Showing posts with label Benaroya Publishing. Show all posts
Showing posts with label Benaroya Publishing. Show all posts

Saturday, May 19, 2012

Leroy Douresseaux Reviews: MARKSMEN Volume 1

MARKSMEN VOLUME 1
IMAGE COMICS/BENAROYA PUBLISHING

CREATORS: Michael Benaroya, David Baxter, and Dave Elliot
STORY: David Baxter and Dave Elliot
SCRIPT: David Baxter
PENCILS: Javier Aranda
FINISHES: Gary Leach
COLORS: Jessica Kholinne and Benny Maulana
LETTERS: Bebe Giraffe
ADDITIONAL ART: Tomm Coker (series cover); Nam Kim and Matthew Dalton (end papers)
COVER: Javier Aranda and Gary Leach with Jessica Kholinne
ISBN: 978-1-60706-486-2; paperback
192pp, Color, $15.99 U.S.

Produced by Benaroya Publishing, Marksmen is a six-issue miniseries set in a post-apocalyptic America. It presents a world where everything seems to have gone wrong: a financial meltdown with a global domino effect, civil war, mass riots, looting on a large scale, opportunistic vigilantism, exodus from the cities, starvation, and even cannibalism.

Image Comics just released Marksmen Volume 1, a trade paperback collecting all six issues of the series with additional material. That includes “The Future in Our Sights,” an essay about the world of Marksmen and also two-pages of character designs. Hugo Award-winning science fiction author, Vernor Vinge (A Fire Upon the Deep, 1992) provides an afterword.

Created by Michael Benaroya, David Baxter, and Dave Elliot, Marksmen is dystopian science fiction. It is set 60 years after a global financial meltdown led to a civil war that splintered the United States into warring fiefdoms. Most of the action takes place in and around New San Diego (NSD), a technocratic utopia that offers the last bastion of peace and prosperity for those that live within its walls. Sgt. Drake McCoy, NSD’s best protector, is one of a select group known as the Marksmen, a defensive force descended from the Navy SEALs. The Marksmen defend the city from the numerous human threats that exist in the wasteland outside New San Diego’s walls.

Now, there is a new threat. The oil rich Lone Star State is sending a powerful army to steal New San Diego’s technological secrets. Arriving ahead of them is a renegade group of former Lone Star State denizens. One of them is Joe Percival, a former NSD with ties to Drake’s father, Admiral Leo McCoy, and his mother, Dr. Sharon Heston, the NSD’s head scientist. Will Percival and his son, Sean, have anything that can help Drake and the NSD stop the Lone Star Rangers? Or are the Rangers’ charismatic leader, The Duke, and resident religious fanatic, Deacon Glenn, really unstoppable?

There is not much to say about Marksmen other than to say that it is a damn good read. On Monday, May 14, I received a review copy from Benaroya Publishing. I read the first two chapters on Tuesday, May 15. On Wednesday, May 16, I practically devoured Chapters 3 to 6 and I wanted more. Marksmen is like Black Hawk Down meets Mad Max, but Marksmen’s villains are scarier than the bad guys in either of those movies.

This is a well-thought out future scenario. Writer David Baxter offers some sharp commentary on the real world social, political, and financial situations happening right now that could lead to a situation similar to the one presented in Marksmen. Then, Baxter turns it into a breathtaking science fiction and military action thriller. It is more popcorn fun than most Hollywood heavy hitter action flicks, and it is scarier because this story’s basis is grounded in the current disquieting reality.

On the storytelling end, the art by Javier Aranda (pencils) and Gary Leach (finishes) is good, but Aranda’s pencils don’t display the polished quality of a veteran artist. Composition and the layout of some of the panel interiors is a little off. However, Aranda has the ability to create drama and tension that grabs the reader, and he has a knack for visualizing both physical and non-physical conflict. This is why Marksmen keeps hitting the mark.

Readers looking for credible comic book action thrillers will want Marksmen Volume 1 for repeated readings.

A-


Sunday, May 13, 2012

Leroy Douresseaux Reviews: SAMURAI’S BLOOD VOLUME 1

SAMURAI’S BLOOD VOLUME 1
IMAGE COMICS/BENAROYA PUBLISHING

CREATORS: Michael Benaroya and Owen Wiseman
SCRIPT: Owen Wiseman
PENCILS: Nan Kim
INKS: Matthew Dalton
COLORS: Sakti Yuwono of Imaginary Friends Studios
LETTERS: John Aitken
COVER: Jo Chen
ISBN: 978-1-60706-488-6; paperback
172pp, Color, $14.99 U.S.

Samurai’s Blood is a six-issue miniseries produced by Benaroya Publishing and published by Image Comics in 2011. Created by Michael Benaroya and Owen Wiseman, the series is set in Japan. The story takes place during the early Edo period in the middle of the 17th Century and follows three teenagers’ quest for revenge. The entire series is collected in a trade paperback, Samurai’s Blood Volume 1, and includes a short story set in the world of Samurai’s Blood written by Wiseman, who wrote the script for the series.

Samurai’s Blood begins when an embittered noble, Lord Gakushi, first betrays his daimyo, Sanjo Dewa, and then, goes on a rampage to destroy the Sanjo Clan. He also kills Sanjo Goro, but three clan members escape. Two of them are Goro’s son Junichi (or “Jun”) and his sister, Mayuko (or “Yuko”). The third is a young man named Kajiro Katashi, who is the son of one of Goro’s retainers. Kajiro plans to marry Yuko, and he is also training to become a samurai.

Leaving their mountain village of Eiwa, the three eventually reach the city of Yamagata, where they plot revenge against Gakushi and his second-in-command, the evil Araku. They take on new identities. Jun becomes Kaio Fukuyama and Kajiro becomes Haniya Toshimitsu. Their path to vengeance, however, fits all the stereotypes about paths to vengeance. It is fraught with peril; it is long and winding. It is filled with so many sidetracks and tributaries that these teenagers may lose themselves before they gain any of what they want.

The first issue of Samurai’s Blood that read was issue #2. Back then, one of the things that immediately stood out to me was how dense and layered the storytelling was. Not only was there a lot of dialogue, but there were also many captions and some of those contained philosophical expositions about the way of the samurai.

The script for this entire series, written by Owen Wiseman, is convoluted and confused, but I don’t mean that as a criticism. This is a well-written graphic novel in which strong characters are the spine that joins bloody fight scenes with intense and dramatic confrontations of the non-killing sort to create a unified whole.

I call this convoluted and confused because those words describe what becomes of the characters’ lives and their journey. I think Wiseman gets that revenge is an end, and that everything between the beginning (the declaration that one is seeking revenge) and the end is either shadowy or certainly more complex than it might appear. Beginning the quest is easy, but it is far easier to lose oneself in the disorder and uncertainty. One must solve the mysteries and see through obstructions to get to the end (revenge). The surprise of Samurai’s Tale is that there are so many surprises and changes that by the end, you will likely not see the characters the way you did in the first issue.

Wiseman’s tale is told in beautiful art by Nam Kim (pencils) and Matthew Dalton (inks) that superbly captures the drama and the violence in an energetic graphic style. Their art resembles Joe Madureira’s art during his tenure on Uncanny X-Men back in the mid-1990s. Kim and Dalton take Wiseman’s potent storytelling and turn it into melodramatic splendor – the Joe Mad thing is a bonus for me.

A


Sunday, April 29, 2012

Leroy Douresseaux Reviews: RED SPIKE VOLUME 1

RED SPIKE VOLUME 1
IMAGE COMICS/BENAROYA PUBLISHING

CREATORS: Michael Benaroya and Jeff Cahn
STORY: Jeff Cahn with Dave Elliot
SCRIPT: Jeff Cahn
ARTISTS: Salvador Navarro and Mark Texeira
COLORS: Ifansyah Noor of Imaginary Friends Studios
LETTERS: John Aitken
COVER: Mark Texeira
ISBN: 978-1-60706-487-9, paperback
144pp, Color, $14.99 U.S.

From Benaroya Publishing, Red Spike is a comic book miniseries created by Michael Benaroya and Jeff Cahn. Written by Cahn and drawn by Salvador Navarro and Mark Texeira, the series is set in a secretive black operations program called Project Red Spike. The entire five issues of the miniseries were recently collected in the trade paperback, Red Spike Volume 1.

Project Red Spike, like many over a 70-year period, was started as a program to create the first super-soldier. Using a process that manipulates and regulates the adrenal gland in human males, Project Red Spike actually succeeded in creating a super-soldier, and they did it twice. Now, Colonel Moyer, the hard-nosed prick who controls Red Spike, is testing the limits of his two new super-human toys, Gregory “Greg” Dane and Matt Cutler. But there are complications, of course.

Greg is having an affair that turns into a full romance with Dr. Margaret Downey, the woman who is supposed to be monitoring his (and Matt’s) mental health. Dane isn’t exactly the obedient solider, and as his behavior grows more insubordinate, he clashes with the straight-arrow Matt Cutler, who obediently follows orders and instructions. Colonel Moyer, who now sees Dane and Cutler as his property, seeks to further experiment with the limits of how much Red Spike can alter these two young men. Meanwhile, Henry Coughlin, formerly directly involved with Project Red Spike, plots to wrest control of the program from Moyer.

My first encounter with Red Spike was the third issue. I noted that it had the “rock solid plotting found in tightly-written, big-budget action movies.” I also mentioned that it had “elements of Captain America and the Jason Bourne films,” and that “it most reminds me of Universal Soldier, the 1992 Van Damme film.” I wrote, “Like the Van Damme films from the late 1980s to the mid-1990s, Red Spike is violent and testosterone-filled, but with a humanist lead character who fights because he must.”

Now, that I’ve read the entire miniseries in Red Spike Volume 1, I have to reassess. As a whole, personally, I find the series lacking in action scenes, considering that this book is about a super-soldier program. Artist Salvador Navarro and Mark Texeira offer a few nicely composed fight scenes that left me really wanting more.

This is not to say that Red Spike is overall lacking in pleasures. Despite what the covers for the miniseries suggest, Red Spike is a science fiction/military drama mixed with the elements of a workplace drama and a political soap opera, and it is fun. I enjoyed the backbiting and squabbling. Writer Jeff Cahn sometimes cut back and forth between two scenes, each scene featuring a character doing something to defeat the other character. This reminds me of the best inter-office politics moments of the 1995 film version of Clear and Present Danger.

In my earlier review, I describe the art by Navarro and Texeira as “uninspired” and wrote that it “put a damper on my enjoyment” of the series. Now, that art seems perfect for what Red Spike really is, which is a thriller more than it is an action comic book.

http://www.benaroyapublishing.com/


Tuesday, March 6, 2012

Image Comics from Diamond Distributors for March 7 2012

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Tuesday, February 28, 2012

Image Comics from Diamond Distributors for February 29 2012

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Tuesday, January 24, 2012

Image Comics from Diamond Distributors for January 25 2012

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Tuesday, December 13, 2011

Image Comics from Diamond Distributors for December 14 2011

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Tuesday, November 1, 2011

Image Comics from Diamond Distributors for November 2 2011

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Tuesday, October 25, 2011

Image Comics from Diamond Distributors for October 26 2011

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Tuesday, October 18, 2011

Image Comics from Diamond Distributors for October 19 2011

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Tuesday, October 4, 2011

Image Comics from Diamond Distributors for October 5 2011

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Tuesday, September 20, 2011

Image Comics from Diamond Distributors for September 21 2011

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Tuesday, August 16, 2011

Image Comics from Diamond Distributors for August 17 2011

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Thursday, July 21, 2011

Leroy Douresseaux on RED SPIKE #3

RED SPIKE #3 (OF 5)
IMAGE COMICS/BENAROYA PUBLISHING

CREATORS: Michael Benaroya and Jeff Cahn
SCRIPT: Jeff Cahn
ARTISTS: Salvador Navarro and Mark Texeira
COLORS: Ifansyah Noor of Imaginary Friends Studios
LETTERS: John Aitken
COVER: Mark Texeira
28pp, Color, $2.99

My introduction to the comic books of Benaroya Publishing continues with Red Spike, created by Michael Benaroya and Jeff Cahn. Red Spike, a science fiction and action comic book miniseries, follows a group of people involved with Red Spike, a black ops program. Red Spike is a system that exposes young men to chemicals and brain surgery that turns them into super-soldiers. It’s an interesting concept.

As Red Spike #3 begins, readers get back story on the good-boy super-soldier, Matt Cutler. Colonel Moyer, who controls Red Spike, sends Matt on a mission to bring in Greg Dane, who entered the program with Cutler. Dane has gone rogue and is determined not to be brought back to Red Spike. Meanwhile, Dr. Margaret Downey, a scientist in the program, begins to investigate why Greg rebelled.

While it seems to borrow from other comic books and even movies, Red Spike has the kind of rock solid plotting found in tightly-written, big-budget action movies. Red Spike has elements of Captain American and the Jason Bourne films, but it most reminds me of Universal Soldier, the 1992 Van Damme film. Like the Van Damme films from the late 1980s to the mid-1990s, Red Spike is violent and testosterone-filled, but with a humanist lead character who fights because he must. This comic book would be nothing but a hoary cliché, if not for the storytelling. Jeff Cahn’s scriptwriting is patient, and that shows in a well-thought out plot and script.

The art by Salvador Navarro and Mark Texeira (I’m not sure who does what) is acceptable in that it tells the story. Other than that, it is mediocre – stiff figure drawing, unimaginative compositions, and bland page design. I found the story quite likeable, but the uninspired art put a damper on my enjoyment.

B

Tuesday, July 19, 2011

Leroy Douresseaux on SAMURAI’S BLOOD #2

SAMURAI’S BLOOD #2 (OF 6)
IMAGE COMICS/BENAROYA PUBLISHING

CREATORS: Michael Benaroya and Owen Wiseman
SCRIPT: Owen Wiseman
PENCILS: Nan Kim
INKS: Matthew Dalton
COLORS: Sakti Yuwono of Imaginary Friends Studios
LETTERS: John Aitken
COVER: Jo Chen (Variant cover by Nan Kim and Matthew Dalton with Jessica Kholinne)
28pp, Color, $2.99

Benaroya Publishing is a recently launched entertainment company that publishes comic books through Image Comics. Samurai’s Blood is a historical drama set in Japan from Benaroya Publishing.

Created by Michael Benaroya and Owen Wiseman, Samurai’s Blood is a six-issue miniseries that follows three young samurai from the destroyed Sanjo Clan. The trio follows an elaborate plan to get revenge on the men responsible for betraying their clan.

As Samurai’s Blood #2 begins, Jun cautions patience in their quest for revenge. Kajiro is mightily impatient, especially after Jun’s sister, his bethrothed, Mayuko is kidnapped. Jun and Kajiro takes on new identities, and they meet Horitomo, a sensei who trains Kajiro to be a better fighter.

One of the things that immediately stood out to me was how dense and layered the storytelling in this second issue of Samurai’s Blood was. Between the dialogue, captions, and philosophical exposition about the way of the samurai, this issue reads like a 56-page comic book instead of a 28-page one. Via his script and story, Owen Wiseman is determined to immerse his readers in this world, and if he fails, it won’t be for lack of information.

Artist Nam Kim is a good storyteller, and Matthew Dalton’s inking polishes some of the awkward aspects of Kim’s figure drawing. That aside, this composition and design capture the look of an authentic jidaigeki. I look forward to more.

B+

Thursday, April 7, 2011

Win Mark Texeira Original Art

WIN THE ORIGINAL COVER OF RED SPIKE #1 BY MARK TEXEIRA

You ever wanted to own an original piece of artwork by a legendary comic book artist but found it too expensive? Well, what if I told you that for just $1 you could be entered into a contest to win the original cover art for RED SPIKE #1 by the legendary Mark Texeira?

Well you can! NO JOKE!

All you have to do is pick up a copy of RED SPIKE #1 on May 4 for JUST $1, take a photo of yourself outside your local comic shop with the book and post it to the RED SPIKE Facebook fan page (http://www.facebook.com/ProjectRedSpike) and you’re entered!

But as if that wasn’t enough, the shop where our lucky winner purchased RED SPIKE #1 also wins an interior page by himself!

So head out on May 4 and pick up your copy of RED SPIKE #1! Who knows, that lucky winner could be you!

Diamond Order No.: MAR110530.

Check out the rules:
THE PRIZE
Winner will receive the original cover artwork to RED SPIKE #1 by legendary comic book artist Mark Texeira. The comic shop where the comic was purchased will also win an original interior page from RED SPIKE drawn by Mark Texeira.

HOW TO ENTER
When RED SPIKE #1 hits stores on May 4 head over and purchase a copy of the book for just $1.00 USD. Take a photo of yourself and RED SPIKE #1 in front of the comic shop where you purchased it. Then, head over to RED SPIKE on Facebook (http://www.facebook.com/ProjectRedSpike), ‘Like’ the RED SPIKE Fan Page and upload your photo to the site to enter. This will enter not only you but also the comic shop. Winner will be chosen at random.

WHEN IT BEGINS
May 4th, 2011

SUBMISSIONS END
May 27th, 2011 @ 11:59 P.M. PST

WHO’S ELIGIBLE
The Sweepstakes is open to all residents of the and the who are 13 years of age or older at time of entry to be eligible for the Grand Prize. Void where prohibited by law. Employees of B & P Company, LLC, Benaroya Publishing, Benaroya Pictures, Image Comics, Inc. (collectively, “The Sponsor”) or any of their affiliates, subsidiaries, advertising or promotion agencies are not eligible, nor are members of these employees' families (defined as parents, children, siblings, spouse, and life partners).

THE ODDS
The odds of winning are dependent on the number or submissions. One (1) submission per person. Multiple submissions will invalidate all entries by participant. Winner will be chosen at random.

THE LEGALITIES
The Sweepstakes is governed by the laws of the United States and the State of California, and participants in the Sweepstakes hereby consent to the exclusive jurisdiction and venue of courts (state and federal) for any causes or controversies arising out of the Sweepstakes. Each participant waives any and all objectives to jurisdiction and venue in these courts. All applicable federal, state and local laws and regulations apply. Void where prohibited. Sweepstakes may only be entered in or from the and entries originating from any other jurisdiction are not eligible for entry.

Except where prohibited by law, the Winner grants to Sponsor and its advertising agencies the right to use and publish their photos, proper names, likeness, opinions, and city and state in any media to promote Sponsor and the Sweepstakes without additional compensation.

By entering, participants release and hold harmless Sponsor, its subsidiaries, affiliates, directors, officers, employees and agents from any and all liability for any injuries, loss or damage of any kind arising from or in connection with the Sweepstakes or receipt or use and/or misuse of any prize.

Sponsor reserves the right to cancel or modify the Sweepstakes if fraud or any other factor impairs the integrity of the Sweepstakes as determined by Sponsor in its sole discretion.

Sponsor assumes no responsibility for any error, omission, interruption, deletion, defect, delay in operation or transmission, communications line failure, theft or destruction of unauthorized access to, or alternation of, entries. Sponsor is not responsible for any problems or technical malfunction of any telephone network or lines, computer online systems, servers, or providers, computer equipment, software, failure of any e-mail or entry received by Sponsor on account of technical problems or traffic congestion on the Internet or at any web site, any combination thereof, or otherwise, including any injury or damage to entrant's or any other person's computer related to or resulting from participation or downloading any materials in the Sweepstakes.


ABOUT BENAROYA PUBLISHING
Founded in 2009 by Michael Benaroya, Benaroya Publishing is a company dedicated to the creation and cultivation of intellectual property by focusing on thrilling and compelling storytelling. Based in , Benaroya Publishing launches their debut titles this Spring under the Image Comics label. With David Elliott (FALL OUT TOY WORKS and co-founder of RADICAL PUBLISHING) at the helm as in-house Editor-in-Chief, Benaroya Publishing promises to bring fresh new ideas, and uniquely told stories to the comics literary world.

ABOUT IMAGE COMICS
Image Comics is a comic book and graphic novel publisher founded in 1992 by a collective of best-selling artists. Image has since gone on to become one of the largest comics publishers in the . Image currently has five partners: Robert Kirkman, Erik Larsen, Todd McFarlane, Marc Silvestri and Jim Valentino. It consists of four major houses: Todd McFarlane Productions, Top Cow Productions, Shadowline and Image Central. Image publishes comics and graphic novels in nearly every genre, sub-genre, and style imaginable. It offers science fiction, romance, horror, crime fiction, historical fiction, humor and more by the finest artists and writers working in the medium today. For more information, visit http://www.imagecomics.com/.