Showing posts with label Black SFF. Show all posts
Showing posts with label Black SFF. Show all posts

Thursday, February 23, 2023

#IReadsYou Review: DARK BLOOD #6

DARK BLOOD #6 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART:  Moisés Hidalgo
COLORS: A.H.G. with Allison Hu (pp. 18-21)
LETTERS:  Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Valentine De Landro; Tiffany Turrill
24pp, Colors, 3.99 U.S. (January 2022)

Dark Blood created by LaToya Morgan

Dark Blood is a six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s “The Walking Dead,” “Into The Badlands”).  Published by BOOM! Studios, the series is drawn by Moisés Hidalgo and Walt Barna; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on a Black World War II veteran who discovers that he has strange powers.

Alabama, 1955.  After leaving his job at the diner, “Hardy's Eats,” Avery Aldridge, also known as “Double A,” has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

Dark Blood #6 opens in 1955 – late into the Night of the Variance.  Avery confronts Dr. Carlisle and Dr. Marshall, and he learns that he is the “Variant,” the one who responded “positively” to their formula (apparently dubbed "Formula 687") and treatment.  Now, his powers are raging, and powerful as he is, it comes with a devastating cost.

Meanwhile, Sheriff Wright has finally caught up with Avery.  If Avery wants to see his wife, Emma, and daughter, Grace, again, the racist lawman insists that he must play by his rules.  But does he?  Can Avery make sure that no one ever goes through what he has?  Can he protect his wife and child?  Will it cost him everything to do this?

THE LOWDOWN:  I recently learned, via “CBS Evening News,” that the United States Air Force museum had been keeping a secret.  In 1949, a team from the famed all-Black “Tuskegee Airmen” won the first “Top Gun” contest.  This contest was a gunnery competition among pilots from across the Air Force.  However, the Air Force's record book listed the winner as “unknown.”

The winners' trophy was hidden in the bowels of the Air Force museum until a historian discovered it in 2005.  Now, the trophy is on display at Nellis Air Force Base in Nevada.  The Tuskegee Airmen have finally been recognized with Top Gun honor – 73 years after winning the first contest.

The “Red Tails” (the 332nd Fighter Group) were part of the Tuskegee Airmen, and in “Dark Blood,” Avery Aldridge” was a Red Tail.  I didn't take this revelation as mere coincidence that I learned of it less that a week before the release of the final issue of the Dark Blood comic book miniseries.

In Dark Blood, television writer-producer LaToya Morgan (AMC's “TURN: Washington's Spies”) offers a comic book that is steeped in the history of African-American participation in World War II.  Dark Blood is allegorical in the way that it references the “Tuskegee Experiment” (a study which observed the effects of untreated syphilis in Black men).  The series also opens at the dawn of the “American Civil Rights Movement” (1954-68).  Dark Blood has been historical.

Yet it was not until Dark Blood #5 that I realized how much this comic book is also a rip-roaring science fiction yarn.  The series' narrative blood is certainly Black history and culture, but Dark Blood's DNA is pulp science fiction literature.  Its pedigree is the world of weird science fiction and fantasy comic books that emerged after World War II.  While reading issue #5, the sci-fi reality of Dark Blood came at me like a space rocket.

Morgan, artists Moisés Hidalgo and Walt Barna, and colorist A.H.G. have presented readers with a comic book series that looks and feels like it came out of the 1950s.  In an alternate reality, I can see it as something that William Gaines would have published through EC Comics.  Yes, Dark Blood would have been one more nail in EC's coffin, but Morgan's mixture of reality and sci-fi would have been a perfect fit for EC's mixture of morality and blood and guts genre.

Dark Blood #6 offers both – history and drama and also the astounding yearnings of golden age science fiction.  The drama has a powerful resolution, and the super-powers are the fireworks of comic book magic.  Superheroes and mutants – Dark Blood #6 promises readers an interesting future as the series comes to an end.  Whatever may come, what we have now in Dark Blood, dear readers, it is a blast to read.  And if you haven't read it yet, Dark Blood flows at comiXology.

I READS YOU RECOMMENDS:  Fans of golden age science fiction and of super science fiction comic books will want to read Dark Blood.

A+
10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
https://twitter.com/MorganicInk
https://twitter.com/WaltBarna
https://twitter.com/AHGColor
https://twitter.com/andworlddesign

https://twitter.com/boomstudios
https://www.boom-studios.com/wordpress/
https://www.facebook.com/BOOMStudiosComics
https://www.instagram.com/boom_studios/


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Thursday, June 16, 2022

#IReadsYou Review: DARK BLOOD #1

DARK BLOOD #1 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART:  Walt Barna
COLORS: A.H.G.
LETTERS:  Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Dan Mora; Valentine De Landro; Marcus Williams; Javan Jordan; Mico Suayan; Felix Icarus Morales with Robert Nugent; David Sanchez with Omi Remalante; Karen S. Darboe; Ingrid Gala; Marco Rudy
24pp, Colors, 3.99 U.S.(July 2021)

Dark Blood created by LaToya Morgan

Dark Blood is a new six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s "The Walking Dead," "Into The Badlands").  Published by BOOM! Studios, the series is drawn by Walt Barna; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on an Black World War II veteran who discovers that he has strange new abilities.

Dark Blood #1 opens in Alabama, 1955.  It's night.  Avery Aldridge, also known as “Double A,” is leaving his job at the diner, “Hardy's Eats.”  In the alley, he has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful, grown-ass man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

THE LOWDOWN:  As I much as I love the original Star Wars movies and a number of classic Walt Disney animated features (Peter Pan), my all-time favorite movie moment occurs in 1967's In the Heat of the Night.  Involuntarily assigned to a homicide case in Sparta Mississippi, Philadelphia police detective Virgil Tibbs (played by Sidney Poitier) is interviewing a suspect, a local and powerful rich white man named Endicott (Larry Gates), when Endicott slaps him in the face.  Tibbs slaps him right back.  The first time I saw Tibbs slap Endicott, it took my breath away … and it still does.

Television writer-producer LaToya Morgan (AMC's "TURN: Washington's Spies") offers a sci-fi/horror spin on Tibbs' slap as the spine of the first issue of her new comic book, Dark Blood.  This time, the confrontation is longer, and Avery Aldridge's response is made a bit more complicated, partly because he seems unstuck in time.  Morgan does everything to tell her readers a lot by whetting their appetites for more, because they don't know the half of it, and she makes that “it” intriguing.

For all that I am intrigued by Dark Blood #1's story and concept, this first issue is also a showcase for the art team of illustrator Walt Barna and colorist A.H.G.  Barna's compositions are some of the most convincing period art that I have seen in a modern comic book in years.  Barna's Alabama, 1955 looks so “old-timey” that I could believe that it is something Barna drew at least half-a-century ago.  Barna's aerial sequences depicting Aldridge's time as a Red Tail reminds me of the comic book art one might find in EC Comics' legendary war comic book, Aces High (1955).

A.H.G.'s colors are gorgeous and also from a time machine.  If I didn't know better, I would say he hand-colored this comic book and manually separated those colors in a back office at a NYC-based comic book publisher – in days gone by.  Seriously, his colors shimmer, but are also earthy, and they make the storytelling's time periods look and feel authentic.

And I always enjoy Andworld Design's lettering, which is always stylish in a way that brings immediacy and power to the drama.  So LaToya Morgan, Walt Barna, A.H.G., and Andworld Design are off to a most excellent start, and Dark Blood #1 sparkles with promise.

I READS YOU RECOMMENDS:  Fans of modern science fiction and dark fantasy comic books will want to drink Dark Blood.

A
★★★★+ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
https://twitter.com/MorganicInk
https://twitter.com/WaltBarna
https://twitter.com/AHGColor
https://twitter.com/andworlddesign

https://twitter.com/boomstudios
https://www.boom-studios.com/wordpress/
https://www.facebook.com/BOOMStudiosComics
https://www.instagram.com/boom_studios/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Thursday, March 25, 2021

#IReadsYou Book Review: STAR WARS: THE HIGH REPUBLIC: A Test of Courage

STAR WARS: THE HIGH REPUBLIC: A TEST OF COURAGE
DISNEY/Lucasfilm Press

[This review was originally posted on Patreon, and visit the "Star Wars Central" review page here.]

AUTHOR: Justina Ireland
ILLUSTRATOR: Petur Antonsson
COVER: Petur Antonsson
ISBN: 978-136805730-1; hardcover-reinforced binding (January 5, 2021)
256pp, B&W, $14.99 U.S., $19.99 CAN

Ages 8-12

Star Wars: The High Republic: A Test of Courage is a 2021 Star Wars novel from author Justina Ireland. Star Wars: The High Republic is an all-new storytelling initiative set in the world of Star Wars that will be targeted at multiple age groups of readers.  A Test of Courage focuses on a new Jedi Knight whose first assignment finds her and a small group of survivors shipwrecked on a strange moon.

Star Wars: The High Republic's saga takes place 200 years prior to the events depicted in the film, Star Wars: Episode I – The Phantom Menace (1999), in an all-new time period.  The High Republic is set in an era when both the Galactic Republic and the Jedi Order are at the height of their power, serving and protecting the galaxy.  This is a hopeful and optimistic time, and the Republic and the Jedi are noble and respected.

Star Wars: The High Republic: A Test of Courage introduces Vernestra “Vern” Rwoh, a newly-minted Jedi Knight.  At the age of sixteen, she is one of the youngest ever, and she may be the first Padawan to pass her Jedi trials on her first attempt, as she did at the age of fifteen.  However, her first real mission for the Jedi Council, her first tasking as a Jedi Knight, feels an awful lot like babysitting.

Vernestra is at Port Haileap, where she has been charged with supervising 12-year-old aspiring inventor, Avon Starros.  The powerful Senator Ghirra Starros is also Avon's mother, and she sent her daughter to Haileap, which to Avon feels like a banishment.  Soon, Rwoh, Avon, and J-6 (Avon's droid) will leave Haileap on the “Steady Wing,” a cruiser headed to the dedication of a wondrous new space station called Starlight Beacon.

Soon into their journey, bombs go off aboard the cruiser. While the adult Jedi, Master Douglas, tries to save the ship, Vernestra, Avon, and J-6 join Imri Cantaros, Douglas's 14-year-old Padawan, and Honesty Weft, an ambassador’s son, and make it to a maintenance shuttle.  They escape the Steady Wing, but communications are out and supplies are low in the shuttle. They decide to land on a nearby moon, Wevo, which offers shelter but not much more.  And unbeknownst to Vernestra and company, danger lurks in the forest; the Steady Wing's saboteurs are also on the moon; and the darkness calls to some of them....

THE LOWDOWN:  Star Wars: The High Republic: A Test of Courage is one of the three novels that are part of Star Wars: The High Republic.  I have already read Star Wars: The High Republic: Light of the Jedi, the “adult readers” novel of the three.  As much as I enjoyed Light of the Jedi, I find myself utterly thrilled by Star Wars: The High Republic: A Test of Courage.

The main reason for that is that I think that author Justina Ireland focuses more on character development and on the personalities of the characters.  Ireland uses her characters' thoughts and internal dialogue to reveal their inner turmoil.  For instance, readers know how much his home planet of Dalna and its culture mean to Honesty Weft and how that brings him into conflict with others and especially with himself.  Ireland makes us feel Honesty's grief and guilt, which makes his heroic arc engage the readers.

Ireland makes the readers feel the doubts and struggles of the Jedi, especially in the case of Imri Cantaros, although even the Jedi prodigy, Vernestra, still questions her own methods and the decisions she makes.  Ireland also makes young Avon Starros the kind of curious and inventive explorer of science and tech that could star in her own science fiction series.  I hope to see all these characters again.

I am decades older than A Test of Courage's target age group, but I had a blast reading it.  Once I got into it, I could not stop.  I wish I had Star Wars: The High Republic: A Test of Courage to read when I was a teen reader, but I can enjoy it now.  Author Justina Ireland has written a Star Wars novel that captures all that is the light that draws fans to the many worlds of Star Wars.  I hope to read more High Republic stories written by Ireland.

I READS YOU RECOMMENDS:  Young Star Wars fans will want to read Star Wars: The High Republic: A Test of Courage.

10 out of 10

[This book contains a 12-page preview of the upcoming novel, Star Wars: The High Republic: Race to Crashpoint Tower by Daniel José Older.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"



https://www.starwars.com/the-high-republic
https://twitter.com/starwars
https://www.starwars.com/
https://books.disney.com/book-author/lucasfilm-press/
https://twitter.com/disneybooks
https://www.youtube.com/disneybooks
https://www.instagram.com/disneybooks/
https://twitter.com/justinaireland


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).


Friday, July 26, 2019

Review: SURFACING: Depth Perceptions #4

SURFACING: DEPTH PERCEPTIONS No. 4 (OF 4)
APPROBATION COMICS

[This review was originally posted on Patreon.]

STORY: B. Alex Thompson – @ApproBAT
ART: Nenad Cviticanin
COLORS: Santtos
LETTERS: Krugos
EDITORS: John Ward and Denise Thompson
COVER: Cesar Grego and Alivon Ortiz
32pp, Color, $4.99 U.S. / $1.99 digital-comic (2018; digital release date – October 31, 2018)

Rated: “M” for Mature / 17+ Only (comiXology)

Surfacing: Depth Perceptions is a four-issue comic book miniseries published by Approbation Comics.  It tells the story of Marcus Wright, a young man who visits an oceanic research facility directed by his childhood friend, Anton Parker, who has a business deal to offer Marcus.  The facility has captured a mermaid-like creature, and Marcus finds himself caught in the mystery of this creature and of its captivity.  Surfacing: Depth Perceptions is written by B. Alex Thompson; drawn by Nenad Cviticanin; colored by Santtos; and lettered by Krugos.

As Surfacing: Depth Perceptions #4 opens, Marcus tells Anton that he is going scuba diving in order to visit “The Gardens.”  These are underwater pods that contain hydroponic gardens.  Anton is against this, as he is increasingly paranoid about “Becca,” the name Marcus has given the mermaid.  Marcus is playing a dangerous game, as Anton and Becca each see a different side of him.  As his friend and the mermaid make their final plays, Marcus himself has to survive his own dangerous game.

The first three issues of Surfacing: Depth Perceptions are some of the prettiest comic books Approbation Comics has published to date, and four does not turn out to be the ugly duckling of the bunch.  Artists Cesar Grego and Alivon Ortiz have produced some pretty cover art for this series, using gorgeous illustrations and shimmering colors.  Their cover for Surfacing: Depth Perceptions takes a dark turn, as beauty gives way to a striking image that encapsulates the violent resolution to this series.

The interior art by Nenad Cviticanin has been consistently good with solid storytelling that keeps the shifting moods of this narrative blending.  Colorist Santtos delivers stellar work the second half of this issue, creating an atmosphere that moves from apocalypse to paradise.  The lettering by Krugos conveys this double-size issue's sudden resolution and its expectations for a hopeful future.

Writer B. Alex Thompson presents an ending that readers of this series would expect, with a twist or two and some back story.  One of the best writers of naturalistic dialogue in American comic books, Thompson lets the characters play out this drama in their own words.  Yes, we do get a killer ending, and it was quite exciting, but this finale is also thoughtful.

Surfacing: Depth Perceptions #4 gives us an excellent ending to an excellent comic book series.  So, dear readers, head over to comiXology to read the entire thing.

9 out of 10

Buy Surfacing: Depth Perceptions #4 at comiXology.
www.ApprobationComics.com
www.AlexThompsonWriter.com

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Friday, July 19, 2019

Review: STAR WARS: LANDO - Double or Nothing #1

STAR WARS: LANDO – DOUBLE OR NOTHING No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Rodney Barnes
ART: Paolo Villanelli
COLORS: Andres Mossa
LETTERS: VC's Joe Caramagna
COVER: W. Scott Forbes
VARIANT COVER: Joe Quinones
28pp, Color, $3.99 U.S. (July 2018)

Rated T

“Part I”

Lando Calrissian was the first Star Wars character portrayed onscreen by a Black man (Oscar-nominated actor, Billy Dee Williams).  Although Lando is one of the oldest Star Wars characters (in terms of first appearance), he did not get his first solo comic book series until 2015 (from Marvel Comics after Dark Horse Comics having the license for two decades).

Lando is a supporting character in the most recent Disney/Lucasfilm Star Wars movie, Solo: A Star Wars Story, where he is portrayed by actor Donald Glover.  The film features a young Lando, early in his criminal career, and that Lando is the star of a second Lando Calrissian comic book miniseries.  Star Wars: Lando – Double or Nothing is written by Rodney Barnes; drawn by Paolo Villanelli; colored by Andres Mossa; and lettered by Joe Caramagna.

Star Wars: Lando – Double or Nothing #1 finds Lando Calrissian, the “greatest smuggler in the galaxy,” contemplating ways in which he can transform his ship, “the Millennium Falcon,” into a place of luxury and vice, much to the chagrin of his droid, L3-37.  Meanwhile, a young woman named Kristiss needs a smuggler as part of her and her father's plan to free their home world, Petrusia, from the Galactic Empire's enslavement.  She knows just the smuggler, Lando, but will he do it?  And if he does it, will it be for the cause or for the cost paid?

Solo: A Star Wars Story is about a young Han Solo, but young Lando Calrissian steals the show.  Donald Glover is magnificent in making young Lando a magnetic personality.  Writer Rodney Barnes captures the essence of Glover's Calrissian in his script, and every page is simply fun to read.  Barnes has made Lando a character readers will want to shadow, and Barnes' take on the acerbic L3, who has a female voice, is also quite engaging.

Illustrator Paolo Villanelli picks up the Glover vibe and transforms that into a graphical storytelling that recreates the humorous side of the Solo film.  Andres Mossa, one of the best colorists working in American comics today, blends his incandescent colors into Villanelli's illustrations to spectacular effect.  Joe Caramagna's strong sense of graphic design plays this dialogue-heavy script just right with some of his usual high-quality lettering that enhances the rhythm of this story.

I cannot wait to read the second issue of Star Wars: Lando – Double or Nothing.  Is it too early to ask that this creative team plan a second young Lando comic book for us?

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, July 16, 2019

#IReadsYou Review: LAGUARDIA #1

LAGUARDIA No. 1 (OF 4)
DARK HORSE COMICS/Berger Books – @DarkHorseComics #bergerbooks

[This review was originally posted on Patreon.]

STORY: Nnedi Okorafor
ART: Tana Ford
COLORS: James Devlin
LETTERS: Sal Cipriano
EDITOR: Karen Berger – @karenpberger
28pp, B&W, $3.99 U.S. (February 2018)

Mature Readers

Chapter 1: “Homecoming”

LaGuardia is a new science fiction comic book series from writer Nnedi Okorafor and artist Tana Ford.  The series is set in an alternate world in which multiple alien species have come to Earth and have integrated into society – to the chagrin of some.  Colorist James Devlin and letterer Sal Cipriano complete the creative team for this four-issue miniseries.

LaGuardia #1 (“Homecoming”) introduces Future Nwafor Chukwuebuka, a pregnant Nigerian-American doctor returns to New York City under mysterious conditions.  She smuggles an illegal alien plant through LaGuardia International and Interstellar Airport customs and security.  Now, at her grandmother's tenement, the New Hope Apartments in the South Bronx, she has secrets to reveal.  Back in Lagos, Nigeria, Professor Citizen Nwabara, a friend of Future's, is dealing with multiple alien issues.

LaGuardia #1 is so flavorful, so different.  It is like an alien thing.  I love the imagination of Nnedi Okorafor's story, and her afterword, “Coming and Going,” is so personal, yet so defines this age of fear.  I don't know how she kept from punching the TSA officer who was pawing over her scalp; perhaps, it was her expansive worldview as a world traveler and as a child of immigrants that gives her the patience of adaptation.  In fact, LaGuardia's Afrofuturism is about adaptation, and that connects the United States and Nigeria as if they were supposed to be connected all along.

This first issue, however, I want to give special attention to illustrator Tana Ford.  It is Ford who takes Okorafor's fresh and innovative concept and turns into a graphical story that truly seems like something alien.  Ford's art here reminds me of Eric Vincent's art on the late, lamented science fiction comic book, Alien Fire.  The difference is that Vincent's comic book art was published in black and white (by Kitchen Sink Press and Dark Horse Comics), and he did not have the benefit of the kind of otherworldly coloring that James Devlin gives LaGuardia.  Ford and Devlin are a collabo that should keep going on and on.

LaGuardia #1 shows that Karen Berger is not making Berger Books into some kind of Vertigo 2.0.  Instead, Berger Books is exploring new worlds of storytelling, like the world of LaGuardia.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Friday, December 18, 2015

Review: Star Wars LANDO #5

LANDO No. 5
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Charles Soule
ART: Alex Maleev
COLORS: Paul Mounts
LETTERS: VC's Joe Caramagna
COVER: Alex Maleev
28pp, Color, $3.99 U.S. (December 2015)

Rated T

“Part V”

Lando Calrissian, the first Star Wars character portrayed onscreen by a Black man (Oscar-nominated actor, Billy Dee Williams), got his first solo comic book series in the year 2015... yeah.  After a cumulative three decades of Star Wars comic books, no Lando, no Black man.  The title, launched early this past summer, was Lando, written by Charles Soule, drawn by Alex Maleev, colored by Paul Mounts, and lettered by Joe Caramagna.  You can't have everything, as they say; no African-American comics creators participated in Lando's creation.  Sigh.

Lando begins with gambler, hustler, ladies' man, businessman, etc., Lando Calrissian, trying to pay off a huge past debt.  Lando and his longtime cohort, Lobot, led a team of alien clone warriors, Aleksin and Pavol, and antiquity specialist, Sava Korin Pers, in the heist of “The Imperialis,” an Imperial Luxury yacht.  What they did not know is that the yacht is the personal property of Emperor Palpatine, and it contains a treasure horde of Jedi and Sith artifacts.  Meanwhile, the Emperor sends bounty hunter, Chanath Cha, to deal with the situation.  She has past with Lando and Lobot...

As Lando #5 (“Part V”) opens, Lando is trying to make a deal with Chanath, while she prepares to blow up the Imperialis.  He is desperate to help the grievously injured Lobot and also still salvage something from this heist.  Deals will be made, but the people who turn out to be loyal and those who turn out to be backstabbers will surprise Lando.

After reading Lando #1, I was pleased with the art by Alex Maleev.  I found that, in terms of design and graphic style, the comic book looked like The Empire Strikes Back.  For me, Alex Maleev's art on Lando recalled the work of legendary comic book artist, Al Williamson, who drew Marvel Comics' six-issue adaptation of The Empire Strikes Back (published in issues #39 to 44 of Marvel's original Star Wars comic book series).  Even colorist Paul Mounts seemed to have The Empire Strikes Back's color palette in mind as he colored Maleev's original art for Lando #1.  Nothing has changed.  To the end, Lando is still a great looking comic book.

As for Charles Soule's story and script for the first issue, I thought there was potential for an excellent Star Wars comic book.  Indeed, it has worked out that way.  In fact, the heist has many exciting twists and turns that had me eagerly awaiting each issue.  I always read Lando first on new comics day.

I think Soule also presented an exceptional character study of Lando, creating the complex and fascinating guy we've always known to be there behind what we were given in The Empire Strikes Back and Return of the Jedi (1983).  Relatively speaking, there wasn't much depicted onscreen about his personality (beyond his guile and beguiling ways), nor was there much about his hopes, dreams, and inner demons.  Soule gave that to us with Lando.  I hope we get more.  No fan of Star Wars comic books should miss Lando.

A

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.


Sunday, August 25, 2013

I Reads You Review: L.A. Banks' MINION

MINION (Book 1 of The Vampire Huntress Legend Series)
ST. MARTIN’S PRESS – @StMartinsPress

AUTHOR: L.A. Banks
ISBN: 978-0-312-98701-5; mass market paperback (May 4, 2004)
320pp, B&W, $7.99 U.S., $9.99 CAN

Minion is a 2003 dark fantasy and vampire novel from the late author, L.A. Banks (the penname of Leslie Esdaile Banks).  A paperback original, Minion was first published in a trade paperback edition (2003) and later, in a mass market edition (2004).

Minion is the first book in Banks’ series, The Vampire Huntress Legend Series (VHL).  This twelve-book series centers on a young woman born to fight in a never-ending struggle between good and evil, the most constant and dangerous evil being vampires.

Twenty-year-old Damali Richards is a spoken word artist and the top act for Warriors of Light Records, but there is more to both Damali and her record company.  Damali hunts vampires and demons, and Marlene Stone, the owner of Warrior of Light Records, is Damali’s mother-seer, protector, and part of Damali’s Guardian team.

At night, Damali and the Guardians do their best work, but lately, times have been difficult.  A new group of apparently rogue vampires have been killing Guardians and artists associated with Warriors of Light, and Damali and her team know that these killings are out of the ordinary.  Instead of neat puncture marks on the neck to show where blood was drained from the body, these bodies have been mutilated, with the throats ripped out.

Blood Music, a rival organization, has also seen some of its artists killed.  Blood Music’s owner, Carlos Rivera, a rising young crime lord, comes to believe that the attacks are personal when some of the people closest to him are found savagely murdered.  Damali decides that she must infiltrate Blood Music in order to get more answers about the attack, but her mission is complicated by the fact that she and Carlos were once engaged in a serious romantic relationship.  The force behind these attacks, however, is a seductive vampire with a connection to Damali’s past.

I was walking around a local Dollar General store when I saw a spinner rack of paperback books.  Dollar General and other discount stores sell “remaindered books,” which are books steeply marked down from their original cover price by the publisher, distributor, and bookstore as a way of liquidating them.  I was shocked to see a mass market edition of Minion.  I had first learned of L.A. Banks several years ago in an article about African-American authors of fantasy (or fantasy authors of color), and since then, I wanted to read something by her.

Well, a dollar store bargain gave me my chance, and I’m glad I read Minion, although I was sad to learn that Banks had died since the time I had first heard of her.  Minion is more than simply an imaginative story.  Banks practically creates a new mythology of the vampire, connecting that monster of our nightmares to a larger evil called The Dark Realms.  Considering the well-worn sub-genre that is vampire fiction, Minion comes across as fresh and new.  It is probably one of the most inspired vampire novels since Anne Rice’s Interview with a Vampire was first published in 1976.

However, Minion is not a self-contained novel, so much as it is a primer into the world of Damali Richards (who is “The Neteru,” a human who is born every thousand years to fight the Dark Realms).  In a way, Minion is the first chapter in a dark fantasy serial.  There are many fantasy book series, such as the Harry Potter books, but each Potter novel is a self-contained story with a beginning, middle, and end, while also being part of a larger narrative.  Minion is the novel as an out-sized first chapter in a serial that happens to be comprised of books rather than episodes.

That makes Minion kind of strange.  It has a beginning, but after that, the story just moves along, with Banks introducing all these crazy, but interesting ideas.  After awhile, I got the idea that Minion was entirely about the beginning, and no middle, let alone ending was in sight.

But I’m ready to read more.  Banks’ colorful prose, peppered with “urban” idioms and sparkling African-American sass and vernacular, is a candied treat.  Her inventiveness, however, takes Minion beyond being a “Black thing.”  Banks seems to have taken New Line’s Blade movies, the Buffy the Vampire television series, and Anne Rice’s gothic fiction and blended them into a new thing.  This new thing takes place on the streets, in the back alleys, and in clubs and other venues of live music (like raves).  Minion opens a new place for lovers of vampire fiction to play, and I want to be there.

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http://www.vampire-huntress.com/

Reviewed by Leroy Douresseaux

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