#IReadsYou Review: CREEPSHOW #1

CREEPSHOW #1 (OF 5)
IMAGE COMICS/Skybound

STORY: Chris Burnham; Paul Dini & Stephen Langford
ART: Chris Burnham; John McCrea
COLORS: Adriano Lucas; Mike Spicer
LETTERS: Pat Brosseau
EDITORS: Alex Antone and Jon Moisan
COVER: Chris Burnham with Adriano Lucas
VARIANT COVER ARTISTS: Declan Shalvey; Vance Kelly; Robert Hack; Bryan Silverbax; Ivan Tao; Felix Morales; Tone Rodriguez; Joseph Schmalke; Rob Csiki; Skan Srisuwan; John Giang; David Mack; Miguel Zapata; Chinh Potter; Tyler Kirkham; Tony Max; Steven Russel Black; Ciro Nieli; Casey Parsons
28pp, Colors, 3.99 U.S. (September 2022)

Rated “M/ Mature”

Creepshow is a new horror comic book anthology series from Image Comics.  It is a TV-tie in to the horror anthology television series, “Creepshow,” that currently streams on “Shudder” and later airs on the cable TV network, “AMC.”  Of course, both the comic book and TV series are descendants of the 1982 horror and comedy film, Creepshow, which was directed by the late George A. Romero and written by Stephen King.  Each issue of Creepshow the comic book will feature different creative teams with uniquely horrifying (and sometimes horrible) standalone stories.

Creephow #1 contains two stories.  The first is “Take One,” which is written and drawn by Chris Burnham and colored by Adriano Lucas.  The second story is “Shingo,” which is written by Paul Dini and Stephen Langford; drawn by John McCrea; and colored by Mike Spicer.  Both stories are lettered by the great Pat Brosseau.  Creepshow's horro host, “The Creep,” narrates the story.

THE LOWDOWN:  I'm going to summarize and review each story separately:

“Take One” by Burnham, Lucas, and Brosseau:
It's Halloween night.  Scaredy-cat Phil is wearing a poorly made mummy costume, and he is trick-or-treating with his asshole friends, Nate and Erik.  They come upon the house of the late Mr. Xander, who apparently died the way he treated his neighbors.  Well, although his house is dark, there is a bowl of full-size candy bars on the porch.  “Take One” says the sign in the bowl, so what will happen if Phil, Nate, and Erik help themselves to more?

I love Halloween stories – prose and comics.  That said, “Take One” is an embarrassment.  The punishment does not fit the crime, and the level of violence is neither comic horror nor scary horror.  I have enjoyed some of Burnham's work (Nameless, Secret Wars: E is for Extinction) in the past, but “Take One” is lame horror trying to pass for clever.

On the other hand, I have to admit that Burnham's art and Lucas' colors are nicely atmospheric.  Too bad it's wasted on a wack-ass story.

“Shingo” by Dini & Langford, McCrea, Spicer, and Brosseau:
As the story opens, Sandy Clark is angry, determined, and desperate to find a party entertainer for her daughter, Fiona's birthday party.  It looks as if Fiona's dad, Tom Clark, has also come up short.  Enter Shingo; he (or it) is the party entertainer with the appetite to make any party unforgettable.

After the fumble of “Take One,” I didn't expect much from “Shingo.”  I know that many consider Paul Dini a “legend” for his work on the 1990s animated TV series, “Batman” a.k.a. “Batman: The Animated Series.”  However, I find his comic book work to be hit or miss or miss or mediocre.  I don't know how the collaboration between Dini and Langford worked, but “Shingo” is brilliant.

It is everything that comic horror or horror comedy should be.  It's crazy, wacky, satirical, farcical, droll, and witty and also have an batty monster.  The title boogey is “Shingo,” who is like a gleefully mean-spirited blend of PBS's “Barney,” the purple dinosaur from PBS' long-running “Barney & Friends” TV series, and a mangy “Teletubby” (from the British PBS import TV series, “The Teletubbies”).  The ending and the final-girl-heroes are the double cherries on top.

Artist John McCrea, a master of blending the comic, the violent, and the horrifying, makes this story sing.  Other artists could make this story work, but not as well as McCrea, who also gets some perfect coloring from Mike Spicer.

“Shingo” saves Creepshow #1, and my grade for this issue reflects “Shingo” and not so much “Take One.”  I think “Shingo” has the potential to be a good horror movie in the vein of director Michael Dougherty's 2015 film, Krampus.  And I would be remiss if I didn't say that Pat Brosseau's lettering throughout this issue is outstanding.

I READS YOU RECOMMENDS:  Fans of classic horror comic book anthologies will want to read Creepshow.

[This comic book includes an afterword by Greg Nicotero, the executive producer of Shudder's “Creepshow.”]

A-

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Review: RISE OF THE BLACK PANTHER #1

RISE OF THE BLACK PANTHER No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Evan Narcisse with Ta-Nehisi Coates (consultant)
ART: Paul Renaud
COLORS: Stephane Paitreau
LETTERS: VC's Joe Sabino
COVER: Brian Stelfreeze
VARIANT COVERS: Paul Renaud; Chris Sprouse and Karl Story with Laura Martin; Tyler Kirkham with Arif Prianto
28pp, Color, $3.99 U.S. (March 2018)

Black Panther created by Stan Lee and Jack Kirby

Rated “T”

“The King at the End of Everything”

Black Panther is a Marvel Comics superhero created by writer Stan Lee and artist Jack Kirby.  He first appeared in Fantastic Four #52 (cover dated: July 1966).  Black Panther is T'Challa, the king and protector of the (fictional) African nation of Wakanda.  Black Panther was also the first Black superhero is mainstream American comic books.

As we approach the release date of the highly-anticipated theatrical Black Panther film from Disney/Marvel Studios, we will see more Black Panther-related comic books from Marvel Comics.  One of them is the new miniseries,  Rise of the Black Panther.  It is written by Evan Narcisse with Ta-Nehisi Coates, the writer of the ongoing Black Panther comic book, acting as consultant.  Paul Renaud is the artist.  Stēphane Paitreau is the colorist, and Joe Sabino is the letterer.

Rise of the Black Panther #1 (“The King at the End of Everything”) is narrated first by Queen N'Yami, the wife of King T'Chaka and the mother of T'Challa, and then by Queen Ramonda, the second wife of T'Chaka and second mother to T'Challa.  The story opens with during World War II where a famous American hero strikes a bargain and friendship with Azzuri, the Panther King of Wakanda and the father of T'Chaka and grandfather of T'Challa.

Azzuri is determined to keep the existence and the whereabouts of his kingdom, Wakanda, a secret.  Because of its wealth, technology, and especially because of its greatest natural resource, outsiders and outside entities with continue to search for the legendary kingdom – including some of the most evil people on Earth.

One of the things that Rise of the Black Panther has going for it is that Brian Stelfreeze is the series cover artist.  Stelfreeze was the opening series artist on Ta-Nehisi Coates' Black Panther series and is responsible for most of that series' conceptual and graphic design.  Stelfreeze provides a striking painted cover for the Rise of the Black Panther #1, and, far as I can tell, also for the second issue.

Evan Narcisse gathers many of the elements from previous Black Panther comic books and brings them together to form a gripping, suspenseful, and thrilling tale of the history of the Black Panther.  It starts during WWII, the dawn of the American superhero, and also the point in time when Wakanda begins its inevitable track to joining the world.  Narcisse gives the story the feel of a “lost world” story that is part Arthur Conan Doyle and part Golden Age comic book.  If the rest of this series is like the first issue, it will be a thoroughly readable and enjoyable.

The series artist is rising star Paul Renaud, whose art was excellent in the shockingly good Generations: Sam Wilson Captain America & Steve Rogers Captain America #1.  Renaud's storytelling is quite good here, but his stylish art is a revelation.  Renaud and colorist Stēphane Paitreau create a rich tapestry of graphical storytelling that recalls narrative paintings.  Rich in detail, backgrounds, sets, and environment, Renaud's art is fitting for a tale of kings and kings' sons.  Joe Sabino's lettering strikes the perfect tone and and enhances the story.

I was not sure of what I should expect of Rise of the Black Panther #1, but after reading this excellent first issue, I expect a lot of the rest of it.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

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Review: THE SHADOW/BATMAN #1

THE SHADOW/BATMAN, VOL. 1, No. 1
DYNAMITE ENTERTAINMENT/DC Comics – @dynamitecomics @DCComics

[This review was originally posted on Patreon.]

STORY: Steve Orlando
ART: Giovanni Timpano
COLORS: Flavio Dispenza
LETTERS: Taylor Esposito
COVER: David Finch with June Chung
VARIANT COVER ARTISTS: Ethan Van Sciver with Jason Wright (B); Alex Ross (C); Dustin Nguyen (D); Brandon Peterson (E); Bill Sienkiewicz (F); Howard Porter with Hi-Fi (G); Giovanni Timpano with Flavio Dispenza; Howard Porter; Ethan Van Sciver; David Finch with June Chung; Alex Ross; David Finch; Giovanni Timpano; Robert Hack; Anthony Marques and J. Bone with Chris O'Halloran; Cory Smith with Tim Shinn; Cory Smith; Tyler Kirkham with Arif Prianto; Tyler Kirkham
32pp, Color, $3.99 U.S.

Rated “Teen+”

The Shadow created by Walter Gibson; Batman created by Bob Kane with Bill Finger

Shadow/Batman: Part One

The Shadow is a fictional character that began life as a mysterious radio narrator, debuting on July 31, 1930 as the host of the radio program, “Detective Story Hour.”  Street and Smith Publications, publishers of Detective Story Magazine, hired writer Walter B. Gibson to create a character concept that fit The Shadow's name and voice and to also write a story featuring him.  The first issue of The Shadow Magazine went on sale on April 1, 1931.

DC Comics superhero Batman is a worldwide icon.  He first appeared in Detective Comics #27 (cover dated: May 1939).  Batman and his civilian identity, Bruce Wayne, are among the first characters to be inspired by The Shadow and his civilian guise, Lamont Cranston.  The Shadow and Batman would meet for the first time in Batman #273 (cover dated: November 1973).  This year, DC Comics and Dynamite Entertainment, the current publisher with the license to produce comics based on The Shadow, brought the two characters together, first in the six-issue crossover comic book miniseries, Batman The Shadow, from DC Comics.

Now, it is Dynamite's turn and it is offering a second six-issue miniseries, The Shadow/Batman.  It is written by Steve Orlando; drawn by Giovanni Timpano; colored by Flavio Dispenz; and lettered by Taylor Esposito.

The Shadow/Batman: Volume 1 #1 opens with Professor Pyg in New York City causing chaos.  Batman has followed him to NYC to shut him down, but that upsets The Shadow, who believes that Batman should remain in Gotham City and leave the Big Apple to him.

However, these two dark avengers are about to discover that they are facing the “World's Greatest Evil,” and they may be no match for it.  Can the “World's Greatest Mystery” and the “World's Greatest Detective” (and the “world's most independent sidekick”) must put aside their differences and unravel the centuries' old conspiracy of the “Silent Seven.”

I did not read DC Comics' Batman The Shadow, so I wanted to make sure that I did not miss The Shadow/Batman.  I really like how writer Steve Orlando emphasizes dark moods, atmospheres, feelings, and emotions.  There is a deep sense of foreboding, and Orlando makes a convincing case that both The Shadow and Batman are not only vulnerable, but are also in danger of being destroyed.

Artist Giovanni Timpano's moody compositions and colorist Flavio Dispenz's gloomy colors recall the classic shadowy cool and noir sensibilities of The Shadow in his radio glory days.  The Shadow and Batman are in good artistic hands.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Albert Avilla Reviews: Teen Titans #0

Teen Titans #0
DC Comics

Reviewed by Albert Avilla

Writer: Scott Lobdell
Pencils: Tyler Kirkman
Inks: Batt, Norm Rapmund, Jon Sibal

"Red Robin" (Spoiler Alert!)
The origin of Red Robin. Lobdell writes a wonderful story; this is a fascinating beginning for a Robin. Tim Drake is motivated to be a hero for different reasons than Batman and the other Robins. His determination to be the best at everything is important in his struggle to become Robin.

From the beginning, his family sees that Tim is destined for greatness and they support him. Despite Batman's efforts to dissuade him from the life, Tim continues in his pursuit of the mantle of Robin. Tim begins his own war on crime by stealing from rich criminals and giving to the poor. He runs afoul of the Penguin when he steals a fortune from Cobblepot. Batman saves him just as a hit squad arrives to kill him. Tim's parents are put in witness protection, and Batman takes Tim on as Robin.

Points that I liked about the story: Tim wants to be Robin, so it is not thrust upon him; he sees it as a step toward reaching his destiny. He feels that he is meant for greatness. Being Robin is not the be-all and end-all of his life. He forges his own destiny by designing his own uniform and choosing the name Red Robin. Lobdell is making Teen Titans his book with the creative direction he is taking this book.

The art is average. The characters look clunky; sometimes their movement does not seem natural. I do not like the dark gloomy look of most of the book.

I rate Teen Titans #0 Buy Your Own Copy.

The New 52 Review: GREEN LANTERN: NEW GUARDIANS #1

"Lord of the Rings"

GREEN LANTERN: NEW GUARDIANS #1
DC COMICS

WRITER: Tony Bedard
PENCILS: Tyler Kirkham
INKS: Batt
COLORS: Nei Ruffino
LETTERS: Dave Sharpe
COVER: Tyler Kirkham, Batt, and Rod Reis
32pp, Color, $2.99 U.S.

Kyle Rayner first appeared in Green Lantern (Vol. 3) #48 (cover date January 1994). He replaced Hal Jordan as the Green Lantern (of Sector 2814) and held that position until the events of the miniseries, Green Lantern: Rebirth. Now, Rayner returns to Green Lantern status – Green Lantern of Sector 2814.4. With “The New 52,” DC Comics’ re-launch of its superhero line, Rayner headlines Green Lantern: New Guardians.

As Green Lantern: New Guardians #1 (“Part One”) opens, something bad has happened on Oa, and the Guardian, Ganthet, plans on making something good come of it. He chooses down-on-his-luck commercial artist, Kyle Rayner, as the latest member of the Green Lantern Corps. Meanwhile, power rings that tap into different portions of the emotional spectrum are decommissioning and abandoning their owner/wearers. So who is the replacement wearer for all these rings?

Apparently, Green Lantern: New Guardians is a team book starring Kyle Rayner (the Green Lantern of Sector 2814.4?) and representatives of each of the Corps that tap into a particular portion of the emotional spectrum. I can see this becoming my favorite Green Lantern series, even as much as I (thus far) like Green Lantern Corps. Series writer Tony Bedard injects humor, giving the portion of the Green Lantern mythos that he will direct a tweak without tearing it down to build something new.

Unlike the artists of Green Lantern and Green Lantern Corps, New Guardians artist Tyler Kirkham is not trying to emulate Brian Bolland. Kirkham honed his skill in a Michael Turner mini-factory, and while his style still shows the influence of the late Mr. Turner, Kirkham can draw and has an imaginative sense of composition. There are a few very nice splash pages and double-page spreads, and also a way-cool body shot of the Star Sapphire known as Fatality.

Green Lantern: New Guardians essentially says that when it comes to Green Lantern comic books, three’s company – not a crowd.

B+

September 28th
AQUAMAN #1
http://ireadsyou.blogspot.com/2011/10/aquaman-1.html
BATMAN THE DARK KNIGHT #1
http://ireadsyou.blogspot.com/2011/10/batman-dark-knight-1.html
BLACKHAWKS #1
http://ireadsyou.blogspot.com/2011/10/blackhawks-1.html
FLASH #1
http://ireadsyou.blogspot.com/2011/10/flash-1.html
I VAMPIRE #1
http://ireadsyou.blogspot.com/2011/10/i-vampire-1.html
JUSTICE LEAGUE DARK #1
http://ireadsyou.blogspot.com/2011/10/justice-league-dark-1.html
SUPERMAN #1
http://ireadsyou.blogspot.com/2011/10/superman-1.html
TEEN TITANS #1
http://ireadsyou.blogspot.com/2011/10/teen-titans-1.html
VOODOO #1
http://ireadsyou.blogspot.com/2011/10/voodoo-1.html

The New 52 Review: BLUE BEETLE #1

BLUE BEETLE #1
DC COMICS

WRITER: Tony Bedard
PENCILS: Ig Guara
INKS: Ruy Jose
COLORS: Pete Pantazis
LETTERS: Rob Leigh
COVER: Tyler Kirkham and Sal Regla with Nate Eyring
32pp, Color, $2.99

The superhero Blue Beetle first appeared in Mystery Men Comics #1 (cover-dated August 1939) from the publisher, Fox Comics. The original Blue Beetle was Dan Garret, a rookie police officer who used special equipment, a bulletproof costume, and a super-strength formula to fight crime. In Captain Atom #83 (cover-dated November 1966), Charlton Comics introduced the best known Blue Beetle, Ted Kord. Kord was a student of Dan Garret’s and also an inventor who used special gadgets to fight crime.

After DC Comics bought the rights to the Charlton characters, the Ted Kord Blue Beetle starred in several series for the next two decades. The most recent Blue Beetle, Jamie Reyes, debuted in 2006 and is a Latino teenager who uses alien technology. “The New 52,” DC Comics’ re-launch of its superhero line, gives Jaime Reyes a new comic book series. Blue Beetle #1 (“Metamorphosis, Part One”) opens a long time ago, as The Reach destroys a world in Space Sector 2. Readers will recognize that the soldiers of The Reach look like Blue Beetle. They are soldiers created by blue Scarabs.

Present day, the most important thing on Jaime Reyes’ mind is Brenda Del Vecchio’s party. However, the festivities are at Brenda’s aunt’s house, and Jaime’s parents don’t want their son in the home of Doña Cardenas. But a teen will do what a teen has to do, and Jaime is racing to the party with his pal, Paco. However, this car ride is heading to a date with super-villains and a certain scarab.

Simply put, Blue Beetle #1 is a top-notch superhero comic book and a great read. Writer Tony Bedard squeezes quite a bit of narrative into 22-pages, from the origins of the scarab that gives Blue Beetle his powers and uniform to the environment in which series star Jaime Reyes lives. Plus, Bedard includes two good battle scenes.

Bedard’s script allows penciller Ig Guara to show off his broad compositional and design skills in creating diverse settings: alien worlds, outer space battles, teen melodrama, and super-powered fights. These are four essential set pieces from the superhero comic book catalog, which Guara draws with a deft touch and captures with sharply defined emotion and explosive action. Blue Beetle should be a hit.

A-

September 21st
BATMAN #1
http://ireadsyou.blogspot.com/2011/09/batman-1.html
CATWOMAN #1
http://ireadsyou.blogspot.com/2011/09/catwoman-1.html
GREEN LANTERN CORPS #1
http://ireadsyou.blogspot.com/2011/10/green-lantern-corps-1.html
NIGHTWING #1
http://ireadsyou.blogspot.com/2011/09/nightwing-1.html
RED HOOD AND THE OUTLAWS #1
http://ireadsyou.blogspot.com/2011/09/red-hood-and-outlaws-1.html
SUPERGIRL #1
http://ireadsyou.blogspot.com/2011/10/supergirl-1.html
WONDER WOMAN #1
http://ireadsyou.blogspot.com/2011/09/wonder-woman-1.html