#IReadsYou Review: FIRE AND ICE VOL. 1 #1

FIRE AND ICE VOLUME 1 #1

DYNAMITE ENTERTAINMENT

STORY: Bill Willingham

ART: Leonardo Manco

COLORS: Leonardo Manco

LETTERS: Taylor Esposito

EDITOR: Matt Idelson

COVER: Bill Seinkiewicz

32pp, Color, $3.99 U.S. (August 2023)

Rated Teen+

Fire and Ice created by Ralph Bakshi and Frank Frazetta

“Good in Life”

Fire and Ice is an animated epic, dark fantasy, adventure film directed by Ralph Bakshi.  The film is the result of a collaboration between Bakshi and the legendary fantasy painter, Frank Frazetta, with the film's screenplay being written by veteran comic book writers, Roy Thomas and Gerry Conway.

In 2022, Dynamite Entertainment announced that it had gained the license to produce a comic book series set in the world of Fire and Ice.  The series would act as a prequel to the film.  Fire and Ice the comic book is written by Bill Willingham; drawn and colored by Leonardo Manco; and lettered by Taylor Esposito.

Fire and Ice Volume 1 #1 opens in the Riverlands, situated between the Ice Lands and the Fire Kingdom.  Larn is part of a group of young warriors led through the forests of the Riverlands by its “Hunt Father.”  Tragedy strikes, however, and Larn soon finds himself captive.  Eventually, he ends up being a prize for an ambitious witch.

Meanwhile, the Queen of the Fire Kingdom and her young daughter, Princess Teegra, are also on the hunt when they come upon the D'Kora Kai, the tribal lackeys of Juliana, Queen of the Ice Lands.  Can evil be blunted in this time before the Fire Kingdom waned and the Ice Lands surged?

THE LOWDOWN:  Since July 2021, Dynamite Entertainment's marketing department has been providing me with PDF review copies of some of their titles.  One of them is Fire and Ice Volume 1 #1,  which is the first Frank Frazetta-related comic book I have read in a long time.

I have never seen Fire and Ice, except for a few minutes so long ago that I can't remember that time or what I saw.  I am a fan of the films of Ralph Bakshi, especially of Wizards (1977).  I enjoy looking at Frank Frazetta's paintings.  I enjoy the comic book work of writers, Roy Thomas and Gerry Conway, and I am a big fan of the Conan movie they wrote, Conan the Destroyer (1984).  So let's say that I should and will eventually watch Fire and Ice.

In the meantime, there is this prequel comic book series.  I think readers can enjoy Fire and Ice Volume 1 #1 without having seen the movie.  As I said, I have not, but I did read the film's Wikipedia page before reading this lovely first issue.  The Wikipedia info combined with Bill Willingham's engaging script is enough to have made this issue a joy.

Willingham's script works so well because it is in the hands of artist Leonardo Manco, who easily captures the prehistoric and savage splendor of the sword and sorcery genre to which Fire and Ice belongs, in both pencil and color.  Also, Taylor Esposito's lettering creates a pounding graphical soundtrack to this first issue.

Hey, dear readers, this is really good stuff. I'm an definitely coming back for more, and you should definitely come around at least for this first issue.

I READS YOU RECOMMENDS:  Fans of Ralph Bakshi and Frank Frazetta will want to try the comic book, Fire and Ice Volume 1.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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#IReadsYou Review: THE ARMY OF DARKNESS 1979 #5

THE ARMY OF DARKNESS 1979 VOLUME 1 #5
DYNAMITE ENTERTAINMENT

STORY: Rodney Barnes
ART: Edu Menna
COLORS: Dinei Ribero
LETTERS: Troy Peteri
EDITOR: Joe Rybandt
COVER: Francesco Mattina
VARIANT COVER ARTISTS: Arthur Suydam; Junggeun Yoon; Stuart Sayger; Ken Haeser; Francesco Mattina
32pp, Color, $3.99 U.S. (January 2022)

Rated Teen+

Army of Darkness is a 1992 comic horror film and the third film in the Evil Dead film franchise.  The film focuses on the series' lead character, Ash Williams (portrayed by actor Bruce Campbell), as he is trapped in the Middle Ages and battling an army of undead warriors.

In 1992, Dark Horse Comics released a three-issue adaptation of Army of Darkness, and in 2004, Dynamite Entertainment acquired the rights to produce comics based on the Army of Darkness film, featuring Ash as the main character.

The most recent Army of Darkness comic book in the Dynamite catalog is The Army of Darkness 1979.  It is written by Rodney Barnes; drawn by Tom Garcia and Edu Menna; colored by Dinei Ribero; and lettered by Troy Peteri.  In the new series, Ash Williams finds himself in late 1970s New York City.  Not only is he fighting his usual adversaries, the Deadites and the Necronomicon, but he is also caught in a turf war between rival street gangs.

The Army of Darkness 1979 Volume 1 #5 opens with Ash reminiscing.  Of course, it ends badly.  Back to reality:  Ash is now the leader of “The Half Deads,” and he's leading them against “The Warlocks.”  The problem is that Bishop, leader of The Walocks, is in possession of the Necronomicon … and former leader of The Half Deads, Lilith, is now Bishop's arm candy.

So now, it will take a battle royale of all the gangs of New York to stop Bishop and The Warlocks.  Can Ash lead them against an invasion of Deadites?  Can Lilith stay true … to someone?

THE LOWDOWN:  In July 2021, Dynamite Entertainment's marketing department began providing me with PDF review copies of some of their titles.  One of them is The Army of Darkness 1979 Volume 1 #5, which is the fifth Dynamite Entertainment Army of Darkness comic book I have read.

Writer Rodney Barnes brings The Army of Darkness 1979 to a rousing conclusion.  It's his best issue of the series; not only is the action good, but issue #5 is the funniest.  Edu Menna also turns in the series' best art, topped by Dinei Ribero's hot colors.  It's all under a … dynamite Francesco Mattina cover.

When I finished reading Army of Darkness 1979 Volume 1 #1, I didn't think I want more when I finished the final issue.  But Yes! to more Rodney Barnes Army of Darkness, I say.

I READS YOU RECOMMENDS:  Fans of Army of Darkness comic books and of the franchise, in general, will want to read The Army of Darkness 1979.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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#IReadsYou Review: THE ARMY OF DARKNESS 1979 #4

THE ARMY OF DARKNESS 1979 VOLUME 1 #4
DYNAMITE ENTERTAINMENT

STORY: Rodney Barnes
ART: Tom Garcia (pp. 1-12); Edu Menna (pp. 13-22)
COLORS: Dinei Ribero
LETTERS: Troy Peteri
EDITOR: Joe Rybandt
COVER: Francesco Mattina
VARIANT COVER ARTISTS: Arthur Suydam; Junggeun Yoon; Stuart Sayger; Francesco Mattina; Jamie Biggs
32pp, Color, $3.99 U.S. (December 2021)

Rated Teen+

Army of Darkness is a 1992 comic horror film and the third film in the Evil Dead film franchise.  The film focuses on the series' lead character, Ash Williams (portrayed by actor Bruce Campbell), as he is trapped in the Middle Ages and battling an army of undead warriors.

In 1992, Dark Horse Comics released a three-issue adaptation of Army of Darkness, and in 2004, Dynamite Entertainment acquired the rights to produce comics based on the Army of Darkness film, featuring Ash as the main character.

The most recent Army of Darkness comic book in the Dynamite catalog is The Army of Darkness 1979.  It is written by Rodney Barnes; drawn by Tom Garcia; colored by Dinei Ribero; and lettered by Troy Peteri.  In the new series, Ash Williams finds himself in late 1970s New York City.  Not only is he fighting his usual adversaries, the Deadites and the Necronomicon, but he is also caught in a turf war between rival street gangs.

As The Army of Darkness 1979 Volume 1 #4 opens, Ash talks about the Necronomicon and his trials and tribulations with the book … to himself, but at least the members of “The Half Deads” street gang are listening.  Meanwhile, Lilith is trying to convince Bishop, leader of “The Warlocks,” that she has left The Half Deads and wants in on The Warlocks.  Bishop doesn't trust her.  Luckily (for him, not her), he now possesses the Necronomicon, which can judge if Lilith is being honest...

While waiting for Lilith, Ash and the gang happen upon the legendary club, “Studio 54.”  Suddenly, Ash has a case of “Saturday Night Fever,” but will his antics cause a “Disco Inferno?”

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is The Army of Darkness 1979 Volume 1 #4, which is the fourth Dynamite Entertainment Army of Darkness comic book I have read.

With each issue of the series, writer Rodney Barnes digs deeper into late 1970s culture and pop culture and spins it into comedy gold.  Barnes is creating a comic book that is true to the spirit of the Evil Dead and Army of Darkness films.  It's not the scares that made this franchise; it's the snark and the fun.

The trademark Army of Darkness comic horror dialogue, ghoulish wit, and mockery lives well in Army of Darkness 1979 Volume 1.  If this is your thing, hop in a comic book portal and join the fun.

I READS YOU RECOMMENDS:  Fans of Army of Darkness comic books and of the franchise, in general, will want to read The Army of Darkness 1979.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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#IReadsYou Review: BLACULA: Return of the King

BLACULA: RETURN OF THE KING

ZOMBIE LOVE STUDIOS

STORY: Rodney Barnes

ART: Jason Shawn Alexander with Scott Hampton

COLORS: Jason Shawn Alexander

LETTERS: Marshall Dillon

EDITOR: Greg Tumbarello

COVER: Jason Shawn Alexander

ISBN: 978-1-958509-00-5; paperback (January 31, 2023)

128pp, Colors, 19.99 U.S., $26.50 CAN

Rated “T+ / Teen Plus” or “16 years and up”

Blacula: Return of the King is a full-color, original graphic novel (comic book) that is based on Blacula, a 1972 vampire horror and Black exploitation film.  Published by Zombie Love Studios, Blacula: Return of the King is written by Rodney Barnes; drawn and colored by Jason Shawn Alexander (with some contributions from artist Scott Hampton); and lettered by Marshall Dillon.  Barnes and Alexander are the creators of the dark fantasy and vampire horror comic book, Killadelphia (Image Comics).

Blacula the film starred renowned African-American actor, William Marshall.  He played the film's title role, an 18th-century African prince named Mamuwalde.  In the year 1780, after a dispute, Count Dracula punishes Mamuwalde by turning him into a vampire and cursing him with the name “Blacula.”  Dracula seals Mamuwalde in a coffin that he hides deep in a crypt in his castle in Transylvania.  Blacula reemerges in the United States in 1972 where he pursues a human woman in what turns out to be a doomed romance.

Blacula: Return of the King opens in modern Los Angeles.  Tina Thomas, a young African-American reporter, writes for “Dark Knights,” a blog that “chronicles all things unnatural, uneasy, and undead in the greater Los Angeles area.”  For the past six months, people have been disappearing, and the word on the street and rumors from the shadows insist that the legendary vampire that haunted Los Angeles in the early 1970s has returned to kill.  That's right; Blacula's back.

During her reporting, Tina meets Kross, a young Black man whose family has been plagued by the curse of Blacula since his first appearance.  Kross leads a group of children, a band of “Lost Boys,” if you will, and all have also been hurt by the plague of undead that follows Blacula's blood lust.  Kross and his boys are determined to hunt and to kill Blacula, and before long, Tina finds herself joining them.

Blacula is also on a mission – his own kind of hunt.  He is searching for the one who forever changed his life centuries ago and cursed him with the mocking name, “Blacula.”  His enemy's name is Count Dracula, and that's right.  Dracula's back, too.

THE LOWDOWN:  I want and need to convince you, dear readers, to read Blacula: Return of the King.  It may be the most inventive and artistically ambitious graphic novel about a vampire since Jon J. Muth's Dracula: A Symphony in Moonlight and Nightmares, which was originally published by Marvel Comics in 1986.

The art and coloring by Jason Shawn Alexander is at times regal and elegant, as if hinting at what Prince Mamuwalde once was.  At other times, it is a blustery and frantic, desperate and stormy, and impressionistic and insane.  It is in these moments that the storytelling reminds reader of the backdrop to the horrific melodrama.  The victims of both Blacula and Dracula, as well as their undead acolytes, are the lower classes, the poor, and those living on the edge of an already frayed society.

That is why what writer Rodney Barnes offers is a true sequel to the 1972 film.  Blacula the movie was a very “Black” film, and Blacula: Return of the King is a very Black comic book.  Blacula, Tina Thomas, and Kross and his lost boys are all living the legacy of slavery and bondage, which is suffering and degradation.  In a way, the characters are living the best that they can, but they are cursed by history, both national and personal.  Blacula may be a monster, but he kills for food, a fate forced on him.  It is like fate of the young African-Americans characters here, who live in a gloomy world of abandoned and ignored neighborhoods.

Barnes and Alexander have made in Blacula: Return of the King a vampire story that is an amazing layered work – literal, metaphorical, and allegorical horror.  It is a sequel that honors the original and advances the story forward in way that is faithful in spirit and in potential.  And as a horror comic book, it is a damn fun read.

I READS YOU RECOMMENDS:  Fans of Blacula, of Dracula, and of great vampire fiction will want to read Blacula: Return of the King.

[This issue contains an introduction, “Blacula and Me” by Rodney Barnes.  It also includes “Prince Mamuwalde Lives!: Resurrecting Blacula,” written by Stephen R. Bissette and edited by John Jennings.]

A+

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: CREEPSHOW #1

CREEPSHOW #1 (OF 5)
IMAGE COMICS/Skybound

STORY: Chris Burnham; Paul Dini & Stephen Langford
ART: Chris Burnham; John McCrea
COLORS: Adriano Lucas; Mike Spicer
LETTERS: Pat Brosseau
EDITORS: Alex Antone and Jon Moisan
COVER: Chris Burnham with Adriano Lucas
VARIANT COVER ARTISTS: Declan Shalvey; Vance Kelly; Robert Hack; Bryan Silverbax; Ivan Tao; Felix Morales; Tone Rodriguez; Joseph Schmalke; Rob Csiki; Skan Srisuwan; John Giang; David Mack; Miguel Zapata; Chinh Potter; Tyler Kirkham; Tony Max; Steven Russel Black; Ciro Nieli; Casey Parsons
28pp, Colors, 3.99 U.S. (September 2022)

Rated “M/ Mature”

Creepshow is a new horror comic book anthology series from Image Comics.  It is a TV-tie in to the horror anthology television series, “Creepshow,” that currently streams on “Shudder” and later airs on the cable TV network, “AMC.”  Of course, both the comic book and TV series are descendants of the 1982 horror and comedy film, Creepshow, which was directed by the late George A. Romero and written by Stephen King.  Each issue of Creepshow the comic book will feature different creative teams with uniquely horrifying (and sometimes horrible) standalone stories.

Creephow #1 contains two stories.  The first is “Take One,” which is written and drawn by Chris Burnham and colored by Adriano Lucas.  The second story is “Shingo,” which is written by Paul Dini and Stephen Langford; drawn by John McCrea; and colored by Mike Spicer.  Both stories are lettered by the great Pat Brosseau.  Creepshow's horro host, “The Creep,” narrates the story.

THE LOWDOWN:  I'm going to summarize and review each story separately:

“Take One” by Burnham, Lucas, and Brosseau:
It's Halloween night.  Scaredy-cat Phil is wearing a poorly made mummy costume, and he is trick-or-treating with his asshole friends, Nate and Erik.  They come upon the house of the late Mr. Xander, who apparently died the way he treated his neighbors.  Well, although his house is dark, there is a bowl of full-size candy bars on the porch.  “Take One” says the sign in the bowl, so what will happen if Phil, Nate, and Erik help themselves to more?

I love Halloween stories – prose and comics.  That said, “Take One” is an embarrassment.  The punishment does not fit the crime, and the level of violence is neither comic horror nor scary horror.  I have enjoyed some of Burnham's work (Nameless, Secret Wars: E is for Extinction) in the past, but “Take One” is lame horror trying to pass for clever.

On the other hand, I have to admit that Burnham's art and Lucas' colors are nicely atmospheric.  Too bad it's wasted on a wack-ass story.

“Shingo” by Dini & Langford, McCrea, Spicer, and Brosseau:
As the story opens, Sandy Clark is angry, determined, and desperate to find a party entertainer for her daughter, Fiona's birthday party.  It looks as if Fiona's dad, Tom Clark, has also come up short.  Enter Shingo; he (or it) is the party entertainer with the appetite to make any party unforgettable.

After the fumble of “Take One,” I didn't expect much from “Shingo.”  I know that many consider Paul Dini a “legend” for his work on the 1990s animated TV series, “Batman” a.k.a. “Batman: The Animated Series.”  However, I find his comic book work to be hit or miss or miss or mediocre.  I don't know how the collaboration between Dini and Langford worked, but “Shingo” is brilliant.

It is everything that comic horror or horror comedy should be.  It's crazy, wacky, satirical, farcical, droll, and witty and also have an batty monster.  The title boogey is “Shingo,” who is like a gleefully mean-spirited blend of PBS's “Barney,” the purple dinosaur from PBS' long-running “Barney & Friends” TV series, and a mangy “Teletubby” (from the British PBS import TV series, “The Teletubbies”).  The ending and the final-girl-heroes are the double cherries on top.

Artist John McCrea, a master of blending the comic, the violent, and the horrifying, makes this story sing.  Other artists could make this story work, but not as well as McCrea, who also gets some perfect coloring from Mike Spicer.

“Shingo” saves Creepshow #1, and my grade for this issue reflects “Shingo” and not so much “Take One.”  I think “Shingo” has the potential to be a good horror movie in the vein of director Michael Dougherty's 2015 film, Krampus.  And I would be remiss if I didn't say that Pat Brosseau's lettering throughout this issue is outstanding.

I READS YOU RECOMMENDS:  Fans of classic horror comic book anthologies will want to read Creepshow.

[This comic book includes an afterword by Greg Nicotero, the executive producer of Shudder's “Creepshow.”]

A-

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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#IReadsYou Review: THE ARMY OF DARKNESS 1979 #3

THE ARMY OF DARKNESS 1979 VOLUME 1 #3
DYNAMITE ENTERTAINMENT

STORY: Rodney Barnes
ART: Tom Garcia
COLORS: Dinei Ribero
LETTERS: Troy Peteri
EDITOR: Joe Rybandt
COVER: Francesco Mattina
VARIANT COVER ARTISTS: Arthur Suydam; Junggeun Yoon; Stuart Sayger; Francesco Mattina; Ken Haeser; Tony Fleecs and Trish Forstner
32pp, Color, $3.99 U.S. (November 2021)

Rated Teen+

Army of Darkness is a 1992 comic horror film and the third film in the Evil Dead film franchise.  The film focuses on the series' lead character, Ash Williams (portrayed by actor Bruce Campbell), as he is trapped in the Middle Ages and battling an army of undead warriors.

In 1992, Dark Horse Comics released a three-issue adaptation of Army of Darkness, and in 2004, Dynamite Entertainment acquired the rights to produce comics based on the Army of Darkness film, featuring Ash as the main character.

The most recent Army of Darkness comic book in the Dynamite catalog is The Army of Darkness 1979.  It is written by Rodney Barnes; drawn by Tom Garcia; colored by Dinei Ribero; and lettered by Troy Peteri.  In the new series, Ash Williams finds himself in late 1970s New York City.  Not only is he fighting his usual adversaries, the Deadites and the Necronomicon, but he is also caught in a turf war between rival street gangs.

As The Army of Darkness 1979 Volume 1 #3 opens, Ash and “The Half Deads” street gang are getting the worst of it from rival street gang, “The Panthers.”  Even if the tide turns, “The Mrs. Bradys” are waiting to deliver their special brand of motherly love.

Not far away, the leader of “The Warlocks” is still in possession of the Necronomicon, and he sees this as a chance for world domination.  However, the rest of his gang just wants to use the dark magic for some creature comforts.  How will their leader deal with this dissension?  Meanwhile, the streets of New York City are in a panic and awash in meat puddles and bloody mush!

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is The Army of Darkness 1979 Volume 1 #3, which is the third Dynamite Entertainment Army of Darkness comic book I have read.

This third issue of the series may be the funniest yet.  Writer Rodney Barnes uses a two-page section that depicts a mayoral press conference and local TV reporter to deliver trademark Army of Darkness comic horror dialogue, ghoulish wit, and mockery.  Meanwhile, Tom Garcia draws his strongest art yet, so Army of Darkness 1979 Volume 1 is steadily pumping up the volume.

I READS YOU RECOMMENDS:  Fans of Army of Darkness comic books and of the franchise, in general, will want to read The Army of Darkness 1979.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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#IReadsYou Review: THE ARMY OF DARKNESS 1979 #2

THE ARMY OF DARKNESS 1979 VOLUME 1 #2
DYNAMITE ENTERTAINMENT

STORY: Rodney Barnes
ART: Tom Garcia
COLORS: Dinei Ribero
LETTERS: Troy Peteri
EDITOR: Joe Rybandt
COVER: Francesco Mattina
VARIANT COVER ARTISTS: Arthur Suydam; Junggeun Yoon; Stuart Sayger; Francesco Mattina; Tony Fleecs and Trish Forstner
32pp, Color, $3.99 U.S. (October 2021)

Rated Teen+

Army of Darkness is a 1992 comic horror film and the third film in the Evil Dead film franchise.  The film focuses on the series' lead character, Ash Williams (portrayed by actor Bruce Campbell), as he is trapped in the Middle Ages and battling an army of undead warriors.

In 1992, Dark Horse Comics released a three-issue adaptation of Army of Darkness, and in 2004, Dynamite Entertainment acquired the rights to produce comics based on the Army of Darkness film, featuring Ash as the main character.

The most recent Army of Darkness comic book in the Dynamite catalog is The Army of Darkness 1979.  It is written by Rodney Barnes; drawn by Tom Garcia; colored by Dinei Ribero; and lettered by Troy Peteri.  In the new series, Ash Williams finds himself in late 1970s New York City.  Not only is he fighting his usual adversaries, the Deadites and the Necronomicon, but he is also caught in a turf war between rival street gangs.

The Army of Darkness 1979 Volume 1 #2 opens in Central Park.  Now, in possession of the Necronomicon, The Warlocks and their gang leader are feeling powerful and start the killing.  Meanwhile, over in the South Bronx, Ash has taken up with a local gang, “The Half Deads.”  The plan is for Ash to help them take on the Warlocks and for them to help him recover the Necronomicon.  However, some of the other gangs are suspicious of both The Warlocks and The Half Deads, and the latter will feel that envy and wrath first.

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is The Army of Darkness 1979 Volume 1 #2, which is the second Army of Darkness comic book I have read since I read the Dark Horse series decades ago.

The Army of Darkness 1979 Volume 1 #1 intrigued me, but it is in this second issue that the story starts to really come together.  Writer Rodney Barnes has brought in a hook or perhaps, thrown a wrench into the storytelling, and it is that everyone is suspicious of everyone's motivations.  The cliffhanger at the end of issue #2 makes me think that series writer Rodney Barnes has more crazy surprises in store.

I READS YOU RECOMMENDS:  Fans of Army of Darkness comic books and of the franchise, in general, will want to read The Army of Darkness 1979.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------

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#IReadsYou Review: THE ARMY OF DARKNESS 1979 #1

THE ARMY OF DARKNESS 1979 VOLUME 1 #1
DYNAMITE ENTERTAINMENT

STORY: Rodney Barnes
ART: Tom Garcia
COLORS: Dinei Ribero
LETTERS: Troy Peteri
EDITOR: Joe Rybandt
COVER: Jason Shawn Alexander
VARIANT COVER ARTISTS: Arthur Suydam; Junggeun Yoon; Stuart Sayger; Jason Shawn Alexander
32pp, Color, $3.99 U.S. (August 2021)

Rated Teen+

Army of Darkness is a 1992 comic horror film and the third film in the Evil Dead film franchise.  The film focuses on the series' lead character, Ash Williams (portrayed by actor Bruce Campbell), as he is trapped in the Middle Ages and battling an army of undead warriors.

In 1992, Dark Horse Comics released a three-issue adaptation of Army of Darkness, and in 2004, Dynamite Entertainment acquired the rights to produce comics based on the Army of Darkness film, featuring Ash as the main character.

The most recent Army of Darkness comic book in the Dynamite catalog is The Army of Darkness 1979.  It is written by Rodney Barnes; drawn by Tom Garcia; colored by Dinei Ribero; and lettered by Troy Peteri.  In the new series, Ash Williams finds himself fighting his usual adversaries, the Deadites and the Necronomicon, in the late 1970s.

The Army of Darkness 1979 Volume 1 #1 opens in the South Bronx, circa late 1970s.  Several gangs, including The Half Deads, The Dominos, The Vikings, and The Mechanics, have called a truce in order to gather for a meeting.  Ace of the Dominos has a grand plan, and it is that the gangs should consolidate their numbers in order to rule the streets of New York City.  However, there is a new gang, “The Warlocks,” and they've decided that they can rule these streets by themselves.

Meanwhile, in Washington State, 2021:  Ash Williams is starting a new life in the hopes that he can retire and settle down – no more Necronomicon and no more Deadites.  One suddenly-appearing time portal, and Ash finds his ass in New York... circa 1970s.

THE LOWDOWN:  Dynamite Entertainment's marketing department recently began providing me with PDF review copies of some of their titles.  One of them is The Army of Darkness 1979 Volume 1 #1, which is the first Army of Darkness comic book I have read since I read the Dark Horse series decades ago.

I am a fan of The Army of Darkness 1979 Volume 1 writer, Rodney Barnes, because of his 2017-18 Falcon comic book for Marvel, where he also produced a Star Wars comic book, Lando, about the early years of everyone's favorite casino/star hustler, Lando Calrissian.  Of course, I am only one of a growing legion of devotees of Barnes' apocalyptic vampire comic book series, Killadelphia (Image Comics), which he produces with artist Jason Shawn Alexander, who is also the lead cover artist on The Army of Darkness 1979 Volume 1.

The Army of Darkness 1979 Volume 1 #1 is an intriguing first issue simply for the fact that Barnes introduces a bad ass group of villains, the Warlocks.  Anytime, a writer can introduce evil into the world of  Army of Darkness, evil that is as fearsome as the Necronomicon and the Deadites, readers are in for some Ash-kicking fun.

Artist Tom Garcia's illustrations are wild and unkempt, which serves the innate craziness of Ash and Army of Darkness.  Dinei Ribero's trippy colors give the Deadites a maniacally homicidal glow that is perfect … for them, of course.  So I'm interested to see where the creative team is taking us as well follow a man with a chainsaw for his right hand.

I READS YOU RECOMMENDS:  Fans of Army of Darkness comic books and of the franchise, in general, will want to read The Army of Darkness 1979.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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https://www.dynamite.com/htmlfiles/
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https://www.linkedin.com/company/dynamite-entertainment


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#IReadsYou Review: Marvel Comics' ALIEN #1

ALIEN #1
MARVEL

STORY: Phillip Kennedy Johnson
ART: Salvador Larroca
COLORS: Guru-eFX
LETTERS: VC's Clayton Cowles
EDITOR: Jake Thomas
EiC: Akira Yoshida a.k.a. C.B. Cebulski
COVER: InHyuk Lee
VARIANT COVER ARTISTS: Steve McNiven with Laura Martin; Peach Momoko; Ron Lim with Israel Silva; Todd Nauck with Rachelle Rosenberg; Patrick Gleason; Skottie Young; David Finch with Frank D'Armata; Salvador Larroca with Guru-eFX
40pp, Color, $4.99 U.S. (May 2021)

Parental Advisory

Alien is a 1979 science fiction horror film directed by Ridley Scott and written by Dan O'Bannon, based on a story that O'Bannon wrote with Ronald Shusett.  The film depicts a battle for survival between the crew of the commercial towing vehicle,  the space ship named “the Nostromo” and an aggressive deadline extraterrestrial creature, the “Alien” of the title, that is now known as a “Xenomorph.”

Alien, which went on to win an Academy Award, spawned a film franchise, beginning with writer-director James Cameron's 1986 science fiction action film, Aliens.  Alien also begat a media franchise, which included a comic book adaptation and also a novelization of the original film.  In 1988, Dark Horse Comics launched its first Alien comic book series, a 1988-89, six-issue comic book miniseries, entitled Aliens.  Dark Horse had the license to produce comic books based on the Alien franchise from 1988 to 1999 and again from 2009 to 2020.

Marvel Comics announced in 2020 that it had obtained the license to produce comic books based on the Alien film franchise.  Marvel Comics recently launched the first comic book series, Alien.  It is written by Phillip Kennedy Johnson; drawn by Salvador Larroca; colored by Guru-eFX, and lettered by Clayton Cowles.  This new Alien comic book focuses on a recently retired security agent who once faced the Xenomorphs and may have to again.

Alien #1 opens in January of the year 2200 on the Epsilon Orbital Research and Development Station.  It introduces Gabriel Cruz, a man who has given his life to Weyland-Yutani as a defense agent.  He is retiring as the security agent for Weyland-Yutani's Epsilon Station.  With the help of his friend, a Bishop-model android, Cruz hopes to reconnect and patch things up with Danny, his estranged son.  However, Danny has dangerous and ulterior motives for reuniting with his father.

Once upon a time, Gabriel barely survived an alien attack.  And now, it seems that his encounters are far from over.

THE LOWDOWN:  I am a big fan of the Alien film franchise, and I have lost count of how many times I have watched James Cameron's Aliens, including a few times just recently.  I have seen both Alien vs. Predator films numerous times and will watch them many times more.

Early in Dark Horse Comics' run of Alien comic books, I was devoted to the company's output, but lost interest after several years.  I thought the new Marvel Comics' title would be a good time to start reading Alien comic book again, and I was right.

Writer Phillip Kennedy Johnson whets the appetite with the promise of thrills to come while offering tasty teases of back story involving Gabriel Cruz.  Books about writing will always say that the writer should create strong characters and that the plot will develop from the characters.  Basically, the characters should act as the spine of the story.  I find the spine of this story, Gabriel and Danny, to be dull, and I have no interest in their crappy relationship.  On the other hand, the plot is quite strong.  Johnson makes Alien #1 a fun read when he focuses on the threat of the “Aliens” and on the looming disaster that will fully bring them into the story.

I would not call the art and graphical storytelling in Alien #1 peak Salvador Larroca.  For one thing, all the characters have faces that look like they underwent bad plastic surgery.  The compositions have a generic, Larroca clip art quality, but Guru-eFX's power-coloring and super-hues cover up the blemishes as well as any coloring can.

Still, Marvel's Alien #1 intrigues, especially if you, dear readers, are fans of the Xenomorphs.  I think I should keep reading … at least for the first story arc.

I READS YOU RECOMMENDS:  Fans of the Alien/Aliens film and comic book franchises will certainly want to try Marvel's Alien.

A-
7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Review: STAR WARS: Rogue One Adaptation #1

STAR WARS: ROGUE ONE ADAPTATION No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.  Please, visit the "Star Wars Central" review page here.]

WRITER: Jody Houser (based on the screenplay by Chris Weitz and Tony Gilroy and the story by John Knoll and Gary Whitta)
ART: Emilio Laiso and Oscar Bazaldua
COLORS: Rachelle Rosenberg
LETTERS: VC's Clayton Cowles
COVER: Phil Noto
VARIANT COVERS: John Tyler Christopher; Terry Dodson; Mike Mayhew; Joe Quinones
36pp, Color, $4.99 U.S. (June 2017)

Rated “T”

Afterword by Gareth Edwards, Rogue One: A Star Wars Story

Released in December 2016, Rogue One: A Star Wars Story is the eighth live-action Star Wars film.  It is also the first Star Wars film not to directly focus on the main story line of the previous films, which is the struggle for the fate of the galaxy involving the Skywalker family and the Jedi against the Sith and the Galactic Empire or its antecedents and descendants.

Rogue One is a stand-alone film that is set immediately before the events depicted in the original Star Wars (1977).  The Galactic Empire grows ever more powerful, but a determined rebellion against the Empire continues to gain strength.  Rogue One tells the story of how a small band of rebels obtained the data and classified information that caused an Imperial Star Destroyer to accost a small Rebel cruiser at the beginning of the film now known as Star Wars: Episode IV – A New Hope.

Marvel Comics just began publishing its comic book adaptation of Rogue One with the release of Star Wars: Rogue One Adaptation.  It is written by Jody Houser; drawn by Emilio Laiso and Oscar Bazaldua; colored by Rachelle Rosenberg; and lettered by Clayton Cowles.

Star Wars: Rogue One Adaptation #1 opens 15 years before the main story and reveals how the Empire forced the scientist Galen Erso back into Imperial service.  Fifteen years later, the Rebel Alliance has learned that Erso is the key figure in creating a “planet killing” machine for the Empire.  That information comes from Bodhi Rook, a Imperial cargo pilot who has defected from service to the Empire.  Now, Rook is in the hands of rebel extremist, Saw Gerrera, and only Galen Erso's daughter, Jyn Erso (also known as “Liana Hallick), can help the rebellion find and negotiate with Gerrera for the release of Rook.  Can the leaders of the rebellion convince Jyn, a career criminal to help them?

Writing this review, I suddenly realize how much someone has to know in order to fully enjoy Rogue One: A Star Wars Story.  I don't know if someone who knows little or nothing about four decades of Star Wars films can fully understand Rogue One because I cannot be in their position.  I can't unlearn the Star Wars data, characters, and story that I have absorbed over four decades of loving Star Wars.  I guess anyone could enjoy Rogue One if he or she understands the basic premise; fully understanding and/or appreciating Rogue One's context in a larger “world of Star Wars” is another thing.

Like Marvel Comics' comic book adaptation of the 2015 film, Star Wars: the Force Awakens, their comic book adaptation, Star Wars: Rogue One Adaptation is a nice way to experience the story again.  This is not a great comic book, but it is good, and I found myself enjoying it because I really enjoyed the Rogue One film.  I need to read at least one more issue to see if this comic book can close to capturing the subtlety, mood, and intense drama of the movie.

Despite what Rogue One film director Gareth Edwards says about artist Emilio Laiso in his afterword to this first issue, Laiso's art is nice, but not beautiful.  Laiso's compositions do not result in high drama, and Rachelle Rosenberg's colors are too flat, but everything could improve in later issues.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: STAR WARS: ROGUE ONE Graphic Novel Adaptation

STAR WARS: ROGUE ONE GRAPHIC NOVEL ADAPTATION
IDW PUBLISHING – @IDWPublishing

[This review was originally posted on Patreon. and please, visit the "Star Wars Central" review page here.]

WRITER: Alessandro Ferrari (Manuscript Adaptation)
ART: Igor Chimisso (character studies); Matteo Piana (layout)
INKS: Igor Chimisso, Stefano Simeone
PAINT: Davide Turotti (background and settings); Kawaii Creative Studio (characters)
COVER: Eric Jones
ISBN: 978-1-68405-220-2; paperback, 6 3/4” x 9” (December 2017)
80pp, Color, $9.99 U.S., $12.99 CAN (December 12, 2017)

IDW Publishing is currently publishing an all-ages Star Wars comic book, entitled Star Wars Adventures.  Announced at Star Wars Celebration (April 2017) in Orlando, Florida, Star Wars Adventures is geared toward readers ages 7 to 10 and features one and two part stories that are not steeped in Star Wars continuity.

In addition, IDW Publishing is also publishing U.S. editions of Star Wars graphic novels drawn by a group of Disney artists, apparently based in Italy.  This group's art is intended to bridge the gap between Star Wars and traditional Disney animation, making these Star Wars comics more attractive for younger audiences that are probably familiar with Disney style art in Disney comic books and illustrated books.

This group also produced an adaption of Rogue One: A Star Wars Story, the eighth live-action Star Wars film.  Released in 2016, Rogue One is a stand-alone film, meaning it is not part of the original, prequel, or sequel trilogies.  Rogue One's story is set immediately before the events depicted in the original Star Wars (1977).  IDW is now releasing that Rogue One graphic novel as Star Wars: Rogue One Graphic Novel Adaptation.  It is written by Alessandro Ferrari, who has adapted numerous Walt Disney and Pixar films into the graphic novel format and has also written many comics for Disney Worldwide Publishing.

In Star Wars: Rogue One Graphic Novel Adaptation, the Death Star, the Galactic Empire’s ultimate weapon, looms large.  Its near-completion means doom for the Rebel Alliance.  Enter Jyn Erso, daughter of the Death Star’s reluctant creator, Galen Erso; she desperately seeks to save her father from Imperial control.  For this quest, Jyn will join forces with Rebel spy, Cassian Andor; his reprogrammed Imperial droid, K-2SO, and a small band of rebels.  Aboard a ship one of them dubs “Rogue One,” they will attempt to steal the Death Star’s plans and keep hope for the Rebellion alive.

At 64 pages of actual comics, IDW's Star Wars: Rogue One Graphic Novel Adaptation is half the size of Marvel Comics' six-issue miniseries, Star Wars: Rogue One Adaptation.  Writer Alessandro Ferrari has to excise chunks out of many scenes and sequences, yet he makes the most of the narrative space he has.  Ferrari's Rogue One adaptation runs hot and the dialogue is passionate.  The threat that looms above the Rebel Alliance, the Death Star, seem genuine and larger than life.  It reads as if it were a behemoth bearing down upon the rebels even when it is nowhere near them.

The art is gorgeous.  The character drawings convey the dark personalities of the characters and the intensity of their emotions and the grittiness of their determination.  The backgrounds and settings are wonderfully painted.  You would think the painters were doing this high-quality work for an animated film project, but no, they are turning out this sumptuous painting for a kids' comic book!

The screenplay for the Rogue One film was written by Chris Weitz and Tony Gilroy (from a story by John Knoll and Gary Whitta), and Alessandro Ferrari and the artists of Star Wars: Rogue One Graphic Novel Adaptation have done these writers proud.  I hope this creative team gets the chance to do a graphic novel adaptation of Star Wars: The Last Jedi, and I am sure I am not the only one waiting to see what they can do with this new Star Wars film.

A
8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: STAR WARS: The Force Awakens #1

STAR WARS: THE FORCE AWAKENS ADAPTATION No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon. Visit the "Star Wars Central" review page here.]

WRITER: Chuck Wendig
ART: Luke Ross
COLORS: Frank Martin
LETTERS: VC's Clayton Cowles
COVER: Esad Ribic
44pp, Color, $4.99 U.S. (August 2016)

Rated “T+”

“Episode VII, Part 1 – The Force Awakens”

When it was released in late 2015, Star Wars: The Force Awakens was the first Star Wars film in 10 years (since 2005's Star Wars: Episode III – Revenge of the Sith).  It was also the first film in the franchise to be produced by The Walt Disney Company, which now owns Lucasfilm, Ltd., the Star Wars studio.  The Force Awakens became the highest grossing film in the history of North American theatrical box office (adjusted for inflation, of course).

Marvel Comics recently released its comic book adaptation of Star Wars: The Force Awakens.  This five-issue miniseries is written by Chuck Wendig; drawn by Luke Ross; colored by Frank Martin; and lettered by Clayton Cowles.

Star Wars: The Force Awakens #1 opens thirty years after the destruction of the second Death Star (at the “Battle of Endor,” as seen in 1983's Return of the Jedi).  Luke Skywalker has vanished, and the First Order, which rose from the ashes of the Galactic Empire, will not rest until it finds him.

The Resistance, a military splinter group of the New Republic, believes that it has found a clue to Skywalker's location.  General Leia Organa has sent the Resistance's best pilot, Poe Dameron, to Jakku to obtain the information on Luke's whereabouts.  On this desert world, a First Order stormtrooper, a little droid, and a scavenger will decide the fate of this mission to find a Jedi legend.

As comic book adaptations go, Marvel's Star Wars: The Force Awakens is on the front end of middle-of-the-pack.  It does not have the allure of my childhood favorites, Marvel's adaptation of the original Star Wars and The Empire Strikes Back.  However, Star Wars: The Force Awakens #1 starts slows but becomes a fast-paced thrill by the last few pages.  Even the art by Luke Ross (with its Chris Samnee styling) is stronger by the end.

While I knew that I was definitely going to buy the first issue, I was not sure about the rest of the series.  Star Wars: The Force Awakens #1, however, is good enough to keep me interested until the end.  I don't consider this a must-have Star Wars comic book, but why not have it?

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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