollins, and John Stanisci; John Paul Leon
COLORIST: Lee Loughridge; Noelle Giddings
LETTERS: Dave Sharpe
PIN-UPS: Keron Grant, Jamal Igle with Guy Major, Eric Battle with John Kalisz, John Rozum, and Derec Donovan
TEXT: Michael Davis, Derek T. Dingle
COVER: J.H. Williams, III
44pp, Color, $2.99 U.S.

Released to comic book shops about two weeks ago, Static Shock Special 1 (cover dated August 2011) is more than just another comic book featuring the most popular Milestone Comics character, Static. Static Shock Special (hopefully the first of many Milestone specials) is also a memorial to Dwayne McDuffie.

McDuffie, a longtime comic book writer for DC Comics and Marvel Comics (where he was also an editor), died earlier this year in February. McDuffie’s death seems like a blow to diversity in comic books – meaning more African-American characters and creators, particularly writers. It was a heartrending loss to me, as I’d always hoped to one day work with McDuffie.

McDuffie, along with artist Denys Cowan, writers Michael Davis, and Derek T. Dingle, created Milestone Media and the Dakota Universe, a comics universe that included characters like Static, Hardware, Icon, and Blood Syndicate, among others. Milestone Media also created the Milestone comics imprint, which was published through DC Comics. Despite producing some good and, in some cases, brilliant comics, Milestone found the direct sales comics market hostile to it (for various reasons). Within four years, Milestone was no longer producing comic books. You can’t keep a great thing down, and Milestone Comics lives on with the Dakota Universe characters folded into the DC Universe proper.

Death and remembrance and legacy and legend are the prominent themes and ideas in Static Shock Special 1. The opening story is by Felicia D. Henderson (story) and Denys Cowan (pencil art). The issue begins with Virgil Ovid Hawkins AKA Static, waiting by the gates of River Green State Penitentiary. Virgil’s uncle, Teshomé Gabriel Hawkins (his father’s older brother), is being freed after spending a decade in prison for several murders that he did not commit.

As Teshomé tells his nephew, “A Black man’s never free,” so Static takes on an old prison rival who wants to kill Teshomé. His name is Blinder, a “bang baby” (someone who gained superpowers during the Big Bang event that gave Virgil his powers). It’s Static to the rescue, but even his powers can’t stop a tragic turn of events.

Also, Static and the young heroine, Rocket, join Dwayne McDuffie in a defiant memorial from writer Matt Wayne and artist John Paul Leon. It’s the best two-page comic I’ve read in a long time.

Felicia D. Henderson’s Static tale captures everything that made Static unique, fun to read, and socially relevant – from the social commentary (Teshomé’s plight and fate) to Static’s matchless superhero style. Denys Cowan remains a brilliant visual stylist and skillful comics storyteller. Here, Cowan captures the Kirbyesque energy of super-powered fights, the cool but simmering defiance of the hero, and the cold-bloodied injustice of the just-ice… I mean justice system. Henderson and Cowan left me wanting more.

You may find Michael Davis and Derek T. Dingle’s text pieces informative, and they are. They suggest, however, that the best parts of the stories of Milestone Media and Dwayne McDuffie are yet to be told.

A

[This comic book contains a bonus comic insert, a tie-in with the movie Super 8. It is written by Peter Tomasi, drawn and colored by Tommy Lee Edwards, and lettered by John Workman, with a cover by Alex Ross.]

Reviewed by Leroy Douresseaux


Thursday, March 10, 2011

Leroy Douresseaux on BATMAN BEYOND: HUSH BEYOND



BATMAN BEYOND: HUSH BEYOND
DC COMICS
WRITER: Adam Beechen
PENCILS: Ryan Benjamin
INKS: John Stanisci
COLORS: David Baron
LETTERS: Travis Lanham
COVER: Dustin Nguyen
EXTRAS ART: J.H. Williams III
ISBN: 978-1-4012-2988-7; paperback
144 Color, $14.99 U.S., $16.99 CAN

Batman Beyond was an Emmy Award-winning animated series. It began life in January of 1999 on The WB Television Network and ended in May of 2002, after three seasons and 52 episodes. Set in the year 2039, it starred a new, younger Batman, with high school student Terry McGinnis wearing a new Bat-suit. The original Dark Knight, Bruce Wayne, guided Terry from their base of operations, the Batcave.

DC Comics published a Batman Beyond comic book from 1999 to 2001. Batman Beyond returned to comic books last year. Batman Beyond: Hush Beyond is a new trade paperback from DC Comics. It collects Batman Beyond (2010) #1-6, which were written by Adam Beechen, penciled by Ryan Benjamin, and inked by John Stanisci, with covers by Dustin Nguyen.

As the story begins, someone has escaped from Cadmus Labs in Neo-Gotham, and its trifling Director Amanda Waller is trying to keep things hush-hush, in spite of protests from research scientist, Nora Elliot Reid. From the beginning, the escapee leaves a trail of bodies behind him, all of them connected to the original Batman.

In his updated, hi-tech Bat-suit (now with invisibility and jet propulsion), Terry McGinnis takes on a foe who knows everything about him, and this couldn’t have come at a worse time. Terry and his mentor/boss, Bruce Wayne, are at odds over Terry’s job performance, and Terry has been running on little or no sleep. As he tries to uncover the secrets of this killer, he seeks help from Batman’s original sidekicks, but one of them holds a grudge. Terry’s investigation also leads him into conflict with a mysterious new Catwoman, who doesn’t like The Bat the way the original did. And the streets say that someone who was supposed to be dead is back with a vengeance – Hush.

I have mixed feelings about the original Batman: Hush, written by Jeph Loeb and drawn by Jim Lee. Half of it was quite good; the other half was cold and robotic. Adam Beechen, the writer of this new Hush storyline, has written an old-fashioned potboiler/cliffhanger serial. This is a flat out, excellent read.

Sometimes, I couldn’t read this thing fast to appease my hunger to know what was on the next page. Some of the ideas here are familiar, done hundreds of times before in other Batman comic books, but here, it is the execution that makes Hush Beyond such a thrill to read. Beechen is at his best in this story when he lets Terry and Bruce get raw with each other about their opinions of each other’s job performance. Plus, there is a big red herring and twist here that will shock and confuse the reader – in a good way.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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