I posted a review at the ComicBookBin (which has free smart phone apps and comics).
Sunday, July 7, 2013
Bakuman: Decision and Joy
I read Bakuman., Vol. 19
I posted a review at the ComicBookBin (which has free smart phone apps and comics).
I posted a review at the ComicBookBin (which has free smart phone apps and comics).
Saturday, July 6, 2013
Review: ZITS: Chillax
ZITS: CHILLAX
HARPERTEEN/HARPERCOLLINS CHILDREN – @HarperCollins and @HarperChildrens
AUTHORS/ILLUSTRATORS: Jerry Scott and Jim Borgman
ISBN: 978-0-06-222851-2; paperback (May 21, 2013)
256pp, B&W, $9.99 U.S.
Ages 13 and up
Debuting in July 1997, Zits is a comic strip written by cartoonist Jerry Scott and drawn by artist Jim Borgman. The strip is set in a suburban central Ohio area and stars Jeremy Duncan, a 16-year-old high school sophomore. Zits: Chillax is a 2013 teen novel from Scott and Borgman and is set in the world of Zits. Zits: Chillax is also an illustrated novel, featuring more than 300 illustrations.
Just about every page of Zits: Chillax features art. There are spot illustrations throughout the text. Some pages are half-art and half text, and some pages are entirely illustrated, while there are many full and half double-page spreads. If that were not enough to put the “illustrated” in illustrated novel, the authors have also included art that imitates comic strips and comic books.
Zits: Chillax stars Jeremy Duncan, described as a teen slacker. He has a girlfriend (Sara Toomey), a best friend (Hector Garcia), and is the lead guitarist of a four-member garage band called Chickenfist. Now, Jeremy is about to go to his first real rock concert, and it will be a chance for him to see his favorite musical act, the guitar mayhem band, Gingivitis.
However, the only reason Jeremy and Hector got two tickets to the Gingivitis show is because the tickets’ original owner, Tim, their friend and fellow band mate, will be busy donating bone marrow for his cancer-stricken mother. Jeremy’s parents, Connie and Walter (“Walt”) Duncan, and his friends and their parents are doing things to support Tim and his family. However, Jeremy and Hector are going to be at the concert the very night Tim will be in a hospital donating the bone marrow. Jeremy and Hector decide to have a rockin’ good time in support of their pal, and hopefully also score him a supremely cool souvenir. The pursuit of fun and swag leads to a night the two friends will never forget.
The press release that I received with my review copy of Zits: Chillax (from HarperCollins) says that the book “speaks ‘teen’ fluently…” Other than what I hear on television, I don’t know what teenaged vernacular is this year, but Chillax has slang and language that I recognize from pop culture. Actually, I don’t care about what Chillax “speaks,” but I assume that it is important to the publishers.
What I do care about is the quality of Zits: Chillax. It is actually a good read, and I say “actually” because I was mostly bored with this book for the first three chapters. At the end of the third chapter, Tim announces his mother’s cancer. Suddenly, the book changes, and, for me, it really starts to grapple with what it means to be a teenager when “real life,” meaning adult troubles, intrude on the fun time.
I remember, as a child, avoiding anything to do with discussing cancer. Once, my mother took us to visit one of her relatives who had late stage cancer. My mother told me that the relative “looked really bad.” So when we got to the relative’s home, I stayed in the car, because I was so afraid of what she might look like. I remember staring at the house, imagining the sick person behind the front door. I think Stephen King could have transformed my thoughts and feelings at that moment into a story to scare everyone. In reality, there was nothing or no one truly frightening behind that door.
However, Zits: Chillax is not downbeat. It is a gentle, yet lively teen adventure about teenagers being allowed to find their own way to express friendship and solidarity when faced with tough issues like grave and serious illness. Zits: Chillax is funny and has heart, and I am happy that there will be another Zits illustrated teen novel, Zits: Shredded!, which is previewed at the back of this book.
Aimed at teenagers, I think Zits: Chillax is appropriate for and will appeal to late pre-teen readers. Plus, fans of the Zits comic strip – of all ages – should try this book.
A-
Reviewed by Leroy Douresseaux
Friday, July 5, 2013
Review: B.P.R.D.: Vampire #4
DARK HORSE COMICS – @DarkHorseComics
STORY: Mike Mignola, Gabriel Bá, Fábio Moon
ART: Gabriel Bá and Fábio Moon
COLORS: Dave Stewart
LETTERS: Clem Robins
COVER: Fábio Moon
EDITOR: Scott Allie
28pp, Color, $3.50 U.S. (June 2013)
We have now reached the penultimate issue of B.P.R.D.: Vampire from Mike Mignola and Gabriel Ba and Fabio Moon. The B.P.R.D., of course, is the Bureau for Paranormal Research and Defense, which protects America and the rest of the world from the occult, the paranormal, and the supernatural. The new comic book miniseries, B.P.R.D.: Vampire, is a direct sequel to B.P.R.D.: 1948 and is separate from the main B.P.R.D. comic book series.
The five-issue miniseries is written Mike Mignola and Gabriel Bá and Fábio Moon and drawn by Bá and Moon. It is set in 1948 and follows Agent Simon Anders and his quest for revenge against a clan of vampires and its Gorgon-eyed queen, Hecate. After consulting “witch maps,” Anders travels to Cesky Krumlov, Czechoslovakia. There, he and his guide, Hana Novarov, find Krumlov Castle, where Anders meets the conniving vampire sisters, Katharina and Annaliese.
B.P.R.D.: Vampire #4 opens after Agent Anders’ battle with Lord Wilhelm. His time in Krumlov Castle has changed him, however. Now, he faces a small army of witches, and they want to kill him. Meanwhile, Hana calls B.P.R.D. Headquarters.
Now, that B.P.R.D.: Vampire has reached its penultimate issue, it becomes obvious why press material for the series refers to Agent Simon Anders as “doomed.” The confrontation between Anders and his “guests” and a gathering of witches is worth the price of admission.
Gabriel Bá and Fábio Moon have not run out of ideas; their art for this series is as visually arresting as ever. The striking colors by Dave Stewart remind that B.P.R.D.: Vampire is a graphical narrative. The pictures tell a story that is as impressionistic and psychological as it is literal. You have to read the art and graphics to get the full impact of this story. I’m ready for the finale.
A
Reviewed by Leroy Douresseaux
Thursday, July 4, 2013
Review JIU JIU Volume 5
VIZ MEDIA – @VIZMedia
CARTOONIST: Touya Tobina
TRANSLATION: Tetsuichiro Miyaki
ENGLISH ADAPTATION/EDITOR: Annette Roman
LETTERS: James Gaubatz
ISBN: 978-1-4215-5378-8; paperback (July 2013); Rated “T+” for “Older Teen”
192pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
Jiu Jiu Volume 5 is the final volume of the shojo manga from creator Touya Tobina. Essentially a supernatural, dark fantasy with elements of both horror and teen romance, Jiu Jiu focuses on Takamichi Hachioji, a teen girl who was born into a family that pursues and kills demons.
The Hachioji Clan is the largest clan of Dark Hunters. “Dark Hunters” are people who hunt and slay the demons that lurk in the shadows. After the death of her twin brother, Takayuki, Takamichi receives from her family a pair of half-animal/half-human wolf-pups, named Snow and Night. She must train them to be her “Jiu Jiu,” a Dark Hunter’s familiar and hunting partner. The question is not only can she train them, but because they can transform into humans, can she also keep them on the leash?
As Jiu Jiu, Vol. 5 (Chapters 20 to 23/Final) opens, Kankuro moves forward with his plan to be the new head of the Hunters – by force. That means he must first commit a shocking murder and then, continue to agitate against the use of Jiu Jiu. Kankuro is helped by the actions of Snow and Night, especially of Snow
Meanwhile, questions continue to arise as to the true fate of Takayuki Hachioji, Takamichi’s brother. It also seems as if Takamichi will marry her current fiancé, Seijuro Shiratori. Now, all the intrigue comes to a head, but how will it leave Takamichi and her “dogs,” Snow and Night?
The Jiu Jiu manga proved to be a dark and edgy series, filled with characters that played at rivalries filled with bitterness and jealousy. It also had a weird romantic side, one that teased of a love between a woman and characters that were human, but could also be described as beasts, creatures, and demons.
I am disappointed to see it end, as the concept is one that could have run longer. The final chapters are melancholy, and the ending is bittersweet for reasons, which if revealed, would be irritating spoilers. However, I must repeat that Jiu Jiu should be read because it is dark and a bit nasty (in terms of the innuendo and violence). Jiu Jiu isn’t safe; it has bite, and sometimes, that is a good thing for a shojo manga to have.
A-
Reviewed by Leroy Douresseaux
Wednesday, July 3, 2013
DC Comics Releases More Details on "The Sandman's" Return
Bestselling author will revisit groundbreaking comic book series in October with new story
BURBANK, Calif.--(BUSINESS WIRE)--This October, author Neil Gaiman returns to the realm of the Endless for an eagerly anticipated tale that will bring readers back to one of the most critically-acclaimed comic book series ever. THE SANDMAN: OVERTURE will unite Gaiman with visionary artist J.H. Williams III and reveal a previously untold story in THE SANDMAN mythos. The announcement was made today by Shelly Bond, Executive Editor of Vertigo, an imprint of DC Entertainment.
One of the most popular, groundbreaking, bestselling and award-winning comic books of the last twenty-five years, Gaiman’s THE SANDMAN stands tall as one of the few graphic novel series ever to be on the The New York Times Best Seller list and lauded by critics the world over for its transformative storytelling in the comic book industry.
On October 30th, Gaiman returns to his beloved universe for the first time in more than 10 years since ending the series. The story will explore Morpheus’ world before he was captured, which is bound to captivate the hearts and imaginations of the most loyal fans and new readers alike. Brought to life by renowned artist J.H. Williams III (BATWOMAN, PROMETHEA), THE SANDMAN: OVERTURE #1 will be an oversized issue and will showcase his talent with a spectacular interior gatefold.
“This is the one story that we never got to tell,” Gaiman told The New York Times today. “In SANDMAN #1 Morpheus is captured somehow. Later on in the series, you learn he was returning from somewhere far, far away - but we never got to the story of what he was doing and what had happened. This is our chance to tell that story, and J.H. Williams III is drawing it. It’s the most beautiful thing in the world.”
"Neil Gaiman returning to the lush, evocative world he created with Sandman is a literary event," said Diane Nelson, DC Entertainment President. "We're honored to have Neil back for a story only he and J.H. can tell. It's a testament to the lasting power of Vertigo, Sandman and Neil's amazing creativity. "
THE SANDMAN: OVERTURE will be published bi-monthly with issue #1 arriving on October 30th, 2013. Each issue of THE SANDMAN: OVERTURE will feature stunning covers by Williams and original series cover artist Dave McKean and will be published on the same day digitally.
Also bi-monthly and alternating with the main OVERTURE series, Vertigo will publish THE SANDMAN: OVERTURE Special Edition. These deluxe issues will include original scripts by Gaiman, additional concept art and sketches by Williams, Q&As with the creative team and more, starting in November.
More details about the series – including artwork - will be revealed at this year’s Comic-Con International: San Diego 2013. Gaiman, Williams and McKean are special guests of the convention, during which Vertigo will host a 25th Anniversary all-star panel featuring Gaiman, Williams and artists Dave McKean and Sam Kieth. Gaiman will also be spotlighted at his own standalone panel. Additionally, the cover of the Comic-Con International: San Diego 2013 Souvenir Book features all-new Sandman art by Dave McKean, which will also be featured on an official convention T-Shirt.
ABOUT THE SANDMAN:
With more than 7 million copies sold in nine different languages, Gaiman’s multi-volume magnum opus THE SANDMAN features literature’s Endless family—Death, Desire, Despair, Delirium, Destruction, Destiny and Dream. The critically acclaimed Vertigo fantasy series transformed the landscape of comics, helping usher in an era of more compelling and sophisticated storytelling. Combining mythology and literature in an epic story, it is one of the most popular, groundbreaking, bestselling and award-winning comic books of the last twenty-five years. It has garnered nineteen Eisner and six Harvey Awards and is the only comic book to win the World Fantasy Award.
ABOUT NEIL GAIMAN:
Neil Gaiman is the New York Times best-selling author of this summer’s The Ocean at the End of the Lane, as well as the Newbery Medal-winning The Graveyard Book and Coraline, the basis for the eponymous hit movie. His other books include Anansi Boys, Neverwhere, American Gods and Stardust (winner of the American Library Association’s Alex Award as one of 2000’s top novels for young adults) and the short story collections M Is for Magic and Smoke and Mirrors. He is also the author of The Wolves in the Walls and The Day I Traded My Dad for Two Goldfish, both written for children. Among his many awards are the Eisner, the Hugo, the Nebula, the World Fantasy and the Bram Stoker. Originally from England, he now lives in the United States.
ABOUT J. H. WILLIAMS III:
Williams is the co-writer as well as the co-artist of the GLAAD Award-Nominated title BATWOMAN for DC Comics-The New 52 and the artist on PROMETHEA, DESOLATION JONES and other titles. His many accolades include two Eisner awards for his spectacular, visionary artwork as well as a pair of Harveys for his work on BATWOMAN and PROMETHEA.
ABOUT DC ENTERTAINMENT:
DC Entertainment, home to iconic brands DC Comics (Superman, Batman, Green Lantern, Wonder Woman, The Flash), Vertigo (Sandman, Fables) and MAD, is the creative division charged with strategically integrating its content across Warner Bros. Entertainment and Time Warner. DC Entertainment works in concert with many key Warner Bros. divisions to unleash its stories and characters across all media, including but not limited to film, television, consumer products, home entertainment and interactive games. Publishing thousands of comic books, graphic novels and magazines each year, DC Entertainment is the largest English-language publisher of comics in the world. In January 2012, DC Entertainment, in collaboration with Warner Bros. and Time Warner divisions, launched We Can Be Heroes—a giving campaign featuring the iconic Justice League super heroes—to raise awareness and funds to fight the hunger crisis in the Horn of Africa.
Review: SATELLITE SAM #1
IMAGE COMICS – @ImageComics
WRITER: Matt Fraction
ARTIST: Howard Chaykin
LETTERS: Ken Bruzenak
COVER: Howard Chaykin with Jesus Aburtov
32pp, Color, $3.50 U.S. (July 2013)
Part 1: “The Big Fade Out”
Howard Chaykin was one of the signature comic book creators of the 1980s. He is practically a legend for his highly-influential science fiction series, American Flagg! (one of the greatest comic books of all time). Chaykin also produced two visually-striking, but controversial revamps for DC Comics, The Shadow and Blackhawk.
Now, Chaykin joins prolific Marvel Comics scribe Matt Fraction (Hawkeye, Iron Man) for Satellite Sam, a new comic book series published by Image Comics. Written by Fraction and drawn by Chaykin, Satellite Sam is an ongoing black and white series and murder mystery set in the 1950s during the Golden Age of Television.
Satellite Sam #1 opens in New York City, 1951, specifically the building that is home to upstart television network, LeMonde. Inside, cast and crew are in the middle of a live broadcast of the late-afternoon, kiddie sci-fi program, “Satellite Sam.” However, the star of the show, Carlyle White, is a no-show.
Meanwhile, LeMonde’s head honcho, Doc Ginsberg, is trying to gather investors for a nationwide expansion. Carlyle’s son, Michael, is about to take a big step in his television career, but then, daddy is found dead in a filthy flophouse. Now, Michael White has to stay sober long enough to clean up the mess his father left behind and to solve the mystery surrounding his death.
Some months ago, I received a press release from Image Comics announcing the arrival of Satellite Sam. I have to admit that I am interested in any project that involves Howard Chaykin, especially when he’s drawing it. I don’t really care about Matt Fraction, one way or the other. Still, I was excited to receive a PDF copy of Satellite Sam #1 from Image.
The following is a two-paragraph selection from Image’s press release announcing this series:
"It's a detective story, a history of television, and a record of addiction, sex, and depravity during a time when the antiseptic shine off Ozzie and Harriet obscure what was really happening in the world,” said writer Fraction. "And these are just a few of the many joys that come from telling a story about television while it was being invented as a mass medium in New York City.”
The creative team researched television's early days in preparation for the series, getting a feel for the era and for the people who lived real lives while inventing an idealized — and fictionalized — image of families and relationships.
What is discussed in those two paragraphs, I didn’t really get from reading Satellite Sam #1, which is not to say that the first issue is low quality. This first issue is really a prologue, but it promises some intriguing hints at what lies ahead.
What this first issue offers in full is a chance to see Howard Chaykin the artist and storyteller at work. He is one of the most imaginative page designers ever to work in American comics. His sense of graphic design impresses. His skill at art direction and set building (as content within his art) rarely produce comic book art that is not a wonder to behold.
Honestly, Satellite Sam is not Chaykin’s best work, but it is still quite good. In coming issues, we will see if Fraction’s ambitions deliver an ambitious story or yet another tired-ass tale about the darkness behind idealized, shiny White America.
B
Reviewed by Leroy Douresseaux
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