Itsuwaribito vs. Itsuwaribito

I read Itsuwaribito , Vol. 2

I posted a review at the Comic Book Bin (which has FREE smart phone apps).

I Reads You Review: LOVE LESSON (YAOI)

Creator: Hanae Sakazaki (cartoonist) with Translation by Design (translator)

Publishing Information: Juné Manga/DMP, paperback, 184 pages, $12.95 (US)

Ordering Numbers: ISBN: 978-1-56970-737-1 (ISBN-13); 1-56970-737-5 (ISBN-10)

Rating: “M” for “Mature Audiences 18+”

Love Lesson is a collection of yaoi manga short stories from Hanae Sakazuki. Six short stories follow six couples and sometimes their friends, associates, and former lovers as they deal with the very painful first steps of new romance.

The title story finds mild-mannered math teacher, Haruto Shirai, fending off the aggressive advances of Akira Akagi, who is also a popular actor. Akira needs after school help because he is behind on his homework assignments, and Haruto begins to care deeply about his new pupil’s academic success. Or is there more to his concern than just being a good and caring teacher?

In “Uncle and Me,” Tohma discovers that he and his granduncle, Kiyomi, get along better with each other than they do with the rest of the family. The truth is, however, that Tohma loves his uncle – really, really loves him!

In this collection’s longest story, “Don’t Love Me Tender,” we meet the bed-hopping Tomo Miyazawa, the young man known by his many of his one-night stands as the “manslut.” Now, Ryo Harada, a saucy bartender and fellow college student, starts romancing Tomo. Although Tomo is ready to sleep with him right away, Harada insists that there be no sex until Tomo falls in love with him. That infuriates Tomo, but it also causes him to examine why he acts the way he does.

Some of the stories in Love Lesson are merely typical yaoi in which male characters take on the traditional roles of a heterosexual romance. That pretty much describes “Love Lesson” and “Blame it on Spring.” Other stories, such as “Uncle and Me” and “Don’t Love Me Tender,” address the personal and, to a lesser extent, social issues facing a gay couple. In fact, these gay romances are more complex in dealing with romance, self-doubt, and matters of the heart than a story like “Love Lesson.”

Although the background art is about as good as it is in most yaoi manga, the figure drawing by creator Hanae Sakazaki has an awkward quality that lends itself to depicting the emotionally charged content of a story like “Don’t Love Me Tender.” However, the art does nothing for a standard yaoi tale like the title story. Overall, Love Lesson is a pretty good collection mainly because Sakazaki offers as much heart-wrenching romance as she does sex. This makes the entire volume seem not so shallow.

B+

Slam Dunk Heaven and Hell

I read Slam Dunk, Vol. 15

I posted a review at the Comic Book Bin (which has FREE smart phone apps).

Fantagraphics Books to Publish Paul Nelson Bio

Music Critic Paul Nelson Finally Gets His Due

MARCH 31, 2011, SEATTLE, WA—Fantagraphics is proud to announce Everything Is an Afterthought: The Life and Writings of Paul Nelson. Author Kevin Avery spent four years researching and writing this unique anthology-biography. This book compiles Nelson’s best works and also provides a vivid account of his life.

In the ’60s, Paul Nelson pioneered rock & roll criticism with a first-person style of writing later coined “New Journalism.” During a five-year detour at Mercury Records, he signed the New York Dolls to their first recording contract, and then settled back down to music criticism at Rolling Stone. Through his writing, Nelson championed the early careers of artists like Bruce Springsteen, Jackson Browne, Rod Stewart, Neil Young, Warren Zevon, The Sex Pistols, and The Ramones.

But in 1982, he walked away from it all. By the time Nelson died in his New York City apartment in 2006, everything he’d written had been relegated to back issues of old music magazines.

“My original idea for this book was simply to anthologize Paul Nelson’s best work so that today’s readers could discover, as I had in my youth, his elegant and brilliant writings,” explains author Kevin Avery. “But I soon realized that, in doing these pieces, Paul was ultimately telling his own story. And his story was so damn compelling it was impossible for me not to write about it.

American journalist, biographer, and poet Nick Tosches wrote the foreword to this landmark work of cultural revival, which stands as a tribute to and collection of one of the unsung critical champions of popular music.

Rosario+Vampire Season II Love Bites

I read Rosario+Vampire: Season II, Vol. 4

I posted a review at the Comic Book Bin (which has FREE smart phone apps).

I Reads You, April's Fool

Welcome to I Reads You, my blog about the things I read (mostly comic books, comics, and related books) and about the things I come across worth reading (mostly about comic books, politics, and entertainment). Sometimes I’ll comment on “real” books and the mass media.
 
I’m Leroy Douresseaux, and I have another blog: http://www.negromancer.com/. I also write for the Comic Book Bin (which has smart phones apps).
 
All images and text appearing on this blog are copyright © and/or trademark their respective owners.

I Reads You Review: BUTTERFLY, VOL. 1

Creator: Yu Aikawa with Stephen Paul (translation and English adaptation)

Publishing Information: TOKYOPOP, B&W, paperback, 208 pages, $10.99 (US), $13.99 CAN

Ordering Numbers: ISBN: 978-1-4278-1852-2

 

Fantasy/Horror; Rated “T” for “Teen 13+”

 

Butterfly is shonen manga from creator Yu Aikawa. It is about a pair of ghost busters, but the story always seems to ask this question: what are the protagonists really busting?

In Butterfly, Vol. 1, readers meet Ginji Ishikawa, a young man who despises all things related to the occult. This hatred causes him to do something careless and stupid, which puts him deep in debt. Enter a boy named Ageha who pays off Ginji’s debt, but to repay Ageha, Ginji will have to partner with the child in a ghost-busting business.

As one would expect of a comic book series built around ghosts, Butterfly does have a creepy edge. However, this series, at least at this early point in the story, seems intent on hunting and busting the ghosts of the characters’ pasts. This kind of ghost is more metaphysical and family-related than it is supernatural. It makes for an intriguing read.

As I read Butterfly, I kept hoping that it would get scarier. I was also drawn into the mysterious of the characters’ pasts and into the seemingly odd relationships these characters have with one another. While the art is not spectacular, it does serve Butterfly’s vibe, style, and character-heavy drama quite well.

I won’t give Butterfly a grade, yet, but I very much look forward to reading the next volume of this peculiar tale of strange ghost busters. I like this kind of haunting.