#IReadsYou Book Review: THE BIG LIE

THE BIG LIE
HARPER (HarperCollins Publishers) – @HarperCollins @HarperBooks

[This review was originally posted on Patreon.]

AUTHOR: James Grippando – @James_Grippando
ISBN: 978-0-06-291504-7; hardcover (February 25, 2020)
368pp, B&W, $27.99 U.S.

The Big Lie is a 2020 legal thriller novel from author and attorney James Grippando.  It is Grippando's 28th novel and also the 16th novel starring Grippando’s Miami-based, criminal defense attorney, Jack Swyteck.  Grippando is the 2017 winner of the Harper Lee Prize for legal fiction (for 2016's Gone Again – Jack Swyteck #12).  In The Big Lie, Swyteck lands right in the middle of an Electoral College battle to determine the Presidency of the United States.

The Big Lie opens at the 2020 Democratic National Convention in Miami, Florida where the Democratic Party is crowning its latest candidate for president, Florida's junior U.S. Senator Evan Stahl, Jr.  There is, however, a persistent rumor that Sen. Stahl is having an extramarital affair and that his lover might be another man.

Cut to November, and the Machiavellian incumbent, President Malcolm MacLeod (an obvious stand-in for President Donald Trump), is claiming victory.  However, he will need the Electoral College to win re-election, because he lost the popular vote by over five million votes.  Now, the Electoral College battle for the White House lands in a Florida courtroom, and Jack Swyteck finds himself with a new client, Charlotte Lee Holmes, a “faithless elector.”  Holmes is a member of the Florida's Electoral College contingent, bound by law and by oath to vote for the winner of Florida, President MacLeod... by the slimmest of margins  Holmes has announced that she will cast her Electoral College vote for Sen. Stahl.

Jack is the caught between a corrupt president (MacLeod) and his manipulative opponent (Stahl).  President MacLeod was recently spared from impeachment only because his political foes were certain they would oust him at the ballot box. Now, he appears to have secured a second term, thanks to a narrow victory in the Electoral College, and he and his allies, including a duplicitous Florida state attorney general, will do anything to keep Holmes' decision from turning others into “faithless electors”.

The president and his Florida machine drag Charlotte Holmes into court on felony charges, which are not enough charges for some.  Jack Swyteck may be the only attorney that can keep Charlotte from being ruled unfit to remain an elector.  Meanwhile, Stahl refuses to concede the election and hopes to convince other members of the Electoral College to become “faithless electors.”

But the media frenzy around Stahl's affair is getting worse, and soon there are threats of violence and actual violence.  Salacious details about Charlotte's life are dredged up, and Jack and his client may have to make their last stand in a stand-your-ground state.

THE LOWDOWN:  I read my first Jack Swyteck novel, Blood Money, back in 2013 when it was first published, and since then, I eagerly await each new Swyteck novel.  The Big Lie is the seventh Swyteck novel I have read and the ninth novel by James Grippando novel that I have read and reviewed.

The Big Lie is many things and is the most genre-bending or genre-crossing Grippando novel that I have read.  It is a legal thriller (of course), a political thriller, a crime thriller, and an action thriller (of sorts).  It is also a family drama and melodrama; for instance, The Big Lie delves into Jack Swyteck's relationship with his dying stepmother.  The families of Charlotte Holmes and Evan Stahl, Jr. are also each a cauldron of hot mess.

I have to be honest.  The Big Lie is a riveting, page-turning read, but it does not quite meet the high standards that Grippando set with the previous four Swyteck novels.  However, Grippando continues to create engaging new characters with each novel, while making returning characters all the more lovable.  So quality characters drive the narrative of The Big Lie, which is why it is another hugely enjoyable James Grippando novel, and that is the big truth.

I READS YOU RECOMMENDS:  Fans of political thrillers and of James Grippando will find that The Big Lie is a must-read.

8 out of 10

www.jamesgrippando.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.

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#IReadsYou Review: VAMPIRE KNIGHT: Memories Volume 4

VAMPIRE KNIGHT: MEMORIES VOL. 4
VIZ MEDIA – @VIZMedia

[This review was originally posted on Patreon.]

MANGAKA: Matsuri Hino
TRANSLATION: Tetsuichiro Miyaki
ENGLISH ADAPTATION: Nancy Thislethwaite
LETTERS: Inori Fukuda Trant
EDITOR: Nancy Thislethwaite
ISBN: 978-1-9747-1076-8; paperback (March 2020); Rated “T+” for “Older Teen”
208pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK

Vampire Knight is a vampire romance and shojo manga from creator Matsuri Hino.  It was first serialized in the shojo manga magazine, LaLa, from 2004 to 2013.  It was collected in 19 tankōbon (similar to a graphic novel), and VIZ Media published the manga in an English-language edition as a graphic novel series under its “Shojo Beat” format.

Vampire Knight is set in and around Cross Academy, a school for vampires (the “Night Class”) and humans (the “Day Class”) and focused mostly on the following characters: Headmaster Kaien Cross; his stepdaughter, Yuki Cross, a pure-blood vampire; Zero Kiryu, a human suffering from the curse of the vampire; and Kaname Kuran, the progenitor of a pure-blood vampire family line.  At the end of Vampire Knight, Kaname sacrifices his body to create new vampire-killing weapons for the vampire-hunting Hunter Society and then, sleeps for a thousand years.

A few years after the end of the original series, Hino began producing a series of “special chapters.”  These “Memories” are chapters that recount the events which occurred during Kaname's slumber.  VIZ Media publishes Vampire Knight: Memories annually as a single-volume graphic novel.

Vampire Knight: Memories, Vol. 4 opens with the story, “Dark Shadows of the Underground.”  It is a precarious time in the relationship between vampires and humans.  A mysterious group calling itself the “Vampire King” has launched a terrorist campaign of bombings.  Yuki and Zero are determined to capture the Vampire King, a mission that will take them deep into the underground areas beneath the city.  With the help of Maria Kurenai, a young leader in the Hunter Society, they close in on the quarry.  Their target, however, is also prepared for them and has plans to take prisoners.

In “One Step After a Hundred Years,” Yuki realizes just how shocking what she blurted out to Zero is.  What will she do about what she said?  Is she willing to join Zero in a life-changing event?  Finally, in the stories, “The Hope Inside a Photo Album” and “Goodbye and Hello,” a rabble-rousing human mayor of a nearby city pulls a publicity stunt that leads to Headmaster Cross making a decision that will have momentous consequences.

[This volume includes the bonus story, “The End of a Certain Lady;” the one-page comic, “Memories of Little Consequence;” and “Editor's Notes.”]

I am a fan of the Vampire Knight manga, although I did not like the final graphic novel, Vampire Knight, Vol. 19.  As for the Vampire Knight: Memories manga, the various chapters have been of uneven quality.  Some are exceptionally good, while others run the gamut from good, to bad, to average. The graphic novel collections have been good, especially Vol. 2, and Vol. 3 stood out by focusing on romance.

Vampire Knight: Memories Graphic Novel Volume 4 picks up on a theme and plot line that began to play out in Vol. 3 – the rising tensions between humans and vampires after a period of peace between the two races.  Vol. 4 is filled with tense stand-offs, kidnappings, rescues, subterfuge, suspicion, bombings, and mad scientists.  There is also some romance and a shocking turn of events that I do not want to spoil.  I can say that in the chapters that comprise Vol. 4, creator Matsuri Hino has brought back the mystery and the violence and the romance and the drama that were the highlights of the best chapters in the original run of Vampire Knight.

Tetsuichiro Miyaki (translation) and Nancy Thislethwaite (English adaptation) do stellar work conveying the deep feelings of love and family between characters like Yuki, Zero, Headmaster Cross, and Ren and Ai (Yuki and Kaname's children).  They also capture the heartfelt emotions, the sadness, and the sense of hope that define the end of Vol. 4.  Inori Fukuda Trant's lovely and quiet lettering emphasizes the drama with power that lingers after the final page.

Fans of the original series would serve themselves well to obtain this fourth volume of Vampire Knight: Memories, especially if they have not really followed the series since its English-language debut in 2017.  Vol 4 is a winner for sure.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.


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#IReadsYou Review: THE DRIFTING CLASSROOM: Perfect Edition Volume 2

THE DRIFTING CLASSROOM: PERFECT EDITION, VOL. 2
VIZ MEDIA – @VIZMedia

[This review was originally posted on Patreon.]

MANGAKA: Kazuo Umezz
TRANSLATION: Sheldon Drzka
ENGLISH ADAPTATION: Molly Danzer
LETTERING: Evan Waldinger
EDITOR: Joel Enos
ISBN: 978-1-9747-0938-0; hardcover (February 2020); Rated “M” for “Mature”
760pp, B&W, $34.99 U.S., $46.99 CAN, £28.00 UK

The Drifting Classroom is a legendary shonen manga from creator, Kazuo Umezz.  Many manga creators, fans, and critics consider Umezz to be the most influential horror manga artist ever.  Starting in October 2019, VIZ began publishing a new English language edition of The Drifting Classroom in its “perfect edition” format.  According to VIZ, The Drifting Classroom: Perfect Edition features an all-new translation and new content and revised story elements gathered in a deluxe hardcover format.  If I understand correctly, the original eleven graphic novels in The Drifting Classroom series will be collected in three hardcover omnibus books with a trim size of 5 3/4  x 8 1/4.

The Drifting Classroom focuses on sixth-grader Sho Takamatsu.  One morning, Sho's school, Yamato Elementary School, is apparently struck by the tremors of an earthquake.  People near Yamato discover that the school has disappeared after the earthquake; at first, they think the school was destroyed in an explosion.  However, Sho, the teachers, the students of Yamato Elementary, and a visiting pre-school child (Yuichi “Yu” Onodo) emerge from the school to discover that Yamato Elementary is now surrounded by what seems like an endless wasteland of sand.  They come to believe that in the aftermath of the massive earthquake, the school has been transported to the future.

As The Drifting Classroom: Perfect Edition, Vol. 2 (Chapters 16 to 29) opens, the surviving students have accepted that they have been somehow transported into the distant future – at least some of them.  Now, they are confronted by strange plants and strange bugs, suddenly appearing in a world they believed to be barren.  But is any of it real?  That is what Sho and the other students have to figure out when a giant bug-monster attacks the school.

Then, what seems like a moving black mass is eating the students alive.  Plus, the students fight what may be an epidemic of the “Black Plague.”  Sho's mother, Emiko Takamatsu, finds a way to bridge “separated time” in order to help Sho.  Some of the students go on a rampage, and others create a crazy new religion.  And finally, an old adversary returns.

I previously called The Drifting Classroom manga a mixture of horror and science fiction.  The series is a seamless blend of horror and science fiction, and I really can't tell where one genre begins and the other ends.  The science fiction side of the narrative follows the adventures of a group of elementary school students trapped in what resembles a post-apocalyptic world.  The horror element focuses on the students in constant brutal conflict that gradually, inevitably shrinks the population that was originally 862 humans.

The Drifting Classroom: Perfect Edition Volume 2 focuses on the endless conflicts in which the children face – man versus man; man versus nature; and man versus himself.  Several times while reading Vol. 2, I thought of Lord of the Flies, and other times the characters seemed like nothing more than hapless castaways lost on another world.

Sheldon Drzka (translation) and Molly Danzer (English adaptation) present dialogue that perfectly captures the breakneck pace of The Drifting Classroom and also the desperation and the mania of the students.  Umezz brilliantly fashioned a series of terrifying situations in which to place his characters, and as much as they thrill me, I also find poignant moments in the English-language version .

I highly recommend this second volume of The Drifting Classroom: Perfect Edition to fans of horror manga and to fans of classic manga series.  It is a must-read, and, for the “special edition” collectors, a must-have.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.


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#IReadsYou Review: MY HERO ACADEMIA Volume 15

MY HERO ACADEMIA, VOL. 15
VIZ MEDIA – @VIZMedia

MANGAKA: Kohei Horikoshi
TRANSLATION/ENGLISH ADAPTATION: Caleb Cook
LETTERS: John Hunt
EDITORS: Mike Montesa; Jon Bae
ISBN: 978-1-9747-0100-1; paperback (October 2018); Rated “T” for “Teen”
192pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 U.K.

My Hero Academia is a Japanese superhero manga series written and illustrated by Kohei Horikoshi.  It has been serialized in Weekly Shonen Jump since July 2014.  VIZ Media has been publishing an English-language edition of My Hero Academia as a series of graphic novels since 2015 under its “Shonen Jump” imprint.

The series is set in a world where, one day, people start manifesting superpowers called “Quirks.”  Some use their powers to commit crime, which creates the need for heroes.  If someone wants to be a superhero, he or she enrolls in the Hero Academy.  What would a person do, however, if he were one of the 20 percent born Quirkless?  Middle school student Izuku Midoriya has no chance of ever getting into the prestigious U.A. High School for budding heroes.  Then, Midoriya meets the greatest hero of them all, All Might, who gives him a chance to change his destiny…

As My Hero Academia, Vol. 15 (Chapters 129 to 137; entitled “Fighting Fate”) opens, Midoriya is on his work study, patrolling the streets with his new mentor, the “permeation” phasing-warping hero, “Mirio Togata.”  Mirio is also the sidekick of “Sir Nighteye,” who is now in charge of Midoriya's work study.  Now, the young hero and Mirio encounter Eri, a young girl in need of help.  Suddenly, a man claiming to be her father appears.  Is he Chisaki Kai, the notorious leader of the secretive yakuza organization known as “Shie Hassaikai,” and if he is, whatcha gonna do, heroes...?

Next, the U.A. High third year “Big Three”:  “Fat Gum,” “Tamaki Amajiki,” and “Red Riot” encounter a territorial dispute among criminals.  One of them is a troubled young man who is more dangerous than he looks – much more dangerous...

[This volume includes bonus art and bonus illustrated character profiles.]

THE LOWDOWN:  People who have read my reviews of previous volumes of the My Hero Academia manga know that I really like this series.  It is one of the best (if not the best) superhero comic books in the entire world.

My Hero Academia Graphic Novel Volume 15 is a pivotal volume, as was Vol. 14.  Vols. 12 and 13 were turning point volumes.  Vols. 14 and 15 find creator Kohei Horikoshi working on the next big confrontation between the good guys and the really bad guys.  Yeah, “the League of Villains” is still at it, but with a bad-to-the-bone and bad-ass new ally.

Caleb Cook's translation captures the fun that is at the heart of My Hero Academia.  Cook's translation reads the way a superhero comic book should; there is a sense of mystery, a conspiracy, and a riveting, fast-paced narrative that forces the readers to follow along.  John Hunt powers through with lettering that conveys the pot boiling and the slam-bang action.  He helps to make Vol. 15 one of My Hero Academia's best volumes.

I READS YOU RECOMMENDS:  Fans of superhero comics and of shonen battle manga will want to enroll at the “Shonen Jump” school, My Hero Academia.

A+
10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.



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#IReadsYou Review: LOVE ME, LOVE ME NOT Volume 1

LOVE ME, LOVE ME NOT, VOL. 1
VIZ MEDIA – @VIZMedia

[This review was originally posted on Patreon.]

MANGAKA: Io Sakisaka
TRANSLATION: JN Productions
ENGLISH ADAPTATION: Nancy Thislethwaite
LETTERS: Sara Linsley
EDITOR: Nancy Thislethwaite
ISBN: 978-1-9747-1309-7; paperback (March 2020); Rated “T” for “Teen”
200pp, B&W, $9.99 US, $12.99 CAN, £6.99 UK

Love Me, Love Me Not is a shōjo manga written and illustrated by Io Sakisaka, the creator of such manga as Strobe Edge and Ao Haru Ride.  Love Me, Love Me Not was serialized in the Japanese manga magazine, Bessatsu Margaret, from 2015 to 2019.  VIZ Media is publishing an English-language edition of Love Me, Love Me Not as a series of graphic novels.

Love Me, Love Me Not, Vol. 1 (Chapters 1 to 4) opens the spring before Yuna Ichihara enters her first year of high school.  She is pained that her best friend, Satchan, is moving away.  On her way to the train station to say good-bye to her, Yuna meets a strange girl about her age, and the girl asks Yuna for money.  The girl, Akari Yamamoto, promises to pay Yuna the following day, which she does.  When they leave the train station, however, they discover that they live in the same apartment building.

The girls instantly become friends, but discover that they explore and look at love in completely different ways.  Yuna is an idealist, and Akari is a realist.  Throw in Yuna's childhood friend, Kazuomi Inui, and Akari's brother, Rio, and this becomes a complicated case of love and friendship.

The Love Me, Love Me Not manga is like creator Io Sakisaka's other manga.  Sakisaka's shojo romances are sweet confections... on the surface, but bite enough times and you, dear readers, will find a pungent or tart side.

Love Me, Love Me Not Graphic Novel Volume 1 offers so much of Sakisaka's lovely, ethereal art.  It looks like a film shot through greased lens.  The heart of the story is a bit more solid.  Yuna and Akari are teen girls in a state of growth and change, and as they navigate their first year of high schools, their thoughts and feelings don't fit simple descriptions like “idealist” (Yuna) and “realist” (Akari).  The “tart” or edgy elements arrive at the end of this first volume.

JN Productions (translation) and Nancy Thislethwaite (English adaptation) do excellent work capturing the nuances of this story.  While reading Vol. 1, readers will find that Yuna, Akari, Inui, and Rio are four distinct personalities, and, as these characters are endearing, they will want to meet again.  Also, Sara Linsley strikes the perfect tone with her lettering... especially for that killer ending.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.


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#IReadsYou Review: CHAOS CAMPUS: Extra Credit #7

CHAOS CAMPUS: EXTRA CREDIT No. 7
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Ricardo Mendez
COLORS: Alivon Ortiz
LETTERS: Krugos
EDITORS: B. Alex Thompson and John P. Ward
COVER: Ricardo Mendez (2017 Monterey Comic Con Convention Exclusive cover)
32pp, Color, $9.99 U.S./.99¢ digital-comic (2017; digital release date – April 12, 2017)

Rated: Teen 13+ / 15+ Only – comiXology rating

Chaos Campus: Sorority Girls vs. Zombies created by B. Alex Thompson

“The NecroMager”

Chaos Campus: Sorority Girls vs. Zombies is a zombie apocalypse comic book series that mixes in elements of comedy, horror, and adventure.  The creation of B. Alex Thompson, Chaos Campus is published by Thompson's company, Approbation Comics.  Chaos Chaos is set during a zombie invasion and follows the adventures of three members of the sorority, Epsilon Alpha Zeta Upsilon (EAZY):  ass-kickin’ Jamie Lynn Schaeffer, brainy and magic-wielding Paige Helena Patton, and sexy Brittany Ann Miller.

Thompson is also producing a Chaos Campus side series, Chaos Campus: Extra Credit, which offers readers something “extra,” but (apparently) in continuity to the main series.  Thompson also releases a “convention exclusive” variant cover edition of Extra Credit.  Thompson recently provided me a copy-for-review of Chaos Campus: Extra Credit #7 – Convention Exclusive 2017 (for the Monterey Comic Con).

Chaos Campus: Extra Credit #7 opens in the middle of Paige's funky dream that finds her in a too-revealing swimsuit, in a situation of submission and humiliation, and in a meeting the mysterious Locus.  Back in the waking world, Paige reunites with Jamie and Paige and also with the ongoing battle against the “Neo-Zombies.”

There are also some new complications.  Jamie makes a shocking announcement.  A killing machine named “Denvey” joins the fray.  Locus is real, and she has friend named “Spook.”  And a friend, Brian, turns out to be a budding magic-baddie and a total frickin' asshole and ass-wipe.

As usual, I enjoy whatever Chaos Campus comic book I read.  Chaos Campus: Extra Credit #7 does not have the dramatic (or humorous) chops of the regular series, but it is wacky, offbeat, and gleefully gruesome.  I enjoyed the guest characters:  Locus, Spook, and Denvey, which are the property of comic book creator, Adam Black.

The art by Ricardo Mendez is quite nice.  What he lacks as an experienced draftsman, Mendez makes up with imaginative illustrations.  To me, Mendez feels like a natural at comic book storytelling.  As usual, Alivon Ortiz delivers strong coloring, this time conveying the chaotic situation of this issue.  Letterer, Krugos, gets the most out of “sound effects,” especially “Budda Budda” for gunfire.

So, for those who can't get enough zombie education from Chaos Campus: Sorority Girls vs. Zombies, you'll get schooled in the ways of necromancy and backstabbing in Chaos Campus: Extra Credit #7.  You, dear reader, can even get this “Extra Credit” from comiXology.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

Buy Chaos Campus: Extra Credit #7 at comiXology.

www.ApprobationComics.com
www.AlexThompsonWriter.com
Visit Adam Black and Locus Comics at http://locuscomics.com/


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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#IReadsYou Review: BLACK PANTHER #1

BLACK PANTHER No. 1 (2005)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Reginald Hudlin
PENCILS: John Romita, Jr.
INKS: Klaus Janson
COLORS: Dean White
LETTERS: Chris Eliopoulos
COVER:  John Romita, Jr. and Klaus Janson with Dean White
32pp, Color, $2.99 U.S., $4.25 CAN (April 2005)

“Who is the Black Panther?” Part One

The Black Panther, also known as T’Challa, is a Marvel Comics character and was the first black superhero to appear in mainstream American comics.  Created by writer Stan Lee and artist Jack Kirby, the Black Panther first appeared in Fantastic Four #52 (cover dated:  July 1966).

On occasion, I have come across some Black Panther comic books that I have liked, and Black Panther has appeared as a guest or co-star in other comic book series that I find memorable, such as in Fantastic Four #241, during John Byrne's incredible run as writer-artist during the early to mid-1980s.

Still, the Black Panther comic book that I have loved the most did not arrive until early 2005.  That year, Marvel Comics launched a new Black Panther series under the “Marvel Knights” (MK) banner.  It was written by Reginald Hudlin, a movie director and producer, who was best known, at the time, for directing House Party (1990) and Boomerang (1992).  He would go on to earn a best picture Oscar nomination as one of the producers of Quentin Tarantino's Django Unchained (2012).  This Black Panther comic book was drawn by John Romita, Jr. (pencils) and Klaus Janson (inks); colored by Dean White; and lettered by Chris Eliopoulos.

Black Panther #1 (“Who is the Black Panther?” Part One) opens in the Black Panther home land, the central African nation of Wakanda, during the 5th century A.D.  The story also visits Wakanda during the 19th century.  It seems that these are two moments in Wakandan history when the mysterious nation ably defended itself from outside raiders.  In the early 21st century, however, outside forces seek to penetrate the defenses and veil of Wakanda, this time successfully.

Within the last year, Marvel Studios has announced that it is producing a Black Panther feature film; has cast an actor to play Black Panther/T'Challa (Chadwick Boseman); and has selected a director for the film (Ryan Coogler).  So I decided to re-read 2005 Black Panther #1 again, which I had not read since it was first published.  It would be a start to rereading as much of that series as I could before Black Panther makes his first feature film appearance in the upcoming film, Captain America: Civil War.  Another reason for me to revisit this series is the anticipation of author, journalist, and political and cultural commentator, Ta-Nehisi Coates' upcoming work on the character.

I think what I like about Black Panther #1 is that it makes Wakanda and the legacy that is Black Panther so bad-ass.  Of course, Reginald Hudlin delivers a stellar script, full of enthralling action and mystery.  John Romita, Jr.'s pencils are some of his most stylish art, and Klaus Janson's stellar inking strengthens the compositions and storytelling.  Dean White's colors make the story seem as if it is on fire, almost too hot to handle for the imagination.  The Ohio Players said Fi-Ya!

However, it is the sense that the Black Panther mythos is as powerful as any other Marvel superhero mythos or world, and that makes this comic book so cool.  Black Panther is not a token, and he is more than historical.  His is a world within the larger world of the Marvel Universe with which others will have to reckon.  This is the gift that Reginald Hudlin gave to Black Panther.  Hudlin picked up on the strong work that Christopher Priest began in his 1998 Black Panther, which was the first step in making Black Panther a major character, for reals, and Hudlin kept it too-real for some readers slash haters.

Ta-Nehisi Coates, I hope you can make the Panther's claws sharper than ever.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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