#IReadsYou Review: ROBIN #1

ROBIN #1 (2021)
DC COMICS – @DCComics

STORY: Joshua Williamson
ART: Gleb Melnikov
LETTERS: Troy Peteri
EDITOR: Paul Kaminski
COVER: Gleb Malnikov
VARIANT COVER ARTISTS: Gleb Melnikov; Riccardo Federici; Andy Kubert with Brad Anderson; Jeehyung Lee
32pp, Color, $3.99 U.S. (June 2021)

Rating: Age 13+

Batman created by Bob Kane and Bill Finger and Jerry Robinson

“Versus the World!”

One of the most famous sidekicks in pop culture, Robin is a DC Comics superhero character.  The original Robin's civilian identity was Dick Grayson, the ward of millionaire Bruce Wayne and therefore the sidekick of Wayne's superhero alter ego, Batman.  Robin/Dick Grayson was originally created by Bob Kane, Bill Finger, and Jerry Robinson and first appeared in Detective Comics #38 (cover date:  April 1940).  Eventually, Dick Grayson became a new superhero, Nightwing, and over the last 30 years, there have been other Robins.

Damian Wayne is the son of Bruce Wayne and Talia al Ghul, and thus, is also the grandson of Batman villain, Ra's al Ghul, Talia's father.  An unnamed male infant credited as Batman and Talia's child first appeared in the original graphic novel, Batman: Son of the Demon (1987).  Other writers would later compose speculative stories about the child's life.  In Batman #655 (cover dated: September 2006), writer Grant Morrison reinterpreted that child as Damian Wayne, the centerpiece of the story arc, “Batman and Son,” in which he became the fifth character to assume the role of Robin.

As part of DC Comics' “Infinite Frontier” initiative, Damian Wayne is the star of a new ongoing comic book series, simply entitled Robin.  It is written by Joshua Williamson, drawn and colored by Gleb Melnikov; and lettered by Troy Peteri.  In this new series, Damian wants to prove that he is the greatest fighter in the world (DC Universe).

Robin #1 opens with the search for Damian Wayne.  Batman, Nightwing, Tim Drake/Robin, Orphan, Stephanie Brown, and Oracle can't find him.  It seems Damian is as “off the grid” as a person can be.  Elsewhere, Damian is taking on Sir Edmund Dorrance a.k.a. “The King Snake,” who, like Damian, is searching for the “League of Lazarus.”  It is this league that holds the “League of Lazarus Tournament.”  Held every 100 years, this secretive tournament gathers the best fighters in the world.

That is where Damian thinks he can prove that he is the best fighter in the world, but first, he will have to find the secret island where it is held.  That means he will need to win a special marker, and The King Snake wants that marker, too.

THE LOWDOWN:  It seems that if Damian Wayne a.k.a. “Robin” is going to have an ongoing comic book series, it should not simply be another entry in the “Batman family” of titles.  Damian needs a goal or a mission.  His quest to be the best by taking on the world's most deadly combatants sounds like a good idea.  What is even better is that Damian's hubris and his lack of knowledge of those that he will face present obstacles and conflicts that are comic book narrative gold.  So, in this first issue, writer Joshua Williamson offers a good set-up slash introductory chapter that will keep readers interested – at least for a few issues.

The art by Gleb Melnikov is stylistically appropriate for this series, but Melnikov's compositions are wild, untamed, and untrained.  He isn't anywhere near being called a draftsman, and his illustrative techniques … well, he is weak on the techniques of graphical storytelling.  I don't mean to say that he cannot tell a story using the medium of the comic book; the storytelling is clear, while the drawing is a bit chaotic.  On the other hand, his Robin #1 cover art is beautiful, and I have seen some of Melnikov's cover art and single-page illustrations, and they are also visually and/or graphically striking.

Melnikov's influences show, and to be honest, every page and some times every panel shows a new influence.  I see Art Adams and early Joe Madureira.  There is some early Tony S. Daniel – think the Tony Daniels of The Tenth (Image Comics).  There is some Jim Lee and a little Rob Liefeld.  I think Gleb Melnikov has the potential to become a superstar artist, and the process of doing a monthly comic book title may bring that out.  Right now, as I've already stated, his drawing is raw, but, at the same time, I must admit that he is already a sharp colorist.

Troy Peteri's lettering also provides a nice balance to the tone of the story.  He creates a steady rhythm that heightens the intensity of the violent, Mortal Kombat-like battles.  So, this new Robin comic book is definitely worth another look or two.

I READS YOU RECOMMENDS:  Fans of Damian Wayne will want to read Robin.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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#IReadsYou Review: BATMAN: The Detective #1

BATMAN: THE DETECTIVE #1 (OF 6)
DC COMICS

STORY: Tom Taylor
ART: Andy Kubert
COLORS: Brad Anderson
LETTERS: Clem Robins
EDITOR: Ben Abernathy
COVER: Andy Kubert with Brad Anderson
VARIANT COVER ARTISTS: Andy Kubert with Brad Anderson; Riccardo Federici
32pp, Color, $3.99 U.S. (June 2021)

Rated: Age 13+

Batman created by Bob Kane and Bill Finger

“Batman The Detective” Part One

Batman: The Detective is a new six-issue comic book miniseries.  It is written by Tom Taylor; drawn by Andy Kubert; colored by Brad Anderson; and lettered by Clem Robins.  This miniseries takes Batman on a harrowing, action-packed European adventure, in which he will meet new allies … and new enemies.

Batman: The Detective #1 opens 36,000 feet above Lancashire, England aboard Wayne Airlines, Flight 89.  It is flying from Gotham City to London with 147 passengers when tragedy strikes – and it is all Batman's fault.  This very personal and deadly message draws Batman out of Gotham to investigate, but waiting for him is an old ghost and also a name – “Equilibrium.”  This story guest-stars Knight (Beryl Hutchinson) and introduces the new Squire (Amina).

THE LOWDOWN:  Many acclaimed artists have drawn a Batman comic book or comic book series.  My favorites tend to be artists who left their mark on Batman during the last three and a half decades of the twentieth-century:  Carmine Infantino, Neal Adams, Jim Aparo, Frank Miller, and David Mazzuchelli.  The twenty-first century has offered an entire new roster of Batman artists for me to love, including an artist who has been drawing some of the most beautiful Batman comic book art for the last 15 years, Andy Kubert.

I bought a copy of Batman: The Detective #1 so that my imagination could enjoy some gorgeous Andy Kubert Batman art, and I am still thumbing through the pages of this comic book.  Kubert's aquiline and muscular Batman/Bruce Wayne is like a coiled big cat.  My favorite Kubert Batman pages are those splash pages and partial splash pages in which Kubert fills those pages with a larger-than-life Batman or a larger-than-life character, sometimes wearing a Batman-like costume.  [Early in Kubert's run as the artist of the ongoing Batman comic book series, he drew a massive Bane in a Batman costume.  Wow!]

As for the story, Tom Taylor offers a clever gimmick and hook.  Still, I think Batman: The Detective #1 is mostly flat until the second half of the story.  There is, however, potential here, but not enough for me to spend $19.95 U.S. plus tax to read the remaining five issues.  Andy Kubert is the reason that I am giving this comic book a high grade.

I READS YOU RECOMMENDS:  Fans of Andy Kubert's Batman art will want to try Batman: The Detective.

B+

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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#IReadsYou Review: THE DARK KNIGHT RETURNS: The Golden Child #1

DARK KNIGHT RETURNS: THE GOLDEN CHILD No. 1
DC COMICS/Black Label

[This review was originally posted on Patreon.]

STORY: Frank Miller
ART: Rafael Grampá
COLORS: Jordie Bellaire
LETTERS: John Workman and Deron Bennett
EDITOR: Mark Doyle
COVER: Rafael Grampa with Pedro Cobiaco
VARIANT COVER ARTISTS: Andy Kubert with Brad Anderson; Frank Miller with Alex Sinclair; Joelle Jones with Dave McCaig; Rafael Grampa with Pedro Cobiaco; Paul Pope with Jose Villarrubia
32pp, Color, $5.99 U.S. (February 2020)

Ages 17+

Batman created by Bob Kane with Bill Finger

Batman: The Dark Knight Returns (also known as DKR) was a four-issue comic book miniseries starring Batman.  Published by DC Comics in 1986, this prestige-format comic book was written by Frank Miller; drawn by Miller (pencils) and Klaus Janson (inks); colored by Lynn Varley; and lettered by John Costanza, with the book covers drawn by Miller and Varley.

DKR told the tale of a 50-year-old Bruce Wayne, long retired as Batman, who dons the cape and cowl again to take on a new crime wave in Gotham City.  When an institutionalized Joker discovers that Batman has returned, he revives himself and begins a new crime wave of craziness.  Batman also battles Superman who is trying to force Batman back into retirement.

DRK was a smash hit, and from the time of its publication, it became a hugely influential comic book, especially on the editorial mindset of DC Comics.  There have been sequels to DKR, as well as other comic books set in its “universe.”  The most recent DKR comic book is Dark Knight Returns: The Golden Child.  It written by Frank Miller, drawn by Rafael Grampá; colored by Jordie Bellaire; and lettered by John Workman and Deron Bennett.  The Golden Child finds the heirs to the legacy of the Dark Knight and the Man of Steel taking on adversaries of their predecessors.

Dark Knight Returns: The Golden Child #1 opens three years after the events depicted in the nine-issue miniseries, Dark Knight III: The Master Race (2015-2017).  Lara, the daughter of Wonder Woman (Diana) and her consort, Superman, has spent that time learning to be more human.  After spending her life with the Amazons of Paradise Island, however, Lara has a great disdain for humans.  Carrie Kelley, the former Robin, has been growing into her new role as The Batwoman, after Bruce Wayne/Batman finally retired.

The Batwoman has been battling the Joker and his gang of Joker clones, who are in full rage as the day of the U.S. presidential election approaches.  [Although he is not named, President Donald Trump's image and presence are prominent throughout this comic book].  But Joker has found a new partner in a terrifying evil that has come to Gotham – Darkseid.  Now, Lara and Carrie must team-up to stop two evils, but their secret weapon, young Jonathan, “the golden child” (Lara's brother and Diana and Superman's son) is also the object of Darkseid's murderous desire.

I really like Dark Knight Returns: The Golden Child, but not because of Frank Miller's story.  It is a hot mess of sound and fury signifying nothing.  It is like someone's incorrect idea that the sound of Jack Kirby is not big (in relation to Darkseid, a character he created), but is histrionics.  Miller does offer a few good ideas, and he is one of the few mainstream comic book creators that could get away with not only casting Donald Trump in a DC Comics title, but also portraying him in an unflattering light.  Teaming-up Joker and Darkseid is not one of Miller's good ideas, and Miller's portrayal of Lara and Jonathan is a mixed bag.  But I can tell that Miller really loves Carrie Kelley, a character he created in DKR.  She is glorious as The Batwoman.

No, I don't love Dark Knight Returns: The Golden Child because of Frank Miller.  I love it because of Rafael Grampa, the Brazilian film director and comic book artist.  Grampa's style in Dark Knight Returns: The Golden Child is a mixture of Frank Miller's graphic style in both Batman: The Dark Knight Returns and in his Sin City series of miniseries and one-shot comic books and also of Scottish comic book artist Frank Quitely's graphic style.

Grampa's gorgeous illustrations and compositions look even better under Jordie Bellaire's inventive coloring and varietal of hues.  But even all that pretty art can't create superb graphical storytelling from Frank Miller's mish-mash of a story, except in a few places – the Batwoman sections of course.  Carrie Kelley is absolutely spectacular in the double-caped, leathery Bat-suit, which also looks like an actual man-sized bat.

Well, you can't get everything, although John Workman and Deron Bennett also deliver some fine-looking lettering.  So I'll be satisfied with Dark Knight Returns: The Golden Child #1 being one of the beautifully drawn and illustrated comic book one-shots that I have ever read.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

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Review: NEW CHALLENGERS #1

NEW CHALLENGERS No. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Scott Snyder and Aaron Gillespie
PENCILS: Andy Kubert
INKS: Klaus Janson
COLORS: Brad Anderson
LETTERS: Deron Bennett
EDITOR: Rebecca Taylor
COVER: Andy Kubert with Brad Anderson
32pp, Color, $2.99 U.S. (July 2018)

Rated “T” for Teen

Challengers of the Unknown created by Jack Kirby

Part 1

DC Comics has launched a new superhero comic book initiative, “The New Age of DC Heroes,” coming out of its Dark Nights: Metal event miniseries.  This line of comic books will consist of eight new comic book series:  The Curse of Brimstone, Damage, The Immortal Men, Sideways, The Silencer, The Terrifics, The Unexpected, and the subject of this review, New Challengers.

New Challengers is the seventh release (with only The Unexpected still due).  The series is written by Scott Snyder and Aaron Gillespie; drawn by Andy Kubert (pencils) and Klaus Janson (inks); colored by Brad Anderson; and lettered by Deron Bennett.  New Challengers is a reboot of the Jack Kirby creation, Challengers of the Unknown.  This feature focused on group of adventurers that first appeared in Showcase #6 (cover dated: February 1957) and appeared off-and-on in various forms and in comic books over the next six decades.

New Challengers #1 takes place during the events depicted in Dark Nights: Metal.  Trina Alvarez, Robert Brink, Moses Barber, and a man who insists on being called “Krunch” are dead.  Their first post-mortem stop is Challengers Mountain, and now it is time for them to meet the mysterious “Professor,” or as he calls himself, “The Prof.”  He is giving these “misfit strangers” a second chance at life, but only if they obey the orders of the Prof and execute deadly missions in the most unexplored corners of the multiverse.  And before the first mission even begins, one them dies!

I can say that I am intrigued by New Challengers.  I am a fan of artist Andy Kubert and have been for almost three decades, so I tend to want to read any comic book that he draws.  However, although Kubert's pencil art is inked by the great Klaus Janson, this is far from being close to Kubert's best work  The page design is impressive, but the storytelling does not aspire to be anything more than professionally polished.  Brad Anderson covers Kubert-Janson's compositions in his shimmering, evocative colors.  Deron Bennett wrangles the Challengers Mountain worth of dialogue in this first issue with sterling lettering and graphic design.  So that does make things, from a graphical storytelling point of view, a little better.

Writers Scott Snyder and Aaron Gillespie tease as much as they leave things about this story vague.  I thought too much about this first issue was coy.  Would it have killed DC Comics to make all first issues of “New Age” titles double-sized?  New Challengers #1 definitely needs to be at least regular-size and a half.  Twenty pages is a joke; 30 pages would have made this a better first issue.  Honestly, as it is, New Challengers #1 is only a little above average, but I will try the second issue.

6 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: THE CURSE OF BRIMSTONE #1

THE CURSE OF BRIMSTONE No. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Philip Tan & Justin Jordan
SCRIPT: Justin Jordan
ART: Philip Tan
COLORS: Rain Beredo
LETTERS: Wes Abbott
COVER: Philip Tan with Rain Beredo
32pp, Color, $2.99 U.S. (June 2018)

Rated “T” for Teen

The Curse of Brimstone created by Justin Jordan and Philip Tan

“Inferno” Part 1

DC Comics has launched a new superhero comics initiative, “The New Age of DC Heroes,” coming out of its Dark Nights: Metal event miniseries.  This line of comic books will consist of eight new comic book series:  Damage, The Immortal Men, New Challengers, Sideways, The Silencer, The Terrifics, The Unexpected, and the subject of this review, The Curse of Brimstone.

The Curse of Brimstone is created by writer Justin Jordan and artist Philip Tan.  The series is colored by Rain Beredo; and lettered by Wes Abbott.  The series focuses on a young man who would do anything to save his small town, even make a deal with the devil.

The Curse of Brimstone #1 opens in the small, forgotten rural town of York Hills.  Once it was a coal mining town.  Then, it was a factory town.  Now, it is neither.  Schools and businesses have closed, and many of its citizens have moved away.  Joe Chamberlain is trapped here in this no-nothing town, and he has no prospects of getting out.  He is too poor to move, and he cannot afford school.  However, Joe is determined that his sister, Annie, who is smart, not get trapped in York Hills.

Enter the mysterious Mr. Salesman.  He has an offer to make Joe Chamberlain, one that is supposed to save York Hills and give Joe a really good job... and the curse of Brimstone.

The Curse of Brimstone #1 is mostly set-up with some teasing, but what Justin Jordan and Philip Tan are offering with this first issue is quite intriguing.  I really know what is going on here.  I honestly cannot wait for the second issue, which I cannot say about all the “New Age of Heroes” titles.

Graphically, The Curse of Brimstone #1 looks like a Vertigo comic book and has more than a passing resemblance to the art of Steve Bissette, John Totleben, and Tatjana Wood for the 1980s iteration of Swamp Thing written by Alan Moore.  The last four pages of The Curse of Brimstone #1 are visually and graphically explosive and fiery, and they cast a spell on me.  I feel cursed to return for at least a few more issues.

7.5 out of 10

[This comic book contains a preview of New Challengers #1 by Scott Snyder, Aaron Gillespie, Andy Kubert, Klaus Janson, Brad Anderson, and Deron Bennett.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: DARK NIGHTS: Metal #2

DARK NIGHTS: METAL No. 2
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

WRITER: Scott Snyder
PENCILS: Greg Capullo
INKS: Jonathan Glapion
COLORS: FCO Plascencia
LETTERS: Steve Wands
COVER: Greg Capullo and Jonathan Glapion with FCO Plascencia
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Andy Kubert with Brad Anderson; John Romita, Jr. and Danny Miki with Dean White
32pp, Color, $3.99 U.S. (November 2017)

Rated “T+” for “Teen Plus”

Dark Nights: Metal is the current comic book event miniseries from DC Comics.  The series will run for six issues, and will include at least 19 individual tie-in issues.  Some tie-ins will be original one-shots and others will be issues of currently ongoing comic book series (such as Teen Titans and Suicide Squad, to name two).  Two of the tie-ins have already been published, Dark Days: The Forge and Dark Days: The Casting.  The first “Metal” title was published on June 14, 2017 (The Forge) and the final entry in the event (Dark Nights: Metal #6) is scheduled to be published February 14, 2017.

Dark Nights: Metal introduces the “Dark Multiverse,” and is written by Scott Snyder and drawn (pencil art) by Greg Capullo, the creative team behind The New 52 relaunch of the Batman ongoing title.  The rest of the creative team includes inker Jonathan Glapion; colorist FCO Plascencia; and letterer Steve Wands.

Dark Nights: Metal #2 finds the Justice League – Superman, Wonder Woman, Aquaman, Green Lantern (Hal Jordan), Flash, and Cyborg – in hot pursuit of their teammate, Batman.  The Dark Knight Detective, however, is determined to address his crisis on his own and to protect his teammates from the really bad thing that is coming to Earth.  Thus, conflict is born and the League battles Batman.  From the Amazon rain forests to the Valley of the Kings in Egypt, friend fights friend.  Can the Batman and Justice League stop what is coming... what may be destined?

I was not enjoying Dark Nights: Metal #2 quite as much as I did the first issue; then, baby Darkseid shows up, and how can I not love that? Then, there is the killer ending and... the arrival.  I must say that I find the inclusion of Neil Gaiman's Sandman (Daniel? or Morpheus?) to be contrived, but the other guest cameos (Green Arrow, Gorilla City) are quite nice.

Dark Nights: Metal is big, but not bloated, which is what I found Marvel Comics' Secret Empire to be.  Secret Empire has so much stuff going on, more than I wanted to follow, so I didn't read it past the zero issue.  On the other hand, Metal is so is like a streamlined rocket racing in a straight line past omens and portents to the big, freakin' dark arrival.

I think the other thing that is in Metal's favor is that its creative team was The New 52 Batman creative team for the better part of four years.  Thus, Metal actually seems like a continuation of something concrete in the DC Universe, something will not be re-birthed and rebooted away – Snyder and Capullo's Batman.  Metal validates that Batman comic book series, and Batman is the anchor for this big event which might mean something important to the DCU for some time to come.

A
8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

---------------------------

DC Comics from Diamond Distributors for September 13, 2017

DC COMICS

JUL170324    ACTION COMICS #987 (OZ EFFECT)    $2.99
JUL170323    ACTION COMICS #987 LENTICULAR ED (OZ EFFECT)    $3.99
JUL170325    ACTION COMICS #987 VAR ED (OZ EFFECT)    $2.99
JUL170336    BATGIRL AND THE BIRDS OF PREY #14    $3.99
JUL170337    BATGIRL AND THE BIRDS OF PREY #14 VAR ED    $3.99
JUN170391    BATMAN DARK KNIGHT MASTER RACE COVERS DLX ED HC    $24.99
JUN170398    BATMAN HIS GREATEST ADVENTURES TP    $9.99
JUL170300    DARK NIGHTS METAL #2 (OF 6)    $3.99
JUL170301    DARK NIGHTS METAL #2 (OF 6) KUBERT VAR ED    $3.99
JUL170302    DARK NIGHTS METAL #2 (OF 6) LEE VAR ED    $3.99
JUL170303    DARK NIGHTS METAL #2 (OF 6) ROMITA VAR ED    $3.99
MAY170381    DC DESIGNER SER BATMAN BY ANDY KUBERT MINI STATUE    $80.00
MAR170454    DC ICONS NIGHTWING AF    $28.00
MAR170456    DC ICONS ROBIN & SUPERBOY AF 2 PACK    $60.00
MAR170455    DC ICONS SUPERGIRL AF    $28.00
APR170411    DC UNIVERSE REBIRTH OMNIBUS EXPANDED EDITION HC    $99.99
JUL170352    DETECTIVE COMICS #964    $2.99
JUL170353    DETECTIVE COMICS #964 VAR ED    $2.99
JUL170356    FLASH #30    $2.99
JUL170357    FLASH #30 VAR ED    $2.99
JUN170382    GREEN LANTERNS TP VOL 03 POLARITY (REBIRTH)    $16.99
JUL170368    HAL JORDAN AND THE GREEN LANTERN CORPS #28    $2.99
JUL170369    HAL JORDAN AND THE GREEN LANTERN CORPS #28 VAR ED    $2.99
JUL170413    HARLEY QUINN 25TH ANNIVERSARY SPECIAL #1    $4.99
JUL170415    HARLEY QUINN 25TH ANNIVERSARY SPECIAL #1 DODSON VAR ED    $4.99
JUL170414    HARLEY QUINN 25TH ANNIVERSARY SPECIAL #1 LEE VAR ED    $4.99
JUN170384    HARLEY QUINN REBIRTH DLX COLL HC BOOK 01    $34.99
JUN170383    HARLEY QUINN TP VOL 03 RED MEAT (REBIRTH)    $16.99
JUN170419    HELLBLAZER TP VOL 17 OUT OF SEASON (MR)    $29.99
JUL170382    JUSTICE LEAGUE OF AMERICA #14    $2.99
JUL170383    JUSTICE LEAGUE OF AMERICA #14 VAR ED    $2.99
MAY170339    LEGENDS OF THE DARK KNIGHT JIM APARO HC VOL 03    $49.99
JUL178215    MISTER MIRACLE #1 (OF 12) 2ND PTG (MR)    $3.99
JUL170429    MISTER MIRACLE #2 (OF 12) (MR)    $3.99
JUL170430    MISTER MIRACLE #2 (OF 12) VAR ED (MR)    $3.99
JUL170386    NEW SUPER MAN #15    $3.99
JUL170387    NEW SUPER MAN #15 VAR ED    $3.99
JUL170388    RED HOOD AND THE OUTLAWS #14    $3.99
JUL170389    RED HOOD AND THE OUTLAWS #14 VAR ED    $3.99
JUL170435    SCOOBY APOCALYPSE #17    $3.99
JUL170436    SCOOBY APOCALYPSE #17 VAR ED    $3.99
JUL170439    SCOOBY DOO WHERE ARE YOU #85    $2.99
JUL170315    SUICIDE SQUAD #25    $3.99
JUL170316    SUICIDE SQUAD #25 VAR ED    $3.99
JUL170390    SUPERGIRL #13    $3.99
JUL170391    SUPERGIRL #13 VAR ED    $3.99
JUN170387    SUPERMAN REBORN HC (REBIRTH)    $24.99
JUL170398    SUPERWOMAN #14    $3.99
JUL170399    SUPERWOMAN #14 VAR ED    $3.99
JUL170317    TEEN TITANS #12 (METAL)    $3.99
JUL170318    TEEN TITANS #12 VAR ED (METAL)    $3.99
JUL170400    TITANS #15    $3.99
JUL170401    TITANS #15 VAR ED    $3.99
JUL170404    WONDER WOMAN #30    $2.99
JUL170405    WONDER WOMAN #30 VAR ED    $2.99

Review: Dark Nights: METAL #1

DARK NIGHTS: METAL No. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

WRITER: Scott Snyder
PENCILS: Greg Capullo
INKS: Jonathan Glapion
COLORS: FCO Plascencia
LETTERS: Steve Wands
COVER: Greg Capullo and Jonathan Glapion with FCO Plascencia
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Andy Kubert with Brad Anderson; John Romita, Jr. and Danny Miki with Dean White
40pp, Color, $3.99 U.S. (October 2017)

Rated “T+” for “Teen Plus”

“Metal”

Dark Nights: Metal is the new comic book event miniseries from DC Comics.  The series will run for six issues, and will include at least 19 individual tie-in issues.  Some tie-ins will be original one-shots and others will be issues of currently ongoing comic book series (such as Teen Titans and Suicide Squad, to name two).  Two of the tie-ins have already been published, Dark Days: The Forge and Dark Days: The Casting.  The first “Metal” title was published on June 14, 2017 (The Forge) and the final comic book (Dark Nights: Metal #6) is scheduled to be published February 14, 2017.

Dark Nights: Metal introduces the “Dark Multiverse,” and this miniseries is written by Scott Snyder and drawn (pencil art) by Greg Capullo, the creative team behind The New 52 relaunch of the Batman ongoing title.  The rest of the creative team includes inker Jonathan Glapion; colorist FCO Plascencia; and letterer Steve Wands.

Dark Nights: Metal #1 finds the Justice League – Superman, Wonder Woman, Batman, Aquaman, Green Lantern (Hal Jordan), Flash, and Cyborg – prisoners of Mongul.  He controls the superheroes via special armor and forces the Justice League to entertain him and a stadium full of Braalians by fighting as gladiators.  Thus far, the League has defeated its opponents, but Mongul is about to introduce newer and more powerful creatures.  The team needs to escape because there is trouble on Earth:  an attack on Gotham City and an ages-old secret on Blackhawk Island – a secret that will shake the foundations of the Multiverse now and forever.

Of course, dear readers, you remember the 2012 film, The Dark Knight Rises, the third film in Christopher Nolan's THE DARK KNIGHT TRILOGY.  [I think Warner Bros. requires that it be written all in caps.]  Every scene and sequence in that film seemed to build to some crescendo – a crescendo that never happened.  Hans Zimmer's score kept pounding and director Chris Nolan kept building his self-important cinematic “masterpiece” until its contrived ending arrives without ever delivering that crescendo.  That movie was like one long, massive, elaborate chicken-choking session without the explosive payoff.

Luckily, Scott Snyder knows how to build his Bat-crescendo, but he does not build towards one big climax.  Dark Nights: Metal is a mystery, thriller, and horror story that uses scenes and sequences to create anticipation – some are loud and big and others are simply tense.  Snyder offers clues and secrets; and the prize is not necessarily a crescendo.  Maybe, Metal finishes with a series of big reveals, and/or maybe, in the end, it adds something new to the DC Comics Universe.

As for artist Greg Capullo, well, we finally get our Capullo-drawn Justice League comic book.  I like that Metal is more like a Justice League comic book than it is like Crisis on Infinite Earths-style event.  Capullo's storytelling feels immediate, tense, and tight like a particularly good Justice League comic book and, once again, less like one of those loud, bloated, out of control company-wide event comic books (say, Marvel's Secret Empire.)

So let's say that Dark Nights: Metal #1 gets it right by creating anticipation rather than exploding in our hands after only three strokes... I mean, three pages.

A
8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

---------------------------

Review: Dark Knight III: The Master Race #9

DARK KNIGHT III: THE MASTER RACE No. 9
DC COMICS – @DCComics

STORY: Frank Miller and Brian Azzarello
PENCILS: Andy Kubert
INKS:  Klaus Janson
COLORS: Brad Anderson
LETTERS: Clem Robins
COVER: Andy Kubert and Frank Miller with Brad Anderson; Frank Miller with Alex Sinclair
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Greg Capullo; Klaus Janson with Alex Sinclair; Frank Quitely; Mikel Janin; Chip Kidd
40pp (plus 16-page insert), Color, $5.99 U.S. (July 2017)

Batman created by Bob Kane with Bill Finger

A nine-issue comic book publishing event, Dark Knight III: The Master Race (also known as DKIII) is the second sequel to Batman: The Dark Knight Returns (also known simply as The Dark Knight Returns or DKR).  DKR is the now-legendary 1986 four-issue comic book miniseries written by Frank Miller and drawn by Miller (pencils) and Klaus Janson (inks).  DKR focuses on a 50-year-old Bruce Wayne who comes out of retirement to resume fighting crime as Batman.

DKIII is written by Brian Azzarello and Frank Miller; drawn by Andy Kubert (pencils) and Klaus Janson (inks); colored by Brad Anderson; and lettered by Clem Robins.  In DKIII, Batman unites with Superman to stop a murderous group of people from Superman's home planet, Krypton, from taking over the Earth.  Meanwhile, Superman's daughter with Wonder Woman, Lara, has joined with the murderous Kryptonians, and Carrie Kelley, the former Robin, begins to evolve into the new Batgirl.

As Dark Knight III: The Master Race #9 opens, the “master race” of Kryptonians from the Bottled City of Kandor and their leader, Quar, prepare to make the Earth unlivable in order to punish humanity for not worshiping them.  Enter Green Lantern and the Atom.  Batman has a surprise for Quar and company, but Superman may have the biggest surprise of all.

If I remember correctly, when it announced that DKIII was being extended to nine issues, DC Comics said there was more story to tell (or something like that).  After reading DKIII #9, I don't know if this is so much “more story” as it is an extended action sequence, all of which could have been wrapped up in a double-sized DKIII #8.

After much criticism and complaining about DKIII (with only scattered praise), I had to admit that I thought that DKIII #8 was not only the best issue of the series, but was also a truly good comic book.  DKIII #7 and #8 moved the narrative forward more powerfully than a locomotive, and #9 is nice finale slash coda coming after those two issues.

I think that DKIII #9 also came into existence to prepare the way for more comics set in the world of Batman: The Dark Knight Returns.  Rumor has it that DC may have outlines all the way to an eighth miniseries, and I'll probably read them all.  For all the series' unevenness, DKIII #9 has some surprises, like The Atom's pivotal moment and the last page, with its graphic homage to an iconic graphic from DKR.  Plus, I can't resist the eight-page gallery of Adam Kubert and Klaus Janson's art in black and white.  So in the end, I'll recommend Dark Knight III: The Master Race #9.

Dark Knight Universe Presents: Action Comics #1 (Insert comic book)
STORY: Frank Miller and Brian Azzarello
PENCILS: Frank Miller
INKS: Klaus Janson
COLORS: Alex Sinclair
LETTERS: Clem Robins
COVER: Frank Miller and Klaus Janson with Alex Sinclair

I have not really enjoyed these mini-comics inserted into the center of each issue of DKIII, but I did like DKIII #7's“Strange Adventures” and #8's “Detective Comics.”  In “Action Comics #1,” Batman provides a narration as we look in on heroes like Aquaman, Green Lantern, Flash, Wonder Woman, and The Atom.  Also, Lara and Carrie Kelley/Batgirl take the next steps in their lives (with Carrie's evolution alluded to at the end of the main story).  “Action Comics #1” is also a nice coda slash prelude to the probable “DKIV” or “DK4.”

B+
7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

-----------------------------

Review: DARK KNIGHT III: The Master Race #8

DARK KNIGHT III: THE MASTER RACE No. 8
DC COMICS – @DCComics

STORY: Frank Miller and Brian Azzarello
PENCILS: Andy Kubert
INKS:  Klaus Janson
COLORS: Brad Anderson
LETTERS: Clem Robins
COVER: Andy Kubert with Brad Anderson
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Frank Miller with Alex Sinclair; Klaus Janson with Brad Anderson; Bill Sienkiewicz; Riley Rossmo
32pp (plus 16-page insert), Color, $5.99 U.S. (May 2017)

Batman created by Bob Kane with Bill Finger

Dark Knight III: The Master Race (also known as DKIII) is a nine-issue Batman comic book event miniseries.  It is the second sequel to Batman: The Dark Knight Returns (also known simply as The Dark Knight Returns or DKR), the 1986 four-issue comic book miniseries written by Frank Miller and drawn by Miller (pencils) and Klaus Janson (inks).  DKR focuses on a 50-year-old Bruce Wayne who comes out of retirement to resume fighting crime as Batman.

DKIII is written by Brian Azzarello and Frank Miller; drawn by Andy Kubert (pencils) and Klaus Janson (inks); colored by Brad Anderson; and lettered by Clem Robins.  DKIII finds Batman united with Superman to stop a murderous group of people from Superman's home planet, Krypton, from taking over the Earth.

Dark Knight III: The Master Race #8 opens with the new Batgirl (Carrie Kelley) witnessing the seeming death of Batman.  However, Superman placed Batman's body in a Lazarus Pit, and now Bruce Wayne is not only alive, but young again.  Meanwhile, the “master race” of Kryptonians from the Bottled City of Kandor invade the home of Wonder Woman's and the Amazons (an island now called “Amazonia”).  The Kryptonians are sure that they will win their fight with the Amazons, but Wonder Woman and her people have something that can match the Superman-like powers of a master race.

After much criticism and complaining about DKIII (with only scattered praise), I have to admit that I think that DKIII #8 is not only the best issue of the series, but it is also a truly good comic book.  DKIII has been wildly inconsistent, but DKIII #7 and #8 move the narrative forward more powerfully than a locomotive.

I don't think... No, I know that I have not had this much fun reading the other issues of DKIII as I had reading #8, although #7, as I've said, is quite good.  Wonder Woman in full battle mode is a beautiful thing, and of course, this story barrels forward because #8 is the penultimate issue (although it was originally intended to be the last issue).  Of note, a younger Bruce Wayne adds fuel to the rumors that many more series set in the DKR universe are to come.

Dark Knight Universe Presents: Detective Comics #1 (Insert comic book)
STORY: Frank Miller and Brian Azzarello
PENCILS: Frank Miller
INKS: Klaus Janson
COLORS: Alex Sinclair
LETTERS: Clem Robins
COVER: Frank Miller with Alex Sinclair

I have not really enjoyed these mini-comics inserted into the center of each issue of DKIII, but I did like DKIII #7's“Strange Adventures,” which focuses on Green Lantern and two denizens of Thanagar.  This issue's “Detective Comics” insert is the best of the lot, thus far, and is Frank Miller's best work as an artist for these inserts.  This insert also features some familiar characters and story elements that first appeared in DKR, and that makes me happy.  Plus, this is “To be continued...”

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

---------------------------

DARK KNIGHT III: The Master Race #7

DARK KNIGHT III: THE MASTER RACE No. 7
DC COMICS – @DCComics

STORY: Frank Miller and Brian Azzarello
PENCILS: Andy Kubert
INKS:  Klaus Janson
COLORS: Brad Anderson
LETTERS: Clem Robins
COVER: Andy Kubert with Brad Anderson
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Frank Miller with Alex Sinclair; Klaus Janson with Dave McCaig; Howard Chaykin with Jesus Aburto; Chris Burnham with Nathan Fairbairn
32pp (plus 16-page insert), Color, $5.99 U.S. (February 2017)

Batman created by Bob Kane with Bill Finger

Dark Knight III: The Master Race (also known as DKIII) is the second sequel to Batman: The Dark Knight Returns (also known simply as The Dark Knight Returns or DKR), the landmark, four-issue comic book miniseries.  Published by DC Comics in 1986, DKR was written by Frank Miller; drawn by Miller (pencils) and Klaus Janson (inks); colored by Lynn Varley; and lettered by John Costanza.  DKR focused on a 50-year-old Bruce Wayne who comes out of retirement and resumes his crime-fighting role as Batman.

DKIII is written by Brian Azzarello and DKR's Frank Miller; drawn by Andy Kubert (pencils) and DKR's Klaus Janson (inks); colored by Brad Anderson; and lettered by Clem Robins.  DKIII finds Batman united with Superman to stop a murderous group of people from Superman's home planet, Krypton, from taking over the Earth.

Dark Knight III: The Master Race #7 opens in the aftermath of the battle in and over Gotham City, pitting Batman, Superman, and their allies against the “master race” of Kryptonians from Kandor.  And Batman is dead... or is he?  Superman has an idea about reviving his old friend.  Meanwhile, Quar, the leader of the Kryptonians, moves to strengthen his hold on Lara, the daughter of Superman and Wonder Woman, who has sided with the Kryptonians.  He wants her to do something for him...

I have to say that I enjoyed reading DKIII #7 more than I did issue #6.  I have found DKIII to be wildly inconsistent.  It is sometimes intense and gripping; other times, it is contrived and ridiculous – often within the same issue.

What is the difference with #7?  I think that this issue consolidates subplots and relationships, as the narrative prepares to move into the final acts of the series.  This issue is the first one that clearly depicts Lara's ambivalence, but also emphasizes that much of this story is about Lara's side of the family, in particularly her father, Superman.  Going forward as a reader, an issue like this one makes me feel more confident about the eight and ninth issues of Dark Knight III: The Master Race, the final two issues.

Dark Knight Universe Presents: Strange Adventures #1 (Insert comic book)
STORY: Frank Miller and Brian Azzarello
PENCILS: Frank Miller
INKS: Klaus Janson
COLORS: Alex Sinclair
LETTERS: Clem Robins
COVER: Frank Miller with Alex Sinclair

I have not really enjoyed these mini-comics inserted into the center of each issue of DKIII, but I like this issue's “Strange Adventures” that focuses on Green Lantern and two denizens of Thanagar.  The interplay of the items that give these heroes their power with the mounting danger of their adversaries makes this a gripping mini-thriller with a nice ending.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

------------------------

Review: Dark Knight III: The Master Race #6

DARK KNIGHT III: THE MASTER RACE No. 6
DC COMICS – @DCComics

STORY: Frank Miller and Brian Azzarello
PENCILS: Andy Kubert
INKS:  Klaus Janson
COLORS: Brad Anderson
LETTERS: Clem Robins
COVER: Andy Kubert with Brad Anderson
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Frank Miller with Alex Sinclair; Klaus Janson with Romulo Fajardo, Jr.; Greg Tocchini; Giuseppe Camuncoli with Dave Stewart
32pp (plus 16-page insert), Color, $5.99 U.S. (December 2016)

Batman created by Bob Kane with Bill Finger

For a long time, film critics and movie buffs considered sequels to acclaimed and/or popular films to be inferior, and they mostly were.  Sequels were often cheaper, made with production budgets that were lower (sometimes much lower) than the original film's budget.  Sometimes, not only were key members of the original cast missing, but also missing were the original screenwriter(s) and director.

Of course, there were exceptions.  Many people think that The Godfather II was a better film than The Godfather, which itself is one of the greatest films of all time.  George Lucas may have been unhappy with the reception to The Empire Strikes Back, but almost everyone thinks this sequel was vastly superior to the more famous and financially successful Star Wars (1977).  And Christopher Nolan's The Dark Knight (2008) practically eclipsed his first Batman film, Batman Begins (2005), which itself was and still is one of the best movies based on a superhero comic book ever made.

Batman: The Dark Knight Returns (also known simply as The Dark Knight Returns or DKR) was a four-issue comic book miniseries starring Batman.  Published by DC Comics in 1986, this prestige-format comic book was written by Frank Miller; drawn by Miller (pencils) and Klaus Janson (inks); colored by Lynn Varley; and lettered by John Costanza, with the book covers drawn by Miller and Varley.  Dark Knight III: The Master Race (also known as DKIII), the second sequel to DKR, is an inferior sequel to a landmark original.

Yes, a planned nine-issue series, DKIII is written by DKR's Frank Miller and Brian Azzarello; drawn by Andy Kubert (pencils) and DKR's Klaus Janson (inks); colored by Brad Anderson; and lettered by Clem Robins.  Yes, you have the original author and some of the biggest names in mainstream comic books joining him, but DKIII is not only inferior, but is also nothing more than corporate product meant to cash in on a still-famous original.  But first things first...

Dark Knight III: The Master Race #6 finds Batman and Superman leading a revolt against the alien menace from the Bottled City of Kandor (now grown full-size) that has put Gotham City under siege and threatens the same to the rest of the world.  Meanwhile, Carrie, the Robin from DKR who is now the new Batgirl(?), battles the new “Supergirl,” who is Lara, the daughter of Superman and Wonder Woman.  How does it end?  With a death... maybe.

First, I don't buy that Frank Miller actually has much input in the main narrative.  Yeah, you can rag on The Dark Knight Strikes Again (DK2), the original sequel, but it was both original and an eclectic take on familiar comics tropes.  DKIII is just a rehash of ideas from DKR – old and aging superheroes, Bat vs. Kryptonian, and some vague law and order themes.  In some ways, this doesn't even rise to the level of Azzarello's previous and acclaimed work.

Secondly, The Dark Knight Returns was a “What if” or “Elseworlds” Batman story that DC Comics bosses and comic book fans turned from a special event into an entrenched mindset.  They can't let it go, and everything that they have done with it since the debut of DKR only serves to prove how special and of-its-times the original was.  Even Frank Miller has not been able to recapture the glory of the original, and honestly, the only thing that Brian Azzarello and Andy Kubert can do is lend their names to the corporate, Batman sub-brand that is “The Dark Knight.”

Dark Knight III: The Master Race is not a bad comic.  I bought into the hype, although part of me knew where this was going even while buying the product.  There are indeed some stand-out Batman comics being done right now by Scott Snyder and John Romita, Jr. on All-Star Batman and by Tom King and David Finch on Batman.

Dark Knight Universe Presents: World's Finest #1 (Insert comic book)
STORY: Frank Miller and Brian Azzarello
PENCILS: Frank Miller
INKS: Klaus Janson
COLORS: Alex Sinclair
LETTERS: Clem Robins
COVER: Frank Miller with Alex Sinclair

Frank Miller seems to have a bigger hand in these Dark Knight Universe Presents comic books which are inserted in the middle of each issue of DKIII.  To date, there has not been much to say about them, and that has not changed.

C+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

---------------------

Review: DARK KNIGHT III: The Master Race #1

DARK KNIGHT III: THE MASTER RACE No. 1
DC COMICS – @DCComics

[This review originally appeared on Patreon.]

STORY: Frank Miller and Brian Azzarello
PENCILS: Andy Kubert
INKS:  Klaus Janson
COLORS: Brad Anderson
LETTERS: Clem Robins
COVER: Andy Kubert and Klaus Janson
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Frank Miller with Alex Sinclair; Dave Gibbons and Klaus Janson with Brad Anderson; Jill Thompson
32pp, Color, $2.99 U.S. (January 2016)

Batman created by Bob Kane with Bill Finger

Batman: The Dark Knight Returns (also known simply as The Dark Knight Returns) was a four-issue comic book miniseries starring Batman.  Published by DC Comics in 1986, this prestige-format comic book was written by Frank Miller; drawn by Miller (pencils) and Klaus Janson (inks); colored by Lynn Varley; and lettered by John Costanza, with the book covers drawn by Miller and Varley.

Individually, the books were entitled “The Dark Knight Returns” (Book One); “Dark Knight Triumphant” (Book Two); “Hunt the Dark Knight” (Book Three); and “The Dark Knight Falls” (Book Four).  The series takes place in a future in which Bruce Wayne is 55 and retired from being Batman.  Gotham City's ongoing troubles give Wayne the reason he uses to bring Batman out of retirement, but Batman faces opposition from the city government and the police force.  The series introduces a new Robin, a girl named Carrie Kelley; depicts Batman's final battle with The Joker; and culminates with a confrontation against Superman, which leaves the world thinking that Batman is dead.

Batman: The Dark Knight Returns (also known as “DKR”) yielded a three-volume sequel, The Dark Knight Strikes Again (also known as “DK2”), published by DC Comics from late 2001 into 2002.   DC Comics has spent the last four years reliving its mid to late 1980s glory days, so now, there is a second sequel to The Dark Knight Returns.  This is an eight-issue series entitled Dark Knight III: The Master Race (also known as DKIII).  It is written by Frank Miller and Brian Azzarello; drawn by Andy Kubert (pencils) and Klaus Janson (inks); colored by Brad Anderson; and lettered by Clem Robins.

Kubert and Janson will be the lead cover artists, but DC is publishing numerous variant covers, about 50 for the issue of DKIII.  Each issue will also include an insert entitled “Dark Knight Universe Presents” drawn by different art teams and written by Miller and Azzarello... apparently.

Dark Knight III: The Master Race #1 opens with the return (once again) of Batman, but this time, the authority in Gotham City is even less welcoming.  Commissioner Yindel and the rest of the Gotham City Police Department are ready to take-down Batman.  Meanwhile, Wonder Woman fights and a legendary small city wants help, while Superman remains in limbo.

Dark Knight III: The Master Race #1 is not as good as Batman: The Dark Knight Returns, Book One.  Let's just get that out of the way.  DKIII colorist Brad Anderson is nowhere nearly as good as DKR colorist, the legendary Lynn Varley (Frank Miller's ex-wife), whose watercolor-like hues were both subtle and vivid.  There is nothing distinguishing about the work of DKIII letterer Clem Robins, certainly not in the way DKR's John Costanza's lettering was so distinctive.

DKIII's art team of Andy Kubert and Klaus Janson capture the spirit and some of the style of DKR's Frank Miller and Janson.  Kubert, however, does not match the imaginative page layouts and awe-inspiring design that Miller gave the original work.

There is a rumor that Frank Miller has contributed relatively little to the storytelling in DKIII.  Word is that DC Comics was developing DKIII independently of Miller and went to him after they'd already made the decision to produce the project.  At the very least, Azzarello is clearly writing the scripts.  It shows.  This is not bad work, but nothing about this suggests the imagination and inventiveness that Frank Miller has brought to all his work:  the good stuff, the bad stuff, and the ambivalent experimental work.  Azzarello, as good as he can be, cannot be like Frank Miller because he is not in Miller's league, no matter how much Jim Lee, Geoff Johns, and the powers at DC Comics pretend he is.

Things could change; I could be delightfully surprised.  But right now Dark Knight III: The Master Race #1 is no more special than any other Batman comic book that is a particularly good read.

B

Dark Knight Universe Presents: The Atom #1 (Insert comic book)
STORY: Frank Miller and Brian Azzarello
PENCILS: Frank Miller
INKS: Klaus Janson
COLORS: Alex Sinclair
LETTERS: Clem Robins
COVER: Frank Miller with Alex Sinclair

Frank Miller actually pencils Dark Knight Universe Presents: The Atom #1, with Klaus Janson inking.  And no, it does not remind me of Batman: The Dark Knight Returns or Frank Miller's run on Daredevil, on which Janson was Miller's most frequent collaborator and partner.

This has potential, but it lacks the spark of any of Miller's best work.

B

[Retailer variant cover artists and art teams:
Dave Johnson; Sean Gordon Murphy; Lee Bermejo; Klaus Janson; Rafael Albuquerque; Jae Lee with June Chung; Eduardo Risso; Jock; Walter Simonson with Laura Martin; Ivan Reis with Marcelo Maiolo; Aaron Lopresti; Tyler Kirkman with Tomeu Morey; Brian Bolland; Paul Pope with Jose Villarrubia; Gabriele Dell'Otto; John Cassady with Laura Marin; Tony Daniel with Tomeu Morey; Matt Wagner with Brennan Wagner; Michael Allred and Laura Allred; Brian Stelfreeze; Amanda Conner with Paul Mounts; Terry Dodson and Rachel Dodson; Jason Fabok with Brad Anderson; Darwyn Cooke, Josh Middleton; Gary Frank with Brad Anderson; Howard Porter with Hi-Fi; Kevin Eastman with Varga Tamás; Bill Sienkiewicz; Dave Dorman; Greg Capullo with FCO Plascencia; Stanley “Artgerm” Lau; Marc Silvestri with Alex Sinclair; Kelley Jones; Dale Keown with Jason Keith; Neal Adams with Alex Sinclair; Simon Bisley; Tony Harris; David Finch and Scott Hanna with Brad Anderson; Scott Williams with Alex Sinclair; John Romita, Jr. and Danny Miki with Dean White; Adam Hughes; Francis Manapul; J. Scott Campbell with Nei Ruffino; Tim Sale; Bruce Timm; Babs Tarr]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

----------------------------------

DC Comics from Diamond Distributors for November 25, 2015

DC COMICS

SEP150324     AMERICAN VAMPIRE SECOND CYCLE #11 (MR) (NOTE PRICE)     $4.99
SEP150202     AQUAMAN #46     $3.99
SEP150320     ART OPS #2 (MR)     $3.99
AUG150260     BATMAN 66 MEETS THE GREEN HORNET TP     $14.99
SEP150196     BATMAN AND ROBIN ETERNAL #8     $2.99
SEP150257     BATMAN ARKHAM KNIGHT ROBIN SPECIAL #1     $2.99
SEP150252     BATMAN ENDGAME DIRECTORS CUT #1     $5.99
SEP150179     DARK KNIGHT III MASTER RACE #1     $5.99
SEP150212     DC COMICS BOMBSHELLS #5     $3.99
SEP150209     DEATHSTROKE #12     $2.99
JUL150311     EARTH 2 HC VOL 06 COLLISION     $22.99
AUG150265     EARTH 2 TP VOL 05 THE KRYPTONIAN     $16.99
SEP150215     FLASH #46     $3.99
AUG150268     FLASH BY GEOFF JOHNS TP BOOK 01     $24.99
SEP150267     GRAYSON #14     $3.99
SEP150281     HE MAN THE ETERNITY WAR #12     $2.99
SEP150316     JACKED #1 (MR)     $3.99
SEP150219     JUSTICE LEAGUE 3001 #6     $2.99
AUG150174     JUSTICE LEAGUE OF AMERICA #5     $3.99
AUG150292     KITCHEN TP (MR)     $16.99
SEP150225     OMEGA MEN #6     $2.99
SEP150273     ROBIN SON OF BATMAN #6     $3.99
SEP150279     SINESTRO #17     $2.99
SEP150245     SUPERMAN #46     $3.99
SEP150247     SUPERMAN LOIS AND CLARK #2     $3.99
SEP150243     SUPERMAN WONDER WOMAN #23     $3.99
SEP150275     WE ARE ROBIN #6     $3.99
SEP150237     WONDER WOMAN #46     $3.99

DC COMICS/DC COLLECTIBLES

APR150332     ARROW TV ARSENAL AF     $24.95
AUG150307     BATMAN ANIMATED SERIES BANE AF     $25.00
AUG150308     BATMAN ANIMATED SERIES MAD HATTER AF     $25.00
AUG150305     BATMAN ANIMATED SERIES NIGHTWING AF     $25.00
AUG150306     BATMAN ANIMATED SERIES SCARECROW AF     $25.00
JUN150343     BATMAN ARKHAM KNIGHT CATWOMAN AF     $24.95
MAY150291     DC COMICS BOMBSHELLS JOKER & HARLEY QUINN STATUE     $249.95
APR150346     GOTHAM CITY GARAGE HARLEY QUINN STATUE     $349.95

Review: "Batman Eternal #52" Offers a Great End to a Great Series

BATMAN ETERNAL #52

STORY: Scott Snyder and James Tynion IV (with Ray Fawkes, Kyle Higgins, Tim Seeley)
SCRIPT: James Tynion IV
ART: Eduardo Pansica and Julio Ferreira; Robson Rocha and Guillermo Ortego; David Lafuente; Tim Seeley; Ray Fawkes
COLORS: Allen Passalaqua; Gabe Eltaeb; John Kalisz; John Rauch
LETTERS: Steve Wands
COVER: Jae Lee with June Chung
VARIANT COVER: Andy Kubert with Brad Anderson

Batman created by Bob Kane and Bill Finger

SPOILER ALERT

The conclusion of the weekly Batman epic, Batman Eternal, is here.  First, shout out to all the creative people who played a part in bringing us this year-long adventure.  Batman Eternal #52 is one of those inspiring stories that makes you remember why you're a Batman fan.

This is a story about heroes, both super and everyday.  Batman is brought to the lowest point that we have seen him.  He is tortured and beat-down to within an inch of his life.  He is a beaten man, deprived of all his technology.  What saves him is the inspiration of others.

In a wonderful piece of writing, the writers have Jim Gordon make an impassioned speech to the people of Gotham to come to Batman's rescue.  Then, we truly see that Batman is eternal.  Even if he would have died at the moment, his legacy would have lived on.  It never comes to this because all the people who Batman has inspired come to his rescue.

This is the aspect of Batman that sets him apart from other superheroes.  Batman is an inspiration to others to find the strength to fight against unimaginable odds for the greater good.  The admirable thing about the story is it concluded with action and put the happy ending stuff all in one issue.  I hate to waste my money on an issues that are all happy endings.

Overall, this is a good ending to 52 weeks of DC's greatest character, giving us mystery, intrigue, and action in epic proportions.  This team of writers needs to take that deep breath and do whatever they do to reward themselves when they accomplish the monumental task.

There are so many artists on the Batman Eternal creative team; some deserve praise; some don't.  I'll leave it to the beholder to decide for themselves.

I rate Batman Eternal #52 Buy Your Own Copy (#2 on the Al-o-Meter)

The text is copyright © 2015 Albert Avilla. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: BATMAN #35

BATMAN #35
DC COMICS – @DCComics

WRITER: Scott Snyder – @Ssnyder1835
PENCILS: Greg Capullo
INKS: Danny Miki
COLORS: FCO Plascencia
LETTERS: Steve Wands
COVER: Greg Capullo and Danny Miki with FCO Plascencia
VARIANT COVERS: Andy Kubert with Brad Anderson; Brian Stelfreeze (Monster Variant)
40pp, Color, $4.99 U.S. (December 2014)

Rated “T” for “Teen”

Batman created by Bob Kane and Bill Finger

Endgame #1

How do writer Scott Snyder and artist Greg Capullo follow their 12-issue Batman epic, “Zero Year?”  Well, pitting Batman against his super-powered teammates from the Justice League sounds like a idea.

Batman #35 (“Endgame” Part 1) opens Bruce Wayne reworks his infrastructure and recovers from the beatings he took during the events still being depicted in Batman: Eternal (because the events depicted in Batman #35 take place after whatever will be depicted in Batman: Eternal).  Suddenly, Wonder Woman drops by Bruce Wayne's new Batman base of operations at Old Wayne Tower, and, much to Bruce's surprise, she wants to kill him.

No, she really wants to kill him... as in homicide.  And so do Flash, Aquaman, and Superman.

The art team of Greg Capullo, inker Danny Miki, and colorist FCO Plascencia are visually and graphically a truly unique Batman art team, but it is not just about pretty pictures.  Their graphical storytelling heightens the sense of drama and conveys subtlety in character, emotion, and conflict.  Superheroes with colorful costumes usually seem odd and out of place in the moody shades of Gotham City.  They might seem so even in the more sparkly version of Gotham of this current ongoing Batman comic book series.  However, these artists make the Justice League seem a natural part of the ebb and flow of the weird crime and conflict of the Dark Knight's stomping grounds.

I think the reveal on the last page of who is behind the Justice League attack means that Endgame just might be something special.  In fact, that is what Scott Snyder's run as Batman writer has been, special.  I actually was not sure that I was ready for another long Batman story arc, but I am now.

A-

[This comic book includes the short story, “The Paleman” by writer James Tynion IV, artist Kelley Jones, colorist by Michelle Madsen, and letterer by Dezi Sienty.]

Batman #35 features the first chapter of “The Paleman,” which looks to be a backup feature that is tied to Endgame.  I don't know how long this feature will run, but I hope it is for several issues because the artist of “The Paleman” is one of my favorites, Kelley Jones.

I have always thought that Jones was influenced by Berni Wrightson and also by an artist Jones once replaced on a 1980s comic book series, Mike Mignola.  Jones spun those influences into his own potent and idiosyncratic style.  It is just right for James Tynion IV's grim thriller of a script, and Michelle Madsen's brooding coloring is just right for Jones' shadowed compositions.

A-

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

DC Comics from Diamond Distributors for July 16, 2014

DC COMICS

APR140254     BATMAN A CELEBRATION OF 75 YEARS HC     $39.99
MAY140227     BATMAN ETERNAL #15     $2.99
MAY140251     BATWOMAN #33     $2.99
APR140259     BIRDS OF PREY TP VOL 04 THE CRUELEST CUT (N52)     $16.99
MAR140252     DAMIAN SON OF BATMAN DELUXE ED HC (N52)     $24.99
APR140295     DJANGO UNCHAINED TP (MR)     $16.99
MAY140401     FABLES #142 (MR)     $2.99
MAY140263     GREEN LANTERN NEW GUARDIANS #33     $2.99
MAY140248     HARLEY QUINN INVADES COMIC CON INTL SAN DIEGO #1     $4.99
MAY140350     INFINITE CRISIS FIGHT FOR THE MULTIVERSE #1     $3.99
APR140255     JOKER A CELEBRATION OF 75 YEARS HC     $39.99
MAY140183     NEW 52 FUTURES END #11 (WEEKLY)     $2.99
MAY140256     RED HOOD AND THE OUTLAWS #33     $2.99
MAY140160     ROBIN RISES OMEGA #1     $4.99
MAY140359     SCRIBBLENAUTS UNMASKED CRISIS OF IMAGINATION #7     $2.99
MAY140224     SUPERGIRL #33     $2.99
APR140273     SUPERGIRL TP VOL 04 OUT OF THE PAST (N52)     $14.99
MAR140263     TALES OF THE BATMAN JH WILLIAMS III HC     $49.99
MAY140164     TEEN TITANS #1     $2.99
APR140262     TEEN TITANS TP VOL 04 LIGHT AND DARK (N52)     $14.99

DC COMICS/DC COLLECTIBLES

JAN140403     DC COMICS SUPER VILLAINS ARMORED LEX LUTHOR DLX AF     $49.95
DEC130369     SUPERMAN BLACK POOL CUE     $199.95
DEC130370     SUPERMAN ICONIC POOL CUE     $199.95

I Reads You Review: BATMAN ETERNAL #1

BATMAN ETERNAL #1
DC COMICS – @DCComics

STORY/SCRIPT: Scott Snyder and James Tynion IV with Ray Fawkes, John Layman, and Tim Seeley
ART: Jason Fabok
COLORS: Brad Anderson
LETTERS: Nick J. Napolitano
COVER: Jason Fabok with Tomeu Morey
VARIANT COVER: Andy Kubert and Jonathan Glapion with Brad Anderson
32pp, Color, $2.99 U.S. (June 2014)

Rated “T” for “Teen”

Batman created by Bob Kane with Bill Finger

Although we are already a few issues in, I just obtained a copy of Batman Eternal #1.  DC Entertainment and Warner Bros. have begun the celebration of the 75th anniversary of the debut of Batman (in Detective Comics #27: cover dated May 1939).  Part of DC Comics’ year-long celebration is the launch of Batman Eternal, a new, year-long, weekly comic book series, which will apparently consist of 60 issues.

Scott Snyder, the writer of the ongoing Batman comic book series, is Batman Eternal’s lead writer with James Tynion IV.  The series’ other writers are Ray Fawkes, Tim Seeley, and John Layman; Layman’s work will appear early in the series, before Kyle Higgins replaces him.  The art at the beginning of Batman Eternal will be provided by Jason Fabok.  Batman Eternal will apparently feature an “immense cast” (according to the “DC Comics All Access” column) and will focus on Batman’s relationship with his allies and with Gotham City (“his city”)

Early in Batman Eternal #1, we meet Jason Bard.  Bard is a young police lieutenant who is transferring to the Gotham City Police Department from Detroit.  He arrives in Gotham, where he gets a welcome from Harvey Bullock.  Meanwhile, Batman and police Commissioner James “Jim” Gordon are on the trail of Professor Pyg.  Then, everything starts to go bad.

I enjoyed reading Batman Eternal #1.  It’s interesting, though not the most interesting Batman comic book of the moment, but it could be.  There is potential here, especially because of the way this first issue begins and ends.  I can say that I am impressed with the art by Jason Fabok.  He has an old-school style, in which he uses his inking to create depth, texture, and feathering – three elements many current comic book artists have given over to the people that color comic book art.

For the time being, I plan to keep following Batman Eternal.

B+

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.