Showing posts with label Paul Tremblay. Show all posts
Showing posts with label Paul Tremblay. Show all posts

Thursday, December 3, 2020

#IReadsYou Book Review: SURVIVOR'S SONG

SURVIVOR SONG: A NOVEL
HARPERCOLLINS/William Morrow

[This review was originally posted on Patreon.]

AUTHOR: Paul Tremblay
ISBN: 978-0-06-267916-1; hardcover; 6 in x 9 in; (July 7, 2020)
320pp, B&W, $27.99 U.S.

Survivor Song: A Novel is the latest novel from author Paul Tremblay (A Head Full of Ghosts).  A suspense novel, Survivor Song follows two women, longtime friends, on a journey across an epidemic landscape to save one of the women... or, at least, her unborn child.

Survivor Song opens in the present or the near-future.  An insidious rabies-like virus, commonly called “super-rabies,” that is spread by saliva, has overrun Massachusetts.  Unlike rabies, this new disease has a short incubation period of an hour or less, and the infected quickly lose their minds and are driven to bite and to infect as many others as they can before they inevitably succumb to the infection.  Massachusetts has tried to limit the spread of this outbreak by putting the entire state (commonwealth) under quarantine and by initiating a curfew, but society is starting to break down, and the sick and the dying are inundating hospitals.

One evening during this outbreak, Dr. Ramola “Rams” Sherman, a soft-spoken pediatrician in her mid-thirties, receives a frantic phone call from Natalie “Nats” Larsen, a longtime and dear friend who is eight months pregnant.  It seems that an infected neighbor viciously attacked and killed Natalie's husband, Paul.  The super-rabies-infected neighbor also bit Natalie as she fought to save Paul.

Natalie's only chance of survival is to get to a hospital as quickly as possible in order to receive the super-rabies vaccine.  And she needs Ramola's help getting to a hospital.  The clock is ticking for Natalie and for her unborn child, and Natalie’s fight for life becomes a desperate odyssey as she and Ramola make their way through a landscape turned hostile by the outbreak.  Terrifying, strange, and sometimes deadly challenges push Nats and Rams to the brink, so will they make it in time to save Nats... or at least, her unborn child?

THE LOWDOWN:  Back in 2015, while looking through a list of review copies that publisher William Morrow's marketing department was offering to reviewers, I came across a book entitled A Head Full of Ghosts, written by Paul Tremblay.  I loved the title, and I was intrigued by the book's premise.  Although I thought it was well written, I really did not enjoy reading A Head Full of Ghosts, so the next time, William Morrow offered a novel by Tremblay, I passed.

When Survivor Song was offered, I was intrigued by both the title and the premise, especially the latter.  Since the COVID-19 pandemic began, I have been interested in books, movies, and television programs about epidemics, pandemics, and outbreaks – either as works of fiction or non-fiction.

Even in the well worn genre of the “riveting novel of suspense,” Survivor Song manages to be fresh and surprising.  The novel is not like any other viral outbreak story.  It is detailed in a way that sets the reader in the scene, but without robbing readers of the right to fill in a scene or a setting with their own imagination.  Survivor Song is viscerally frightening, but the narrative is equally deeply emotional in a way that will make it resonate with readers.

Survivor Song is also something else.  It is timely and prescient.  Although I clearly understood this novel to be a work of fiction, I found myself often feeling that I was reading a long feature article about  our current, environmental mini-apocalypse, the kind one would find in The New Yorker, Rolling Stone, or any number of progressive magazines... or perhaps, a non-fiction book expanded from that kind of feature article.  Paul Tremblay has fashioned in Survivor Song a novel that is so chilling because it is so much about us and our times.  He is not afraid to sprinkle witty social and political asides that are obviously about President Donald, his cult, and sadly, about the rest of us who would turn into monsters the minute things (like society and comforts) start to break down.

Survivor Song is all too plausible because a version of its dark fairy tale is already happening.  Yes, it is a wonderful tale of friendship and commitment told as a road trip through insta-dystopia that will reassure you, dear readers, about humanity... but.  Damn, Paul Tremblay, what a wonderful novel you have written in Survivor Song.  Damn you, Tremblay, for telling the awful truth.

I READS YOU RECOMMENDS:  Fans of Paul Tremblay and fans of scary, but all-too-plausible novels will want to read Survivor Song.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Tuesday, August 21, 2018

Review: DIABLO HOUSE

DIABLO HOUSE (TPB)
IDW PUBLISHING – @IDWPublishing

[This review was originally posted on Patreon.]

STORY: Ted Adams; Alan Robert; Robbie Robbins; Troy Little
ART: Santipérez; Troy Little; Alan Robert; Shawn Dickinson
COLORS: Jay Fotos; Leonardo Ito
LETTERS: Robbie Robbins
EDITOR: Robbie Robbins
COVER:  Santipérez with Jay Fotos
MISC. ART: Gabriel Rodrìguez; Ashley Wood; Shawn Dickinson; Ben Templesmith; Santipérez
ISBN: 978-1-68405-120-5; paperback – Trim size: 6 5/8 x 10 3/16 (July 24, 2018)
128pp, Color, $17.99 U.S., $23.99 CAN (DIAMOND CODE: JAN180555 – in comic book shops: June 27, 2018)

Suggested for mature readers

Diablo House created by Ted Adams and Santipérez

Introduction by Paul Tremblay; Afterword by Ted Adams

Diablo House is a four-issue comic book miniseries that IDW Publishing released in the middle of 2017.  Diablo House is created by writer Ted Adams (the CEO of IDW Media Holdings) and Spanish comic book artist, Santipérez.  IDW recently published a collected edition of Diablo House as a full color, trade paperback.

Diablo House is set in and around La Jolla, California, specifically the Diablo House.  It is a place where your dreams come true, if you dare sign on the dotted line.  Surf bum, Riley, invites us into Diablo Home, which is his home, and shares stories of people who fulfilled their desires.  Four of them:  RC, a fast food magnate; Lex Dillon, a pinball wizard and budding cult leader; Señor Diablo, a stage magician and local TV station horror movie host; and Harry Anderson, a car racer who is always losing to his best friend, will chase their desires at the cost of everything else, including the lives of their family and friends.

In an afterword, Ted Adams writes that he wanted to create a modern comic book that recalled classic horror comic books, especially the DC Comics horror titles of the late 1960s and 1970s, which included House of Secrets and such Joe Orlando-edited titles as House of Mystery, Swamp Thing, and The Witching Hour.  Of the artists whose work appears in those comic books, Adams seems most impressed by the art of Mike Kaluta and of the late Bernie Wrightson.

In Santipérez, Adams not only has a style that recalls Wrightson and Kaluta, but also has a storytelling sensibility that is firmly rooted in the graphics of 1960s and 1970s horror comic books.  The Spanish artist has a flare for Antoni Gaudi (1852 to 1926), the Spanish architect from Catalonia, known for his highly-individual style that encompasses neo-Gothic art, Oriental techniques, and nature.  Diablo House resembles Gaudi's Casa Batllo.

Santipérez is the star here.  The story, “Fast Cars and a Faster Girl” is a tour de force of battle footage and race car sequences that are as unexpected as they are stunning.  The relatively unknown Santipérez cannot be so good, but he is as delivers several visually striking illustrations, such as the last two pages of the first story.  Thus, the Diablo House trade paperback is practically a Santipérez art book.  In fact, there is a 21-page sketchbook section at the back of this trade paperback that feature Santipérez luscious pencil illustrations and preparatory art for Diablo House.

I enjoyed reading this Diablo House trade, but the stories could be better.  The opening tale, “There is More Than One Way to Fry a Fish” is poignant and has a shock ending that is good as many endings to episodes of “The Twilight Zone.”  “Fast Cars and a Faster Girl” is wonderfully drawn, but should be longer; Ted Adams does not play up the drama and depth of the lead characters' relationship.  The other two stories each have a good premise, but each one is underdeveloped in some way.

This volume has some nice bonus stories, but they do nothing to eclipse the fact that Santipérez is the star.  Colorist Jay Fotos is a good co-star, as his colors over Santipérez's art allow the illustrations to fully convey the dreamlike and nightmarish quality of the storytelling.  Ted Adams has something good here, and it could get better... if there is a second Diablo House miniseries.  Diablo House probably wants us to visit again.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint syndication rights and fees.

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Sunday, January 3, 2016

Book Review: A HEAD FULL OF GHOSTS

A HEAD FULL OF GHOSTS
HARPCOLLINS/William Morrow – @HarperCollins; @WmMorrowBks

AUTHOR: Paul Tremblay
ISBN: 978-0-06-236323-7; hardcover (June 2, 2015)
304pp, B&W, $25.99 U.S., $31.99 CAN

A Head Full of Ghosts is a 2015 psychological thriller and horror novel from author Paul Tremblay.  The novel focuses on a family that must face the possible demonic possession of one of the children.

The Barretts live in the typical New England suburb of Beverly, Massachusetts.  However, they are not the normal suburban New England family.  This family is slowly being torn apart because 14-year-old Marjorie Barrett is showing signs of acute schizophrenia.  The mother, Sarah Barrett, believes in psychiatry, but that seems to have little affect on Marjorie, whose bizarre behavior is only getting worse and even dangerous.

The father, John Barrett, unemployed for a year, has come to believe that Marjorie is possessed, and a local Catholic priest suggests that Marjorie may be in need of an exorcism.  Watching it all is eight-year-old Meredith “Merry” Barrett.  Fifteen years later, 23-year-old Meredith is collaborating with best-selling author, Rachel Neville, on a non-fiction book about that time.  Now, this recollection of that time will pit the the fog of memory against the horror of reality.

An easy way to judge if I not only really like a book, but also if I have warmed to it is if I am jealous that I did not write that book.  I am not jealous of Paul Tremblay for writing A Head Full of Ghosts.  I love that title, and the book is imaginative in its conception.  Ultimately, it is too clever and too cool in its storytelling.

I think eight-year-old Meredith “Merry” Barrett is an excellent narrator.  Her voice captures the inventiveness of the stories the two sisters tell each other, but that voice is drowned out by the cacophony and “shocking reveals” of the last six chapters.  That is the point in which A Head Full of Ghosts transforms from a scary story into an overwrought domestic drama where true crime meets family soap opera.  It is not a pretty union.

For most of A Head Full of Ghosts, the narrative balances the mystery of Marjorie’s condition – demonic possession or mental illness.  Merry's tale paints a picture of a haunted house and of a haunted family, and this tale is both imaginative and chilling.  That does not last to the last page.  The final section of this book is like taking a Guillermo del Toro film and tacking on an ending from an episode of “Criminal Minds” or “Law & Order.”

But this is what I'd expect from a novel that is described as being about “the very nature of evil.”  A Head Full of Ghosts is skillfully written and, at times, it is an engrossing read.  It is not at all a bad piece writing; it simply betrays its wonderful ghost story.  In the end, the ghosts are not supernatural, they're just dreary dregs of reality.

B

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.