AMERICAN GODS: THE TENTH ANNIVERSARY EDITION
WILLIAM MORROW
AUTHOR: Neil Gaiman
ISBN: 978-0-06-205988-8; hardcover
560pp, B&W, $26.99 U.S.
American Gods is a 2001 fantasy novel by Neil Gaiman (author of The Sandman comic book series). In 2002, the book won several “Best Novel” awards from organizations that honor fantasy fiction, including the Hugo, Nebula, and Bram Stoker Awards. The novel centers on a taciturn and mysterious protagonist caught in a struggle between the gods of the old world and the new gods of America.
In celebration of the novel’s tenth anniversary, William Morrow, publisher of the first edition, recently published American Gods: The Tenth Anniversary Edition (Author’s Preferred Text). This edition contains an additional 12,000 words and is the first time that this version of the text has been made widely available. Gaiman also provides an introduction to this edition in which he explains the origins and development of the novel.
The premise of American Gods is that gods, mythological beings, spirits, and figures of legend, folklore, and fairy tales exist because people believe in them. Through their beliefs, immigrants brought these gods and beings from the Old World to the new world of America. Over time, the immigrants’ descendants either forgot the gods or their belief in their ancestors’ gods waned. Now, out of America’s obsession with media, celebrity, technology, and even drugs (among other things) sprang new gods.
The story centers on an enigmatic figure named Shadow, who has just been released from prison after serving three years. He can’t wait to get back to his wife, Laura Moon, but tragedy strikes. With nothing left to which he can return, Shadow accepts a job from a beguiling stranger who calls himself Mr. Wednesday. A charming rogue who can get ladies in bed with ease and a trickster extraordinaire, Wednesday seems to know a lot about Shadow, the man who becomes his bodyguard, driver, and general errand boy. Wednesday takes Shadow on a long, strange trip across America, as Wednesday attempts to recruit some of the old gods to his cause. But only Shadow can uncover the whole story about “the Storm,” the war between the gods.
As much as I enjoyed American Gods (and I sooooo enjoyed it), I don’t believe that I have fully grasped its meaning, but I have some idea on that. It is an epic fantasy and a road novel. It is steeped in Americana, but also in folklore and folktales. It is part suspense thriller that dabbles in conspiracy. A side of it is a small town murder mystery complete with eccentric characters; that includes a good-natured and lonely chief of police who is horny enough to plot having sex with a female cousin.
It is a bit of everything and is all over the place, but that makes me wonder if this novel was Neil Gaiman’s attempt at the great American novel. People think of the United States as a melting pot, in which people from different nationalities, backgrounds, and cultures blend into a new ethnic group, the American. In reality, however, some people just don’t “melt” very well, and it is obvious that they can never physically look like what many consider to be an American – a white person. America may be a melting pot, but it is equally a mosaic, a nation made of different pieces that have broken off from old world cultures and other nationalities. [Some would argue that the United States Constitution is the only thing that unites us.]
American Gods is a mosaic novel made from pieces broken off other stories, or maybe it is a melting pot of different kinds of fiction – the American novel for a melting pot/mosaic nation. Gaiman reconciles the melting pot and mosaic of America by bringing them together and recognizing that American culture is about the tension between old and new. It may be a jumble, but they can live side by side. All that we need recognize is the forces that would tear us apart and use our strife to benefit themselves. We can be different and even not united, but all be American.
Frankly, I did find a few sections of this novel to be dry and even dull, but the further you go into the novel, the tighter its hold on you. Gaiman fills American Gods with inventive scenarios, imaginative characters, and ingenious concepts, although the new American gods are mostly flat and vague characters. Still, it feels like this novel reinvigorated the fantasy genre, making fantastic literature that is not about escapism. American Gods speaks of the soul of this country by delving into the dreams and the beliefs of the people and the supernatural that call this great land home.
A-
[“We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.”]
Saturday, August 27, 2011
Leroy Douresseaux on AMERICAN GODS: THE TENTH ANNIVERSARY EDITION
Leroy Douresseaux on THE GRAVEYARD BOOK
THE GRAVEYARD BOOK
HARPERCOLLINS CHILDREN
AUTHOR: Neil Gaiman
ILLUSTRATIONS: Dave McKean
ISBN: 978-0-06-053092-1; hardcover
312pp, B&W, $17.99 U.S., $19.50 CAN
The Graveyard Book is a 2008 children’s fantasy novel from author Neil Gaiman. It won the 2009 Hugo Award for Best Novel and the 2009 Newberry Medal.
The Graveyard Book chronicles the adventures of a boy, Nobody Owens (“Bod” for short) who would be completely normal, except for the fact that he lives in an old cemetery and is being reared by the ghosts of a couple that died centuries ago. There are dangers and adventures aplenty. The Indigo Man and the Sleer stir deep beneath a hill in the cemetery, and one grave is a gateway to a world of hungry ghouls. There are things for Bod to learn – how to fade and be invisible to humans. But if Bod leaves the safety of the graveyard, Jack, who brutally murdered Bod’s family when the boy was a toddler, will kill him, too.
Chronicling Nobody Owens’ youth, from the time he was a toddler to his 15th birthday, The Graveyard Book is a riff on Rudyard Kipling’s The Jungle Book, but here a boy is raised by ghosts, instead of by animals as in Kipling’s classic. Gaiman tells Nobody Owens’ story through eight short stories that act as chapters; a few years of Bod’s life elapse between stories.
As with all of his work, Gaiman displays much imagination in his storytelling, and he’s always an engaging storyteller, although here, he seems a bit stiff at times. The Graveyard Book is a fun read, and the last two chapters skirt the razor’s edge of suspense and supernatural thrills. Early sections of The Graveyard Book, however, are a bit limp. The book’s opening comes across as pretentious, elegant writing, and the early chapters sometimes seem too mannered, with Gaiman writing as if he were an athlete “playing tight” in big game.
It’s the other half of the stories that are riveting, fun, and exhibit Gaiman’s gift for taking his readers’ imaginations on flights of fancy, deep into the macabre. When he crashes the real world of his characters into those dark, magical places that seem to hang on the edges of reality, (such as the chapter “Nobody Owens’ School Days”) The Graveyard Book hits its stride, and Gaiman seems closer to famed horror writer Clive Barker than he is to some generic writer of drippy, faux-Victorian fairy tales.
B+
HARPERCOLLINS CHILDREN
AUTHOR: Neil Gaiman
ILLUSTRATIONS: Dave McKean
ISBN: 978-0-06-053092-1; hardcover
312pp, B&W, $17.99 U.S., $19.50 CAN
The Graveyard Book is a 2008 children’s fantasy novel from author Neil Gaiman. It won the 2009 Hugo Award for Best Novel and the 2009 Newberry Medal.
The Graveyard Book chronicles the adventures of a boy, Nobody Owens (“Bod” for short) who would be completely normal, except for the fact that he lives in an old cemetery and is being reared by the ghosts of a couple that died centuries ago. There are dangers and adventures aplenty. The Indigo Man and the Sleer stir deep beneath a hill in the cemetery, and one grave is a gateway to a world of hungry ghouls. There are things for Bod to learn – how to fade and be invisible to humans. But if Bod leaves the safety of the graveyard, Jack, who brutally murdered Bod’s family when the boy was a toddler, will kill him, too.
Chronicling Nobody Owens’ youth, from the time he was a toddler to his 15th birthday, The Graveyard Book is a riff on Rudyard Kipling’s The Jungle Book, but here a boy is raised by ghosts, instead of by animals as in Kipling’s classic. Gaiman tells Nobody Owens’ story through eight short stories that act as chapters; a few years of Bod’s life elapse between stories.
As with all of his work, Gaiman displays much imagination in his storytelling, and he’s always an engaging storyteller, although here, he seems a bit stiff at times. The Graveyard Book is a fun read, and the last two chapters skirt the razor’s edge of suspense and supernatural thrills. Early sections of The Graveyard Book, however, are a bit limp. The book’s opening comes across as pretentious, elegant writing, and the early chapters sometimes seem too mannered, with Gaiman writing as if he were an athlete “playing tight” in big game.
It’s the other half of the stories that are riveting, fun, and exhibit Gaiman’s gift for taking his readers’ imaginations on flights of fancy, deep into the macabre. When he crashes the real world of his characters into those dark, magical places that seem to hang on the edges of reality, (such as the chapter “Nobody Owens’ School Days”) The Graveyard Book hits its stride, and Gaiman seems closer to famed horror writer Clive Barker than he is to some generic writer of drippy, faux-Victorian fairy tales.
B+
Labels:
Book Review,
Children's Books,
Dave McKean,
Neil Gaiman,
Review
Friday, August 26, 2011
Nura vs. The 88 Demons of Shikoku
I read Nura: Rise of the Yokai Clan, Vol. 4
I posted a review at the Comic Book Bin (which has FREE smart phone apps).
I posted a review at the Comic Book Bin (which has FREE smart phone apps).
Labels:
Comic Book Bin,
manga,
shonen,
Shonen Jump,
VIZ Media
Thursday, August 25, 2011
Leroy Douresseaux on WANDERING SON Volume 1
WANDERING SON, VOL. 1
FANTAGRAPHICS BOOKS
CARTOONIST: Shimura Takako
TRANSLATION: Matt Thorn
LETTERS: Paul Baresh, Ian Burns, and Priscilla Miller
ISBN: 978-1-60699-416-0; hardcover
208pp, B&W with some color, $19.99 U.S.
Fantagraphics Books is back in the manga-publishing game, but their new series does not feature boy heroes, aliens, monsters, robots, magic, super powers, or even love-starved teen girls.
Wandering Son is a manga from creator Shimura Takako that began serialization in 2002 in the manga magazine, Comic Beam. Fantagraphics Books recently began publishing English-language graphic novel editions of the series. Wandering Son follows fifth grader Shuichi Nitori, a boy who wants to be a girl, and his friend Yoshino Takatsuki, a girl who wants to be a boy.
Wandering Son Volume 1 introduces the two protagonists and their friends and family whose lives intersect with their own. Nitori is the new student in school and makes his first friend, Takatsuki. They bond over a dress that Takatsuki doesn’t want and gives to Nitori’s sister, Maho. Nitori wonders what he would look like in a dress, and soon his female classmates are encouraging him to wear them. Meanwhile, Takatsuki is exploring life as a boy by passing for a boy. When the fifth-graders put on a production of The Rose of Versailles for the farewell ceremony for the sixth graders, the play’s gender-bending brings gender issues out in the open.
Ostensibly a seinen manga (comic book for adult males), Wandering Son begins with characters that are preteens or preadolescents and is appropriate for readers of that demographic (although I say this as someone who isn’t a parent). I assume parents and guardians freaked out about any discussion or visual fiction depiction of issues relating to gender identity, puberty, and transsexuality would consider Wandering Son inappropriate for their preteens.
However, Shimura Takako tells this story in such a gentle, unobtrusive way, one might believe that this story flows naturally – as if it simply spun itself from nature and is the way it is supposed to be. I think Matt Thorn’s tidy translation, which goes down the mental gullet with such smoothness, is a big reason for how readable this is. Wandering Son is not flashy or aggressive, nor does it pander or try to be hip and stylish. Takako draws the reader in so quietly that some may be surprised to find themselves on a journey of discovery and exploration with these characters. It’s like seeing preadolescence for the first time or seeing it again through fresh eyes and a new perspective.
Takako’s simple approach to compositions and graphical storytelling entails sparse backgrounds and a cartoony method of figure drawing. The figures are striking in their simplicity, and their emotions and actions in the story are crystal clear. If only more comic books were so evocative and so clear in their storytelling like Wandering Son, an ideal comic book. Ages 8 to 80 will like Wandering Son.
A
---------------------------------
FANTAGRAPHICS BOOKS
CARTOONIST: Shimura Takako
TRANSLATION: Matt Thorn
LETTERS: Paul Baresh, Ian Burns, and Priscilla Miller
ISBN: 978-1-60699-416-0; hardcover
208pp, B&W with some color, $19.99 U.S.
Fantagraphics Books is back in the manga-publishing game, but their new series does not feature boy heroes, aliens, monsters, robots, magic, super powers, or even love-starved teen girls.
Wandering Son is a manga from creator Shimura Takako that began serialization in 2002 in the manga magazine, Comic Beam. Fantagraphics Books recently began publishing English-language graphic novel editions of the series. Wandering Son follows fifth grader Shuichi Nitori, a boy who wants to be a girl, and his friend Yoshino Takatsuki, a girl who wants to be a boy.
Wandering Son Volume 1 introduces the two protagonists and their friends and family whose lives intersect with their own. Nitori is the new student in school and makes his first friend, Takatsuki. They bond over a dress that Takatsuki doesn’t want and gives to Nitori’s sister, Maho. Nitori wonders what he would look like in a dress, and soon his female classmates are encouraging him to wear them. Meanwhile, Takatsuki is exploring life as a boy by passing for a boy. When the fifth-graders put on a production of The Rose of Versailles for the farewell ceremony for the sixth graders, the play’s gender-bending brings gender issues out in the open.
Ostensibly a seinen manga (comic book for adult males), Wandering Son begins with characters that are preteens or preadolescents and is appropriate for readers of that demographic (although I say this as someone who isn’t a parent). I assume parents and guardians freaked out about any discussion or visual fiction depiction of issues relating to gender identity, puberty, and transsexuality would consider Wandering Son inappropriate for their preteens.
However, Shimura Takako tells this story in such a gentle, unobtrusive way, one might believe that this story flows naturally – as if it simply spun itself from nature and is the way it is supposed to be. I think Matt Thorn’s tidy translation, which goes down the mental gullet with such smoothness, is a big reason for how readable this is. Wandering Son is not flashy or aggressive, nor does it pander or try to be hip and stylish. Takako draws the reader in so quietly that some may be surprised to find themselves on a journey of discovery and exploration with these characters. It’s like seeing preadolescence for the first time or seeing it again through fresh eyes and a new perspective.
Takako’s simple approach to compositions and graphical storytelling entails sparse backgrounds and a cartoony method of figure drawing. The figures are striking in their simplicity, and their emotions and actions in the story are crystal clear. If only more comic books were so evocative and so clear in their storytelling like Wandering Son, an ideal comic book. Ages 8 to 80 will like Wandering Son.
A
---------------------------------
Labels:
Fantagraphics Books,
manga,
Matt Thorn,
Review,
Seinen,
Shimura Takako,
Trans
Wednesday, August 24, 2011
Leroy Douresseaux on HELLBOY: THE FURY #3
HELLBOY: THE FURY #3 OF 3 (SERIES #57)
DARK HORSE COMICS
STORY: Mike Mignola
ART: Duncan Fegredo
COLORS: Dave Stewart
LETTERS: Clem Robins
COVER: Mike Mignola with Dave Stewart
32pp, Color, $2.99
It’s a killer ending in a killer series that sees Hellboy’s killing! Say what?!
Hellboy: The Fury #3 is about endings. This issue sees an end to the collaboration of Hellboy creator Mike Mignola and artist Duncan Fegredo, which yielded the Hellboy story arcs Darkness Calls (2008), The Wild Hunt (2008-2009), and The Storm (2010). This issue brings an end to Hellboy’s battle with Nimue the Queen of Witches, which pitted the hoary hosts of monsters against the ghostly knights of England, led by a World War I vet who lived long enough to be King of England for a day.
The big ending in this third and final issue of Hellboy: The Fury is [SPOILER that many readers already know] that Hellboy is killed.
Imagine the battle between Hellboy and Ogdru Jahad in the last act of the 2004 Hellboy movie turned into page after page of beautiful comic book art and still capturing the fluid CGI movement and action of the film. That’s Hellboy: The Fury – Ragna Rok ‘n’ roll, y’all!
In The Fury, Fegredo draws giant battles that are as good as anything drawn for Marvel and DC Comics big event series, from Crisis on Infinite Earths to now. So much of this story’s power is told through the art. Mignola relies on Fegredo’s art (which recalls both Mignola and Jack Kirby) and graphics to convey the drama and setting, while using relatively little dialogue or even captions. In that way, this story is both quite and thunderous – the perfect balance for a visual epic fantasy. The masterful coloring of Dave Stewart makes it all even more beautiful.
A
DARK HORSE COMICS
STORY: Mike Mignola
ART: Duncan Fegredo
COLORS: Dave Stewart
LETTERS: Clem Robins
COVER: Mike Mignola with Dave Stewart
32pp, Color, $2.99
It’s a killer ending in a killer series that sees Hellboy’s killing! Say what?!
Hellboy: The Fury #3 is about endings. This issue sees an end to the collaboration of Hellboy creator Mike Mignola and artist Duncan Fegredo, which yielded the Hellboy story arcs Darkness Calls (2008), The Wild Hunt (2008-2009), and The Storm (2010). This issue brings an end to Hellboy’s battle with Nimue the Queen of Witches, which pitted the hoary hosts of monsters against the ghostly knights of England, led by a World War I vet who lived long enough to be King of England for a day.
The big ending in this third and final issue of Hellboy: The Fury is [SPOILER that many readers already know] that Hellboy is killed.
Imagine the battle between Hellboy and Ogdru Jahad in the last act of the 2004 Hellboy movie turned into page after page of beautiful comic book art and still capturing the fluid CGI movement and action of the film. That’s Hellboy: The Fury – Ragna Rok ‘n’ roll, y’all!
In The Fury, Fegredo draws giant battles that are as good as anything drawn for Marvel and DC Comics big event series, from Crisis on Infinite Earths to now. So much of this story’s power is told through the art. Mignola relies on Fegredo’s art (which recalls both Mignola and Jack Kirby) and graphics to convey the drama and setting, while using relatively little dialogue or even captions. In that way, this story is both quite and thunderous – the perfect balance for a visual epic fantasy. The masterful coloring of Dave Stewart makes it all even more beautiful.
A
Labels:
Dark Horse,
Dave Stewart,
Duncan Fegredo,
Hellboy,
Mike Mignola,
Review
Tuesday, August 23, 2011
DC Comics from Diamond Distributors for August 24 2011
DC COMICS
JUN110204 ACTION COMICS #904 (DOOMSDAY) $2.99
JAN110456 AME COMI BIG BARDA PVC FIGURE $70.00
JAN110455 AME COMI WONDER WOMAN V.3 PVC FIGURE $70.00
JUN110342 AMERICAN VAMPIRE #18 (MR) $2.99
JUN110231 BATMAN ARKHAM CITY #5 (OF 5) $2.99
JUN110229 BATMAN GATES OF GOTHAM #5 (OF 5) $2.99
APR110150 BATMAN INCORPORATED #8 $2.99
JUN118125 BATMAN THE DARK KNIGHT #1 2ND PTG $3.99
JUN110221 BATMAN THE DARK KNIGHT #5 (RES) $2.99
JUN110222 BATMAN THE DARK KNIGHT #5 VAR ED (RES) $2.99
MAY110241 BATMAN UNDER THE RED HOOD TP $29.99
JAN110449 BLUE LANTERN 1/4 SCALE POWER BATTERY & RING PROP $35.00
JUN110198 BRIGHTEST DAY AFTERMATH SEARCH FOR SWAMP THING #3 (OF 3) $2.99
JUN110333 CARTOON NETWORK ACTION PACK #63 $2.99
JUN110263 DC COMICS PRESENTS JLA HEAVENS LADDER #1 $7.99
JUN110215 DC RETROACTIVE GREEN LANTERN THE 90S #1 $4.99
JUN110207 DC RETROACTIVE JUSTICE LEAGUE AMERICA THE 90S #1 $4.99
JUN110211 DC RETROACTIVE SUPERMAN THE 90S #1 $4.99
APR110201 DC UNIVERSE LEGACIES HC $34.99
JUN110337 DRIVER CROSSING THE LINE #1 (RES) $2.99
JUN110197 FLASHPOINT HAL JORDAN #3 (OF 3) $2.99
JUN110195 FLASHPOINT KID FLASH LOST #3 (OF 3) $2.99
JUN110193 FLASHPOINT LOIS LANE AND THE RESISTANCE #3 (OF 3) $2.99
JUN110196 FLASHPOINT PROJECT SUPERMAN #3 (OF 3) $2.99
JUN110339 GEARS OF WAR #19 (MR) $2.99
JUN110235 GOTHAM CITY SIRENS #26 $2.99
JUN110252 GREEN ARROW #15 $2.99
JUN110172 GREEN LANTERN EMERALD WARRIORS #13 $2.99
MAR110262 GREEN LANTERN MOVIE PREQUEL SINESTRO #1 $2.99
OCT100346 HARLEY QUINN 1/4 SCALE STATUE $325.00
JAN110448 HEROES OF THE DCU BLACKEST NIGHT SAINT WALKER BUST $70.00
JUN110354 HOW TO UNDERSTAND ISRAEL IN 60 DAYS OR LESS TP (MR) $19.99
JUN110335 INSANELY AWESOME MAD TP $12.99
JUN110253 JUSTICE SOCIETY OF AMERICA #54 $2.99
JUN110336 MAD MAGAZINE #511 $5.99
JUN110350 NORTHLANDERS #43 (MR) $2.99
MAY110249 SUPERGIRL BIZARROGIRL TP $19.99
JUN110237 SUPERMAN BEYOND #0 $3.99
DEC100330 SUPERMAN FAMILY MULTI PART STATUE PART 2 $195.00
MAY110253 TEAM UPS OF THE BRAVE AND THE BOLD TP $17.99
JUN110258 TEEN TITANS #100 (NOTE PRICE) $4.99
JUN110245 WONDER WOMAN #614 $2.99
MAY110279 WORLD OF WARCRAFT TP VOL 04 $14.99
JUN110261 XOMBI #6 $2.99
JUN110331 YOUNG JUSTICE #7 $2.99
JUN110204 ACTION COMICS #904 (DOOMSDAY) $2.99
JAN110456 AME COMI BIG BARDA PVC FIGURE $70.00
JAN110455 AME COMI WONDER WOMAN V.3 PVC FIGURE $70.00
JUN110342 AMERICAN VAMPIRE #18 (MR) $2.99
JUN110231 BATMAN ARKHAM CITY #5 (OF 5) $2.99
JUN110229 BATMAN GATES OF GOTHAM #5 (OF 5) $2.99
APR110150 BATMAN INCORPORATED #8 $2.99
JUN118125 BATMAN THE DARK KNIGHT #1 2ND PTG $3.99
JUN110221 BATMAN THE DARK KNIGHT #5 (RES) $2.99
JUN110222 BATMAN THE DARK KNIGHT #5 VAR ED (RES) $2.99
MAY110241 BATMAN UNDER THE RED HOOD TP $29.99
JAN110449 BLUE LANTERN 1/4 SCALE POWER BATTERY & RING PROP $35.00
JUN110198 BRIGHTEST DAY AFTERMATH SEARCH FOR SWAMP THING #3 (OF 3) $2.99
JUN110333 CARTOON NETWORK ACTION PACK #63 $2.99
JUN110263 DC COMICS PRESENTS JLA HEAVENS LADDER #1 $7.99
JUN110215 DC RETROACTIVE GREEN LANTERN THE 90S #1 $4.99
JUN110207 DC RETROACTIVE JUSTICE LEAGUE AMERICA THE 90S #1 $4.99
JUN110211 DC RETROACTIVE SUPERMAN THE 90S #1 $4.99
APR110201 DC UNIVERSE LEGACIES HC $34.99
JUN110337 DRIVER CROSSING THE LINE #1 (RES) $2.99
JUN110197 FLASHPOINT HAL JORDAN #3 (OF 3) $2.99
JUN110195 FLASHPOINT KID FLASH LOST #3 (OF 3) $2.99
JUN110193 FLASHPOINT LOIS LANE AND THE RESISTANCE #3 (OF 3) $2.99
JUN110196 FLASHPOINT PROJECT SUPERMAN #3 (OF 3) $2.99
JUN110339 GEARS OF WAR #19 (MR) $2.99
JUN110235 GOTHAM CITY SIRENS #26 $2.99
JUN110252 GREEN ARROW #15 $2.99
JUN110172 GREEN LANTERN EMERALD WARRIORS #13 $2.99
MAR110262 GREEN LANTERN MOVIE PREQUEL SINESTRO #1 $2.99
OCT100346 HARLEY QUINN 1/4 SCALE STATUE $325.00
JAN110448 HEROES OF THE DCU BLACKEST NIGHT SAINT WALKER BUST $70.00
JUN110354 HOW TO UNDERSTAND ISRAEL IN 60 DAYS OR LESS TP (MR) $19.99
JUN110335 INSANELY AWESOME MAD TP $12.99
JUN110253 JUSTICE SOCIETY OF AMERICA #54 $2.99
JUN110336 MAD MAGAZINE #511 $5.99
JUN110350 NORTHLANDERS #43 (MR) $2.99
MAY110249 SUPERGIRL BIZARROGIRL TP $19.99
JUN110237 SUPERMAN BEYOND #0 $3.99
DEC100330 SUPERMAN FAMILY MULTI PART STATUE PART 2 $195.00
MAY110253 TEAM UPS OF THE BRAVE AND THE BOLD TP $17.99
JUN110258 TEEN TITANS #100 (NOTE PRICE) $4.99
JUN110245 WONDER WOMAN #614 $2.99
MAY110279 WORLD OF WARCRAFT TP VOL 04 $14.99
JUN110261 XOMBI #6 $2.99
JUN110331 YOUNG JUSTICE #7 $2.99
Labels:
Batman,
comics news,
DC Comics News,
Diamond Distributors,
Green Lantern,
Superman,
Vertigo
Marvel Comics from Diamond Distributors for August 24 2011
MARVEL COMICS
JUN110683 ASTONISHING X-MEN #41 $3.99
JUN110635 CAPTAIN AMERICA AND BUCKY #621 $2.99
JUN110735 CAPTAIN AMERICA PRISONER OF WAR PREM HC $24.99
JUN110729 CARNAGE HC FAMILY FEUD $24.99
JUN110695 DAKEN DARK WOLVERINE #13 $2.99
JUN110705 DEADPOOL #42 $2.99
JUN110666 DISNEY PIXAR PRESENTS INCREDIBLES FAMILY MATTERS $5.99
JUN110592 FEAR ITSELF YOUTH IN REVOLT #4 (OF 6) FEAR $2.99
JUN110670 FF #8 $2.99
JUN110739 FF BY JONATHAN HICKMAN PREM HC VOL 01 ACUNA DM VAR ED $19.99
JUN110738 FF BY JONATHAN HICKMAN PREM HC VOL 01 EPTING VAR $19.99
JUN110647 IRON AGE OMEGA #1 $2.99
DEC100635 KICK-ASS 2 #3 (MR) $2.99
MAR110749 MMW ATLAS ERA VENUS HC VOL 01 $59.99
MAR110750 MMW ATLAS ERA VENUS HC VOL 01 DM VAR ED 164 $59.99
JUN110724 MMW SUB-MARINER TP VOL 01 $24.99
JUN110725 MMW SUB-MARINER TP VOL 01 DM VAR ED 32 $24.99
JUN110676 MYSTERY MEN #4 (OF 5) $2.99
JUN110610 NEW MUTANTS #30 FEAR $2.99
JUN110661 PUNISHER #2 $2.99
JUN110758 SHADOWLAND STREET HEROES TP $19.99
JUN110759 SHADOWLAND THUNDERBOLTS TP $15.99
JUN110757 SHADOWLAND TP $19.99
JUN110753 SILVER SURFER TP DEVOLUTION $14.99
JUN110668 SPIDER-MAN #17 $2.99
JUN110630 SPIDER-MAN EMERGENCE EVIL JACKAL AND HOBGOBLIN #1 SPI $4.99
JUN110754 SPIDER-MAN NEXT CHAPTER TP VOL 01 $39.99
JUN110641 THOR HEAVEN AND EARTH #3 (OF 4) $2.99
JUN110620 ULTIMATE COMICS ULTIMATES #1 $3.99
JUN110699 UNCANNY X-FORCE #13 $3.99
JUN110698 WOLVERINE #14 $3.99
JUN110703 WOLVERINE BEST THERE IS #9 $3.99
JUN110688 X-MEN #16 $3.99
JUN110693 X-MEN LEGACY #254 $2.99
JUN110770 X-MEN LEGACY COLLISION TP $14.99
MAY110657 ZOMBIES CHRISTMAS CAROL #4 (OF 5) $3.99
JUN110683 ASTONISHING X-MEN #41 $3.99
JUN110635 CAPTAIN AMERICA AND BUCKY #621 $2.99
JUN110735 CAPTAIN AMERICA PRISONER OF WAR PREM HC $24.99
JUN110729 CARNAGE HC FAMILY FEUD $24.99
JUN110695 DAKEN DARK WOLVERINE #13 $2.99
JUN110705 DEADPOOL #42 $2.99
JUN110666 DISNEY PIXAR PRESENTS INCREDIBLES FAMILY MATTERS $5.99
JUN110592 FEAR ITSELF YOUTH IN REVOLT #4 (OF 6) FEAR $2.99
JUN110670 FF #8 $2.99
JUN110739 FF BY JONATHAN HICKMAN PREM HC VOL 01 ACUNA DM VAR ED $19.99
JUN110738 FF BY JONATHAN HICKMAN PREM HC VOL 01 EPTING VAR $19.99
JUN110647 IRON AGE OMEGA #1 $2.99
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