DC Comics from Diamond Distributors for March 12 2014

DC COMICS

JAN140375 ASTRO CITY #10 $3.99
JAN140297 BATGIRL #29 $2.99
JAN140290 BATMAN #29 (ZERO YEAR) $4.99
JAN140292 BATMAN #29 COMBO PACK (ZERO YEAR) $5.99
JAN140363 BATMAN LIL GOTHAM #12 $2.99
OCT130247 BATMAN UNWRAPPED BY ANDY KUBERT DELUXE ED HC $34.99
JAN140370 COFFIN HILL #6 (MR) $2.99
JAN140256 CONSTANTINE #12 (EVIL) $2.99
JAN140381 FBP FEDERAL BUREAU OF PHYSICS #8 (MR) $2.99
JAN140314 GREEN LANTERN CORPS #29 $2.99
JAN148030 GREEN LANTERN RED LANTERNS #28 2ND PTG $2.99
JAN140267 JUSTICE LEAGUE 3000 #4 $2.99
JAN140246 JUSTICE LEAGUE OF AMERICA #13 (EVIL) $3.99
JAN140248 JUSTICE LEAGUE OF AMERICA #13 COMBO PACK (EVIL) $4.99
NOV130226 JUSTICE LEAGUE TRINITY WAR HC (N52) $29.99
JAN140332 LEGENDS DARK KNIGHT 100 PAGE SUPER SPECTACULAR #2 $9.99
DEC130345 LUCIFER TP VOL 03 (MR) $29.99
JAN140306 NIGHTWING #29 $2.99
JAN140384 ROYALS MASTERS OF WAR #2 (MR) $2.99
JAN140364 SCOOBY DOO WHERE ARE YOU #43 $2.99
JAN140335 SMALLVILLE SEASON 11 ALIEN #4 $3.99
JAN140288 SUPERBOY #29 $2.99
JAN140276 SUPERMAN WONDER WOMAN #6 $3.99
JAN140278 SUPERMAN WONDER WOMAN #6 COMBO PACK $4.99
NOV130234 WONDER WOMAN HC VOL 04 WAR (N52) $22.99
DEC130308 WONDER WOMAN TP VOL 03 IRON (N52) $16.99

DC COMICS/DC COLLECTIBLES

OCT130308 DC COMICS COVER GIRLS HUNTRESS STATUE $99.95
OCT130306 DC COMICS SUPER VILLAINS JOHNNY QUICK & ATOMICA AF $24.95
OCT130307 DC COMICS SUPER VILLAINS OWLMAN AF $24.95
OCT130309 SUPERMAN MAN OF STEEL STATUE BY ROCAFORT $79.95

I Reads You Review: The Wake #1

THE WAKE #1 (OF 10)
DC COMICS/Vertigo – @vertigo_comics

WRITER: Scott Snyder
ARTIST: Sean Murphy – @Sean_G_Murphy
COLORS: Matt Hollingsworth
LETTERS: Jared K. Fletcher
COVER: Sean Murphy with Jordie Bellaire
VARIANT COVER: Andy Kubert with Brad Anderson
32pp, Color, $2.99 U.S. (September 2013)

Part One

The Wake is a new 10-issue miniseries created by writer Scott Snyder and artist Sean Murphy.  Snyder has described The Wake as a “deep-sea, sci-fi, horror epic, with elements of post-apocalyptic storytelling...”  The series follows a marine biologist who investigates new threats from the depths of the ocean.

The Wake #1 takes place in three different time periods.  Two hundred years in the future, a young woman and her dolphin companion are on a quest in a half-drowned city.  In the present, Lee Archer, a marine biologist in exile (sort of), is approached by Agent Astor Cruz of the Department of Homeland Security.  Cruz is calling upon Archer to examine and to give her analysis of something that was found at the bottom of the ocean.  The final chapter of the first issue takes place 100,000 years ago with a cave painter.

The Wake #1 is a great big tease.  In recent decades, comic books are published in which stories are “decompressed,” and those stories are told in arcs that can run five or six issues or more before the conclusion.  This means that comic book writers have to find ways to keep readers interested in buying multiple issues.  There are often single panels, scenes made of several panels, or sequences of pages that are more about sensation than storytelling.  Ultimately, a reader could pay $18 to $30 for what is basically a short story that is told as a 100+ page graphic narrative, so titillation is needed to give the reader a reason to keep buying future issues.

The Wake #1 barely classifies as a chapter.  It is bits and pieces of various prologues with some nice “gotcha” moments and shocking-reveal panels to make investing in a second issue seem worth it a comic book reader/comic book customer.  The Wake #1 is not a bad comic book.

Sean Murphy’s art that is published in color has a clean, attractive drawing style, and Scott Snyder is a good modern comic book writer.  Both have done quality and entertaining work, so on the reputation of the creators alone, The Wake is worth a look.  If lesser known or even unknown creators had created The Wake, I doubt Vertigo would be publishing it.  Maybe, Image Comics would.  That said, I do look forward to trying the second issue.

B

http://www.seangordonmurphy.com/
www.vertigocomics.com

I Reads You Review: JUSTICE LEAGUE #4

JUSTICE LEAGUE #4
DC COMICS

WRITER: Geoff Johns
PENCILS: Jim Lee
INKS: Scott Williams
COLORS: Alex Sinclair with Gabe Eltaeb
LETTERS: Patrick Brosseau
COVER: Jim Lee and Scott Williams, with Alex Sinclair
VARIANT COVER: Andy Kubert with Alex Sinclair
40pp, Color, $3.99/$4.99 (combo pack) U.S.

I consider Justice League to be the flagship title of “The New 52,” DC Comics’ re-launch of its superhero comic book line. And what a flagship it is – all big and shiny and full of pretty art and big action scenes. As I’ve written in previous reviews, Justice League may be mediocre for all I know, but I’m too in love with this series to think of it as anything other than fantastic.

Justice League #4 (“Part Four”) opens in the Red Room at S.T.A.R. Labs in Detroit, as Victor Stone emerges from his Promethium transformation. Shocked at what he’s become, Victor is about to discover just how transformed he is. In the wake of his sudden appearance, Aquaman must prove his mettle to some among the small gathering of superheroes: Superman, Batman, Wonder Woman, Green Lantern, and Flash. Now, the adversary behind the inter-dimensional/alien invasion of Earth will be revealed.

It has been three months since I read the third issue of Justice League, which was a good thing. I needed to take a step back. The plan was to come back with the ability to take a critical look at this series. To hell with that! I love this new Justice League.

I was not a fan of Geoff Johns because I had read next to nothing of his work prior to this Justice League series, but I like what he is doing here. He has created an engaging dynamic between the characters, mixing rivalry, jealousy, and heroism into a pleasing character ensemble.

But let’s get serious. This is the Jim Lee show, with his able assistants, inker Scott Williams and colorist Alex Sinclair, also shining in their skill sets. I think action movies have influenced Lee’s storytelling as much as any comic book writer, artist, or writer/artist. Practically every page, even the ones with multiple panels, features one big panel that creates a sense of scale for the reader. It is as if Lee wants to remind us that this isn’t just another superhero fight; this is a Bruckheimer/Bay movie.

Williams’ macho inking makes the art seem real, but not photo-real, by depicting detail in everything from Steve Trevor’s uniform and gear to Victor Stone’s new body. Alex Sinclair’s colors shimmer, pop off the pages, and sometimes surprisingly, subtly create mood. Yes, I was right last year. This is good.

For extras, there are two pages of Flashes sketches by Francis Manapul and a (faux) dossier on S.T.A.R. Laboratories employees.

A

Marvel Comics from Diamond Distributors for February 29 2012

MARVEL COMICS

DEC110646 AMAZING SPIDER-MAN #680 $3.99

DEC110688 ASTONISHING X-MEN #47 $3.99

DEC110605 AVENGERS #23 $3.99

DEC110700 AVENGERS BIG THREE TP $29.99

DEC110749 CARNAGE FAMILY FEUD TP $19.99

DEC110726 FEAR ITSELF BLACK PANTHER MAN WITHOUT FEAR PREM HC $19.99

DEC110725 FEAR ITSELF HERC PREM HC $19.99

DEC110653 FF #15 $2.99

DEC110745 FF BY JONATHAN HICKMAN TP VOL 01 $15.99

DEC110747 INVINCIBLE IRON MAN TP VOL 08 UNFIXABLE $15.99

DEC110753 KA-ZAR BY MARK WAID AND ANDY KUBERT TP VOL 02 $24.99

DEC110649 MOON KNIGHT #10 $3.99

DEC110612 NEW AVENGERS #22 $3.99

DEC110732 PUNISHER BY GREG RUCKA PREM HC VOL 01 $19.99

DEC110733 PUNISHER BY GREG RUCKA PREM HC VOL 01 BLANK DM VAR ED $19.99

DEC110657 SIX GUNS #5 (OF 5) $2.99

DEC110736 SPIDER-MAN FANTASTIC SPIDER-MAN TP $19.99

DEC110664 TWELVE #10 (OF 12) $2.99

DEC110728 ULT COMICS ULTIMATES BY HICKMAN PREM HC VOL 01 $24.99

DEC110630 ULTIMATE COMICS ULTIMATES #7 WITH DIGITAL CODE $3.99

DEC110629 ULTIMATE COMICS X-MEN #8 WITH DIGITAL CODE $3.99

DEC110734 UNCANNY X-FORCE DARK ANGEL SAGA PREM HC BOOK 02 $24.99

DEC110643 VENOM #13.4 $2.99

DEC110731 X-MEN LEGACY FIVE MILES SOUTH OF UNIVERSE PREM HC $19.99

DEC110740 X-MEN LEGACY NECROSHA TP $15.99

DEC110741 X-MEN PRELUDE TO SCHISM TP $14.99

"Before Watchmen" - Watchmen Prequel Comic Books Announced

The following was taken from a DC Comics blog post written by David Hyde:

DC ENTERTAINMENT OFFICIALLY ANNOUNCES “BEFORE WATCHMEN”

This summer, DC Entertainment will publish all-new stories expanding on the acclaimed WATCHMEN universe. As highly anticipated as they are controversial, the seven inter-connected prequel mini-series will build on the foundation of the original WATCHMEN, the bestselling graphic novel of all time. BEFORE WATCHMEN will be the collective banner for all seven titles, from DC Comics.

“It’s our responsibility as publishers to find new ways to keep all of our characters relevant,” said DC Entertainment Co-Publishers Dan DiDio and Jim Lee. “After twenty five years, the Watchmen are classic characters whose time has come for new stories to be told. We sought out the best writers and artists in the industry to build on the complex mythology of the original.”

Stepping up to the challenge is a group of the comic book industry’s most iconoclastic writers and artists – including Brian Azzarello (100 BULLETS), Lee Bermejo (JOKER), Amanda Conner (POWER GIRL), Darwyn Cooke (JUSTICE LEAGUE: NEW FRONTIER), John Higgins (WATCHMEN), Adam Hughes (CATWOMAN), J.G. Jones (FINAL CRISIS), Andy Kubert (FLASHPOINT), Joe Kubert (SGT. ROCK), Jae Lee (BATMAN: JEKYLL AND HYDE), J. Michael Straczynski (SUPERMAN: EARTH ONE) and Len Wein (SWAMP THING).

BEFORE WATCHMEN includes:

RORSCHACH (4 issues) – Writer: Brian Azzarello. Artist: Lee Bermejo

MINUTEMEN (6 issues) – Writer/Artist: Darwyn Cooke

COMEDIAN (6 issues) – Writer: Brian Azzarello. Artist: J.G. Jones

DR. MANHATTAN (4 issues) – Writer: J. Michael Straczynski. Artist: Adam Hughes

NITE OWL (4 issues) – Writer: J. Michael Straczynski. Artists: Andy and Joe Kubert

OZYMANDIAS (6 issues) – Writer: Len Wein. Artist: Jae Lee

SILK SPECTRE (4 issues) – Writer: Darwyn Cooke. Artist: Amanda Conner

Each week, a new issue will be released, and will feature a two-page back-up story called CURSE OF THE CRIMSON CORSAIR, written by original series editor Len Wein and with art by original series colorist John Higgins. There will also be a single issue, BEFORE WATCHMEN: EPILOGUE, featuring the work of various writers and artists, and a CRIMSON CORSAIR story by Wein and Higgins.

“The original series of WATCHMEN is the complete story that Alan Moore and I wanted to tell. However, I appreciate DC’s reasons for this initiative and the wish of the artists and writers involved to pay tribute to our work. May these new additions have the success they desire,” said Dave Gibbons, WATCHMEN co-creator and original series artist.

“Comic books are perhaps the largest and longest running form of collaborative fiction,” said DiDio and Lee. “Collaborative storytelling is what keeps these fictional universes current and relevant.”

I Reads You Review: BATMAN AND ROBIN: Batman Reborn – The Deluxe Edition

BATMAN AND ROBIN: BATMAN REBORN – THE DELUXE EDITION
DC COMICS

WRITER: Grant Morrison
PENCILS: Frank Quitely, Philip Tan
INKS: Frank Quitely, Jonathan Glapion
COLORS: Alex Sinclair, Pete Pantazis
LETTERS: Patrick Brosseau
EXTRA ART: Grant Morrison, Frank Quitely, Philip Tan, J.G. Jones, Andy Kubert with Chris Chuckry, Tony S. Daniel with Ian Hannin
COVER: Frank Quitely and Alex Sinclair
ISBN: 978-1-4012-2566-7; hardcover
168pp, Color, $24.99 U.S., $29.99 CAN

I see the last 26 years of DC Comics as an onslaught of events, launches, re-launches, etc., especially the last 10 years. It seems as if the powers at DC and also the writers, artists, and editors who are looked upon with favor have been restarting, destroying, making-over, re-imagining, revamping, re-jiggering and remaking every corner of the DC Universe, every character in the DC catalog, and every page of comics ever published by DC Comics.

Out of the 2008-09 conflagration that was “Batman: R.I.P.,” Final Crisis, and “Battle for the Cowl,” came a new Batman comic book series, Batman and Robin. Bruce Wayne was no longer Batman. Bruce was dead/missing/lost in time and the Bat-mantle was picked up by the original Robin, Richard “Dick” Grayson, and the new Robin (#4) was Damian Wayne, Batman and Talia al Ghul’s lovechild.

The new Batman and Robin debuted in Batman and Robin #1 (cover date August 2009). The series was created by Grant Morrison and the first three issues were drawn by Morrison’s All-Star Superman collaborator, Frank Quitely. Like All-Star Superman and the other Morrison/Quitely joint, New X-Men, Batman and Robin was snazzy and jazzy compared to the dark-dark that has mostly been Batman since Frank Miller’s The Dark Knight Returns. The Richard Grayson Batman is light-hearted and more conscious about violence and the Damian Wayne Robin is more like the scowling, Dirty Harry Batman.

The first six issues of Batman and Robin (which was re-launched during DC Comics’ “The New 52), are collected in the 2010 hardcover, Batman and Robin: Batman Reborn – The Deluxe Edition. The book collects two storylines: “Batman Reborn” (#1-3) and “Revenge of the Red Hood” (#4-6); the latter is penciled by Philip Tan. The book also includes a 16-page section in the back of the book, entitled “Batman Redrawn” which includes art, character and costume designs, and some text about the creation, graphics, and design of the new series.

Originally, I only read the first issue of the series. I thought it was excellent, and it reminded me of the start-off-with-a-bang that was Morrison and Quitely’s New X-Men #114 (cover date July 2001). Rereading Batman and Robin #1 for the first time in over two years, I have to admit that I didn’t find it as sparkly as I did the first time. That surprises me because every time I reread New X-Men #114, which I do every few years, I love it as much as I did the first time. And boy, did I love it.

In “Batman Reborn,” the new Dynamic Duo takes on Professor Pyg, a villain with a predilection for changing people’s faces. He is the boss of an extreme circus based in Europe, but he is also a creator of and dealer in designer drugs. “Revenge of the Red Hood” pits Batman and Robin against rivals who want to replace them, Red Hood and Scarlet. The twist is that Red Hood was Robin #2, the tragic Jason Todd. Todd, who claims to want to really cleanup Gotham City, actually brings more trouble to the city with his antics.

Although it ultimately goes out with a whimper, the “Batman Reborn” storyline is imaginative. It’s not Morrison’s best work (The Invisibles), but it is some of the most colorful and inventive Batman comics, probably since the Batman comic books of the 1950s and 1960s. Quitely’s intricate line work in All-Star Superman needed color to give it texture and form. In “Batman Reborn,” ragged brushwork pushes Alex Sinclair’s colors aside, so that the color is just that – color. Quitely’s artwork would look lovely reprinted as a black and white comic book. The clotted blacks and scratchy lines give Batman and his Gotham City milieu a screwy, but unique neo-Noir touch.

“Revenge of the Red Hood” is hodge-podge of character conflicts that don’t interest me enough to analyze them. The art by the usually good Philip Tan is ugly. With that in mind, overall, I think of this collection, Batman and Robin: Batman Reborn – The Deluxe Edition, as being another DC Comics event that does not live up to the hype or to some readers’ expectations (like mine). This isn’t essential Batman or essential Grant Morrison, but Batman and Morrison fans will want to sample it.

B

I Reads You Review: FLASHPOINT #5

FLASHPOINT #5 (OF 5)
DC COMICS

WRITER: Geoff Johns
PENCILS: Andy Kubert
INKS: Sandra Hope and Jesse Delperdang
COLORS: Alex Sinclair
LETTERS: Rick J. Napolitano
COVER: Andy Kubert, Sandra Hope, and Alex Sinclair
VARIANT COVER: Jose Luis Garcia-Lopez and Rod Reis
40pp, Color, $3.99

In the beginning, I enjoyed DC Comics’ crossover events and would read the entire core limited series and as many of the tie-in titles as I could. I read Crisis on Infinite Earth (1985-86) and most of the tie-in comic books. I read Legends (1986-87) and many of the tie-in issues. I read some of Millennium (1988) and a few of the tie-ins. By the time of Invasion (1988-89), I only felt like spending a little money on the whole event, so I only passively sampled it. Armageddon 2001 (1991) interested me for a few weeks. Since reading a few issues of DC One Million, I have entirely avoided DC’s comic book crossover story arcs, including just about anything that smacked of being an event.

Well, this is a big year for DC Comics, and I find myself coming in on the end of Flashpoint, the biggest comic book crossover event of 2011. For the past few decades, many crossover events have promised to change either Marvel or DC’s fictional universes forever, but Flashpoint seems to be the real deal. When Flashpoint ends, the DC Universe will reboot (DC’s bosses call it a re-launch), and from August 31 to September 28 2011, DC Comics will publish 52 number one issues – the first issues of 52 new comic book series. It’s known as “The New 52.”

Flashpoint, the core miniseries in a massive publishing event, is a five-issue series written by Geoff Johns and penciled by Andy Kubert. As I understand it: Barry Allen/Flash is among a handful of characters who realize that they have awakened in an altered timeline, vastly different from the regular one in which they live. This timeline is called Flashpoint.

As Flashpoint #5 begins, Reverse Flash/Eobard Thawne is triumphant, as everything Flash/Barry Allen tries seems to come up short. Batman/Thomas Wayne comes to the rescue, with Grifter and the Resistance close behind. But only Flash can fix the mess he made – with millions of lives hanging in the balance.

As crossover events go, Flashpoint offers the usual superhero/super-villain spectacle – skirmishes and big cast-of-thousands battles. There’s plenty of exposition in the form of recaps, explanations, back story, exclamations of triumph, premature ejaculation, etc. I think this is the first Geoff Johns scripted comic book that I have ever read… I think.

After reading this, I can understand why Johns’ comics might not be on my must-recall list. Still, the second half of this comic book has a few poignant scenes. Perhaps, these moments of character tenderness and bonding are what make Johns’ reputation with comic book fans.

The art is a mixed bag. I don’t think this kind of event comic, in which action scenes and characters are packed like sardines into small panels are Andy Kubert’s strength. Covers, double-page spreads, splash pages, and pages with big panels are where he thrives, and that is no more evident than here in Flashpoint #5. Kubert’s gorgeous pencil art for the cover shows that almost 20 years later, Jim Lee is still influencing Kubert.

Do you need to read Flashpoint before you start reading “The New 52?” No, you do not.

B-

Leroy Douresseaux on BATMAN: TIME AND THE BATMAN

BATMAN: TIME AND THE BATMAN

DC COMICS

WRITERS: Grant Morrison and Fabian Nicieza
ARTISTS: Tony S. Daniel, Cliff Richards, Andy Kubert, Frank Quitely, David Finch, Richard Friend, and Scott Kolins
COLORS: Ian Hannin, Alex Sinclair, Tony Aviña, Brand Anderson, and Peter Steigerwald
LETTERS: Jared K. Fletcher and Travis Lanham
COVER: David Finch and Scott Williams
EXTRAS ART: Mike Mignola, Kevin Nowlan, Dave Stewart, Shane Davis, Sandra Hope, Barbara Ciardo, Juan Doe, Dustin Nguyen, Guillem March, Tim Sale, Bill Sienkiewicz, and Philip Tan
ISBN: 978-1-4012-2989-4; hardcover
128pp, Color, $19.99 U.S., $22.99 CAN

DC Comics recently published a hardcover comic book collection entitled Batman: Time and the Batman. It collects Batman issues 700 to 703 with some extras, including variant covers and a peak inside the Batcave rendered with 3-D modeling.

There is also a gallery of Batman illustrations, a portfolio of sorts entitled “Creatures of the Night: A Batman Gallery.” I won’t say that this gallery is worth the cost of the book, but it is worth at least a quarter of this book’s cover price. There are two hot pieces from Dustin Nguyen and a striking piece by Guillem March, among others.

Batman: Time and the Batman is essentially a bridge story arc that connects Batman R.I.P., Final Crisis, and Batman: The Return of Bruce Wayne to one another. In the opening chapter, “Time and the Batman,” the three Batmen: Bruce Wayne, Dick Grayson, and Damian Wayne fight the past, present, and future. Batman’s most dangerous adversary, the Joker, and a few others use the Maybe Machine, the invention of Professor Carter Nichols, to raise hell in Gotham City across decades.

Next, in a missing chapter of R.I.P., Batman faces Darkseid and trap that will have him doubting his own mind and perceptions and also lost in time. Finally, in “The Great Escape,” the new Batman and Robin face the Gateway Genius and Damian is confronted by how little he knows about his father. It is a sentimental and highly-enjoyable story from the underrated Fabian Nicieza and artist Cliff Richards.

I recently saw an article that began by describing Grant Morrison as a god to fans, and yes, I’m tired of hearing about fanboy gods. Still, there is reason to love some Grant Morrison because his current run on Batman has been so much fun to read. Let’s face it, pretty much every Batman comic book since Frank Miller’s Batman: The Dark Knight Returns has lived in the shadow of (ominous music) The Dark Knight Returns.

To me, at least, Grant Morrison’s Batman is more Dennis O’Neil than it is Frank Miller, but what defines Morrison’s Batman is what defines most of his work, imagination. From page to page, the reader never really knows what to expect and from panel to panel the reader never knows what will come out of the characters’ mouths. After 70 years, Batman can be forgiven for suffering from sameness. In Morrison’s hands, Batman is fresh and bouncy. I swear that when I read this I sometimes think that the whole Batman universe is brand new.

Now, this doesn’t always work that way. “R.I.P. – The Missing Chapter” is a rambling mess; it’s the kind of nonsensical, tie-in comic that is the poster child for why crossover events have been done to death. On the other hand, “Time and the Batman,” the opening story, is sparkly and energetic. The story dances across the pages, as Morrison takes us from one Batman to the next (including Batman Beyond).

Most of this book is good, and although the “missing” chapter of R.I.P. is a true blue misfire, Batman: Time and the Batman is a Grant Morrison Batman book to have.

B+