I Reads You Review: INHUMAN #2

INHUMAN #2
MARVEL COMICS - @Marvel

WRITER: Charles Soule
ARTIST: Joe Madureira
COLORS: Marte Gracia
LETTERS: VC’s Clayton Cowles
COVER:  Joe Madureira and Marte Gracia
VARIANT COVER: Frank Cho with Jason Keith
28pp, Color, $3.99 U.S. (July 2014)

Rated T+

Party 2: The Queen in the Sky

The Inhumans are a race of superhumans that appear in Marvel Comics.  This race was created by Jack Kirby and Stan Lee and first appeared in Fantastic Four #45 (cover dated: December 1965).  They are a strain of humanity that began with genetic manipulation by visitors to Earth from an alien civilization (the Kree) long ago in human prehistory.

The last year has seen the Inhumans begin to have a more prominent place in the Marvel Universe.  There is a new Inhumans comic book series, entitled Inhuman, written by Charles Soule, drawn by Joe Madureira, colored by Marte Gracia, and lettered Clayton Cowles.  Recently, the re-launched The Amazing Spider-Man #1 (thankfully) reprinted the sold-out Inhuman #1 (Part 1: Genesis).

Inhuman #2 (“The Queen in the Sky”) opens in the remains of Attilan, the capital city of the Inhumans, now located in the Hudson River on the New York/New Jersey border.  Inside, the former human musician Dante is trying to understand what happened to him.  He was exposed to the Terrigan Cloud, a runaway dispersion of the Terrigan Mists.  Anyone with Inhuman DNA buried in their genetic code undergoes a stunning transformation when exposed to the Terrigan Mists.  Post exposure, Dante has a tendency to suddenly burst into flame, and now, he wants to be cured or else…

Meanwhile, Medusa, Queen of the Inhumans and wife of Black Bolt (the presumed dead King of the Inhumans), tries to hold Attilan together.  She must also reach out both to the new Inhumans created by the rogue Terrigan Cloud and to humanity at large.  Now, Captain America wants a word with her.

I am enjoying Inhuman as much as I enjoyed writer Paul Jenkins and artist Jae Lee’s 1999, twelve-issue miniseries, Inhumans.  To be honest, my initial interest in Inhuman had to do with the announcement that the series artist would be Joe Madureira, whom I have admired going back to his early work on Deadpool and Uncanny X-Men for Marvel in and around 1993-94.  With Inhuman, the combination of his compositions with Marte Gracia’s colors is producing Madureira’s most energetic art and most vigorous storytelling since his creator-owned series, Battle Chasers.

The driving force behind Inhuman, however, might be writer Charles Soule.  He juggles multiple conspiracies, subplots, groups of characters, motivations, and storylines like a maestro of must-watch, soap opera television.  Perhaps, it was fate that made Matt Fraction, the writer originally intended to helm Inhuman, depart the series because of “creative differences.”  Fate knew what Charles Soule could do with this title.

A

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: BATMAN ’66 MEETS THE GREEN HORNET #1

BATMAN ’66 MEETS THE GREEN HORNET #1
DC COMICS/DYNAMITE ENTERTAINMENT – @DCComics and @dynamitecomics

WRITERS: Kevin Smith and Ralph Garman
ARTIST: Ty Templeton
COLORS: Tony Avina
LETTERS: Wes Abbott
COVER: Alex Ross
VARIANT COVER: Michael Allred and Laura Allred
28pp, Color, $2.99 U.S. (August 2014)

Rated E (Everyone)

Starring Adam West as Batman and Burt Ward as Robin, the television series, “Batman,” debuted on the ABC television network in January 1966 and was an immediate success.  That apparently encouraged Greenway Productions and 20th Century Fox Television, the company’s behind “Batman,” to bring another costumed superhero to network television.

Later that same year, ABC debuted “The Green Hornet,” a television series based on The Green Hornet, a character that first appeared on radio.  Van Williams starred as the Green Hornet and his civilian identity, Britt Reid, and the legendary Bruce Lee played the Hornet’s martial-artist partner, Kato.  The series ran for one season from 1966 to 1967.

Van Williams and Bruce Lee made cameo appearances as the Green Hornet and Kato on the Batman TV series, during the second season.  Later that same season, the Green Hornet and Kato appeared in the two-part episode, “A Piece of the Action” and “Batman's Satisfaction” (first aired on March 1–2, 1967).  The episodes feature the Green Hornet and Kato in Batman’s Gotham City, trying to foil a counterfeit stamp ring run by Colonel Gumm.

Debuting in 2013, Batman ’66 is a comic book series that is inspired by the classic 1960s “Batman” TV series.  Now, DC Comics is publishing a Batman ’66 miniseries that teams Batman and Robin of that show with the Green Hornet and Kato of the 1966-67 television program.  Entitled Batman ’66 Meets The Green Hornet, the six-issue comic book miniseries is written by Kevin Smith and Ralph Garman, drawn by Ty Templeton, colored by Tony Aviña, and lettered by Wes Abbot.

Batman ’66 Meets The Green Hornet #1 (“On the Wrong Track’) finds millionaire Bruce Wayne, who is Batman, and his young ward, Dick Grayson, who is Robin, at home in stately Wayne Manor.  Bruce and Dick are discussing Dick’s date with a young woman for later in the evening, but this domestic scene is about to be interrupted.

A call from Commissioner Gordon of the Gotham City Police Department alerts Bruce to potential trouble.  Soon, Bruce is aboard the Gotham Express, accompanying a priceless fossil collection as it is being transported to another city.

Once aboard, Bruce discovers that he is acquainted with two other passengers:  playboy and media mogul Britt Reid, the owner and publisher of the big city newspaper, The Daily Sentinel, and Kato, Reid’s valet.  It seems that they are also concerned about the safety of the fossil collection.  They are about to discover, however, that a villain, familiar to Batman and the Green Hornet, wants the fossils, and it will take the combined effort of Batman and Robin and The Green Hornet and Kato to stop him.

As a child, I was a huge fan of the 1960’s ABC Batman program; as an adult, I like the series, but not as much as I once did.  I like ABC’s similar series, “The Green Hornet,” but I doubt that I have seen even half the episodes that aired during the series’ single season, which numbers at 26, I think.

I don’t know how to describe what I think or even how I feel about Batman ’66 Meets The Green Hornet.  Perhaps, I am mildly entertained.  It is like an homage to the original television series that is not sure if it should send up the originals or pen a love letter.  I can see the heavy-hand of Kevin Smith, the movie director who has been writing comic books since the 1990s.  I think Smith wants this comic book to seem like the old TV shows, but also seems as if he is not sure if the politically correct thing to do is mock the television shows or to slavishly imitate them.

I have been an admirer of artist Ty Templeton, but his work on Batman ’66 Meets The Green Hornet is mechanical.  Even the coloring is unimaginative.  Will I read more of this?  If I am overcome by nostalgic love for the old TV shows, I might.

C+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Tiger and Bunny: Mad Bears

I read Tiger & Bunny, Vol. 5

I posted a review at the ComicBookBin, which is seeking donations.  Follow me on Twitter.

I Reads You Review: SCOOBY-DOO, Where Are You? #46

SCOOBY-DOO, WHERE ARE YOU? #46
DC COMICS – @DCComics

STORY: Scott Gross, John Rozum
PENCILS: Fabio Laguna, Leo Batic
INKS: Fabio Laguna, Horacio Ottolini
COLORS: Candace Schinzler-Bell, Heroic Age
LETTERS: Saida Temofonte, Nick J. Napolitano
EDITOR: Aniz Ansari
COVER: Scott Gross
28pp, Color, $2.99 U.S. (August 2014)

Rated “E” for “Everyone”

Scooby-Doo, Where Are You? #46 is the most recent issue that I have received through my subscription to the title.  Join me as I continue my journey through the current Scooby-Doo comic book series with a review of the forty-sixth issue.  Why is this happening, those of you who are new might ask?  I bought a subscription to Scooby-Doo, Where Are You? via a fundraiser held by my nephew’s school last year, which involved selling magazine subscriptions.

Scooby-Doo, Where Are You? #46 opens with “Awesomelantis Rises” (written by Scott Gross and drawn by Fábio Laguna).  After Shaggy and Scooby, through their usual antics, dig up a mysterious artifact, The Mystery Inc. gang visits a local university.  In the Marine Archeology Department, Professor Varzi tells them that he believes the artifact to be a relic of the long-lost city of Atlantis.  When a group of creatures calling themselves “Atlanteans” show up, the gang has another mystery to solve.

“A Wolf in Creep’s Clothing” (written by John Rozum and drawn by Leo Batic and Horacio Ottolini) finds the gang at a monster convention, “Monster Mix 2004.”  This is the one place where Shaggy and Scooby can feel safe around monsters, because these monsters are only fans in costumes.  However, the ghost of Patricia Millicent, the late, famed movie monster costume designer, is terrorizing the contestants of the convention’s costume contest.  And Shag and Scoob have to solve this mystery on their own, as Fred, Daphne, Velma are trapped on a convention panel.

Scooby-Doo, Where Are You? #46 offers two delightful tongue-in-cheek stories.  Both trade in classic Scooby-Doo scenarios, while gently poking fun at how Mystery Inc. solves cases.  “Awesomelantis Rises” is a mystery so obviously not about the supernatural, but the art by Fábio Laguna is a treat.  It is also funny to see what is essentially a children’s comic book making a pointed attack on commercial exploitation of history and on frivolous commercial real estate development.

“A Wolf in Creep’s Clothing” is a reprint from Scooby-Doo #92 (the Scooby-Doo series prior to this one).  I like Scooby-Doo stories that take place at conventions and at other behind-the-scenes locales like a movie lot, a circus, or a theatre where stage plays are performed.  Writer John Rozum spoofs figures that are well-known in monster films, television, and fiction, such as Hellboy’s Mike Mignola (as Mike Magnolia) and Stephen King (as Steve Kingman).  This story left me wanting more Scooby-Doo, and Scooby-Doo, Where Are You? #46, as a whole, makes me want to re-subscribe.

A

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

DC Comics from Diamond Distributors for June 18 2014

DC COMICS

APR140217 BATMAN AND RAS AL GHUL #32 $2.99
APR140207 BATMAN ETERNAL #11 $2.99
APR140219 BATWOMAN #32 $2.99
MAR140270 BEFORE WATCHMEN COMEDIAN RORSCHACH TP $19.99
MAR140271 BEFORE WATCHMEN NITE OWL DR MANHATTAN TP $19.99
APR140293 FABLES #141 (MR) $2.99
FEB140264 GRAPHIC INK THE DC COMICS ART OF FRANK QUITELY HC $39.99
FEB140249 GREEN LANTERN LIGHTS OUT HC (N52) $24.99
APR140237 GREEN LANTERN NEW GUARDIANS #32 $2.99
APR140223 HARLEY QUINN #7 $2.99
MAR140254 LARFLEEZE TP VOL 01 REVOLT OF THE ORANGE LANTERNS (N52) $16.99
APR140288 MAD MAGAZINE #528 $5.99
APR140164 NEW 52 FUTURES END #7 (WEEKLY) $2.99
MAR140292 PREACHER TP BOOK 04 (MR) $19.99
APR140230 RED HOOD AND THE OUTLAWS #32 $2.99
MAR148293 SANDMAN OVERTURE #1 2ND PTG (MR) $4.99
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Marvel Comics from Diamond Distributors for June 18 2014

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MAR140766 ALL NEW X-FACTOR TP VOL 01 NOT BRAND X $17.99
MAR140762 AMAZING X-MEN TP VOL 01 QUEST FOR NIGHTCRAWLER $17.99
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MAR140781 AVENGERS EPIC COLLECTION TP JUDGMENT DAY $34.99
APR140662 AVENGERS WORLD #8 ANMN $3.99
MAR140767 AVENGERS WORLD TP VOL 01 AIMPIRE $16.99
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APR148147 MILES MORALES ULTIMATE SPIDER-MAN #1 2ND PTG MARQUEZ VAR $3.99
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APR140675 ULTIMATE FF #3 $3.99
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IDW Publishing from Diamond Distributors for June 18 2014

IDW PUBLISHING

MAR140376 ARCHIE SWINGIN SIXTIES DAILY NEWSPAPER COMICS 1963-1965 HC $49.99
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