The New 52 Review: BLUE BEETLE #1

BLUE BEETLE #1
DC COMICS

WRITER: Tony Bedard
PENCILS: Ig Guara
INKS: Ruy Jose
COLORS: Pete Pantazis
LETTERS: Rob Leigh
COVER: Tyler Kirkham and Sal Regla with Nate Eyring
32pp, Color, $2.99

The superhero Blue Beetle first appeared in Mystery Men Comics #1 (cover-dated August 1939) from the publisher, Fox Comics. The original Blue Beetle was Dan Garret, a rookie police officer who used special equipment, a bulletproof costume, and a super-strength formula to fight crime. In Captain Atom #83 (cover-dated November 1966), Charlton Comics introduced the best known Blue Beetle, Ted Kord. Kord was a student of Dan Garret’s and also an inventor who used special gadgets to fight crime.

After DC Comics bought the rights to the Charlton characters, the Ted Kord Blue Beetle starred in several series for the next two decades. The most recent Blue Beetle, Jamie Reyes, debuted in 2006 and is a Latino teenager who uses alien technology. “The New 52,” DC Comics’ re-launch of its superhero line, gives Jaime Reyes a new comic book series. Blue Beetle #1 (“Metamorphosis, Part One”) opens a long time ago, as The Reach destroys a world in Space Sector 2. Readers will recognize that the soldiers of The Reach look like Blue Beetle. They are soldiers created by blue Scarabs.

Present day, the most important thing on Jaime Reyes’ mind is Brenda Del Vecchio’s party. However, the festivities are at Brenda’s aunt’s house, and Jaime’s parents don’t want their son in the home of Doña Cardenas. But a teen will do what a teen has to do, and Jaime is racing to the party with his pal, Paco. However, this car ride is heading to a date with super-villains and a certain scarab.

Simply put, Blue Beetle #1 is a top-notch superhero comic book and a great read. Writer Tony Bedard squeezes quite a bit of narrative into 22-pages, from the origins of the scarab that gives Blue Beetle his powers and uniform to the environment in which series star Jaime Reyes lives. Plus, Bedard includes two good battle scenes.

Bedard’s script allows penciller Ig Guara to show off his broad compositional and design skills in creating diverse settings: alien worlds, outer space battles, teen melodrama, and super-powered fights. These are four essential set pieces from the superhero comic book catalog, which Guara draws with a deft touch and captures with sharply defined emotion and explosive action. Blue Beetle should be a hit.

A-

September 21st
BATMAN #1
http://ireadsyou.blogspot.com/2011/09/batman-1.html
CATWOMAN #1
http://ireadsyou.blogspot.com/2011/09/catwoman-1.html
GREEN LANTERN CORPS #1
http://ireadsyou.blogspot.com/2011/10/green-lantern-corps-1.html
NIGHTWING #1
http://ireadsyou.blogspot.com/2011/09/nightwing-1.html
RED HOOD AND THE OUTLAWS #1
http://ireadsyou.blogspot.com/2011/09/red-hood-and-outlaws-1.html
SUPERGIRL #1
http://ireadsyou.blogspot.com/2011/10/supergirl-1.html
WONDER WOMAN #1
http://ireadsyou.blogspot.com/2011/09/wonder-woman-1.html

The New 52 Review: RED LANTERNS #1

RED LANTERNS #1
DC COMICS

WRITER: Peter Milligan
PENCILS: Ed Benes
INKS: Rob Hunter
COLORS: Nathan Eyring
LETTERS: Carlos M. Mangual
COVER: Ed Benes and Rob Hunter with Rod Reis
32pp, Color, $2.99

Part of “The New 52,” DC Comics’ re-launch of its superhero comics line, is the release of comic books starring characters that previously never had their own ongoing comic book series. The Red Lanterns, who are part of Green Lantern lore, are one such group of characters.

Red Lanterns #1 (“With Blood and Rage”) opens as the Red Lanterns lead an assault against marauders in Space Sector 666. However, Atrocitus, the leader and creator of the Red Lanterns, is just not feeling the rage and believes that he is just going through the motions. What is this malaise? Meanwhile, in Small Ockdon, United Kingdom, brothers Ray and John face a tragedy that brings out the rage.

Writer Peter Milligan fashions scenes and set pieces that convincingly convey what seems to be this series dominant theme, rage. There are also odd moments of poignancy in a few scenes, but the story reads cold, lacking the heat of the hotter emotions. The art by Ed Benes (who is from the chicken scratchy school of early Image Comics art) and Rob Hunter does nothing for me. It is flat and the emotions and feelings it suggests (rage, resentment, jealousy) come across as cartoonish and fake. I’m not interested in where this series is going, although I am usually curious about what Milligan is writing.

C

September 14th
BATMAN AND ROBIN #1
http://ireadsyou.blogspot.com/2011/09/batman-and-robin-1.html
FRANKENSTEIN AGENT OF SHADE #1
http://ireadsyou.blogspot.com/2011/09/frankenstein-agent-of-shade-1.html
GREEN LANTERN #1
http://ireadsyou.blogspot.com/2011/09/green-lantern-1.html
SUPERBOY #1
http://ireadsyou.blogspot.com/2011/09/superboy-1.html

The New 52 Review: STORMWATCH #1

STORMWATCH #1
DC COMICS

WRITER: Paul Cornell
ARTIST: Miguel Sepulveda
COLORS: Allan Passalaqua
LETTERS: Rob Leigh
COVER: Miguel Sepulveda and Nathan Eyring
32pp, Color, $2.99

Stormwatch, a comic book created by Jim Lee and Brandon Choi, was originally published by Image Comics via Lee’s Wildstorm Productions. It debuted in 1993 and was part of a second wave of titles that began after the original Image Comics titles.

Stormwatch was a United Nations-sponsored superhero team that dealt with situations around the world. This comic book is best remembered for Warren Ellis’ run on the series which eventually resulted in the creation of The Authority. Stormwatch returns as part of DC Comics’ re-launch of its superhero line, “The New 52,” and the team is formerly incorporated into the DC Universe.

Stormwatch #1 (“The Dark Side” Part One) finds the team, which protects Earth from major alien threats, trying to recruit a young man known as “Apollo.” Stormwatch desperately needs his impressive powers, so they can’t take “No” for an answer. Something calling itself The Scourge of Worlds has arrived to test humanity, and Harry Tanner, the Eminence of Blades (Yep, that’s what he’s called), faces it alone.

Much of Stormwatch #1 is about back story and things to come. What does take place in the present is mostly character introductions. I can describe this as a mixture of elements of Warren Ellis and writer Paul Cornell’s delusions that he can always turn his contrivances into good ideas for a comic book. I have read very little of his work, but what I have read comes across as pretentious and desperate to be edgy and cool. This is, however, potential here. It could potentially be an adequate comic book, or it could potentially be something that dies a slow death over a two year run – say 18 to 24 issues.

As for the art, Miguel Sepulveda draws like mid-1990s Joe Benitez. Who remembers Weapon Zero? Sepulveda is not ready to draw for DC Comics, simply because his compositions show how raw and unpolished he is. Some of Sepulveda’s figure drawing is… wanting, especially when he draws a character doing something other than standing. Still, he has potential, and perhaps, he will surprise me.

The new Midnighter looks ridiculous.

C

August 31st
FLASHPOINT #5
http://ireadsyou.blogspot.com/2011/09/flashpoint-5.html
JUSTICE LEAGUE #1
http://ireadsyou.blogspot.com/2011/09/justice-league-1.html

September 7th
ACTION COMICS #1
http://ireadsyou.blogspot.com/2011/09/action-comics-1.html
DETECTIVE COMICS #1
http://ireadsyou.blogspot.com/2011/09/detective-comics-1-2011.html
HAWK AND DOVE #1
http://ireadsyou.blogspot.com/2011/09/hawk-dove-1.html