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Monday, December 11, 2023
Comics, Magazines and Books from Diamond Distributors for December 13, 2023
Monday, December 4, 2023
Marvel Comics from Diamond Distributors for December 6, 2023
Tuesday, August 31, 2021
#IReadsYou Review: THE ETERNALS #1
THE ETERNALS #1 (2021)
MARVEL COMICS
[This review was originally posted on Patreon.]
STORY: Kieron Gillen
ART: Esad Ribić
COLORS: Matthew Wilson
LETTERS: VC's Clayton Cowles
EDITOR: Darren Shan
COVER ARTIST: Esad Ribic
VARIANT COVER ARTISTS: Jen Bartel; Russell Dauterman with Matthew Wilson; Arthur Adams with Jason Keith; Alan Davis with Nolan Woodard; Mike Del Mundo; Inhyuk Lee; Peach Momoko; Jenny Frison; Rian Gonzales; Greg Land with Frank D'armata; Leinil Franics Yu with Sunny Gho; Otto Schmidt; Takeshi Okazaki with Edgar Delgado; Khary Randolph with Emilio Lopez
[The following artists are not credited as variant cover artists in the comic book, but Diamond Comics Distributors is offering issues with their cover art for sale: Alex Ross; Mahmud Asrar; Dave Johnson; Frank Cho; Jeff Johnson; J. Scott Campbell; Todd Nauck; Dan Panosian; Joe Quesada; Ron Lim; Walter Simonson; Superlog; Skottie Young]
32pp, Color, $4.99 U.S. (Jan. 6, 2021)
The Eternals created by Jack Kirby
“Only Death is Eternal,” Part 1
The Eternals are a race of humanoids in the Marvel Comics universe. They were created by legendary writer-artist and comics creator, Jack Kirby, and first appeared in The Eternals #1 (cover dated: July 1976). The Eternals are described as an offshoot of the evolutionary process that created sentient life on Earth. They were created by the immensely powerful alien race, the Celestials, along with the Eternals' destructive counterparts, the Deviants.
The Eternals first comic book series ran for 19 issues from 1976 to 1977, with issue #19 having a January 1978 cover date. In addition to Jack Kirby's original series, there have been miniseries starring The Eternals in 1985-86, 2006-07, and 2008-09. In the 2018-launched Avengers comic book series (written by Jason Aaron), the Eternals discovered that their creators, the Celestials, preferred humans over them, which lead to the mass suicide and death of the Eternals (as seen in the Avengers story arc, “The Final Host”).
Now, the Eternals return in a new comic book series. The Eternals (2021) is written by Kieron Gillen; drawn by Esad Ribić; colored by Matthew Wilson; and lettered by Clayton Cowles. In the new series, the Eternals face something new to them – change.
The Eternals #1 opens in “the Exclusion,” one of a system of sub-dimensional threads in “The Machine” (apparently the Earth-side system by which the Eternals teleport). The Machine also narrates the story, which opens with the resurrection of Ikaris, the last Eternal to die. However, the “Eternal Prime,” Zuras, has a surprise for the ever-direct Ikaris. Ikaris must awaken and take charge of Sprite, the murderous prankster Eternal.
Arriving in New York, Ikaris and Sprite meet Iron Man. Then, it is time to do their job, protect humans from “the Deviants,” especially those that become monsters. While the mismatched duo is away, however, new death in a familiar guise comes for the Eternals.
THE LOWDOWN: I recently read the original The Eternals #1, from 1976, which was written and drawn by series creator Jack Kirby. I did this in preparation for the new series and for the (eventually) upcoming film, The Eternals, from Walt Disney Pictures and Marvel Studios.
First, let me speak to the beauty of The Eternals 2021. I first discovered artist Esad Ribic when he drew the final two issues of the X-Men miniseries, X-Men: Children of the Atom (1999-2000), that was begun by writer Joe Casey and artist Steve Rude. I was not crazy about Ribic's art in that series, but it was clear to me that this artist had huge potential as a comic book illustrator.
I must say that he has developed way beyond what I expected. Here, Ribic's beautiful illustrations and Matthew Wilson's supernatural coloring combine to create gorgeous art that recalls the work of the late master, Moebius. The graphical storytelling reads and feels like superhero comics as real science fiction comics.
Kieron Gillen's story is intriguing and the script is straightforward and clean. His dialogue and The Machine's exposition made it easy for me to follow the story, setting, and plot/concept. Gillen is going to make me spend some money on this comic book series. So, if you don't want to spend more money on comics, dear readers, avoid The Eternals #1 2021. If you are just looking for a really good first issue, spend it on this one … which has a killer last story page.
I READS YOU RECOMMENDS: Fans of the Eternals and of good Marvel comic books will want The Eternals 2021.
9 out of 10
[This comic book includes a one-page tribute to former Marvel Comics publisher, Mike Hobson, who died in November 2020.]
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics
The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.
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Wednesday, June 9, 2021
#IReadsYou Review: UNCANNY INHUMANS #1
UNCANNY INHUMANS #1
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon.]
WRITER: Charles Soule
PENCILS: Steve McNiven; Brandon Peterson
INKS: Jay Leisten; Brandon Peterson
COLORS: Sunny Cho; Nolan Woodard
LETTERS: VC's Clayton Cowles
COVER: Steve McNiven and Jay Leisten with Justin Ponsor
VARIANT COVERS: Jim Cheung with Justin Ponsor; Art Adams with Richard Isanove; Art Adams (Kirby Monster Variant); Skottie Young; Adi Granov; Damien Scott (Hop Hop variant); Kalel Sean costumed by Brian A. Parsley and photographed by Judy Stephens (cosplay variant)
40pp, Color, $4.99 U.S. (December 2015)
Rated T+
Inhumans created by Stan Lee and Jack Kirby
The Inhumans are a race of super-humans in Marvel Comics. Created by Jack Kirby and Stan Lee, they first appeared in Fantastic Four #45 (cover dated: December 1965). The Inhumans are a strain of humanity that began with genetic manipulation by visitors to Earth from an alien civilization (the Kree), long ago in human prehistory. Exposure to the mutagenic Terrigen Mist (a process known as Terrigenesis) reveals if a person is an Inhuman.
Little more than a B-list character group, the Inhumans are in ascendancy in the Marvel Universe, especially over the last four years. In 2013, Marvel even launched a new comic book series, entitled Inhuman. The launch of the “All-New, All-Different Marvel” sees the Inhumans continuing to rise to prominence. The latest Inhuman comic book series is Uncanny Inhumans. This series is written by Charles Soule; drawn by Steve McNiven (pencils) and Jay Leisten (inks), colored by Sunny Cho; and lettered by Clayton Cowles.
Uncanny Inhumans #1 opens the series with several sub-plots. It is dough boys and dinosaurs when Triton and Reader (and his dog Forey) join Black Bolt in a time-traveling mission. This trip, however, breaks a deal Black Bolt made with Kang the Conqueror, and the latter strikes back. Also, Medusa and a group of new Inhumans (NuHumans) are engaged in a Central Park battle against the Chitauri.
Later, Medusa looks to the X-Man, Beast, to use his scientific knowledge to end the friction between mutants and Inhumans. Plus, a visit from the Human Torch exacerbates marital discord. Plus, in a bonus story, Frank, Flint, and Naja travel to Morocco to recover a lost Inhuman.
For a long time now, first issues of comic books that work on a five or six issue story arc are little more than introductions to the story and characters. They are also often infuriatingly vague. That is not the case with Uncanny Inhumans. Writer Charles Soule has a way of making practically every page not only satisfying to read, but also intriguing enough to encourage the readers to come back for more.
The drama is convincing, and Soule gives the characters interesting personalities and/or engaging individual melodramas. Medusa/Beast: I want more of that. Black Bolt: it's all good. I am not ashamed to say that Soule makes me feel like a fanboy about the titles he writers.
Of course, he has a great art team. Steve McNiven has mastered making style work as high drama. McNiven pencils are a series of flourishes and bells-and-whistles that come together to convey character, setting, plot, and drama. In the back-up story, artist Brandon Peterson does something similar, but I'm not going to play that game of who is better – McNiven or Peterson. I must admit, however, that I prefer Nolan Woodard's beautiful colors for Peterson's art, although I am not slighting Sunny Cho's excellent hues on the main story.
I'm ready for more Uncanny Inhumans, and if you listen to my recommendation and buy Uncanny Inhumans #1, you will be ready for more, also.
A-
Reviewed by Leroy Douesseaux a.k.a. "I Reads You"
The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.
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Thursday, June 3, 2021
#IReadsYou Review: JUSTICE LEAGUE OF AMERICA: The Tornado's Path
JUSTICE LEAGUE OF AMERICA: THE TORNADO'S PATH
DC COMICS
STORY: Brad Meltzer
PENCILS: Ed Benes
INKS: Sandra Hope
COLORS: Alex Sinclair
LETTERS: Rob Leigh
EDITORS: Eddie Berganza (original); Bob Harras (collection)
COVER: Michael Turner with Peter Steigerwald
MISC. ART: Ed Benes with Alex Sinclair; Ed Benes and Maria Benes with Alex Sinclair; Michael Turner with Peter Steigerwald; Phil Jimenez and Andy Lanning with Jeremy Cox; Chris Sprouse and Karl Story with Alex Sinclair; J.G. Jones with Alex Sinclair; Art Adams with Alex Sinclair; Adam Hughes; Ed Benes; Gene Ha; Luke McDonnell; George Perez; Howard Porter & Drew Geraci; Eric Wright; Kevin Maguire with Alex Sinclair
ISBN: 978-1-4012-1580-4; paperback (August 2008)
144pp, Color, $17.99 U.S., $21.99 CAN
Justice League of America created by Gardner Fox
Introduction by Damon Lindelof
The Justice League of America is a DC Comics team of superheroes. The team was conceived by writer Gardner Fox in the late 1950s as a then modern update of the 1940s superhero team, the Justice Society of America. The Justice League of America's original line-up of superheroes was comprised of Superman (Clark Kent), Batman (Bruce Wayne), Wonder Woman (Diana Prince), The Flash (Barry Allen), Green Lantern (Hal Jordan), Aquaman (Arthur Curry), and the Martian Manhunter (J'onn J'onzz). This group first appeared together as the Justice League of America in the comic book, The Brave and the Bold #28 (cover dated: March 1960).
The team received its own comic book title entitled Justice League of America, beginning with a first issue cover dated November 1960. Justice League of America #261 (cover dated: April 1987) was the series' final issue, and a new series, simply titled Justice League, began with a first issue cover dated May 1987. The title, “Justice League of America,” would not be used for an ongoing comic book series for almost two decades.
After the events of the event miniseries, Infinite Crisis, Superman, Wonder Woman, and Batman reformed the Justice League of America as seen in Justice League #0 (cover dated: September 2006). The kickoff of a new Justice League of America ongoing comic book series was under the guidance of writer Brad Meltzer and pencil artist Ed Benes. The rest of the creative team was comprised of artist Sandra Hope (inks); colorist Alex Sinclair; and letterer Rob Leigh.
DC Comics reprinted Meltzer and Benes' Justice League of America issues #1 to #7 (cover dates: October 2006 to May 2007) in the collection, Justice League of America: The Tornado's Path. It was released first in a hardcover edition in June 2007, and was later released in its first paperback edition in August 2008.
Justice League of America: The Tornado's Path begins with a framing sequence. It depicts Superman, Wonder Woman, and Batman's mission to build a new Justice League of America. Elsewhere, dark forces have gathered to take down a longtime member of the League.
John Smith, the robot superhero known as “Red Tornado,” is about to get a new lease on life. With the help of Deadman and Dr. Will Magnus (creator of the Metal Men), John is going to transfer his “soul” into a duplicate body of the recently deceased metahuman, Multiplex. The duplicate or clone is brain dead. By becoming a flesh and blood human, Red Tornado believes that he can become a real husband to his wife, Kathy Sutton, and to their adopted daughter, Traya. However, a conspiracy led by some of the Justice League's most powerful and evil adversaries has other plans for Red Tornado and for the new Justice League of America.
THE LOWDOWN: I remember, lo those many years ago, what big news it was that bestselling novelist, Brad Meltzer, would be the writer that would help launch (or relaunch) a new Justice League of America comic book series. Meltzer had already wowed fans and courted some controversy just a few years earlier with his DC Comics event comic book miniseries, Identity Crisis (2004-05).
Meltzer's opening Justice League of America story arc, “The Tornado's Path,” lived up to the anticipation. For one thing, the Red Tornado/John Smith's situation was just so tragic. Sure, the idea of his soul being transferred into the brain dead clone body of a dead man was (and is) super-gross. Still, Metltzer made me feel that Smith's journey was honest and genuine. Also, the villains were damn mean and evil. Meltzer wasn't trying to do something similar to what Marvel Comics writers have been trying to do with X-Men character, Magneto, for four decades – turn an evil, racist mass murderer into a tragic Holocaust survivor. No, the villains that appear in this story arc (and I don't want to spoil their identities for those of you who have not, but should read this story) are evil, lowdown, dirty-ass muthas, and they want to annihilate some JLA ass.
Speaking of the Justice League, I find that Meltzer did not so much give them personalities as he simply wrote an engaging character drama in which he made all the characters interesting. The characters were equal parts poignant, dramatic, and humorous, but the potential for superhero action-violence was always there.
Artist Ed Benes did some really good work here. His pencil art, especially under Sandra Hope's inks, was clearly inspired by some of the artists of the late 1980s and early 1990s who founded Image Comics. However, Benes' graphical storytelling was powerfully dramatic. He drew costumed characters with broad, muscular, meaty, and thick bodies that filled up the panels with power and the potential for power. Benes made every threat of or potential for violence feel real. The contents of each panel were designed and staged for maximum effect. He gave this story epic power, although “The Tornado's Path” did not feel so much like an epic as it did feel like a consequential moment in the history of Justice League of America comic books.
I don't have much to say about the coloring by Alex Sinclair; his work here is among his lesser achievements. On the other hand, Rob Leigh's lettering helps to sell the elements of drama, violence, and danger in this story. I had been putting off reading Brad Meltzer's Justice League of America comics for years, and fortune brought this trade collection into my hands. I'm glad it did.
I READS YOU RECOMMENDS: Fans of Brad Meltzer and of the Justice League of America will want to treat themselves to Justice League of America: The Tornado's Path.
A
9 out of 10
[This volume includes additional commentary by Brad Meltzer, Ed Benes, Alex Sinclair, and Sandra Hope.]
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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Sunday, January 31, 2021
#IReadsYou Review: STAR WARS VOL. 1: The Destiny Path
STAR WARS VOL. 1 (2020): THE DESTINY PATH
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon, and visit the "Star Wars Central" review page here.]
STORY: Charles Soule
ART: Jesus Saiz
COLORS: Arif Prianto with Jesus Saiz (#1); Rachelle Rosenberg (#4); and Dan Brown (#5)
LETTERS: VC's Clayton Cowles
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: R.B. Silva with Guru-eFX
MISC. ART: Arthur Adams with Jesus Aburtov; Jen Bartel; Adam Hughes; Mahmud Asrar with Matthew Wilson; Phil Noto; Ema Lupacchino with Jesus Aburtov; Daniel Acuna; Patch Zircher with Edgard Delgado; John Tyler Christopher
ISBN: 978-1-302-92078-4; paperback (November 10, 2020)
152pp, Color, $17.99 U.S., $22.99 CAN
Rated T
In 2015, Marvel Comics began publishing Star Wars comic books again. Marvel's new Star Wars #1 opened in the time immediately after the events depicted in the original film, Star Wars (1977), which is also known as Star Wars: Episode IV – A New Hope. After 75 issues, that series ended.
In late 2019, the new Star Wars ongoing series began. It is written by Charles Soule; drawn by Jesus Saiz; colored by Arif Prianto; and lettered by Clayton Cowles. Star Wars (cover dated: 2020) starts during the last act of the 1980 Star Wars film, The Empire Strikes Back (also known as Star Wars: Episode V: The Empire Strikes Back) and then, goes on to tell the story of the aftermath of the events depicted in Episode V.
The first six issues of Star Wars (2020) are collected in the recently released trade paperback, Star Wars Vol. 1: The Destiny Path. “The Destiny Path” is the first story arc of this new series.
Star Wars Vol. 1: The Destiny Path opens inside the Millennium Falcon. Its passengers: Luke Skywalker, Princess Leia, Chewbacca, R2-D2, C-3PO, and Lando Calrissian have fled the Cloud City of Bespin, formerly owned by Lando. They also escaped capture by the forces of the Galactic Empire, thanks to a save by R2-D2 (as seen in The Empire Strikes Back). However, there are also feelings of recrimination and anger over Han Solo being the prisoner of a group of bounty hunters, led by Boba Fett, in service of Darth Vader – with the involuntary assistance of Lando.
Leia's plan is for the Falcon to reach The Mid Rim, Rendezvous Point: Delta-Three and join the “Fourth Division” of the Rebel Fleet. But the Fourth Division is trapped there by Imperial forces led by Lieutenant Gorr of the Imperial Star Destroyer, “Tarkin's Will.” Now, Leia, Luke, Chewbacca, and Lando will have to put aside the anger, pain, and grief if they are going to save the Rebel Alliance.
“No … I am your father.”
Meanwhile, Luke struggles with his destiny as a Jedi Knight in the aftermath of his battle with Darth Vader at Cloud City. He calls to his late mentor, Ben “Obi-Wan” Kenobi, but does not receive a reply, and Luke also feels out of sorts with the Force – as if it has abandoned him. Then, Luke begins to have dreams and visions of a mystery woman who holds out a lightsaber to him – perhaps to replace the one he lost at Cloud City. Now, Luke must find her, if he is to find his way with the Force … or so he thinks. Plus, Leia, Luke, and Lando return to Cloud City, each for his or her own reasons.
THE LOWDOWN: Star Wars Vol. 1: The Destiny Path takes place inside the final 10 minutes of The Empire Strikes Back. It expands on what happens between the Millennium Falcon escaping the Imperial forces shortly after leaving Bespin and the film's final moments. Then, The Destiny Path creates a larger story of what happens afterwards, which involves several sub-plots.
The Rebel Alliance must find a new base, but first, they have to escape Imperial forces, which have found a way to track the whereabouts of the separated “Divisions” of the Rebel Fleet. The Imperials can track one Division in order to find a second; then, it destroys both. The main goal of Leia, Luke, Lando, and Chewbacca is to find Han Solo, and if Boba Fett hasn't already turned Han over to Jabba the Hutt on Tatooine, then, they must track Boba.
Writer Charles Soule has previously said that he hopes to use this new Star Wars series to expand on what happened between The Empire Strikes Back and Return of the Jedi (1983), the final film of the original Star Wars trilogy. And I'm all for that! Star Wars Vol. 1: The Destiny Path is a very well written first arc. Soule expounds on the conflict between Leia and Chewbacca against Lando. Soule gives Lando a chance to settle his affairs at Cloud City and to reunite with a friend (and one of my favorite characters, Lobot).
Soule delves into Luke's struggles after his duel with Darth Vader, revealing a young man adrift and who may have to find his own way. Soule plays up the idea that Luke's journey will be different from that of any other Jedi's. The Destiny Path allows readers to see Luke take the first big steps that he takes alone on his path to being a Jedi.
I really like the art by illustrator Jesus Saiz and colorist Arif Prianto. The graphical storytelling is moody and emotionally, but also offers edge-of-your-seat thrills, all of it well paced by Clayton Cowles' lettering. For however long Saiz and Prianto work on this new Star Wars series, they seem capable of capturing the dark mood of a time when the Star Wars narrative fell into the deep, cold shadows of the Empire.
I have to be honest. Although I was a regular reader of the previous series, Star Wars (2015), my excitement for the series's last 12 issues was about a third of what it was for the first 12 issues. Star Wars Vol. 1: The Destiny Path is making me feel excited about Star Wars comic books the way the beginning of Star Wars 2015 did. And I feel quite safe in recommending this collection to you, dear readers and Star Wars fans.
I READS YOU RECOMMENDS: Fans of Star Wars comic books and of the time between Star Wars: Episodes V and VI will definitely want to sample Star Wars Vol. 1: The Destiny Path.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
https://twitter.com/Marvel
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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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Tuesday, November 10, 2020
#IReadsYou Review: STAR WARS #1
STAR WARS #1 (2020)
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon and visit the "Star Wars Central" review page.]
STORY: Charles Soule
ART: Jesus Saiz
COLORS: Jesus Saiz; Arif Prianto
LETTERS: VC's Clayton Cowles
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: R.B. Silva with Guru-eFX
VARIANT COVER ARTISTS: Arthur Adams with Jesus Aburtov; Jen Bartel; Adam Hughes; Mahmud Asrar with Matthew Wilson; Phil Noto; Chris Sprouse; Karl Story with Neeraj Menon
4pp, Color, $4.99 U.S. (March 2020)
Rated T
“The Destiny Path” Part I
In 2015, Marvel Comics began publishing Star Wars comic books again. Star Wars #1 opened in the time immediately after the events depicted in the original film, Star Wars (1977), which is also known as Star Wars: Episode IV – A New Hope. After 75 issues, that series ended.
Now comes Star Wars 2020. It is written by Charles Soule; drawn by Jesus Saiz; colored by Arif Prianto and Saiz; and lettered by Clayton Cowles. The new series takes place after the events depicted in the 1980 Star Wars film, The Empire Strikes Back (also known as Star Wars: Episode V: The Empire Strikes Back).
Star Wars #1 opens inside the Millennium Falcon. Its passengers: Luke Skywalker, Princess Leia, Chewbacca, R2-D2, C-3PO, and Lando Calrissian escaped the Cloud City of Bespin, formerly owned by Lando. They also escaped capture by the forces of the Galactic Empire, thanks to a save by R2-D2, as seen in The Empire Strikes Back. There are also feelings of recrimination and anger over the capture of Han Solo by bounty hunters, led by Boba Fett, in service of Darth Vader.
Leia's plan is for them to reach The Mid Rim, Rendezvous Point: Delta-Three and join the “Fourth Division” of the Rebel Fleet. But the Fourth Division is trapped there by imperial forces led by Lieutenant Gorr of the Imperial Star Destroyer, “Tarkin's Will.” Now, Leia, Luke, Chewbacca, and Lando will have to put aside the anger, pain, and grief if they are going to save the Rebel Alliance... and find a traitor. Meanwhile, Luke struggles with his destiny in the aftermath of his battle with Darth Vader in Cloud City.
Star Wars #1 (2020) takes place inside the final 10 minutes of The Empire Strikes Back. It expands on what happened between the Millennium Falcon escaping the Imperial forces shortly after leaving Bespin and the film's final moments. Writer Charles Soule has said that he hopes to use this new Star Wars series to expand on what happened between The Empire Strikes Back and Return of the Jedi (1983), the final film of the original Star Wars trilogy. And I'm all for that!
Star Wars #1 is a very well written first issue, as Soule expounds on the conflict between Leia and Chewbacca against Lando. Soule delves into Luke's struggles after his duel with Darth Vader, revealing a young man adrift and who may have to find his own way. Soule plays up the idea that Luke's journey will be different from that of any other Jedi's. Soule also offers a tremendous mini action-thriller involving a besieged part of the Rebel Fleet, facing certain doom at the hands of Imperial Star Destroyers. Soule creates the perfect scenario in which he can show how the post-Episode V core of heroes: Luke, Leia, Lando, Chewbacca, and the Droids can work together to save the Rebellion.
I really like the art by Jesus Saiz and Arif Prianto. The graphical storytelling is moody and emotionally, but also offers edge-of-your-seat thrills, all of it well paced by Clayton Cowles' lettering. For however long Saiz and Prianto work on this new Star Wars series, they seem capable of capturing the dark mood of a time when the Star Wars narrative fell into the deep, cold shadows of the Empire.
I have to be honest. Although I was a regular reader of the previous series, Star Wars (2015), my excitement for the series's last 12 issues was about a third of what it was for the first 12 issues. Star Wars #1 2020 has not made me feel the original highs I felt, but it's close enough.
8 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-----------------------------------------
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Monday, February 24, 2020
Marvel Comics from Diamond Distributors for February 26, 2020
DEC190829 2020 FORCE WORKS #1 (OF 3) $3.99
DEC190830 2020 FORCE WORKS #1 (OF 3) TAN VAR $3.99
DEC190866 AMAZING SPIDER-MAN #40 $3.99
DEC190867 AMAZING SPIDER-MAN #40 TORQUE GWEN STACY VAR $3.99
DEC190875 AMAZING SPIDER-MAN DAILY BUGLE #2 (OF 5) $3.99
DEC190802 ANT-MAN #2 (OF 5) $3.99
DEC190928 AVENGERS #31 $4.99
DEC190929 AVENGERS #31 JSC GWEN STACY VAR $4.99
DEC190930 AVENGERS #31 TIANQI HU CHINESE NEW YEAR VAR $4.99
DEC190931 AVENGERS OF THE WASTELANDS #2 (OF 5) $3.99
DEC190907 BLACK PANTHER #21 $3.99
DEC190908 BLACK PANTHER #21 JOHNSON VAR $3.99
DEC191001 BLADE BY GUGGENHEIM COMPLETE COLLECTION TP $34.99
DEC190981 DAWN OF X TP VOL 02 $17.99
DEC191004 EXCALIBUR EPIC COLLECTION TP CURIOUSER AND CURIOUSER $39.99
DEC190794 FALCON & WINTER SOLDIER #1 (OF 5) $3.99
DEC190797 FALCON & WINTER SOLDIER #1 (OF 5) ZIYIAN LIU CHINESE NEW YEA $3.99
DEC190905 FANTASTIC FOUR GRIMM NOIR #1 $4.99
DEC190906 FANTASTIC FOUR GRIMM NOIR #1 RISSO VAR $4.99
DEC190997 FUTURE FOUNDATION TP $15.99
DEC190911 GHOST RIDER #5 $3.99
DEC190783 GIANT SIZE X-MEN JEAN GREY & EMMA FROST #1 BLANK VAR DX $4.99
DEC190782 GIANT SIZE X-MEN JEAN GREY & EMMA FROST #1 COELLO VAR DX $4.99
DEC190780 GIANT SIZE X-MEN JEAN GREY & EMMA FROST #1 DX $4.99
DEC198531 GUARDIANS OF THE GALAXY #1 2ND PTG VAR $4.99
DEC190991 INVADERS TP VOL 02 DEAD IN THE WATER $17.99
DEC190837 JESSICA JONES BLIND SPOT #4 (OF 6) $3.99
DEC190838 JESSICA JONES BLIND SPOT #4 (OF 6) SIMMONDS VAR $3.99
DEC190995 LEGENDS OF MARVEL TP X-MEN $15.99
DEC190767 MARVEL GRAPHIC COMIC BOXES WOLVERINE (BUNDLE OF 5) $50.00
AUG191145 MARVEL MASTERS OF SUSPENSE LEE & DITKO OMNIBUS HC VOL 02 $100.00
NOV190975 MARVEL MONOGRAPH TP ART OF ARTHUR ADAMS X-MEN $19.99
AUG191135 MARVEL PORTFOLIO JOE QUESADA HC $50.00
JAN200099 MARVEL PREVIEWS VOL 04 #32 MARCH 2020 EXTRAS $1.25
DEC198534 MARVEL SAMPLER FEBRUARY 2020 (BUNDLE OF 25) $PI
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Monday, December 23, 2019
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Monday, March 4, 2019
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Monday, December 31, 2018
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