SPIDER-MAN: LIFE STORY No. 2
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
STORY: Chip Zdarsky
PENCILS: Mark Bagley
INKS: Drew Hennessy
COLORS: Frank D'Armata
LETTERS: Travis Lanham
EDITOR: Tom Brevoort
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Chip Zdarsky
VARIANT COVER ARTIST: Michael Cho
36pp, Color, $4.99 U.S. (June 2019)
Rated “T”
Spider-Man created by Steve Ditko and Stan Lee
Spider-Man is a classic Marvel Comics superhero. Over the years, readers followed the adventures of Spider-man and his secret identity, that of teenager and high school student, Peter Parker.
In 1962, in Amazing Fantasy #15 (cover dated: August 1962), 15-year-old Peter Parker was bitten by a radioactive spider and became the Amazing Spider-Man. Fifty-seven years have passed in the real world since that event. What would have happened if the same amount of time passed for Peter as well? Spider-Man: Life Story is a new comic book miniseries that tells the story of Peter Parker and Spider-Man in real time, depicting his life from beginning to end. Spider-Man: Life Story is written by Chip Zdarsky; drawn by Mark Bagley (pencils) and Drew Hennessy (inks); colored by Frank D'Armata; and letterer Travis Lanham. “Life Story” is set against the events of the decades through which Spider-Man has lived.
Spider-Man: Life Story #2 opens in sometime in the mid-1970s. Peter Parker and his wife, Gwen Stacy, visit the grave of Eugene “Flash” Thompson. Flash, Peter's high school rival and erstwhile friend, was killed in Vietnam War/Conflict. Peter is in a constant state of existential crisis. He believes that he and others with great powers should be using their talents and creations to make the world a better place. Peter still believes that he should have played a part in Vietnam. But not everyone is feeling Peter's feelings or worldview. And an old enemy reaches out to touch Peter.
For the last two decades, especially since the beginning of Joe Quesada's reign as Editor-in-Chief of Marvel Comics (in the year 2000), Marvel has been rebooting, re-imagining, and re-purposing the fictional histories of its comic books. Maybe, that is a way to introduce classic story lines, story arcs, characters, concepts, etc. to a new readers. One could say that this also allows older (and old) readers to experience the stories of the past retold to one extent or another.
I don't see Spider-Man: Life Story as a swipe of the fictional history and mythology of Spider-Man. Instead Chip Zdarsky is representing the conflicts and melodramas that The Amazing Spider-Man and other Spider-Man publications depicted as the life experiences of a character who is aging in “real time.” These are no longer just the adventures and misadventures and trial and tribulations of a young man and his superhero alter-ego who has been (mostly) no older than his mid-20s for the better part of six decades and is often eternally on the edge of graduating high school.
I am loathe to discuss the Spider-Man moments that Zdarsky represents, but I can say that by the end of Spider-Man: Life Story #2, Peter is 30 or 31. He no longer has the eternal optimism of youth that will allow him to overlook a clone of himself. He isn't a teenager or a college student or mid-20s professional who can brush off Spider-Man's darkest moments when it is time for him to play civilian the day after.
Spider-Man: Life Story does not quite take the real world approach to superheroes the way Alan Moore and Dave Gibbons' Watchmen did. Spider-Man: Life Story #2, however, does take the approach to time and tide – the outward flow of time – that Kurt Busiek and Alex Ross' Marvels does. No matter how many fantastic things are occurring, the players in this story age. And life takes its toll.
What Zdarsky and artist Mark Bagley are offering is a chance to see one of the greatest superheroes forced to face his trials as a maturing man and not as an eternal boy or boyish man. Spider-Man: Life Story #2 tells me that this series is for real.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-------------------------
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Wednesday, December 4, 2019
Review: SPIDER-MAN: Life Story #2
Labels:
Chip Zdarsky,
Frank D'Armata,
Mark Bagley,
Marvel,
Michael Cho,
Review,
Spider-Man
Tuesday, December 3, 2019
Review: JOOK JOINT #1
JOOK JOINT No. 1 (OF 5)
IMAGE COMICS – @ImageComics
[This review was originally posted on Patreon.]
STORY: Tee Franklin
ART: Alitha E. Martinez
COLORS: Shari Chankhamma
LETTERS: Taylor Esposito
EDITOR: Brenda Wright
COVER: Alitha E. Martinez with Shari Chankhamma.
VARIANT COVER ARTISTS: Mike Hawthorne with Jordie Bellaire
28pp, Color, $3.99 U.S. (October 2018)
Rated M/Mature
Jook Joint is a new comic book series from writer Tee Franklin (Bingo Love) and artist Alitha E. Martinez (Black Panther: World of Wakanda). The series focuses on a voodoo priestess who is the proprietor of a strange music and social club that resides somewhere outside New Orleans.
Jook Joint #1 opens in the 1950s. Everyone knows that the hottest spot in all of New Orleans is the Jook Joint, where the jazz is always popping and people keep on a-bobbing. The women who work in the club are to die for... and men literally die if they don't follow the Jook Joint's only rule: “Keep your hands to yourself.” Of course, some men don't believe that rules apply to them, and that is when the Jook Joint's owner, Mahalia, and her coven get to enjoy themselves delivering punishment.
Joint Joint #1 is a timely publication in these times when women are pushing forward and coming out of the dark to tell the truth about the abuse, degradation, and violence that they have faced and continue to face at the hands of (mostly) men. In an afterword at the end of this first issue, writer Tee Franklin talks about how Jook Joint emerged from her recovery and healing from the years of hurt and pain she experienced in numerous abusive relationships. Text pieces in Jook Joint #1 offer three phone numbers and two website addresses where abused women and men can seek help after they experience domestic and sexual violence or if they are considering suicide.
Jook Joint #1 does not offer a story so much as it presents an introduction to the world of Mahalia and her Jook Joint. It is an introduction that glorifies in revenge against and punishment of men who plot domestic and sexual violence against women and of men whose sense of entitlement will lead them to commit wanton acts of sexual violence. I think the second issue of Jook Joint is where the story will really begin.
Artist Alitha E. Martinez, who was brilliant in Black Panther: World of Wakanda, offers powerful illustrations and graphics in service of this taste of honeyed revenge. Colorist Shari Chankhamma's old-school, earthy hues recall classic horror comic book coloring, like that found in the Joe Orlando-edited DC Comics titles.
I'm not sure how to describe Taylor Esposito's lettering. It is like a musical accompaniment, conveying the threats of abusive men while capturing the sly sultriness of the warnings given to those men. Then, Esposito's lettering blasts out the avante-garde sounds of bloody punishment.
When I was a kid, a “jook joint” was a trashy club owned or frequented by Black folks, where a jukebox filled the club with music that was intermittently interrupted by gunfire. Jook Joint the comic book ain't trashy, but there will be blood.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
----------------------
IMAGE COMICS – @ImageComics
[This review was originally posted on Patreon.]
STORY: Tee Franklin
ART: Alitha E. Martinez
COLORS: Shari Chankhamma
LETTERS: Taylor Esposito
EDITOR: Brenda Wright
COVER: Alitha E. Martinez with Shari Chankhamma.
VARIANT COVER ARTISTS: Mike Hawthorne with Jordie Bellaire
28pp, Color, $3.99 U.S. (October 2018)
Rated M/Mature
Jook Joint is a new comic book series from writer Tee Franklin (Bingo Love) and artist Alitha E. Martinez (Black Panther: World of Wakanda). The series focuses on a voodoo priestess who is the proprietor of a strange music and social club that resides somewhere outside New Orleans.
Jook Joint #1 opens in the 1950s. Everyone knows that the hottest spot in all of New Orleans is the Jook Joint, where the jazz is always popping and people keep on a-bobbing. The women who work in the club are to die for... and men literally die if they don't follow the Jook Joint's only rule: “Keep your hands to yourself.” Of course, some men don't believe that rules apply to them, and that is when the Jook Joint's owner, Mahalia, and her coven get to enjoy themselves delivering punishment.
Joint Joint #1 is a timely publication in these times when women are pushing forward and coming out of the dark to tell the truth about the abuse, degradation, and violence that they have faced and continue to face at the hands of (mostly) men. In an afterword at the end of this first issue, writer Tee Franklin talks about how Jook Joint emerged from her recovery and healing from the years of hurt and pain she experienced in numerous abusive relationships. Text pieces in Jook Joint #1 offer three phone numbers and two website addresses where abused women and men can seek help after they experience domestic and sexual violence or if they are considering suicide.
Jook Joint #1 does not offer a story so much as it presents an introduction to the world of Mahalia and her Jook Joint. It is an introduction that glorifies in revenge against and punishment of men who plot domestic and sexual violence against women and of men whose sense of entitlement will lead them to commit wanton acts of sexual violence. I think the second issue of Jook Joint is where the story will really begin.
Artist Alitha E. Martinez, who was brilliant in Black Panther: World of Wakanda, offers powerful illustrations and graphics in service of this taste of honeyed revenge. Colorist Shari Chankhamma's old-school, earthy hues recall classic horror comic book coloring, like that found in the Joe Orlando-edited DC Comics titles.
I'm not sure how to describe Taylor Esposito's lettering. It is like a musical accompaniment, conveying the threats of abusive men while capturing the sly sultriness of the warnings given to those men. Then, Esposito's lettering blasts out the avante-garde sounds of bloody punishment.
When I was a kid, a “jook joint” was a trashy club owned or frequented by Black folks, where a jukebox filled the club with music that was intermittently interrupted by gunfire. Jook Joint the comic book ain't trashy, but there will be blood.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
----------------------
Labels:
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Monday, December 2, 2019
BOOM! Studios from Diamond Distributors for December 4, 2019
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AUG191421 SMOOTH CRIMINALS TP VOL 02 $14.99
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Dark Horse Comics from Diamond Distributors for December 4, 2019
DARK HORSE COMICS
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AUG190266 CHOKE GASP THE BEST OF 75 YEARS OF EC COMICS HC $49.99
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SEP190315 DISNEY THE LITTLE MERMAID #2 (OF 3) $3.99
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OCT190296 KILL WHITEY DONOVAN #1 (OF 5) CVR A PEARSON (MR) $3.99
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AUG190259 SHE COULD FLY TP VOL 02 THE LOST PILOT $19.99
SEP190324 UMBRELLA ACADEMY COMPOSITION NOTEBOOK $9.99
Labels:
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DC Comics from Diamond Distributors for December 4, 2019
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SEP190578 HAWKMAN TP VOL 02 DEATHBRINGER $16.99
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MAR190580 INJUSTICE GODS AMONG US OMNIBUS HC VOL 01 $125.00
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Dynamite Entertainment from Diamond Distributors for December 4, 2019
DYNAMITE
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