Leroy Douresseaux on DAMAGED #1

DAMAGED #1 (OF 6)
RADICAL PUBLISHING

EXECUTIVE PRODUCER: Sam Worthington
CREATORS: Michael Schwarz and John Schwarz
WRITER: David Lapham
ARTIST: Leonardo Manco
COLORS: Kinsun Loh, Jerry Choo, Sansan Saw
LETTERS: Todd Klein
COVER: Alex Maleev
ALTERNATE COVERS: Leonardo Manco with Kinsun Loh (Cover B) and Leonardo Manco (Incentive Cover)
32pp, Color, $3.99

Actor Sam Worthington, whose career exploded a few years ago after appearing in Terminator: Salvation and Avatar, is now in the comic book game. Worthington and his friends, Michael Schwarz and John Schwarz, have formed a graphic novel and intellectual property company called Full Clip Productions.

Michael and John have created the venture’s first comic book, Damaged. This crime comic book from Radical Publishing is written by David Lapham (Stray Bullets) and drawn by Leonardo Manco (Driver for the Dead). Damaged focuses on two brothers committed to justice in different ways. One is a commander with the San Francisco Police Department and works inside the law. The other is a vigilante who works violently beyond it.

In Damaged #1, Captain Frank Lincoln is three weeks from retirement, and the powers that be in San Fran have already appointed his successor as head of the Special Task Force on Organized Crime, a youngster named Lt. Jack Cassidy. A massacre at the home of Dimitri Oloaf, the most powerful man in the Russian mafiya, brings Lincoln and Cassidy together. Frank immediately recognizes that the crime scene relates to his past, and now he has to clean up the past without Cassidy or the rest of the SFPD finding out.

I am annoyed that Damaged seems to be in part a non-Marvel Punisher comic book. Half of the comic book is literally a police drama and the other half is The Punisher, complete with a grizzled veteran cop (the drama) and a scarred, rampaging maniac slash one-man army (The Punisher).

But I like this. I think the story’s strength will lie in a kind of love/hate triangle. There is Frank trying to fend off his by-the-book successor, Jack. Frank will also have to deal with Henry, which will be a hot mess. Henry will likely have to take on the SFPD, especially Jack. Hopefully, it turns out that way, because this does have a lot of potential.

Leroy Douresseaux on RYDER ON THE STORM #3

RYDER ON THE STORM #3

RADICAL PUBLISHING

 

WRITER: David Hine

ARTIST: Wayne Nichols and Hugo Petrus
COLORS: Feigan Chong and Sansan Saw of Sixth Creation
LETTERS: Richard Starkings and Comicraft’s Jimmy Betancourt
COVER: Francesco “Matt” Mattina
56pp, Color, $4.99 U.S.

Ryder on the Storm is a three-issue comic book miniseries from Radical Publishing. The concept rides several subgenres: supernatural-detective, horror fantasy, and action comic.

Written by David Hine and drawn by Wayne Nichols, the series focuses on Ryder, a private eye hired by a mysterious beauty to investigate the bizarre suicide of her lover. The crime is apparently tied to the Daemons, an ancient race that once ruled over the entire world, but now rules the city from behind the scenes and from beneath the streets.

As Ryder on the Storm #3 begins, the truth about the case that Ryder is investigating, the murder of Michael Hudson, is revealed. The number one suspect is Ryder’s client, Hudson’s lover, Katrina Petruska, and she has a gun pointed at Ryder. But the real action is yet to come. Ryder joins Charles Monk, the last Daemon hunter, in a final showdown with Rebecca Danton, the matriarch of the Dantons, a Daemon clan. Secrets, lies, and family ties are revealed.

Because of its smooth Film-Noir detective story and dark, urban fantasy vibe, Ryder on the Storm shocks with its sudden violent ending. As he did with FVZA: The Federal Vampire and Zombie Agency, writer David Hine delivers grit and edgy horror and slick action side by side. Hine can take a hokey concept and use his dark imagination to transform it into an inventive, engaging comic book.

However, in the praise department, I cannot short artist Wayne Nichols. Nichols is quickly becoming one of the best artists of horror comic books. Nichols visualizes all the aspects of Hine’s script through his art, while making Ryder on the Storm’s gross horror go down smoothly like an extra-creamy milkshake

A-

http://www.radicalpublishing.com/

Leroy Douresseaux on AFTER DARK #3

AFTER DARK #3

RADICAL PUBLISHING

 

CREATORS: Antoine Fuqua and Wesley Snipes

WRITER: Peter Milligan
ARTIST: Leonardo Manco
PAINTS: Kinsun Loh, Jerry Choo, Sansan Saw
LETTERS: Clayton Cowles
COVER: Tae Young Choi
56pp, Color, $4.99

His legal troubles did not stop movie producer and actor Wesley Snipes, best known for the Blade film franchise, from helping to create a comic book. With director Antoine Fuqua (Training Day), Snipes created After Dark, a science fiction comic book miniseries from Radical Publishing. Hellblazer alums Peter Milligan and Leonardo Manco actually produce the comic book, with Milligan the scriptwriter and Manco the artist.

Set in the future, After Dark takes place on an Earth that exists in a state of near-perpetual darkness. Civilization is mostly confined to domed cities, with Solar City being the most populated. The populace either lives in a drug-addled stupor or engages in rioting because of boredom. The rulers of Solar City decide that Angel, a messianic figure who hasn’t been seen in decades, can tame the populace. They enlist Omar, a Bedouin drifter, to guide a rag-tag team composed of specialists and known criminals into the wilds outside Solar City to find Angel.

As After Dark #3 opens, words gets out that Angel has been found and that she is coming to Solar City. That means a happy ending, right? It’s not that simple and neither is Angel, and friends become enemies.

I give credit to the creators for making this last issue of After Dark so… dark. It’s gritty, violent, tragic, and even for a few, small moments, poignant. At 150 pages of narrative, one would think that this story is long enough. It’s not. After Dark isn’t a miniseries so much as it is an epic, and there needed to be much more room in the story for the characters. It is almost as if Peter Milligan’s storytelling is too big for this miniseries. Still, After Dark is an interesting, darker-than-usual, dystopian fiction that offers a large, rich assortment of attention-grabbing ideas and elements.

B+

Leroy Douresseaux on Ryder on the Storm #2

RYDER ON THE STORM #2

RADICAL PUBLISHING

 

WRITER: David Hine

ARTIST: Wayne Nichols
COLORS: Feigan Chong and Sansan Saw of Sixth Creation
LETTERS: Richard Starkings and Comicraft’s Jimmy Betancourt
COVER: Francesco “Matt” Mattina
56pp, Color, $4.99 U.S.

Before you read this review, let me offer this SPOILER ALERT: don’t read this if you have not read #1.

Ryder on the Storm is a supernatural-detective comic book from Radical Publishing. It blends elements and/or styles of Aliens, Blade Runner, Hellblazer, and Jim Butcher’s Harry Dresden.

Written by David Hine and drawn by Wayne Nichols, the series focuses on Ryder, a private eye hired by mysterious beauty Katrina Petruska to investigate the horrifically bizarre suicide of her lover, Michael Hudson. The crime is apparently tied to the Daemons, an ancient race that once ruled over the entire world.

As Ryder on the Storm #2 opens, Ryder is still dealing with the fact that he is a Daemon. The last Daemon hunter, Charles Monk tells him the history of the Daemon (the condensed version, of course). However, there are more secrets galore, as Ryder learns about the “Abaddon” and meets Rebecca Danton, who is not only the matriarch of the Daemon clan, the Dantons, but also so much more.

While I can describe Ryder on the Storm as many things, I can best describe it as good comics. Writer David Hine delivers something that is gritty and edge with gore, but is strangely smooth and silky. Hine weaves a good back story and lore for the narrative, but builds intensity and also anticipation for the horror that is coming.

Perhaps, artist Wayne Nichols is the one who provides the smooth. His clean drawing style and crystal clear storytelling reveals all the darkness Hine creates. The colors by Feigan Chong and Sansan Saw of Sixth Creation create the ambience of a storm quietly building – the calm before the sure-to-be-fun ending.

A-

http://www.radicalpublishing.com/

Leroy Douresseaux on After Dark #2

AFTER DARK #2

RADICAL PUBLISHING
CREATORS: Antoine Fuqua and Wesley Snipes
WRITER: Peter Milligan
ARTIST: Leonardo Manco
PAINTS: Kinsun Loh, Jerry Choo, Sansan Saw
LETTERS: Clayton Cowles
COVER: Francesco “Matt” Mattina
56pp, Color, $4.99

After Dark is a Radical Publishing comic book series created by director Antoine Fuqua (Training Day) and actor Wesley Snipes (Blade). This science fiction series is actually written by Peter Milligan (Hellblazer).

After Dark is set in the future on an Earth that exists in a state of near-perpetual darkness. Civilization is mostly confined to domed cities, with Solar City being the most populated. Some of the populace lives in a drug-addled stupor; others riot either because they have a cause or because they are bored. The rulers of Solar City decide that Angel, a messianic figure who hasn’t been seen in decades, can tame the populace. They enlist Omar, a Bedouin drifter, to guide a rag-tag team composed of specialists and known criminals into the wilds outside the city to find Angel.

After Dark #2 opens in the disastrous aftermath of Omar’s mission to save the ill Trooper Jones. Now, the Bedouin is left in the darkness with Ana, a femme fatale, and the gang brawler, “Monster” Monclare. The trio eventually rejoins the mission and the group resumes the trip to Angel’s last known location, Archipelago City, where they find more than they expected.

This second issue of After Dark is a much better read than the first. For one thing, Peter Milligan does something at which he is immensely good: write character drama for science fiction, fantasy, and horror, and After Dark is a blend of all three. Getting to know these characters makes the story a much better read, and, combined with the interesting plot twists and quirks, the characters make After Dark that much more attractive. As usual, anything drawn by Leonardo Manco is good graphical storytelling, and the paints by the team of Kinsun Loh, Jerry Choo, Sansan Saw bring out Manco’s best artistic traits.

Fans of post-apocalyptic science fiction comic books and Peter Milligan’s work will want to try After Dark.

B+

I Reads You Review: Ryder on the Storm #0

RYDER ON THE STORM No. 0

RADICAL PUBLISHING

WRITER: David Hine
ARTIST: Wayne Nichols
COLORS: Feigan Chong and Sansan Saw of Sixth Creation
LETTERS: Richard Starkings and Comicraft’s Jimmy Betancourt
COVER: Francesco “Matt” Mattina
16pp, Color, $1.00 U.S.

Ryder on the Storm is a supernatural-detective comic book from Radical Publishing. Written by David Hine and drawn by Wayne Nichols, the story focuses on Ryder. He is a private eye hired by mysterious beauty Katrina Petruska to investigate the horrifically bizarre suicide of her lover, Michael Hudson.

According to information provided by Radical, the case will lead Ryder to discovering that daemons walk among humanity. He will have to team up with the last daemon hunter, Charles Monk, to end the reign of ancient evil that rules over the city, while discovering terrifying truths about himself.

Ryder on the Storm #0 is a 16-page preview of the upcoming series, and there is just enough to remind the reader that the occult detective has been done to death. In fact, I can’t find anything in this preview to make me want to read more except…

I am a believer in David Hine, so I’m willing to read more before I get all judgmental. I do like the art by Wayne Nichols with colors by Feigan Chong and Sansan Saw of Sixth Creation. The art has a visual mode that is perfect for this occult detective tale and that would probably be perfect for DC Comics’ Hellblazer.