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Review: TALES OF THE BATMAN:Carmine Infantino

TALES OF THE BATMAN: CARMINE INFANTINO
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

WRITERS: Gardner Fox, John Broome, Cary Bates, Gerry Conway, Don Kraar, Mike Barr, Geoff Johns
FEATURED ARTIST: Carmine Infantino
INKERS: Joe Giella, Murphy Anderson, Sid Greene, Bob Smith, Steve Mitchell, Mike DeCarlo, Sal Trapani, Mike Esposito, Neal Adams
COVER: Carmine Infantino and Murphy Anderson
ADDITIONAL ART: Jim Aparo, Adam Hughes, Bob Kane, Gil Kane, Charles Paris
ISBN:  978-1-4012-4755-3; hardcover (June 3, 2014)
520pp, Color, $49.99 U.S., $58.00 CAN

Batman created by Bob Kane and Bill Finger

Carmine Infantino (1925 – 2013) was an American comic book creator who worked as an artist and as an editor.  He began working in comic books in 1942 and was best known for his association with DC Comics, where he was a comic book cover artist, interior story artist, character designer, and editor.

Infantino was a major force during what is known as the “Silver Age” of American comics book.  In 1956, Infantino joined writer Robert Kanigher in DC Comics' first attempt at reviving a superhero from the “Golden Age” of comic books.  Kanigher and Infantino created an updated version of The Flash that would appear in Showcase #4 (cover dated: October 1956).  Infantino designed the Flash's now-classic red uniform with yellow detail and fashioned a new visual language to depict the Flash's speed, with both vertical and horizontal motion lines to make the Flash's figure a red and yellow blur.

In 1964, Infantino began his second DC Comics reclamation protect, when he was tasked with reviving the faded Batman line of comic book titles.  Infantino and writer John Broome introduced the “New Look” Batman and Robin in Detective Comics #327 (cover dated: May 1964).  Broome and Infantino abandoned the sillier aspects and fanciful characters that had crept into the Batman comics over the better part of two decades (such as Bat-Mite in 1959).

Under the guiding hand of this new creative team, the Adventures of Batman and Robin in both Batman and in Detective Comics took a detective-oriented direction.  Infantino's art for the “New Look” Batman and Robin was slick and streamlined.  He went away from drawing Batman in a style that was some variation of the art of Bob Kane, Batman's creator.  For the better part of three decades, most artists took their cue from Kane when drawing Batman comic books and newspaper comic strips, even if they already had their own distinctive style.

Carmine Infantino is the artist who visually and graphically and in terms of storytelling modernized Batman comic books.  From 1964 to 1968, Infantino was the lead comic book artist for DC Comics' flagship Batman titles.  Even when Infantino did not draw the interior art for Batman or Detective Comics, he usually provided the pencil art for the covers.

Infantino's work on the Batman titles over the four year period, from Detective Comics #327 to the cover of Batman #199 (cover dated: February 1968), for which he only provided the cover pencils, is collected in the hardcover comics collection, Tales of the Batman: Carmine Infantino.  Originally released in 2014, this full-cover archival collection also reprints Infantino's 1980s Batman work in Detective Comics #500 (cover dated: March 1981) and in The Brave and the Bold (issues 172, 183, 190, and 194 – 1982 to 1983).  There is also a story from DC Comics Presents: Batman #1 (cover dated: September 2004).

When I opened this book and saw the first page of Detective Comics #327, I was immediately struck by how different it looks.  Even 50+ years later, Infantino's art stands out as unique.  I have seen enough of the Batman comics that came before it to say this issue of Detective Comics represented a sort of evolutionary leap for Batman comic books.  In fact, in something unusual for comic books, Detective Comics seems new and “now.”  For a time, the relatively long lead time needed to produce comic books made them seem behind current events.  This comic book matched the looks, styles, designs, and visuals of the time, with some of the art resembling the design style known as “mid-century modern”.

Infantino made the world of Batman hip, modern, and urbane.  There is a James Bond quality to the graphical storytelling.  John Broome introduces adversaries for the Dynamic Duo that range from spectacular, colorfully costumed supervillains to conniving ordinary hoods.  Every one of them has fashioned some ingenious plan, wacky conspiracy, or over-thought murder plot that involves twists and turns and even secret agent-type gadgets.  Infantino's slick compositions and sleek draftsmanship make the entirety of a story seem more cool and stylish even when it ought to look like what it is – silly.

Infantino's “new look” Batman apparently inspired the mid to late 1960s, ABC television series, “Batman,” which starred Adam West as Batman and Burt Ward as Robin.  I also see the influence of Carmine Infantino's art on the Batman comic book artists that would follow him; Jim Aparo and Don Newton are two that come to mind.

If I had to offer specific reasons why you should buy this pricey book, I could name a few.  Well, this book reprints the first appearance of Barbara Gordon as Batgirl in the story, “The Million Dollar Debut of Batgirl!,” from Detective Comics #359 (cover dated: January 1967).  The book also reprints Infantino's Batman and Detective Comics covers.  Through his compositions for these covers, Infantino proves to be a master of motion, and these covers pulse with energy.  Sometimes, the entire cover illustration seems as if it wants to leap off the page because two dimensions cannot contain its vigor.

So, yeah, Batman fans, buy Tales of the Batman: Carmine Infantino.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: WHO'S WHO Volume 1

WHO'S WHO: THE DEFINITIVE GUIDE OF THE DC UNIVERSE VOL. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

WRITERS: Len Wein, Marv Wolfman
PENCILS: Joe Orlando, Craig Hamilton, Carmine Infantino, Don Heck, Alex Saviuk, Scott Shaw!, Jerry Ordway, Marshall Rogers, Mike Zeck, Keith Giffen, Ernie Colón, Gil Kane, José Delbo, Howie Post, Greg Theakston, George Pérez, Chuck Patton, Steve Bissette, Jan Duursema, Eduardo Barreto, Rick Hoberg, Murphy Anderson, Curt Swan, Tod Smith
INKERS: Joe Orlando, Dick Giordano, Frank McLaughlin, Murphy Anderson, Don Heck, Scott Shaw!, Jerry Ordway, Marshall Rogers, John Beatty, Bob Oksner,  Ernie Colón, Gil Kane, Romeo Tanghal, Howie Post, Greg Theakston,  George Pérez, John Totleben, Jan Duursema, Eduardo Barreto, Rick Magyar
COLORS: Helen Visik, Shelly Eiber, Tatjana Wood, Joe Orlando, Greg Theakston
LETTERS: Todd Klein (production)
EDITORIAL: Len Wein with Marv Wolfman and Robert Greenberger
COVER: George Perez
32pp, Color, $1.00 U.S., $1.35 CAN, 45p U.K. (March 1985)

Who's Who: The Definitive Guide to the DC Universe was an encyclopedia of the characters, places, and things of the DC Universe, but it was published in a comic book format.  Created by Len Wein, Marv Wolfman, and Robert Greenberger, Who's Who began publication in 1984 one month before the release of Crisis on Infinite Earths, the 12-issue comic book series that changed the DC Universe of characters.  Who's Who ran for 26 issues, but there were updates (in 1987 and 1988) and spinoffs (including one for DC Comic's 1980s “Star Trek” comic book series).

In Who's Who, each of the characters, places, and things (for the most part) has its own page and is depicted in an illustration, pin-up, or technical drawing created by a comic book artist or a penciller/inker team.  Some of the artists are legendary comic book creators or are famous or are at least known for their association with DC Comics.  Others are comic book artists who were active working professionals in American comic books, including in independent and alternative comics, at the time of the publication of the original Who's Who.

At the recent Louisiana Comic Con (October 17 and 18th, 2015 in Lafayette, LA), I found a copy of Who's Who: The Definitive Guide to the DC Universe #1.  I once had several issues of this series, but I don't know what happened to them.  Although I actually once read some of the text, I really bought Who's Who for the illustrations.

First of all, I love the wraparound cover art by George Perez, especially the detail with “Arak: Son of Thunder” sitting on a rock outcropping.  Inside, there is also a lot to like.  I think that it is just great that the first illustration of this first issue is by the late, great Joe Orlando, a depiction of House of Secrets star/victim, “Abel.”  Seeing classic Flash artist, Carmine Infantino, draw “Abra Kadabra,” a character in Flash's “rogue gallery” is a treat.  Fans of Jerry Ordway's 1980s work for DC Comics will be happy to see his double-page spread of the cast of All-Star Squadron.

I can never say no to “Ambush Bug” drawn by Keith Giffen.  I can never say “No” to anything by legend Gil Kane, who offers a drawing of pre-Grant Morrison, “Animal-Man” and a drawing of his version of “Atom.”  I like Ernie Colón, so I was happy to see a few drawings from him, including one of “Amethyst: Princess of Gemworld.”  “Arcane” by the classic Swamp Thing art team of Steve Bissette and John Totleben is a highlight.  Classic Golden and Silver Age DC Comics artist, Murphy Anderson, offers a drawing of one of his signature characters, “Atomic Knight.”  Anderson also inked “The Atomic Skull” drawing by one of my all-time favorite artists, Curt Swan.

Greg Theakston did a good job with an “Apokolips” drawing, but I would have preferred that “Fourth World” creator, Jack Kirby, draw Apokolips for this series.  Eduardo Barreto is a fine comic book artist, but I wish that Jose Luis Garcia Lopez had drawn the Atari Force double-spread.

In the nearly three decades since Who's Who: The Definitive Guide to the DC Universe was originally published, much of its text is no longer relevant.  That is the result of DC Comics' numerous reboots and relaunches and “new directions.”  Still, this series can be of use as a reference source for writers, comics historians, and archivists, and especially for fans of DC Comics' bygone days.  Fans of classic and veteran comic book artists, of course, will want this series.  I plan on hunting down more issues.

A-

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

Review: THUNDER Agents, 50th Anniversary Special

T.H.U.N.D.E.R. AGENTS, 50TH ANNIVERSARY SPECIAL
IDW PUBLISHING – @IDWPublishing

[This review was first published by Patreon.]

WRITERS:  Larry Ivie; Len Brown; Dan Adkins
PENCILS: Wally Wood; Steve Ditko; Dan Adkins; Garry Leach
INKS: Wally Wood; Dan Adkins; Tony Coleman; Garry Leach
COLORS: Jason Millet
LETTERS: Victor Gorelick
MISC. ART: George Perez with Ronda Pattison; George Tuska with Ronda Pattison; Jerry Ordway with Ronda Pattison; Dave Cockrum with Ronda Pattison; Dave Cockrum; Steve Ditko and Greg Theakston with Ronda Pattison; George Perez and Dave Cockrum with Ronda Pattison; Dave Cockrum and Murphy Anderson with Ronda Pattison; Steve Ditko and Will Blyberg; Bob Layton; Phil Hester and Eric Gapstur with David Baron; Dave Sim with David Baron
EDITORS: Greg Goldstein and Michael Benedetto
COVER: Dan Adkins with Jason Millet (based on Wally Wood and Dan Adkins' cover for T.H.U.N.D.E.R. Agents #3)
SUBSCRIPTION COVER: Andrew Pepoy with Jason Millet (based on Wally Wood's cover for Incredible Science Fiction #33)
64pp, Color, $7.99 U.S. (July 2015)

T.H.U.N.D.E.R. Agents created by Wally Wood and Len Brown

T.H.U.N.D.E.R. Agents was a team of superheroes that appeared in comic books originally published by Tower Comics from 1965 to 1969.  The original T.H.U.N.D.E.R. Agents were an arm of the United Nations.  The name, T.H.U.N.D.E.R., is an acronym for “The Higher United Nations Defense Enforcement Reserves.”

T.H.U.N.D.E.R. Agents the comic book series ran for 20 issues.  Tower Comics gave the two of the most popular T.H.U.N.D.E.R. Agents, Dynamo and NoMan, each his own short lived comic book series.  After the demise of Tower Comics, the T.H.U.N.D.E.R. Agents characters did not appear in new comic book stories until the early 1980s, which was the beginning of a series of sporadic efforts to create T.H.U.N.D.E.R. Agents comics over the next three decades.  Beginning in 2010, DC Comics published a short-lived ongoing T.H.U.N.D.E.R. Agents series and a miniseries.  In 2013, IDW Publishing published another short lived T.H.U.N.D.E.R. Agents comic book series.

In spite of decades of short-lived iterations, the T.H.U.N.D.E.R. Agents still have fans and admirers, and I am one of them.  In fact, 2015 is the 50th anniversary of their first appearance in T.H.U.N.D.E.R. Agents #1 (Tower Comics; cover dated: November 1965).  So I was excited to discover that IDW had published a one-shot comic book, entitled T.H.U.N.D.E.R. Agents, 50th Anniversary Special.

Despite their checkered comic book publishing history, the T.H.U.N.D.E.R. Agents comics have featured the work of a number of talented writers and artists.  T.H.U.N.D.E.R. Agents, 50th Anniversary Special celebrates the T.H.U.N.D.E.R. Agents, some of their classic stories, and a selection of work from acclaimed and popular T.H.U.N.D.E.R. creators.

T.H.U.N.D.E.R. Agents, 50th Anniversary Special reprints four Tower Comics-era stories.  “First Encounters,” from T.H.U.N.D.E.R. Agents #1 (November 1965), introduces the devices that give super-powered T.H.U.N.D.E.R. Agents their powers.  Dynamo shines in two stories:  “D-Day for Dynamo!” from T.H.U.N.D.E.R. Agents #2 (cover dated: January 1966) and “Master of Evolution” from T.H.U.N.D.E.R. Agents #4 (cover dated: April 1966).

One of the best known T.H.U.N.D.E.R. Agents stories is also reprinted here.  That is “A Matter of Life and Death,” from T.H.U.N.D.E.R. Agents #7 (cover dated: August 1966).  Some comic book historians and fans believe that this story features the first meaningful and long-lasting depiction of the death of a major character, in this case, Menthor, in a comic book.  T.H.U.N.D.E.R. Agents, 50th Anniversary Special also reprints the art Garry Leach drew for a story that deals with the aftermath of Menthor's death on Dynamo.  I am assuming that this story, written by the late George Caragonne, was originally produced for Deluxe Comics' short-lived T.H.U.N.D.E.R. Agents revival, a comic book series entitled Wally Wood's T.H.U.N.D.E.R. Agents.

I don't want to describe the four Tower Comics stories as “quaint and charming,” which is how I sometimes describe comics from the Silver Age and earlier.  I think that these stories are actually quite good, and they reveal that Dynamo is a dynamic character, one whose potential has never and will likely never be reached, unless someone dedicated to comic books saves the T.H.U.N.D.E.R. Agents.

T.H.U.N.D.E.R. Agents, 50th Anniversary Special also offers just under 20 pages of illustrations, pin-ups, cover art, and preliminary art by classic comic book artists, like George Perez and two now deceased artists, Dave Cockrum and George Tuska, among others.  This comic book is like a short love letter to fans of the T.H.U.N.D.E.R. Agents.  It does seem a bit inadequate, but fans can get more T.H.U.N.D.E.R. Agents in T.H.U.N.D.E.R. Agents Companion (from TwoMorrows Publishing).  In the meantime, we can enjoy the comic book-sized T.H.U.N.D.E.R. Agents, 50th Anniversary Special for what it is.  It is a special comic book commemorating a group of comic book characters whose 50 years of existence is probably the shortest half-century in American comic book history.

A-

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.