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#IReadsYou Review: BLACK PANTHER #1

BLACK PANTHER No. 1 (2005)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Reginald Hudlin
PENCILS: John Romita, Jr.
INKS: Klaus Janson
COLORS: Dean White
LETTERS: Chris Eliopoulos
COVER:  John Romita, Jr. and Klaus Janson with Dean White
32pp, Color, $2.99 U.S., $4.25 CAN (April 2005)

“Who is the Black Panther?” Part One

The Black Panther, also known as T’Challa, is a Marvel Comics character and was the first black superhero to appear in mainstream American comics.  Created by writer Stan Lee and artist Jack Kirby, the Black Panther first appeared in Fantastic Four #52 (cover dated:  July 1966).

On occasion, I have come across some Black Panther comic books that I have liked, and Black Panther has appeared as a guest or co-star in other comic book series that I find memorable, such as in Fantastic Four #241, during John Byrne's incredible run as writer-artist during the early to mid-1980s.

Still, the Black Panther comic book that I have loved the most did not arrive until early 2005.  That year, Marvel Comics launched a new Black Panther series under the “Marvel Knights” (MK) banner.  It was written by Reginald Hudlin, a movie director and producer, who was best known, at the time, for directing House Party (1990) and Boomerang (1992).  He would go on to earn a best picture Oscar nomination as one of the producers of Quentin Tarantino's Django Unchained (2012).  This Black Panther comic book was drawn by John Romita, Jr. (pencils) and Klaus Janson (inks); colored by Dean White; and lettered by Chris Eliopoulos.

Black Panther #1 (“Who is the Black Panther?” Part One) opens in the Black Panther home land, the central African nation of Wakanda, during the 5th century A.D.  The story also visits Wakanda during the 19th century.  It seems that these are two moments in Wakandan history when the mysterious nation ably defended itself from outside raiders.  In the early 21st century, however, outside forces seek to penetrate the defenses and veil of Wakanda, this time successfully.

Within the last year, Marvel Studios has announced that it is producing a Black Panther feature film; has cast an actor to play Black Panther/T'Challa (Chadwick Boseman); and has selected a director for the film (Ryan Coogler).  So I decided to re-read 2005 Black Panther #1 again, which I had not read since it was first published.  It would be a start to rereading as much of that series as I could before Black Panther makes his first feature film appearance in the upcoming film, Captain America: Civil War.  Another reason for me to revisit this series is the anticipation of author, journalist, and political and cultural commentator, Ta-Nehisi Coates' upcoming work on the character.

I think what I like about Black Panther #1 is that it makes Wakanda and the legacy that is Black Panther so bad-ass.  Of course, Reginald Hudlin delivers a stellar script, full of enthralling action and mystery.  John Romita, Jr.'s pencils are some of his most stylish art, and Klaus Janson's stellar inking strengthens the compositions and storytelling.  Dean White's colors make the story seem as if it is on fire, almost too hot to handle for the imagination.  The Ohio Players said Fi-Ya!

However, it is the sense that the Black Panther mythos is as powerful as any other Marvel superhero mythos or world, and that makes this comic book so cool.  Black Panther is not a token, and he is more than historical.  His is a world within the larger world of the Marvel Universe with which others will have to reckon.  This is the gift that Reginald Hudlin gave to Black Panther.  Hudlin picked up on the strong work that Christopher Priest began in his 1998 Black Panther, which was the first step in making Black Panther a major character, for reals, and Hudlin kept it too-real for some readers slash haters.

Ta-Nehisi Coates, I hope you can make the Panther's claws sharper than ever.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: NEW CHALLENGERS #1

NEW CHALLENGERS No. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Scott Snyder and Aaron Gillespie
PENCILS: Andy Kubert
INKS: Klaus Janson
COLORS: Brad Anderson
LETTERS: Deron Bennett
EDITOR: Rebecca Taylor
COVER: Andy Kubert with Brad Anderson
32pp, Color, $2.99 U.S. (July 2018)

Rated “T” for Teen

Challengers of the Unknown created by Jack Kirby

Part 1

DC Comics has launched a new superhero comic book initiative, “The New Age of DC Heroes,” coming out of its Dark Nights: Metal event miniseries.  This line of comic books will consist of eight new comic book series:  The Curse of Brimstone, Damage, The Immortal Men, Sideways, The Silencer, The Terrifics, The Unexpected, and the subject of this review, New Challengers.

New Challengers is the seventh release (with only The Unexpected still due).  The series is written by Scott Snyder and Aaron Gillespie; drawn by Andy Kubert (pencils) and Klaus Janson (inks); colored by Brad Anderson; and lettered by Deron Bennett.  New Challengers is a reboot of the Jack Kirby creation, Challengers of the Unknown.  This feature focused on group of adventurers that first appeared in Showcase #6 (cover dated: February 1957) and appeared off-and-on in various forms and in comic books over the next six decades.

New Challengers #1 takes place during the events depicted in Dark Nights: Metal.  Trina Alvarez, Robert Brink, Moses Barber, and a man who insists on being called “Krunch” are dead.  Their first post-mortem stop is Challengers Mountain, and now it is time for them to meet the mysterious “Professor,” or as he calls himself, “The Prof.”  He is giving these “misfit strangers” a second chance at life, but only if they obey the orders of the Prof and execute deadly missions in the most unexplored corners of the multiverse.  And before the first mission even begins, one them dies!

I can say that I am intrigued by New Challengers.  I am a fan of artist Andy Kubert and have been for almost three decades, so I tend to want to read any comic book that he draws.  However, although Kubert's pencil art is inked by the great Klaus Janson, this is far from being close to Kubert's best work  The page design is impressive, but the storytelling does not aspire to be anything more than professionally polished.  Brad Anderson covers Kubert-Janson's compositions in his shimmering, evocative colors.  Deron Bennett wrangles the Challengers Mountain worth of dialogue in this first issue with sterling lettering and graphic design.  So that does make things, from a graphical storytelling point of view, a little better.

Writers Scott Snyder and Aaron Gillespie tease as much as they leave things about this story vague.  I thought too much about this first issue was coy.  Would it have killed DC Comics to make all first issues of “New Age” titles double-sized?  New Challengers #1 definitely needs to be at least regular-size and a half.  Twenty pages is a joke; 30 pages would have made this a better first issue.  Honestly, as it is, New Challengers #1 is only a little above average, but I will try the second issue.

6 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------------

Review: THE CURSE OF BRIMSTONE #1

THE CURSE OF BRIMSTONE No. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Philip Tan & Justin Jordan
SCRIPT: Justin Jordan
ART: Philip Tan
COLORS: Rain Beredo
LETTERS: Wes Abbott
COVER: Philip Tan with Rain Beredo
32pp, Color, $2.99 U.S. (June 2018)

Rated “T” for Teen

The Curse of Brimstone created by Justin Jordan and Philip Tan

“Inferno” Part 1

DC Comics has launched a new superhero comics initiative, “The New Age of DC Heroes,” coming out of its Dark Nights: Metal event miniseries.  This line of comic books will consist of eight new comic book series:  Damage, The Immortal Men, New Challengers, Sideways, The Silencer, The Terrifics, The Unexpected, and the subject of this review, The Curse of Brimstone.

The Curse of Brimstone is created by writer Justin Jordan and artist Philip Tan.  The series is colored by Rain Beredo; and lettered by Wes Abbott.  The series focuses on a young man who would do anything to save his small town, even make a deal with the devil.

The Curse of Brimstone #1 opens in the small, forgotten rural town of York Hills.  Once it was a coal mining town.  Then, it was a factory town.  Now, it is neither.  Schools and businesses have closed, and many of its citizens have moved away.  Joe Chamberlain is trapped here in this no-nothing town, and he has no prospects of getting out.  He is too poor to move, and he cannot afford school.  However, Joe is determined that his sister, Annie, who is smart, not get trapped in York Hills.

Enter the mysterious Mr. Salesman.  He has an offer to make Joe Chamberlain, one that is supposed to save York Hills and give Joe a really good job... and the curse of Brimstone.

The Curse of Brimstone #1 is mostly set-up with some teasing, but what Justin Jordan and Philip Tan are offering with this first issue is quite intriguing.  I really know what is going on here.  I honestly cannot wait for the second issue, which I cannot say about all the “New Age of Heroes” titles.

Graphically, The Curse of Brimstone #1 looks like a Vertigo comic book and has more than a passing resemblance to the art of Steve Bissette, John Totleben, and Tatjana Wood for the 1980s iteration of Swamp Thing written by Alan Moore.  The last four pages of The Curse of Brimstone #1 are visually and graphically explosive and fiery, and they cast a spell on me.  I feel cursed to return for at least a few more issues.

7.5 out of 10

[This comic book contains a preview of New Challengers #1 by Scott Snyder, Aaron Gillespie, Andy Kubert, Klaus Janson, Brad Anderson, and Deron Bennett.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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DC Comics from Diamond Distributors for March 20, 2019

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Review: Dark Knight III: The Master Race #9

DARK KNIGHT III: THE MASTER RACE No. 9
DC COMICS – @DCComics

STORY: Frank Miller and Brian Azzarello
PENCILS: Andy Kubert
INKS:  Klaus Janson
COLORS: Brad Anderson
LETTERS: Clem Robins
COVER: Andy Kubert and Frank Miller with Brad Anderson; Frank Miller with Alex Sinclair
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Greg Capullo; Klaus Janson with Alex Sinclair; Frank Quitely; Mikel Janin; Chip Kidd
40pp (plus 16-page insert), Color, $5.99 U.S. (July 2017)

Batman created by Bob Kane with Bill Finger

A nine-issue comic book publishing event, Dark Knight III: The Master Race (also known as DKIII) is the second sequel to Batman: The Dark Knight Returns (also known simply as The Dark Knight Returns or DKR).  DKR is the now-legendary 1986 four-issue comic book miniseries written by Frank Miller and drawn by Miller (pencils) and Klaus Janson (inks).  DKR focuses on a 50-year-old Bruce Wayne who comes out of retirement to resume fighting crime as Batman.

DKIII is written by Brian Azzarello and Frank Miller; drawn by Andy Kubert (pencils) and Klaus Janson (inks); colored by Brad Anderson; and lettered by Clem Robins.  In DKIII, Batman unites with Superman to stop a murderous group of people from Superman's home planet, Krypton, from taking over the Earth.  Meanwhile, Superman's daughter with Wonder Woman, Lara, has joined with the murderous Kryptonians, and Carrie Kelley, the former Robin, begins to evolve into the new Batgirl.

As Dark Knight III: The Master Race #9 opens, the “master race” of Kryptonians from the Bottled City of Kandor and their leader, Quar, prepare to make the Earth unlivable in order to punish humanity for not worshiping them.  Enter Green Lantern and the Atom.  Batman has a surprise for Quar and company, but Superman may have the biggest surprise of all.

If I remember correctly, when it announced that DKIII was being extended to nine issues, DC Comics said there was more story to tell (or something like that).  After reading DKIII #9, I don't know if this is so much “more story” as it is an extended action sequence, all of which could have been wrapped up in a double-sized DKIII #8.

After much criticism and complaining about DKIII (with only scattered praise), I had to admit that I thought that DKIII #8 was not only the best issue of the series, but was also a truly good comic book.  DKIII #7 and #8 moved the narrative forward more powerfully than a locomotive, and #9 is nice finale slash coda coming after those two issues.

I think that DKIII #9 also came into existence to prepare the way for more comics set in the world of Batman: The Dark Knight Returns.  Rumor has it that DC may have outlines all the way to an eighth miniseries, and I'll probably read them all.  For all the series' unevenness, DKIII #9 has some surprises, like The Atom's pivotal moment and the last page, with its graphic homage to an iconic graphic from DKR.  Plus, I can't resist the eight-page gallery of Adam Kubert and Klaus Janson's art in black and white.  So in the end, I'll recommend Dark Knight III: The Master Race #9.

Dark Knight Universe Presents: Action Comics #1 (Insert comic book)
STORY: Frank Miller and Brian Azzarello
PENCILS: Frank Miller
INKS: Klaus Janson
COLORS: Alex Sinclair
LETTERS: Clem Robins
COVER: Frank Miller and Klaus Janson with Alex Sinclair

I have not really enjoyed these mini-comics inserted into the center of each issue of DKIII, but I did like DKIII #7's“Strange Adventures” and #8's “Detective Comics.”  In “Action Comics #1,” Batman provides a narration as we look in on heroes like Aquaman, Green Lantern, Flash, Wonder Woman, and The Atom.  Also, Lara and Carrie Kelley/Batgirl take the next steps in their lives (with Carrie's evolution alluded to at the end of the main story).  “Action Comics #1” is also a nice coda slash prelude to the probable “DKIV” or “DK4.”

B+
7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

-----------------------------

Review: DARK KNIGHT III: The Master Race #8

DARK KNIGHT III: THE MASTER RACE No. 8
DC COMICS – @DCComics

STORY: Frank Miller and Brian Azzarello
PENCILS: Andy Kubert
INKS:  Klaus Janson
COLORS: Brad Anderson
LETTERS: Clem Robins
COVER: Andy Kubert with Brad Anderson
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Frank Miller with Alex Sinclair; Klaus Janson with Brad Anderson; Bill Sienkiewicz; Riley Rossmo
32pp (plus 16-page insert), Color, $5.99 U.S. (May 2017)

Batman created by Bob Kane with Bill Finger

Dark Knight III: The Master Race (also known as DKIII) is a nine-issue Batman comic book event miniseries.  It is the second sequel to Batman: The Dark Knight Returns (also known simply as The Dark Knight Returns or DKR), the 1986 four-issue comic book miniseries written by Frank Miller and drawn by Miller (pencils) and Klaus Janson (inks).  DKR focuses on a 50-year-old Bruce Wayne who comes out of retirement to resume fighting crime as Batman.

DKIII is written by Brian Azzarello and Frank Miller; drawn by Andy Kubert (pencils) and Klaus Janson (inks); colored by Brad Anderson; and lettered by Clem Robins.  DKIII finds Batman united with Superman to stop a murderous group of people from Superman's home planet, Krypton, from taking over the Earth.

Dark Knight III: The Master Race #8 opens with the new Batgirl (Carrie Kelley) witnessing the seeming death of Batman.  However, Superman placed Batman's body in a Lazarus Pit, and now Bruce Wayne is not only alive, but young again.  Meanwhile, the “master race” of Kryptonians from the Bottled City of Kandor invade the home of Wonder Woman's and the Amazons (an island now called “Amazonia”).  The Kryptonians are sure that they will win their fight with the Amazons, but Wonder Woman and her people have something that can match the Superman-like powers of a master race.

After much criticism and complaining about DKIII (with only scattered praise), I have to admit that I think that DKIII #8 is not only the best issue of the series, but it is also a truly good comic book.  DKIII has been wildly inconsistent, but DKIII #7 and #8 move the narrative forward more powerfully than a locomotive.

I don't think... No, I know that I have not had this much fun reading the other issues of DKIII as I had reading #8, although #7, as I've said, is quite good.  Wonder Woman in full battle mode is a beautiful thing, and of course, this story barrels forward because #8 is the penultimate issue (although it was originally intended to be the last issue).  Of note, a younger Bruce Wayne adds fuel to the rumors that many more series set in the DKR universe are to come.

Dark Knight Universe Presents: Detective Comics #1 (Insert comic book)
STORY: Frank Miller and Brian Azzarello
PENCILS: Frank Miller
INKS: Klaus Janson
COLORS: Alex Sinclair
LETTERS: Clem Robins
COVER: Frank Miller with Alex Sinclair

I have not really enjoyed these mini-comics inserted into the center of each issue of DKIII, but I did like DKIII #7's“Strange Adventures,” which focuses on Green Lantern and two denizens of Thanagar.  This issue's “Detective Comics” insert is the best of the lot, thus far, and is Frank Miller's best work as an artist for these inserts.  This insert also features some familiar characters and story elements that first appeared in DKR, and that makes me happy.  Plus, this is “To be continued...”

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

---------------------------

DARK KNIGHT III: The Master Race #7

DARK KNIGHT III: THE MASTER RACE No. 7
DC COMICS – @DCComics

STORY: Frank Miller and Brian Azzarello
PENCILS: Andy Kubert
INKS:  Klaus Janson
COLORS: Brad Anderson
LETTERS: Clem Robins
COVER: Andy Kubert with Brad Anderson
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Frank Miller with Alex Sinclair; Klaus Janson with Dave McCaig; Howard Chaykin with Jesus Aburto; Chris Burnham with Nathan Fairbairn
32pp (plus 16-page insert), Color, $5.99 U.S. (February 2017)

Batman created by Bob Kane with Bill Finger

Dark Knight III: The Master Race (also known as DKIII) is the second sequel to Batman: The Dark Knight Returns (also known simply as The Dark Knight Returns or DKR), the landmark, four-issue comic book miniseries.  Published by DC Comics in 1986, DKR was written by Frank Miller; drawn by Miller (pencils) and Klaus Janson (inks); colored by Lynn Varley; and lettered by John Costanza.  DKR focused on a 50-year-old Bruce Wayne who comes out of retirement and resumes his crime-fighting role as Batman.

DKIII is written by Brian Azzarello and DKR's Frank Miller; drawn by Andy Kubert (pencils) and DKR's Klaus Janson (inks); colored by Brad Anderson; and lettered by Clem Robins.  DKIII finds Batman united with Superman to stop a murderous group of people from Superman's home planet, Krypton, from taking over the Earth.

Dark Knight III: The Master Race #7 opens in the aftermath of the battle in and over Gotham City, pitting Batman, Superman, and their allies against the “master race” of Kryptonians from Kandor.  And Batman is dead... or is he?  Superman has an idea about reviving his old friend.  Meanwhile, Quar, the leader of the Kryptonians, moves to strengthen his hold on Lara, the daughter of Superman and Wonder Woman, who has sided with the Kryptonians.  He wants her to do something for him...

I have to say that I enjoyed reading DKIII #7 more than I did issue #6.  I have found DKIII to be wildly inconsistent.  It is sometimes intense and gripping; other times, it is contrived and ridiculous – often within the same issue.

What is the difference with #7?  I think that this issue consolidates subplots and relationships, as the narrative prepares to move into the final acts of the series.  This issue is the first one that clearly depicts Lara's ambivalence, but also emphasizes that much of this story is about Lara's side of the family, in particularly her father, Superman.  Going forward as a reader, an issue like this one makes me feel more confident about the eight and ninth issues of Dark Knight III: The Master Race, the final two issues.

Dark Knight Universe Presents: Strange Adventures #1 (Insert comic book)
STORY: Frank Miller and Brian Azzarello
PENCILS: Frank Miller
INKS: Klaus Janson
COLORS: Alex Sinclair
LETTERS: Clem Robins
COVER: Frank Miller with Alex Sinclair

I have not really enjoyed these mini-comics inserted into the center of each issue of DKIII, but I like this issue's “Strange Adventures” that focuses on Green Lantern and two denizens of Thanagar.  The interplay of the items that give these heroes their power with the mounting danger of their adversaries makes this a gripping mini-thriller with a nice ending.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

------------------------

Review: Dark Knight III: The Master Race #6

DARK KNIGHT III: THE MASTER RACE No. 6
DC COMICS – @DCComics

STORY: Frank Miller and Brian Azzarello
PENCILS: Andy Kubert
INKS:  Klaus Janson
COLORS: Brad Anderson
LETTERS: Clem Robins
COVER: Andy Kubert with Brad Anderson
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Frank Miller with Alex Sinclair; Klaus Janson with Romulo Fajardo, Jr.; Greg Tocchini; Giuseppe Camuncoli with Dave Stewart
32pp (plus 16-page insert), Color, $5.99 U.S. (December 2016)

Batman created by Bob Kane with Bill Finger

For a long time, film critics and movie buffs considered sequels to acclaimed and/or popular films to be inferior, and they mostly were.  Sequels were often cheaper, made with production budgets that were lower (sometimes much lower) than the original film's budget.  Sometimes, not only were key members of the original cast missing, but also missing were the original screenwriter(s) and director.

Of course, there were exceptions.  Many people think that The Godfather II was a better film than The Godfather, which itself is one of the greatest films of all time.  George Lucas may have been unhappy with the reception to The Empire Strikes Back, but almost everyone thinks this sequel was vastly superior to the more famous and financially successful Star Wars (1977).  And Christopher Nolan's The Dark Knight (2008) practically eclipsed his first Batman film, Batman Begins (2005), which itself was and still is one of the best movies based on a superhero comic book ever made.

Batman: The Dark Knight Returns (also known simply as The Dark Knight Returns or DKR) was a four-issue comic book miniseries starring Batman.  Published by DC Comics in 1986, this prestige-format comic book was written by Frank Miller; drawn by Miller (pencils) and Klaus Janson (inks); colored by Lynn Varley; and lettered by John Costanza, with the book covers drawn by Miller and Varley.  Dark Knight III: The Master Race (also known as DKIII), the second sequel to DKR, is an inferior sequel to a landmark original.

Yes, a planned nine-issue series, DKIII is written by DKR's Frank Miller and Brian Azzarello; drawn by Andy Kubert (pencils) and DKR's Klaus Janson (inks); colored by Brad Anderson; and lettered by Clem Robins.  Yes, you have the original author and some of the biggest names in mainstream comic books joining him, but DKIII is not only inferior, but is also nothing more than corporate product meant to cash in on a still-famous original.  But first things first...

Dark Knight III: The Master Race #6 finds Batman and Superman leading a revolt against the alien menace from the Bottled City of Kandor (now grown full-size) that has put Gotham City under siege and threatens the same to the rest of the world.  Meanwhile, Carrie, the Robin from DKR who is now the new Batgirl(?), battles the new “Supergirl,” who is Lara, the daughter of Superman and Wonder Woman.  How does it end?  With a death... maybe.

First, I don't buy that Frank Miller actually has much input in the main narrative.  Yeah, you can rag on The Dark Knight Strikes Again (DK2), the original sequel, but it was both original and an eclectic take on familiar comics tropes.  DKIII is just a rehash of ideas from DKR – old and aging superheroes, Bat vs. Kryptonian, and some vague law and order themes.  In some ways, this doesn't even rise to the level of Azzarello's previous and acclaimed work.

Secondly, The Dark Knight Returns was a “What if” or “Elseworlds” Batman story that DC Comics bosses and comic book fans turned from a special event into an entrenched mindset.  They can't let it go, and everything that they have done with it since the debut of DKR only serves to prove how special and of-its-times the original was.  Even Frank Miller has not been able to recapture the glory of the original, and honestly, the only thing that Brian Azzarello and Andy Kubert can do is lend their names to the corporate, Batman sub-brand that is “The Dark Knight.”

Dark Knight III: The Master Race is not a bad comic.  I bought into the hype, although part of me knew where this was going even while buying the product.  There are indeed some stand-out Batman comics being done right now by Scott Snyder and John Romita, Jr. on All-Star Batman and by Tom King and David Finch on Batman.

Dark Knight Universe Presents: World's Finest #1 (Insert comic book)
STORY: Frank Miller and Brian Azzarello
PENCILS: Frank Miller
INKS: Klaus Janson
COLORS: Alex Sinclair
LETTERS: Clem Robins
COVER: Frank Miller with Alex Sinclair

Frank Miller seems to have a bigger hand in these Dark Knight Universe Presents comic books which are inserted in the middle of each issue of DKIII.  To date, there has not been much to say about them, and that has not changed.

C+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

---------------------

Review: DARK KNIGHT III: The Master Race #1

DARK KNIGHT III: THE MASTER RACE No. 1
DC COMICS – @DCComics

[This review originally appeared on Patreon.]

STORY: Frank Miller and Brian Azzarello
PENCILS: Andy Kubert
INKS:  Klaus Janson
COLORS: Brad Anderson
LETTERS: Clem Robins
COVER: Andy Kubert and Klaus Janson
VARIANT COVERS: Jim Lee and Scott Williams with Alex Sinclair; Frank Miller with Alex Sinclair; Dave Gibbons and Klaus Janson with Brad Anderson; Jill Thompson
32pp, Color, $2.99 U.S. (January 2016)

Batman created by Bob Kane with Bill Finger

Batman: The Dark Knight Returns (also known simply as The Dark Knight Returns) was a four-issue comic book miniseries starring Batman.  Published by DC Comics in 1986, this prestige-format comic book was written by Frank Miller; drawn by Miller (pencils) and Klaus Janson (inks); colored by Lynn Varley; and lettered by John Costanza, with the book covers drawn by Miller and Varley.

Individually, the books were entitled “The Dark Knight Returns” (Book One); “Dark Knight Triumphant” (Book Two); “Hunt the Dark Knight” (Book Three); and “The Dark Knight Falls” (Book Four).  The series takes place in a future in which Bruce Wayne is 55 and retired from being Batman.  Gotham City's ongoing troubles give Wayne the reason he uses to bring Batman out of retirement, but Batman faces opposition from the city government and the police force.  The series introduces a new Robin, a girl named Carrie Kelley; depicts Batman's final battle with The Joker; and culminates with a confrontation against Superman, which leaves the world thinking that Batman is dead.

Batman: The Dark Knight Returns (also known as “DKR”) yielded a three-volume sequel, The Dark Knight Strikes Again (also known as “DK2”), published by DC Comics from late 2001 into 2002.   DC Comics has spent the last four years reliving its mid to late 1980s glory days, so now, there is a second sequel to The Dark Knight Returns.  This is an eight-issue series entitled Dark Knight III: The Master Race (also known as DKIII).  It is written by Frank Miller and Brian Azzarello; drawn by Andy Kubert (pencils) and Klaus Janson (inks); colored by Brad Anderson; and lettered by Clem Robins.

Kubert and Janson will be the lead cover artists, but DC is publishing numerous variant covers, about 50 for the issue of DKIII.  Each issue will also include an insert entitled “Dark Knight Universe Presents” drawn by different art teams and written by Miller and Azzarello... apparently.

Dark Knight III: The Master Race #1 opens with the return (once again) of Batman, but this time, the authority in Gotham City is even less welcoming.  Commissioner Yindel and the rest of the Gotham City Police Department are ready to take-down Batman.  Meanwhile, Wonder Woman fights and a legendary small city wants help, while Superman remains in limbo.

Dark Knight III: The Master Race #1 is not as good as Batman: The Dark Knight Returns, Book One.  Let's just get that out of the way.  DKIII colorist Brad Anderson is nowhere nearly as good as DKR colorist, the legendary Lynn Varley (Frank Miller's ex-wife), whose watercolor-like hues were both subtle and vivid.  There is nothing distinguishing about the work of DKIII letterer Clem Robins, certainly not in the way DKR's John Costanza's lettering was so distinctive.

DKIII's art team of Andy Kubert and Klaus Janson capture the spirit and some of the style of DKR's Frank Miller and Janson.  Kubert, however, does not match the imaginative page layouts and awe-inspiring design that Miller gave the original work.

There is a rumor that Frank Miller has contributed relatively little to the storytelling in DKIII.  Word is that DC Comics was developing DKIII independently of Miller and went to him after they'd already made the decision to produce the project.  At the very least, Azzarello is clearly writing the scripts.  It shows.  This is not bad work, but nothing about this suggests the imagination and inventiveness that Frank Miller has brought to all his work:  the good stuff, the bad stuff, and the ambivalent experimental work.  Azzarello, as good as he can be, cannot be like Frank Miller because he is not in Miller's league, no matter how much Jim Lee, Geoff Johns, and the powers at DC Comics pretend he is.

Things could change; I could be delightfully surprised.  But right now Dark Knight III: The Master Race #1 is no more special than any other Batman comic book that is a particularly good read.

B

Dark Knight Universe Presents: The Atom #1 (Insert comic book)
STORY: Frank Miller and Brian Azzarello
PENCILS: Frank Miller
INKS: Klaus Janson
COLORS: Alex Sinclair
LETTERS: Clem Robins
COVER: Frank Miller with Alex Sinclair

Frank Miller actually pencils Dark Knight Universe Presents: The Atom #1, with Klaus Janson inking.  And no, it does not remind me of Batman: The Dark Knight Returns or Frank Miller's run on Daredevil, on which Janson was Miller's most frequent collaborator and partner.

This has potential, but it lacks the spark of any of Miller's best work.

B

[Retailer variant cover artists and art teams:
Dave Johnson; Sean Gordon Murphy; Lee Bermejo; Klaus Janson; Rafael Albuquerque; Jae Lee with June Chung; Eduardo Risso; Jock; Walter Simonson with Laura Martin; Ivan Reis with Marcelo Maiolo; Aaron Lopresti; Tyler Kirkman with Tomeu Morey; Brian Bolland; Paul Pope with Jose Villarrubia; Gabriele Dell'Otto; John Cassady with Laura Marin; Tony Daniel with Tomeu Morey; Matt Wagner with Brennan Wagner; Michael Allred and Laura Allred; Brian Stelfreeze; Amanda Conner with Paul Mounts; Terry Dodson and Rachel Dodson; Jason Fabok with Brad Anderson; Darwyn Cooke, Josh Middleton; Gary Frank with Brad Anderson; Howard Porter with Hi-Fi; Kevin Eastman with Varga Tamás; Bill Sienkiewicz; Dave Dorman; Greg Capullo with FCO Plascencia; Stanley “Artgerm” Lau; Marc Silvestri with Alex Sinclair; Kelley Jones; Dale Keown with Jason Keith; Neal Adams with Alex Sinclair; Simon Bisley; Tony Harris; David Finch and Scott Hanna with Brad Anderson; Scott Williams with Alex Sinclair; John Romita, Jr. and Danny Miki with Dean White; Adam Hughes; Francis Manapul; J. Scott Campbell with Nei Ruffino; Tim Sale; Bruce Timm; Babs Tarr]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this site for reprint and syndication rights and fees.

----------------------------------

Marvel Comics from Diamond Distributors for March 2, 2016

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JAN160755     MARVEL UNIVERSE AVENGERS ASSEMBLE CIVIL WAR #1     $2.99
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SEP150179     DARK KNIGHT III MASTER RACE #1     $5.99
SEP150212     DC COMICS BOMBSHELLS #5     $3.99
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AUG150265     EARTH 2 TP VOL 05 THE KRYPTONIAN     $16.99
SEP150215     FLASH #46     $3.99
AUG150268     FLASH BY GEOFF JOHNS TP BOOK 01     $24.99
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SEP150281     HE MAN THE ETERNITY WAR #12     $2.99
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SEP150219     JUSTICE LEAGUE 3001 #6     $2.99
AUG150174     JUSTICE LEAGUE OF AMERICA #5     $3.99
AUG150292     KITCHEN TP (MR)     $16.99
SEP150225     OMEGA MEN #6     $2.99
SEP150273     ROBIN SON OF BATMAN #6     $3.99
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SEP150247     SUPERMAN LOIS AND CLARK #2     $3.99
SEP150243     SUPERMAN WONDER WOMAN #23     $3.99
SEP150275     WE ARE ROBIN #6     $3.99
SEP150237     WONDER WOMAN #46     $3.99

DC COMICS/DC COLLECTIBLES

APR150332     ARROW TV ARSENAL AF     $24.95
AUG150307     BATMAN ANIMATED SERIES BANE AF     $25.00
AUG150308     BATMAN ANIMATED SERIES MAD HATTER AF     $25.00
AUG150305     BATMAN ANIMATED SERIES NIGHTWING AF     $25.00
AUG150306     BATMAN ANIMATED SERIES SCARECROW AF     $25.00
JUN150343     BATMAN ARKHAM KNIGHT CATWOMAN AF     $24.95
MAY150291     DC COMICS BOMBSHELLS JOKER & HARLEY QUINN STATUE     $249.95
APR150346     GOTHAM CITY GARAGE HARLEY QUINN STATUE     $349.95

Review: SUPERMAN #41

SUPERMAN #41
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

WRITER: Gene Luen Yang
PENCILS: John Romita, Jr.
INKS: Klaus Janson
COLORS: Dean White
LETTERS: Rob Leigh
COVER: John Romita, Jr. and Klaus Janson with Alex Sinclair
VARIANT COVER: Karl Kerschl (Joker 75th anniversary cover)
32pp, Color, $3.99 U.S. (August 2015)

Rated “T” for “Teen”

Superman created by Jerry Siegel and Joe Shuster

“Before Truth” Part 1

DC Comics' new-look slash new-direction, “DCYou,” not only means the launch of new comic book series, but it also means a change for ongoing titles.  One of those titles taking on a new direction is Superman, featuring the debut of acclaimed graphic novelist, Gene Luen Yang, as the series' new regular writer.  The art team of Superman remains the same as it has been for the last year:  John Romita, Jr. (pencils) and Klaus Janson (inks), with colorist Dean White and letterer Rob Leigh.

Superman #41 (“Before Truth” Part 1) opens with a tease of what is to come for Superman.  The story returns to the “present” with Clark Kent still dealing with the changes in his Superman powers and abilities.  Something else that is new in Kent's life is unknown figures who sends mysterious text messages that offer tips about the kind of illegal activities that Superman fights.

One tip guides Kent and Jimmy Olsen, who now knows that Clark is Superman, to the underground factory of a black market, hi-teach weapons dealer.  It is indeed a hot and accurate tip, but what are the real motives of this “unknown source?”  And how does it affect Superman's future?

Although I am aware of Gene Luen Yang's work, I have never read any of it.  I was curious about how he would approach Superman, but I expected only a minor change in tone.  Boy, was I wrong.  Everything about Superman #41 seems fresh and, in some instances, new.  This is a Superman that looks forward, with hope and possibility and ready for whatever comes with change.  I think that Superman has always been about tomorrow, about hope, and about the new.  The character grows moribund when the status quo takes hold for years at a time.

In fact, I think that Yang is a better Superman writer for John Romita, Jr.  Previous Superman writer, Geoff Johns, played to Romita's ability to summon the spirit of Jack Kirby in creating king-sized brawls between super-powered beings.  Yang plays to Romita's strengths as a storyteller who is both inventive and imaginative, also to his ability to change mood, tone, and atmosphere within a single chapter.  So this new direction for Superman is about both Gene Luen Yang and John Romita, Jr.

A

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

Review: Creative Team Makes "SUPERMAN #38" Super

Reviewed by Albert Avilla

SUPERMAN #38

STORY: Geoff Johns
PENCILS: John Romita, Jr.
INKS: Klaus Janson
COLORS: Laura Martin, Ulises Arreola, Dan Brown, Wil Quintana
LETTERS: Sal Cipriano

Superman created by Jerry Siegel and Joe Shuster

SPOILER ALERT

The Men of Tomorrow: Chapter 7 - “Friends and Enemies”

I don't read a lot of Superman stories, but recently, I have been able to read this story arc.  The hype machine got me interested in learning about Superman's new power.  Why does he need a new power?  He is already the head, number-one, ass-kicker in the DC Universe.  But growth is good.  We don't want stagnant characters.

I feel fortunate that I got lucky to read this story because of some key events.  Superman makes a catastrophic mistake that has catastrophic consequences.  This makes him more fallible, not the all powerful super-being who can accomplish anything.  I would have liked to see him a little upset about the situation, not just jump back into his regular routine without a pause.  He is sympathetic toward Ulysses, but I think Geoff Johns misses a chance to demonstrate Superman's human side and to get us in our emotions (new slang that I learned from the kids).

Of course, the new power is a big event.  I like that it evolves from a power that Superman already has, and it leaves him vulnerable after he uses it. A real hero puts his life on the line.  I don't want him to use this power like fireworks on the Fourth of July.  My question is simple:  is this the final manifestation of this power or will it evolve?

That's not the only bomb that Superman drops on us.  Superman reveals his secret identity to Jimmy Olsen.  Now, Jimmy is Superman's best friend.

This is one of Mr. John's best offerings.  He has met the standard set by his own talent.  We can appreciate the masters, John Romita and Klaus Janson, on this art team.  From the Fourth Dimension to Metropolis to Superman exploding, the art is exquisite and sublime. These gentlemen are focused on making Superman the pinnacle of comic art.

I rate Superman #38 Buy Your Own Copy (#2 on the Al-o-Meter)


The text is copyright © 2015 Albert Avilla. All Rights Reserved. Contact this blog for syndication rights and fees.

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APR150246     ACTION COMICS #41     $3.99
APR150177     BAT MITE #1     $2.99
APR150258     BATMAN ARKHAM KNIGHT #5     $3.99
APR150179     BATMAN BEYOND #1     $2.99
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APR150227     FLASH SEASON ZERO #9     $2.99
MAR150270     GRAYSON HC VOL 01 AGENTS OF SPYRAL (N52)     $22.99
APR150228     GREEN ARROW #41     $2.99
MAR150279     GREEN ARROW TP VOL 03 THE TRIAL OF OLIVER QUEEN     $16.99
APR150273     GREEN LANTERN #41     $3.99
APR150222     JUSTICE LEAGUE #41 (NOTE PRICE)     $4.99
APR150235     LOBO #7     $2.99
APR150279     LOONEY TUNES #225     $2.99
APR150201     MIDNIGHTER #1     $2.99
APR150277     MORTAL KOMBAT X #7 (MR)     $3.99
APR150203     OMEGA MEN #1     $2.99
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APR150243     WONDER WOMAN ANNUAL #1     $4.99
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DC COMICS/DC COLLECTIBLES
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DC Comics from Diamond Distributors for August 6, 2014

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JUN140235     BATWING #34     $2.99
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JUN140221     DETECTIVE COMICS #34     $3.99
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JUN140185     TRINITY OF SIN PHANTOM STRANGER #22     $2.99
MAY140381     WORLD OF WARCRAFT BLOODSWORN TP     $16.99

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Marvel Comics from Diamond Distributors for November 6 2013

MARVEL COMICS

SEP130740 AMAZING X-MEN #1 MCGUINNESS WRAPAROUND $3.99
JUN130672 AVENGERS WEST COAST OMNIBUS HC VOL 02 PACHECO CVR $75.00
SEP130712 CAPTAIN AMERICA #13 $3.99
AUG130798 CAPTAIN MARVEL #17 $3.99
SEP130685 CATACLYSM ULTIMATES LAST STAND #1 $3.99
JUN130667 DAREDEVIL BY MILLER AND JANSON OMNIBUS HC NEW PTG $99.99
SEP130726 DAREDEVIL DARK NIGHTS #6 $2.99
SEP130731 EMERALD CITY OF OZ #4 $3.99
SEP130769 FANTOMEX MAX #2 (MR) $3.99
JUN130677 HAWKEYE HC VOL 01 $34.99
SEP130723 IRON MAN #18 $3.99
SEP130737 LONGSHOT SAVES MARVEL UNIVERSE #1 $2.99
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AUG130870 MARVELS THOR DARK WORLD ART OF MOVIE HC SLIPCASE $49.99
SEP130668 MIGHTY AVENGERS #3 INF $3.99
AUG130892 OZ ROAD TO OZ GN TP $16.99
SEP130771 PAINKILLER JANE PRICE OF FREEDOM #1 (MR) $3.99
SEP130732 SHIELD ORIGINS TP $7.99
AUG130898 THANOS TP REDEMPTION $34.99
AUG130879 UNCANNY X-MEN PREM HC VOL 02 BROKEN $24.99
SEP130763 X-MEN LEGACY #19 $2.99

2013 Harvey Award Winners Complete List

Comic Professionals Honor Peers at the 2013 Harvey Awards Banquet

Comic Professionals came together Saturday night, September 7, 2013 to honor their peers during the presentation of the 2013 Harvey Awards.

The 2013 Harvey Awards were sponsored by presenting Sponsor Guinness; Platinum Sponsors Baltimore Comic-Con and Cards, Comics & Collectibles; Gold Sponsors Boom! Studios, DC Entertainment, Third Eye Comics; Silver Sponsors ComicMix, Comic WOW!, Geppi's Entertainment Museum, Insight Studios; Friend Sponsors Steve Conley's Bloop, Fantastic Forum, Graphitti Designs, and Painted Visions Comics, Cards & Games; and Gift Bag Sponsors Abrams ComicArts, BOOM! Studios, Dark Horse, DC Entertainment, Dynamite Entertainment, Fantastic Forum, Honest Tea, IDW Publishing, Popfun Collectibles, Random House publishing, Scholastic, and Valiant. The banquette to honor those nominated and the winners in more than 20 categories was hosted by the Baltimore Comic-Con and Cards, Comics & Collectibles.

Named in honor of Harvey Kurtzman, the Harvey Awards recognize outstanding achievement in the field of comics, and is the only industry award both nominated and selected by comic professionals. First awarded in 1988, it is one the industries oldest and most respected awards.

Writer Bill Willingham, best know as the scribe of Vertigo's Fables, acted as host and Master of Ceremonies for this year's event.

Special thanks go to the sponsors who generously donated to the 2013 Harvey Gift Bags, including: Abrams ComicArts; BOOM! Studios; Dark Horse Comics; DC Entertainment; Dynamite Entertainment; Fantastic Forum; Honest Tea; IDW Publishing; Popfun Collectibles; Random House Publishing; Scholastic Books; and Valiant Entertainment.

The 2013 Harvey Award winners include:

Best Original Graphic Album:  RICHARD STARK'S PARKER: THE SCORE, IDW

Best Continuing or Limited Series:  SAGA, Image Comics

Best Writer:  Brian K. Vaughan, SAGA, Image Comics

Best Artist:  Fiona Staples, SAGA, Image Comics

Best Cartoonist:  Jaime Hernandez, LOVE AND ROCKETS: NEW STORIES

Best Single Issue or Story:  SAGA # 1, Image Comics

Best Letterer:  Todd Klein, FABLES, DC Comics

Best Colorist:  Fiona Staples, SAGA, Image Comics

Best Syndicated Strip or Panel:  DICK TRACY, Joe Staton and Mike Curtis, Tribune Media Services

Best Online Comics Work:  BATTLEPUG, Mike Norton, http://www.battlepug.com/

Best American Edition of Foreign Material:  BLACKSAD: A SILENT HELL, Dark Horse

Best Inker:  Klaus Janson, CAPTAIN AMERICA, Marvel Comics

Best New Series:  SAGA, Image Comics

Most Promising New Talent:  Dennis Hopeless, AVENGERS ARENA, Marvel Comics

Special Award for Humor in Comics:  Ryan North, ADVENTURE TIME, KaBOOM! Studios

Best Original Graphic Publication for Younger Readers:  ADVENTURE TIME, KaBOOM! Studios

Best Graphic Album Previously Published:  ALIEN: THE ILLUSTRATED STORY, Titan Books

Best Anthology:  DARK HORSE PRESENTS, various, Dark Horse

Best Domestic Reprint Project:  DAVID MAZZUCHELLI'S DAREDEVIL BORN AGAIN: ARTIST'S EDITION, IDW

Best Cover Artist:  David Aja, HAWKEYE, Marvel Comics

Best Biographical, Historical or Journalistic Presentation:  ROBOT 6 WEBSITE, Comic Book Resources

Special Award for Excellence in Presentation:  BUILDING STORIES, Chris Ware, Pantheon Books

Dick Giordano Humanitarian of the Year Award:  Paul Levitz

Hero Initiative Lifetime Achievement Award: Sal Buscema

In addition, the Baltimore Comic-Con would like to thank those individuals who presented at this year's award ceremony, including: Joe Staton, Roger Langridge, Mark Buckingham, Ron Frenz, Dinesh Shamdasani, Bob Chapman, Josh Adams, Ramona Fradon, Mark Waid, Steve Geppi, Joe Hill, Dean Haspiel, Terry Moore, Neal Adams, Dan Parent, and Stan Sakai.  We would also like to thank Mark Wheatley for his contributions to our voting ballots, program guide for the evening, and awards ceremony presentation, and Glenn Hauman for his "web mastery".

The Baltimore Comic will host the Harvey Awards for the ninth year during the 15th annual show, taking place September 5-7, 2014.

In the coming monthss, look for more announcements from the Baltimore Comic-Con. We are looking forward to highlighting our guests, the Harvey Awards, industry exclusives, and programming. The latest developments can always be found on our website, Twitter, and Facebook pages.

Contact Information
Please use the following e-mail addresses to contact the Baltimore Comic-Con:

press@baltimorecomiccon.com - for any general press inquiries or to be added to our PR distribution

promoter@baltimorecomiccon.com - for requesting exhibitor, publisher, and Artist Alley applications

registrar@baltimorecomiccon.com - for inquiries about submitted registrations

harveys@baltimorecomiccon.com - for the Harvey Awards ceremony and banquet

general@baltimorecomiccon.com - for general Baltimore Comic-Con inquiries

About The Baltimore Comic-Con
The Baltimore Comic-Con is celebrating its 14th year of bringing the comic book industry to the Baltimore and Washington D.C. area. For more information, please visit www.baltimorecomiccon.com.

About The Harvey Awards
The Harvey Awards are one of the comic book industry's oldest and most respected awards. With a history of over 25 years, the last 7 in conjunction with the Baltimore Comic-Con, the Harveys recognize outstanding achievements in over 20 categories. They are the only industry awards nominated and selected by the full body of comic book professionals. For more information, please visit www.harveyawards.org