Leroy Douresseaux on ABATTOIR #5

ABATTOIR #5 (OF 6)
RADICAL PUBLISHING

CREATOR: Darren Lynn Bousman
CONCEPT: Michael Peterson
WRITERS: Rob Levin and Troy Peteri
PENCILS: Hugo Petrus
COLORS: Andrei Pervukhin and Drazenka Kimpel
LETTERS: Troy Peteri
COVER: Tae Young Choi
28pp, Color, $3.50 U.S.

American filmmaker Darren Lynn Bousman directed Saw II, Saw III, and Saw IV. His latest creation is Abattoir, a horror comic book miniseries from Radical Publishing.

Set in the late 1980s, Abattoir follows real estate agent, Richard Ashwalt, who was struggling to sell a house where a brutal massacre took place. Richard falls into a murderous conspiracy involving a strange old man named Jebediah Crone who buys the house in spite of Richard’s best efforts to stop him. Soon, Richard is also the lead suspect in a homicide investigation.

In Abattoir #5, Richard’s friend and former colleague, police Detective Al Sperry, continues his investigation of Crone. Sperry receives a visit from a very strange old man with intimate knowledge of just how much darkness is behind Crone. Meanwhile, Richard finds the horrible mansion Crone has built, or has he?

I said before that Abattoir is a comic book that reads like a horror novel or suspense thriller. I’ve also said that the series improves with each issue, but #5 is the least of the series yet. The part of #5 that deals with the old man recounting his past with Crone to Detective Sperry is riveting and intriguing, and I wanted more. The half of the story that belongs to Richard’s surreal journey into manse Crone is part good and part story padding. Still, it does set up for a potentially great final issue.

B

Leroy Douresseaux on ABATTOIR #4

4

ABATTOIR #4 (OF 6)
RADICAL PUBLISHING

CREATOR: Darren Lynn Bousman
CONCEPT: Michael Peterson
WRITERS: Rob Levin and Troy Peteri
PENCILS: Wayne Nichols and Rodell Noora
LAYOUTS: Bing Cansino
COLORS: Andrei Pervukhin and Drazenka Kimpel
LETTERS: Troy Peteri
COVER: Tae Young Choi
28pp, Color, $3.50 U.S.

The horror comic book miniseries from Radical Publishing, entitled Abattoir, is the creation of Darren Lynn Bousman. Bousman was the director of three films in the Saw franchise. The Abattoir comic script is written by Rob Levin and Troy Peteri with Bing Casino and various artists illustrating the script.

Abattoir is set in the late 1980s and follows real estate agent, Richard Ashwalt, who was struggling to sell a house where a brutal massacre took place. Then, a strange old man named Jebediah Crone wanted to buy the house before Richard even finished cleaning it. Richard comes to see Crone as the source of all his problems, including being the lead suspect in a murder investigation.

In Abattoir #4, Richard convinces his friend, police Detective Al Sperry, to help him continue his investigation of Crone. However, Newt Washington, the elderly gentleman who decades earlier had a run-in with Crone, helped Richard. Now, Newt faces someone else who was supposed to be Richard’s friend. Meanwhile, Richard thinks that he has discovered a pattern behind Crone’s activities.

Although Abattoir is a comic book, it reads like a fine horror novel and suspense thriller. The series is also improving with each issue, and I think that by publishing it in a traditional comic book format, Radical heightens the tension and thrills Abattoir offers. This story is a like cliffhanger with Hell the destination, and every horror comic book should aspire to be as exciting to read.

A-

Leroy Douresseaux on Abattoir #2

ABATTOIR #2 (OF 6)

RADICAL PUBLISHING

CREATOR: Darren Lynn Bousman

CONCEPT: Michael Peterson
WRITERS: Rob Levin and Troy Peteri
ARTIST: Bing Cansino and Rodell Noora
COLORS: Andrei Pervukhin and Drazenka Kimpel
LETTERS: Troy Peteri
COVER: Tae Young Choi
28pp, Color, $3.50 U.S.

Like quite a few Radical Publishing titles, the new horror comic book miniseries, Abattoir, is the creation of someone involved in the filmmaking industry.  Abattoir is the creation of screenwriter and movie director, Darren Lynn Bousman (Saw II-IV).

Set in the late 1980s, Abbatoir takes place in a sunny Middle America that is also home to hidden darkness and brutal murder.  The lead character is cop turned real estate agent, Richard Ashwalt. Struggling to sell the Mitchell house where a brutal massacre took place, Richard meets a very strange old man, Jebediah Crone, who wants to buy the house before even before it is finished being cleaned. Richard’s problems mount when he learns that he is the subject of a homicide investigation.

In Abattoir #2, Jebediah Crone continues to push Richard into selling him the Mitchell house by visiting Richard’s own home for dinner. Richard also learns that he is definitely tied to a brutal murder by physical evidence. He comes to believe that Crone is the reason for the strange turn his life has taken and begins an investigation of the old man.

Although it is as ghoulish, if not as brutal, as Bousman’s Saw films, Abattoir is turning out to be an exceptional horror comic book. As the American comic book market needs some diversity in genre, Abattoir is perfect for readers looking for something different in comic books. Gothic, macabre, and mysterious, Abattoir, with this issue, slowly creeps into Lovecraft territory, with its ghastly dreamscapes and a sense of an overwhelming, but mysterious supernatural.

While the writers get all the genre bits right, they don’t seem to be as committed to the characters, all of whom are either shallow or just types. Still, the writers and artists have come together as one twisted creative unit and have presented a horror mystery that is a dark and tasty spin on the whodunit while staying true to the scary.

It seems from the get-go that Abattoir is determined to give its characters and readers scary story fun. Fans of horror comics will love this kind of hell.  I like this second issue more than I liked the first, and I'm certainly looking forward to the next issue, which is scheduled to ship in February.

B+