Review: DOCTOR STRANGE #1

DOCTOR STRANGE No. 1 (2018)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Mark Waid
ART: Jesús Saiz
COLORS: Jesús Saiz
LETTERS: VC's Cory Petit
EDITOR: Nick Lowe
COVER: Jesús Saiz
VARIANT COVER ARTISTS: Chris Bacholo and Tim Townsend; Gabriele Dell'Otto
36pp, Color, $4.99 U.S. (August 2018)

Rated T+

Doctor Strange created by Steve Ditko

“Sorcery Supreme of the Galaxy” Part One

Doctor Strange is a Marvel Comics magical superhero character.  Doctor Strange first appeared in Strange Tales #110 (cover dated:  July 1963) and was created by writer-artist Steve Ditko, although Marvel Comics also recognizes writer Stan Lee as the character's co-creator.

Doctor Stephen Vincent Strange is a brilliant, but egotistical neurosurgeon who only cares about using his career and talents to become wealthy.  A car accident severely damages his hands, ending his ability to perform surgery.  His pride causes him to lose everything, but his encounter with the Ancient One changes him.  Doctor Strange becomes the “Sorcerer Supreme,” the “Master of the Mystic Arts,” who is the primary protector of Earth against magical and mystical threats from wherever they may come.

Marvel Comics recently launched a new Doctor Strange comic book with a shockingly new direction.  This new title is written by Mark Waid; drawn and colored by Jesús Saiz; and lettered by Cory Petit.

Doctor Strange #1 opens with the good Doctor... Strange wrapping up some mystical ass-kicking.  Now, he is ready to return to his “Sanctum Santorum” in Greenwich Village, New York City and resume his role as the most powerful and lead defender against all occult and arcane threats to our realm.  Seven years later, Stephen Strange begins to lose his ability to see the reality behind the obvious, which humans cannot see.  Soon, Doctor Strange is a mystic physician no longer in touch with the magical and the mystical.

He reaches out for help, but no one can help him.  Then, Tony Stark suggests that Strange leave the Earth and travel the stars to get his mystical groove back.

First, I have to say that Jesús Saiz's art and coloring are absolutely beautiful.  I don't know if Saiz digitally paints his art, but so far, this iteration of Doctor Strange is one of the best looking comic books with painted art that I have ever read.  The prettiness of the art does not distract from the storytelling, which is surprisingly fraught with emotion.

Yeah, when writer Mark Waid is good, he is fantastic, although when he is bad, it is painfully mediocre.  Ain't no mediocrity here, as Waid starts one of the most improbably Doctor Strange story lines ever.  That is something to say considering that we have had over five decades of glorious Doctor Strange weirdness to enjoy.

Yes, via Cory Petit's stylish and evocative lettering, we have a good strange Strange to read.  I recommend that we stay with it, or, if you have not started, get on board this intergalactic bus.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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Review: UNCANNY X-MEN #600

UNCANNY X-MEN No. 600
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Brian Micheal Bendis
PENCILS:  Sara Pichelli, Mahmud Asrar, Stuart Immonen, Kris Anka, Chris Bachalo, David Marquez, Frazer Irving
INKS: Wade von Grawbadger, Tim Townsend, Mark Irwin
COLORS: Marte Gracia, Jason Keith, Chis Bachalo, Frazer Irving
LETTERS: VC's Joe Caramagna
COVER: Chris Bachalo
VARIANT COVERS: Art Adams with Jason Keith; Kris Anka; John Tyler Christopher; Olivier Coipel with Marte Gracia; Adam Hughes; Rick Leonardi and Dan Green with Jason Keith; Ed McGuinness and Dexter Vines with Val Staples; Paul Smith with Paul Mounts; Leinel Yu with Jason Keith
60pp, Color, $5.99 U.S. (January 2016)

Rated T+

X-Men created by Stan Lee and Jack Kirby

With the arrival of the “All-New, All-Different Marvel Universe,” X-Men comic books are entering a new era.  Apparently if all the incarnations of Uncanny X-Men are added together, the result is that 600 issues of comic books entitled Uncanny X-Men have been published.  It is that 600th issue that marks the end of something, if not an era, then, the end of Brian Michael Bendis' tenure as an X-Men writer.

Uncanny X-Men #600 opens at the Jean Grey School for Higher Learning.  Storm has called all the X-Men currently residing at the school to a meeting.  It's an intervention for Dr. Henry McCoy, or you can call it “The Trial of Beast, and Hank sure ain't feeling the love.  Also, young Iceman has a serious talk with adult Iceman.  Plus, a summons from Washington...

I found the Iceman/Iceman conversation to be heartfelt, and the Jean Grey-Beast meeting felt like something big.  The rest of “The Trial of Beast” does not amount to very much.  After months of delay, all readers get is this tepid tale – simple as that.  Considering the high-quality work that Bendis did on Uncanny X-Men and All-New X-Men, Uncanny X-Men #600 is quite disappointing.

B-

“Winter Carnival” (bonus story)

Writer: Mary Jo Duffy
Pencils: George Perez
Inks: Alfredo Alcala
Letters: Janice Chiang

As a bonus, Uncanny X-Men No. 600 closes with a reprint of the black and white story, “Winter Carnival.”  This 18-page story originally appeared in Bizarre Adventures #27.  This was the X-Men-themed issue of Marvel Comics' black and white comics magazine series that was published from the mid-1970s (under a different title) to the early 1980s.

The story finds Robert L. “Bobby” Drake a.k.a. Iceman as a visiting college student at Dartmouth College (an Ivy League school in Hanover, New Hampshire).  The campus is covered in snow, which is appropriate as this is the time of year for the celebration known as “Winter Carnival.”  Bobby discovers that Iceman is needed when crime decides not to take the weekend off and join in the wintry fun.

I wish Mary Jo Duffy (also known as simply Jo Duffy) were still writing her character-centrist stories for either Marvel or DC Comics.  I don't think that she has written for either publisher in over a decade.  In this story, she allows Iceman to shine as a superhero, but she opens the interior Bobby Drake, depicting him as thoughtful and possessing of a personality and of a sparkling wit.

Many readers may not recognize the art in “Winter Carnival” as that of George Perez (I didn't.), as it has very little resemblance to the graphic style that would define Perez's career on works like New Teen Titans, Crisis on Infinite Earths, and Wonder Woman, to name a few.  However, readers will get a chance to see the talents of inker Alfredo Alcala, whose ink wash over Perez's pencils does not look as good on glossy paper as it would on some good old-fashioned newsprint comic books.

A-

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and  syndication rights and fees.

Review: DOCTOR STRANGE #1

DOCTOR STRANGE (2015) No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Jason Aaron
PENCILS: Chris Bachalo
INKS: Tim Townsend, Al Vey, and Mark Irwin
COLORS: Chris Bachalo
LETTERS: VC's Cory Petit
COVER: Chris Bachalo and Tim Townsend
VARIANT COVERS: Neal Adams; John Tyler Christopher; Juan Doe; Eric Henderson; Dave Johnson; Kevin Nowlan; Jakub Rebelka; Skottie Young; Allen Lee Hansard with Mary Cahela and Judy Stephens
36pp, Color, $4.99 U.S. (December 2015)

Rated T+

Doctor Strange created by Steve Ditko

“The Way of the Weird”

Doctor Strange is a Marvel Comics superhero character.  Doctor Strange first appeared in Strange Tales #110 (cover dated:  July 1963) and was created by artist Steve Ditko, although Marvel Comics also recognizes Stan Lee as the character's co-creator.

Doctor Stephen Vincent Strange is a brilliant, but egotistical neurosurgeon who only cares about using his career and talents to become wealthy.  A car accident severely damages his hands, ending his ability to perform surgery.  His pride causes him to lose everything, but his encounter with the Ancient One changes him.  Doctor Strange becomes the “Sorcerer Supreme,” the “Master of the Mystic Arts,” who is the primary protector of Earth against magical and mystical threats from wherever they may come.

As part of the “All-New All-Different Marvel” initiative, Marvel Comics is launching a new Doctor Strange comic book series.  The new series is written by Jason Aaron; drawn and colored by Chris Bachalo, with inking by Tim Townsend, Al Vey and Mark Irwin; and lettered by Cory Petit.

Doctor Strange #1 (“The Way of the Weird”) with Strange battling possession in the Netherworld.  After a day of battling soul-eaters and a psychic-leech, Strange sees a pattern.  Something bad is coming.  Plus, Strange meets Doctor Voodoo, Shaman, and the Scarlet Witch.

I am intrigued by some of the elements presented in this new series, but I don't know that this is a title that I would buy every month.  If you have ever seen Chris Bachalo's art, and you have because he has been a Marvel Comics stable pony for over a decade, then, this comic book will look familiar to you.  Maybe some of it looks like Bachalo's work on Neil Gaiman's Death comic book miniseries.  Anyway, I can't recommend this, not because it is bad, but because I don't see myself being a regular reader of this new Doctor Strange.  So why should I suggest that you be?

Now, there is also a five-age epilogue written by Aaron and drawn by the great Kevin Nowlan (who also draws one of this #1 issue's variant covers).  For a long time, Nolan has been known as a comic book artist's artist, and Nowlan's five pages are worth every penny of this book's cover price.  I will come back to this title if there is more Nowlan.

[This volume includes a bonus story written by Jason Aaron; drawn and colored by Kevin Nowlan; and lettered by VC's Cory Petit.]

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint or syndication rights and fees.

Review: NEW X-MEN #114

NEW X-MEN No. 114
MARVEL COMICS – @Marvel

[This review originally appeared on Patreon.]

STORY: Grant Morrison
PENCILS: Frank Quitely
INKS: Tim Townsend
COLORS: Brian Haberlin
LETTERS: Richard Starkings and Comicraft
COVER: Frank Quitely
32pp, Color, $2.25 U.S., $3.50 CAN (July 2001)

X-Men created by Stan Lee and Jack Kirby

“E is for Extinction” Part One of Three

When Joe Quesada became Editor-in-Chief of Marvel Comics, one of his first goals (apparently) was to make the company's flagship titles regain some of “their former glory.”  One of the franchises in need of some polishing was the X-Men, and Quesada recruited writer Grant Morrison, known for his work at DC Comics, to take the X-Men in a new direction.

Morrison took X-Men, the X-title that began in 1991.  Its title was changed to New X-Men, but retained the series numbering.  Thus, the new direction began with New X-Men #114, written by Morrison; drawn by Frank Quitely (pencils) and Tim Townsend (inks), colored by Brian Haberlin; and colored by Richard Starkings.

As New X-Men #114 (“E is for Extinction” One of Three) opens, Scott Summers/Cyclops and Logan/Wolverine are in the process of destroying a Sentinel, after saving a persecuted mutant, Ugly John, from the death machine.  Meanwhile, Professor Charles Xavier, a.k.a. “Professor X,” attacks his renewed mission to help a new generation of mutants with a sense of urgency that can also be described as an episode of mania.

Jean Grey is trying to assist him, and so is Henry “Hank” McCoy a.k.a. “Beast.”  However, each has his or her own issues.  Jean and Scott's relationship is in a difficult state.  Hank has undergone a shocking “secondary” mutation that sometimes physically complicates his ability to be a super-scientist.  What the X-Men do not realize is that a new enemy has arisen from seemingly nowhere, and she wants to launch a campaign of genocide against all of mutantkind.

As a kid, I read most of my comic books so many times that they practically fell apart.  As an adult, the only comic books that I read repeatedly were Batman: The Dark Knight Returns, Watchmen, The Sandman, and anything by Alan Moore, Frank Miller, and Will Eisner.  I also often re-read works of alternative comix creators like Gilbert Hernandez, Jaime Hernandez, Daniel Clowes, Peter Bagge, and R. Crumb, to new a few.  Everything else was one-and-done.

I must admit, however, that I have lost track of how many times I have read the New X-Men story arc, “E is for Extinction,” especially “Part One” in New X-Men #114.  I think that the reason is because no matter when I read it, this story arc feels fresh and ground-breaking.  New X-Men # 114 especially seems new and an exhilarating; it is as if by reading it I find myself on the cusp of a revolution.

Well, New X-Men ended up being only “kind of a revolution.”  The rest of Grant Morrison's run on this series was never as explosive and “begin-with-a-bang” as “E is for Extinction,” mostly because this first story arc was so different from anything an X-Men comic book had ever been.  It was as if there were a decades' worth of advancement between New X-Men #114 and the two decades of X-Men comic books that had come before it.

Also, I find that Morrison's best work on an established comic book series is usually his first 12 issues, as was the case here.  After the first year, Morrison's work on established series or characters turns weird or contrived, although that weirdness is usually still better than most other comic books coming out at the same time.

It also did not help that Frank Quitely was incapable of keeping up a monthly schedule, so that the first two years of Morrison's run on New X-Men is a patchwork of inconsistent art styles, some of them ugly and some of them being an ill fit with Morrison's storytelling.  It seemed as if Quitely was the only artist who could make Morrison's New X-Men stories seem truly revolution.

Another thing that I have to admit is that I had and still have mixed feelings about the villain, Cassandra Nova, who turns out to be some kind of sibling to Professor X.  I think a better choice for “E is for Extinction” villain would have been either an obscure X-Men villain from the distant past or an obscure Marvel character reconstructed or “retconned” into being a mutant.  The entire subplot slash narrative angle involving Cassandra and Professor X is almost a bridge too far for me.

Still, even with my complaints, I think that New X-Men #114 is one of the all-time great single issues ever published in American comic books, so I am going to read it again.  In fact, I am going to find other individual New X-Men back issues (especially the Quitely-drawn ones) so that I can enjoy Grant Morrison's “revolution” of the X-Men.

A+

Reviewed by Leroy Douresseaus


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and  syndication rights and fees.

I Reads You Review: UNCANNY X-MEN #1

UNCANNY X-MEN #1 (April 2013)
MARVEL COMICS

WRITER: Brian Michael Bendis
PENCILS/COLORS: Chris Bachalo
INKS: Tim Townsend, Jaime Mendoza, Al Vey
LETTERS: VC’s Joe Caramagna
VARIANT COVERS: Skottie Young; Joe Quesada and Danny Miki with Richard Isanove; Francesco Francavilla; Gabriel Del’Otto; Stuart Immonen with Marte Gracia
28pp, Colors, $3.99 U.S.

Rated T+

Part of Marvel Comics’ Marvel NOW initiative (the re-launch of their comics line) is another re-launch of Uncanny X-Men. The new series is written by Brian Michael Bendis, who is also writing Uncanny’s sister title, All-New X-Men. For the time being, the art is being produced by Chris Bachalo (pencils) and Tim Townsend (inks). Longtime comic book readers know why I’m saying “for the time being.”

The roster of X-Men that makes up this new Uncanny X-Men is Cyclops, Magneto, Emma Frost the White Queen, Majik, and two new mutants. The newbies are an Australian girl, Tempus, and a boy who is a healer and who has not chosen his mutant name, yet. Cyclops/Scott Summers, one of the original X-Men, has become a highly controversial figure and is also the public face of a new mutant revolution.

Uncanny X-Men #1 opens in an underground S.H.I.E.L.D. interrogation bunker. Director Hill is about to interview a mysterious figure who has shown up out of nowhere. He has a tale to tell about Cyclops and his band of X-Men. It begins with the rescue of Fabio Medina, a young mutant whose powers have just awakened. What is this stranger really offering S.H.I.E.L.D. and what does he really want?

Brian Michael Bendis is proving himself to be the best X-Men writer in a decade or, at least since Grant Morrison on New X-Men. Bendis is doing his excellent work without making the changes Morrison did when he became an X-writer. In this first issue, the set-up of the mysterious stranger peddling information creates a thrilling sense of mystery, drama, and anticipation. It’s enough to have me coming back.

OK. Chris Bachalo. Yeah, used to like him a lot. He has done some really good work. Bachalo is from the school of eye-candy comic book art. He has sometimes been more about style than storytelling, and his compositions can be crowded, though not always. Gawd, remember Steampunk? Luckily, the crowding is down significantly. In Uncanny X-Men #1, the storytelling is off-kilter, at times, and the page design is sometimes a jumbled cluster-fk that makes certain pages annoying to read.

Thank God for Bendis.

A-

Reviewed by Leroy Douresseaux

I Reads You Review: ALL-NEW X-MEN #6

ALL-NEW X-MEN #6
MARVEL COMICS

WRITER: Brian Michael Bendis
ARTIST: David Marquez
COLORS: Marte Gracia
LETTERS: VC’s Cory Petit
COVER: Stuart Immonen and Wade von Grawbadger with Marte Gracia
VARIANT COVER: Chris Bachalo and Tim Townsend
28pp, Colors, $3.99 U.S.

Rated T+

All-New X-Men, a Marvel NOW title, is set at the Jean Grey School for Higher Learning. Here, Storm, Wolverine, Beast, Iceman, and Kitty Pryde try to keep Professor Charles Xavier’s dream alive. Meanwhile, Cyclops/Scott Summers, one of the original X-Men, has become a highly controversial figure and is the public face of a new mutant revolution. He and his teammates: Magneto, the White Queen, and Majick, are gathering new mutants as fast as they appear.

In a desperate bid to stop Cyclops’ activities from triggering a mutant apocalypse, a dying Beast/Hank McCoy goes back in time. He brings the original X-Men: Cyclops, Jean Grey, Iceman, Beast, and Angel, back with him. He wants young Cyclops see what he has become, so that he might change his ways and change his future.

All-New X-Men #6 opens after the original X-Men decide to stay in the present (their future) in order to save all our futures. Adjustment is difficult, however. Jean’s telepathic powers awakened for the first time. Angel is the only original X-Man who has not met his future-self. Cyclops has the most difficult time accepting what has happened, and that leads to a showdown with Wolverine.

With Brian Michael Bendis still writing, All-New X-Men is still good. His thoughtful, character-centric writing focuses on Marvel’s mutants both as people and as heroes. This makes All-New X-Men something like an evening teen soap opera / primetime drama.

David Marquez is now the artist on All-New X-Men. He replaces the team of Stuart Immonen and Wade von Grawbadger, who were the artists on the series’ first story arc. The results are mixed. Marquez storytelling is low-energy and his drawing style is bland. One of the problems with artists drawing from complete scripts is that they can become art robots, and Marquez’s art does lack a human touch. The robotic coloring doesn’t help.

Thank God for Bendis.

A-

Reviewed by Leroy Douresseaux

I Reads You Review: GAMBIT #1 (1999 series)

GAMBIT (1999) #1
MARVEL COMICS

WRITER: Fabian Nicieza
PENCILS: Steve Skroce
INKS: Rob Hunter
COLORS: Shannon Blanchard
LETTERS: Richard Starkings & Comicraft’s Emerson Miranda
COVERS: Steve Skroce and Rob Hunter with Liquid Graphics; Carlos Pacheco and Mezino with Richard Isanove; Adam Pollina; Brandon Peterson and Tim Townsend with Liquid Graphics; Tim Bradstreet; and Steve Skroce and Rob Hunter with DV
48pp, Color, $2.99 U.S.

Gambit is a Marvel Comics superhero character best known for his association with the X-Men. His civilian identity is Remy LeBeau. Gambit was created by writer Chris Claremont and artist Jim Lee and made a brief first appearance in Uncanny X-Men Annual #14 (1990), before making a fuller appearance in Uncanny X-Men #266 (August 1990).

A mutant, Gambit possesses the ability to mentally create, control and manipulate pure kinetic energy; this is best exemplified when he “biokinetically” charges objects (such as cards) and turns them into small explosives. In addition to playing cards, his other signatures are his Bō staff, Louisiana heritage, and thick Cajun accent.

Gambit received his first ongoing comic book series in 1999. Gambit #1, cover dated February 1999, was written by Fabian Nicieza and drawn by Steve Skroce (pencils). Entitled “The Man of Steal,” this first issue finds Gambit trying to pay off some kind of debt he owes to New Son. At this point, Gambit’s payment plan to New Son pits him against Elysian Enterprises, a military research firm headed by Anwar Anubar.

Anubar is seeking the treasures of Garbha-Hsein, an ancient Chinese warlord who legends say ruled for a thousand years. The legends also say that Garbha had an extraterrestrial vessel, which he took apart and buried in his 12 tombs. After Gambit successfully obtains one of the pieces, Anubar brings in The X-Cutioner, killer of bad mutants, to deal with Gambit. Also, we see into Gambit’s past and the X-Men (including Wolverine, Storm, Nightcrawler, Kitty Pryde, and Rogue) guest star.

With a cover date of February 1999, Gambit #1 probably arrived in comic book stores in December 1998 (or a little earlier). That was just about four months before the film, The Matrix, debuted in theatres. I imagine that not many people who picked up Gambit #1 when it was first released knew that series artist, Steve Skroce, had drawn the storyboards for The Matrix. Apparently, it was Skroce’s storyboards that helped executives at Warner Bros. understand the screenplay for The Matrix, written by directors Andy and Larry Wachowski and thus, approve its production.

Here, the art team of Skroce and inker Rob Hunter does not work. Skroce’s busy and crowded compositions turn into a murky mess under Hunter’s inks, and the clumsy coloring and color separations don’t help. This is not the polished post-Matrix Skroce that would emerge in a short run on Wolverine and at the Wachowski comic book company, Burlyman. As for the story, Fabian Nicieza wrote an action movie screenplay, with a wooden plot and a cast of wooden characters (plus a pointless origin sequence).

I remember reading this Gambit series for at least a year. [Gambit would get a second series in 2004 and another, which just launched as of this writing]. I was not a fan of Nicieza, at the time. Perhaps, I bought this comic book because of Skroce; for most of the 1990s, I only bought comics drawn by artists I liked. Whatever the reason, I wish I could get back the money I paid for these Gambit comic books.

C-