Showing posts with label 2023. Show all posts
Showing posts with label 2023. Show all posts

Thursday, May 22, 2025

#IReadsYou Review: THE MADNESS #4

THE MADNESS #4 (OF 6)

PENCILS: ACO
LETTERS: Sal Cipriano
COVER: ACO
VARIANT COVER ARTISTS: Butch Guice with Lee Loughridge; Daniel Otrakji
32pp, Color, $3.99 U.S. (November 2023)

Rated: “Mature”

The Madness is a six-issue miniseries from AWA Studios.  It is written by J. Michael Straczynski; drawn by ACO (pencils) and David Lorenzo (inks); colored by Marcelo Maiolo; and lettered by Sal Cipriano.  The series follows a woman who uses her super-powers as a thief and her quest for revenge against a group of superheroes.

The Madness introduces Sarah Ross a.k.a. “The Raven.”  She has super-powers:  flight, super speed, super strength, and invulnerability, but she can only use one at a time.  Sarah has been using her powers as a thief, stealing from the rich and giving it to herself.  She plans one more big score so that she can retire to a life of luxury.  However, she steals from the “wrong person” and that leads to brutal consequences that will drive her to revenge... and to ultimate madness.

The Madness #4 opens as The Raven recounts how she became involved with her man, the widower Richard “Rick” Chambers, and how she began to build a family with him and his two young sons, Chuck and Devon.  Now, she has to continue her revenge tour because Rick and the boys where reduced to “ash and little bits of dry, bleached bone.”

She is tracking down members of “the Council of Justice,” the team of government-sanctioned superheroes who killed her family and left her in a shattered mental state.  The latest are Astraea and Miss Victory, but only one played a part in the decision to bring death and destruction to The Raven's life.  And the other one wants to convince Raven to make a better decision that one she wants to make.  Will The Raven relent or will she fight to the death?

THE LOWDOWN:  AWA Studios marketing recently began providing me with PDF review copies of their comic book publications.  The Madness #4 is a recent acquisition.

With this fourth issue, writer J. Michael Straczynski offers a chapter that is as intense as ever, but also more intimate.  I'm surprised that this offbeat chapter maintains the series drumbeat of war and revenge without missing... a beat.  Yes, I continue to think that The Madness mixes the madness of Alan Moore and Dave Gibbons' Watchmen with the exhilaration of Warren Ellis and Bryan Hitch's The Authority.  Still, I felt a sense sadness that kept intruding on my need for kick-ass and blood lust.  There are not only consequences in the actions in which the characters take, but this is also pain.

Artist ACO may be offering his most daring storytelling and his most advanced work.  ACO creates a melancholy and tragic tone for this chapter that gives this overall narrative a sense of humanity and vulnerability that will give the violence to come some weight and depth.  ACO turns this narrative just when I think I'm following a bullet straight to violence, so I'm often getting more than I expect.

In The Madness #4, AWA Studios does what it has been doing for some time – offer the kind of single issue that can help save the Direct Market.  You just have to make the effort to find this kind of comic book, dear readers.

I READS YOU RECOMMENDS:  Fans looking for excellence in superhero comic books will want to try The Madness.

A+
10 out of 10

Reviewed by Leroy Douressaux a.k.a. "I Reads You"


"THE MADNESS" trade paperback collection is available at AMAZON.

THE MADNESS PAGE: https://awastudios.net/series/the-madness/
AWA Website: https://awastudios.net/ 
AWA Instagram: https://www.instagram.com/awastudiosofficial/
AWA Twitter: https://twitter.com/AWA_Studios
AWA Facebook: https://www.facebook.com/awastudiosofficial


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like these, BOOKS PAGE, GRAPHIC NOVELS, or MANGA PAGE and BUY something(s).


Thursday, May 15, 2025

#IReadsYou Review: LORD OF THE JUNGLE Volume 3 #6

LORD OF THE JUNGLE VOLUME 3 #6
DYNAMITE ENTERTAINMENT

STORY: Dan Jurgens
ART: Benito Gallego
COLORS: Francesco Segala with Agnes Pozza
LETTERS: Carlos M. Mangual
EDITOR: Matt Idelson
COVER: Philip Tan
32pp, Color, $3.99 U.S. (July 2023)

Rated Teen+

“The Tortured Few”

Tarzan is one of the most famous fictional characters in the world.  Tarzan was an orphan and the archetypal “feral child,” and in this instance, he was raised in the African jungle by great apes.  Tarzan was born a noble, John Clayton, Lord Greystoke, but he rejected civilization and lived in the wilds of Africa as a heroic adventurer.  Tarzan was created by Edgar Rice Burroughs and first appeared in the novel, Tarzan of the Apes, which began serialization in All-Story Magazines in 1912, before it was published in book form in 1914.  Tarzan would go onto to be a multimedia star, appearing in films, on television, and in comic books.

The latest Tarzan comic book is Dynamite Entertainment's Lord of the Jungle Volume 3. It is written by Dan Jurgens; drawn by Benito Gallego; colored by Francesco Segala; and lettered by Carlos M. Mangual.  Tarzan's friend, an African local named Bouanga, recounts an event that occurs in the early years of Tarzan's adventures.  Now, the Lord of the Jungle has returned to right a past wrong no matter what manner of beast or obstacle stands in his way.

Lord of the Jungle Volume 3 #6 (“The Tortured Few”) opens in Africa, in the 1950s.  Tarzan has returned to the Valley of Mists to keep his promise to return the "Diamonds of the Triad," the jewels that were once treasures from the valley.

Bouanga, the narrator, also returns to the past to tell the story of Tarzan's final confrontation with Carson, a white hunter from England who first encountered Tarzan decades earlier.  Will Tarzan defeat Carson? Can he save Bouanga in the 1950s?  And from when and where is this story told?  And what does the future hold for Tarzan?

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Lord of the Jungle Volume 3 #6, which is only the sixth issue of a solo Dynamite Tarzan comic book that I have read.

Dan Jurgens has written one of the best Tarzan comic books that I have read in decades.  It is a hugely satisfying mix of redemption, revenge, and reunion, which are among the hallmarks of romantic adventure fiction.  It's safe to say that Lord of the Jungle Volume 3 is a high-point in modern adventure fiction, as well as being one of the best of Jurgen's recent works.

Artist Benito Gallego transforms Jurgen's script into high-adventure storytelling, and Gallego's work remained consistently good throughout this series.  It is some of the most beautifully drawn comic book art being published today.  It is a good thing that Gallego's drawing style resembles that of the late comic book legend, Joe Kubert.  Kubert had a four-year stint (1972-76) as writer-artist and later as writer-only of DC Comics' Tarzan comic book series, considered by some to be among his best work.

Colorist Francesco Segala's lovely colors capture the varied moods of this series finale, both in the three time periods and three locales of this closing chapter.  Letterer Carlos M. Mangual brings a sense of high drama with his stylish, emotive fonts, making sure this story ends with power.

Lord of the Jungle Volume 3 #6, like previous issues, strongly delivers on the potential the first issue promised.  I rarely read Tarzan comic books, but I read this series' entire run with gusto  I highly recommend it to you, dear readers, as a series and as a trade paperback collection.

I READS YOU RECOMMENDS:  Fans of Tarzan comic books will want to read Lord of the Jungle Volume 3.

A+
10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The LORD OF THE JUNGLE trade paperback is available at Amazon.

https://twitter.com/DynamiteComics
https://www.dynamite.com/htmlfiles/
https://www.facebook.com/DynamiteComics/
https://www.youtube.com/channel/UCNOH4PEsl8dyZ2Tj7XUlY7w
https://www.linkedin.com/company/dynamite-entertainment


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like these, BOOKS PAGE, GRAPHIC NOVELS, or MANGA PAGE and BUY something(s).


Tuesday, April 16, 2024

#IReadsYou Review: KONI WAVES

KONI WAVES
HAUNTED PIZZA LLC/ARCANA STUDIOS

STORY: Mark Poulton
SCRIPT: Mandy Summers
ART: Renzo Rodriguez
COLORS: Dexter Weeks
LETTERS: Dexter Weeks
COVER: Renzo Rodriguez with Ink Spots
VARIANT COVER ARTISTS: Irene Strychalski; Chris Graves
ISBN: 979-8-987-45314-8; paperback (November 2023)
56pp, Color, $25.00 U.S.

Koni Waves created by Mark Poulton, Stephen Sistilli, and Dexter Weeks

Koni Waves is an independent supernatural horror comic book that was published as a series of miniseries and one-shots from 2006 to 2010 by Arcana Studio.  Created by Mark Poulton, Stephen Sistilli, and Dexter Weeks, Koni Waves focused on Koni Kanawai, a female detective in Honolulu, Hawaii, who specialized in supernatural cases.

Koni Kanawai returns in a new original graphic novel, entitled Koni Waves, that was crowdfunded on Indiegogo last year and was published late last year (2023). The new graphic novel is written by Mark Poulton (story) and Mandy Summers (script); drawn by Renzo Rodriguez; and colored and lettered by Dexter Weeks.  In this new story, Koni becomes involved in a complicated murder case that involves supernatural scheme and conspiracy.

Koni Waves opens with Koni Kanawai rescuing her pal, Pete, from the vampires(!) of Black Bear Cove, but that adventure is easy compared to what is coming.  Koni's father, James Kanawai, a detective with the HPD, wants Koni to try to get back on the force.  Koni, who was suspended apparently after running afoul of Internal Affairs, is willing to give that a try.

Later, at her favorite watering hole, Koni learns that District Attorney Choi believes that he has convicted the wrong man, Danny Snyder, of the murder of Felicity Andrews, an exotic dancer and former associate of Koni's.  Taking on the case, Koni contacts Krystal, another dancer and former associate of Felicity's.  After snooping around, Koni comes to believe that a local power broker, Prince Hopohopo, is connected to the Felicity Andrews case.  However, Koni will discover that this case involves Hawaii's darkest secrets and its edgiest supernatural and spiritual past.

THE LOWDOWN:  A few years ago, I came across the Twitter feed of a Mexican comic book artist named Renzo Rodriguez.  From the first of examples of his art I saw, I thought he was very talented, but because I had never heard of him previously, I assumed Renzo was a new talent.  I would later learn that Renzo was a veteran talent who had been drawing professionally for a long time, including for Zenescope Entertainment.

Last year, I learned that Renzo would be the artist for a crowdfunded project, entitled Koni Waves, so I quickly contributed.  I did not know that Koni Waves was a comics property with a history, so I did not know what to expect.  Now, having read and received this original graphic novel, I am glad that I contributed to the campaign.

Renzo is obviously influenced by legendary comic book artist Art Adams.  Some artists who were influenced by Adams (such as J. Scott Campbell and Rob Liefeld) picked up on Adams' stylish flourishes.  However, what Renzo seems to have taken from Adams is the ability to compose complex, multi-panel pages that allows a story to be told in detail without going into overdrive with decompression.  Most of Renzo's pages have at least seven panels of varying size, and Renzo composes detailed backgrounds and environments in a way that compares to the work of set decorators for film and television.  Renzo makes the world of Koni Waves feel lived-in, like a real place.

All those panels on each page allows scripter Mandy Summers to flesh out Mark Poulton's character-rich story in a way that conveys motivation and personality, plot and mythology, and action and drama.  Summers makes Koni Waves read like an actual graphic novel in a way that so-called graphic novels (trade paperbacks) three times its size do not.

Dexter Weeks' precise, rich colors capture the curves, shapes, and contours of Renzo's figure drawing.  Those colors make every character seem alive and, in the case of some, seem quite sexy, and they also make the art pop on the page.  In addition, Weeks' lettering finds plenty of space for Summers' dialogue, so that nothing is crowded out.

I like Koni Waves, and I'd like to see more of Koni and her closest allies and most dangerous adversaries.  This comic book scratches the surface of Koni Waves' supernatural skin, but the freaks want to come out.  So I say let them out with more Koni Waves.

I READS YOU RECOMMENDS:  Fans of supernatural and occult detective comics will want Koni Waves.

A
★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://www.hauntedpizzallc.com/
https://twitter.com/hauntedpizzallc
https://twitter.com/KoniWaves
https://twitter.com/renzo_rocomic
https://twitter.com/WartTheWizard
https://www.instagram.com/hauntedpizzallc/
https://www.youtube.com/c/PrimetimePoulton


The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

--------------------------------

Amazon wants me to inform/remind you that any affiliate links found on this page are PAID ADS, but I technically only get paid (eventually) if you click on affiliate links like these, BOOKS PAGE, GRAPHIC NOVELS, or MANGA PAGE and BUY something(s).


Tuesday, November 28, 2023

#IReadsYou Review: ECTYRON VS. DES MOINES

ECTYRON VS. DES MOINES
CANDLE LIGHT PRESS/Warning Comics

STORY/ART: Carter Allen
DIALOGUE: John Ira Thomas
LETTERS: John Ira Thomas
COVER: Tyler Sowles
BACK COVER: Will Grant
MISC ART: Jeremy Smith
ISBN: 2370001579941; paperback (July 2023)
68pp, Color, $10.00 U.S.

Comic book writer-artist and graphic novelist, Carter Allen, has been publishing a series of comic books and graphic novels featuring a “kaiju” character known as “Ectyron! The Radioactive Chicken!”  Candle Light Press and Allen's Warning Comics have previously published several Ectyron comic books:  Ectyron Against Lagaxtu (2017), Ectyron: Rise of Nemehiss (2018), and Ectyron: The Invasion from the Red Star Nebula (2019), as well as the Ectyron Omnibus Vol. 1 (2022).

Ectyron is back on the attack in the recently released original graphic novel, Ectyron vs. Des Moines.  It is written, drawn, colored, and lettered by Allen, with dialogue written by John Ira Thomas.

All three Ectyron comics employ particular elements of various Japanese science fiction sub-genres.  “Kaiju” is a term used to describe a genre of Japanese films that feature giant monsters, and the term is also used to describe the giant monsters themselves.  [Godzilla is an example of a kaiju.]  In this case, Ectyron is a giant-sized chicken.  This series also includes elements of “tokusatsu,” also known as “mecha” or giant robot superheroes.  [“Power Rangers” are an example of “tokusatsu.”]

Ectyron vs. Des Moines opens in Des Moines, Iowa.  The state's most populous city and its state capital is about to experience a most unnatural natural phenomenon.  The other-dimensional conqueror, Angerine, arrives, and his weapon of choice is a box that can multiple into other boxes called “Monks.”  The Monks are connected like a titanic Medusa, and even Ectyron struggles against them.  Can the new musician-superhero, Madam Madamn, help stem the tide of Des Moines' destruction?  Or is it over before it started?

THE LOWDOWN:  I have been receiving review copies of Carter Allen's comic books and graphic novels for almost two decades.  We are also collaborating on an upcoming graphic novel, but I am happy to see that he is still creating new Ectyron comics.

Allen uses watercolors to produce his art and storytelling in Ectyron vs. Des Moines, and that gives the story a tone that is decidedly different from previous entries in the Ectyron series – at least to me.  The story seems more consequential.  The previous stories were playful monster comic books that recalled Japanese kaiju fiction, Marvel Comics' monster comics for the 1950s and 60s, and Marvel's early superhero comics like Fantastic Four.

Ectyron vs. Des Moines is very much in the pulpy, sci-fi, Japanese roots of its predecessors, but I find it more thoughtful about what comes after the thunder and lightning of monster fights.  The battles are more difficult for the heroes, and saving-the-day comes with high costs and damage that cannot be reversed.  The villains are excellent, and the kooky Monks are inventive, imaginative, and quite lovely.  John Ira Thomas, a frequent collaborator of Allen's, offers pitch perfect dialogue, as he always does.

Yes, I want more of the Monks and more Ectyron.  Still, I cannot help but ponder how Ectyron vs. Des Moines ponders the nature of evil, the burdens of heroism, and the devastation of death and destruction.  It is as if Allen rebooted Ectyron with a new nature.

But the fun is not gone, and I think readers will welcome the new character find, Madam Madamn, as I do.  I think all Carter Allen's fans will want to grab a hold of Ectyron vs. Des Moines.

I READS YOU RECOMMENDS:  Fans of kaiju and of Carter Allen's kaiju comic books will want Ectyron vs. Des Moines.

A+
10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Readers can purchase Ectyron vs. Des Moines using the Square checkout service here.


http://www.warningcomics.com/
http://candlelightpress.tumblr.com/
https://twitter.com/attila71
https://twitter.com/candlelightpres
https://www.facebook.com/Warning-Comics-194471080646766/
https://www.deviantart.com/vectorattila


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------


Wednesday, March 29, 2023

#IReadsYou Review: BLACULA: Return of the King

BLACULA: RETURN OF THE KING
ZOMBIE LOVE STUDIOS

STORY: Rodney Barnes
ART: Jason Shawn Alexander with Scott Hampton
COLORS: Jason Shawn Alexander
LETTERS: Marshall Dillon
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander
ISBN: 978-1-958509-00-5; paperback (January 31, 2023)
128pp, Colors, 19.99 U.S., $26.50 CAN

Rated “T+ / Teen Plus” or “16 years and up”

Blacula: Return of the King is a full-color, original graphic novel (comic book) that is based on Blacula, a 1972 vampire horror and Black exploitation film.  Published by Zombie Love Studios, Blacula: Return of the King is written by Rodney Barnes; drawn and colored by Jason Shawn Alexander (with some contributions from artist Scott Hampton); and lettered by Marshall Dillon.  Barnes and Alexander are the creators of the dark fantasy and vampire horror comic book, Killadelphia (Image Comics).

Blacula the film starred renowned African-American actor, William Marshall.  He played the film's title role, an 18th-century African prince named Mamuwalde.  In the year 1780, after a dispute, Count Dracula punishes Mamuwalde by turning him into a vampire and cursing him with the name “Blacula.”  Dracula seals Mamuwalde in a coffin that he hides deep in a crypt in his castle in Transylvania.  Blacula reemerges in the United States in 1972 where he pursues a human woman in what turns out to be a doomed romance.

Blacula: Return of the King opens in modern Los AngelesTina Thomas, a young African-American reporter, writes for “Dark Knights,” a blog that “chronicles all things unnatural, uneasy, and undead in the greater Los Angeles area.”  For the past six months, people have been disappearing, and the word on the street and rumors from the shadows insist that the legendary vampire that haunted Los Angeles in the early 1970s has returned to kill.  That's right; Blacula's back.

During her reporting, Tina meets Kross, a young Black man whose family has been plagued by the curse of Blacula since his first appearance.  Kross leads a group of children, a band of “Lost Boys,” if you will, and all have also been hurt by the plague of undead that follows Blacula's blood lust.  Kross and his boys are determined to hunt and to kill Blacula, and before long, Tina finds herself joining them.

Blacula is also on a mission – his own kind of hunt.  He is searching for the one who forever changed his life centuries ago and cursed him with the mocking name, “Blacula.”  His enemy's name is Count Dracula, and that's right.  Dracula's back, too.

THE LOWDOWN:  I want and need to convince you, dear readers, to read Blacula: Return of the King.  It may be the most inventive and artistically ambitious graphic novel about a vampire since Jon J. Muth's Dracula: A Symphony in Moonlight and Nightmares, which was originally published by Marvel Comics in 1986.

The art and coloring by Jason Shawn Alexander is at times regal and elegant, as if hinting at what Prince Mamuwalde once was.  At other times, it is a blustery and frantic, desperate and stormy, and impressionistic and insane.  It is in these moments that the storytelling reminds reader of the backdrop to the horrific melodrama.  The victims of both Blacula and Dracula, as well as their undead acolytes, are the lower classes, the poor, and those living on the edge of an already frayed society.

That is why what writer Rodney Barnes offers is a true sequel to the 1972 film.  Blacula the movie was a very “Black” film, and Blacula: Return of the King is a very Black comic book.  Blacula, Tina Thomas, and Kross and his lost boys are all living the legacy of slavery and bondage, which is suffering and degradation.  In a way, the characters are living the best that they can, but they are cursed by history, both national and personal.  Blacula may be a monster, but he kills for food, a fate forced on him.  It is like fate of the young African-Americans characters here, who live in a gloomy world of abandoned and ignored neighborhoods.

Barnes and Alexander have made in Blacula: Return of the King a vampire story that is an amazing layered work – literal, metaphorical, and allegorical horror.  It is a sequel that honors the original and advances the story forward in way that is faithful in spirit and in potential.  And as a horror comic book, it is a damn fun read.

I READS YOU RECOMMENDS:  Fans of Blacula, of Dracula, and of great vampire fiction will want to read Blacula: Return of the King.

[This issue contains an introduction, “Blacula and Me” by Rodney Barnes.  It also includes “Prince Mamuwalde Lives!: Resurrecting Blacula,” written by Stephen R. Bissette and edited by John Jennings.]

A+
10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/zombieloveLLC
https://twitter.com/TheRodneyBarnes
https://twitter.com/jasonshawnalex
https://twitter.com/MarshallDillon
http://rodneybarnes.com/
https://rodneybarnes.substack.com/


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------