#IReadsYou Review: DARK BLOOD #6

DARK BLOOD #6 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART:  Moisés Hidalgo
COLORS: A.H.G. with Allison Hu (pp. 18-21)
LETTERS:  Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Valentine De Landro; Tiffany Turrill
24pp, Colors, 3.99 U.S. (January 2022)

Dark Blood created by LaToya Morgan

Dark Blood is a six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s “The Walking Dead,” “Into The Badlands”).  Published by BOOM! Studios, the series is drawn by Moisés Hidalgo and Walt Barna; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on a Black World War II veteran who discovers that he has strange powers.

Alabama, 1955.  After leaving his job at the diner, “Hardy's Eats,” Avery Aldridge, also known as “Double A,” has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

Dark Blood #6 opens in 1955 – late into the Night of the Variance.  Avery confronts Dr. Carlisle and Dr. Marshall, and he learns that he is the “Variant,” the one who responded “positively” to their formula (apparently dubbed "Formula 687") and treatment.  Now, his powers are raging, and powerful as he is, it comes with a devastating cost.

Meanwhile, Sheriff Wright has finally caught up with Avery.  If Avery wants to see his wife, Emma, and daughter, Grace, again, the racist lawman insists that he must play by his rules.  But does he?  Can Avery make sure that no one ever goes through what he has?  Can he protect his wife and child?  Will it cost him everything to do this?

THE LOWDOWN:  I recently learned, via “CBS Evening News,” that the United States Air Force museum had been keeping a secret.  In 1949, a team from the famed all-Black “Tuskegee Airmen” won the first “Top Gun” contest.  This contest was a gunnery competition among pilots from across the Air Force.  However, the Air Force's record book listed the winner as “unknown.”

The winners' trophy was hidden in the bowels of the Air Force museum until a historian discovered it in 2005.  Now, the trophy is on display at Nellis Air Force Base in Nevada.  The Tuskegee Airmen have finally been recognized with Top Gun honor – 73 years after winning the first contest.

The “Red Tails” (the 332nd Fighter Group) were part of the Tuskegee Airmen, and in “Dark Blood,” Avery Aldridge” was a Red Tail.  I didn't take this revelation as mere coincidence that I learned of it less that a week before the release of the final issue of the Dark Blood comic book miniseries.

In Dark Blood, television writer-producer LaToya Morgan (AMC's “TURN: Washington's Spies”) offers a comic book that is steeped in the history of African-American participation in World War II.  Dark Blood is allegorical in the way that it references the “Tuskegee Experiment” (a study which observed the effects of untreated syphilis in Black men).  The series also opens at the dawn of the “American Civil Rights Movement” (1954-68).  Dark Blood has been historical.

Yet it was not until Dark Blood #5 that I realized how much this comic book is also a rip-roaring science fiction yarn.  The series' narrative blood is certainly Black history and culture, but Dark Blood's DNA is pulp science fiction literature.  Its pedigree is the world of weird science fiction and fantasy comic books that emerged after World War II.  While reading issue #5, the sci-fi reality of Dark Blood came at me like a space rocket.

Morgan, artists Moisés Hidalgo and Walt Barna, and colorist A.H.G. have presented readers with a comic book series that looks and feels like it came out of the 1950s.  In an alternate reality, I can see it as something that William Gaines would have published through EC Comics.  Yes, Dark Blood would have been one more nail in EC's coffin, but Morgan's mixture of reality and sci-fi would have been a perfect fit for EC's mixture of morality and blood and guts genre.

Dark Blood #6 offers both – history and drama and also the astounding yearnings of golden age science fiction.  The drama has a powerful resolution, and the super-powers are the fireworks of comic book magic.  Superheroes and mutants – Dark Blood #6 promises readers an interesting future as the series comes to an end.  Whatever may come, what we have now in Dark Blood, dear readers, it is a blast to read.  And if you haven't read it yet, Dark Blood flows at comiXology.

I READS YOU RECOMMENDS:  Fans of golden age science fiction and of super science fiction comic books will want to read Dark Blood.

A+

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
https://twitter.com/MorganicInk
https://twitter.com/WaltBarna
https://twitter.com/AHGColor
https://twitter.com/andworlddesign

https://twitter.com/boomstudios
https://www.boom-studios.com/wordpress/
https://www.facebook.com/BOOMStudiosComics
https://www.instagram.com/boom_studios/


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

#IReadsYou Review: DARK BLOOD #5

DARK BLOOD #5 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART:  Moisés Hidalgo
COLORS: A.H.G. with Allison Hu
LETTERS:  Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Valentine De Landro; Ernanda Souza
24pp, Colors, 3.99 U.S. (December 2021)

Dark Blood created by LaToya Morgan

Dark Blood is a new six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s “The Walking Dead,” “Into The Badlands”).  Published by BOOM! Studios, the series is drawn by Moisés Hidalgo and Walt Barna; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on a Black World War II veteran who discovers that he has strange powers.

Alabama, 1955.  After leaving his job at the diner, “Hardy's Eats,” Avery Aldridge, also known as “Double A,” has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

Dark Blood #5 opens in 1955 – the Night of the Variance.  But this night feels the weight of a time a decade earlier when World War II servicemen, Avery and Henderson, two pilots of the Red Tails, face injustice masquerading as justice in Austria.  Oh, how it resembles the same process of injustice in the United States.  What happened that night may have laid the groundwork for Avery's situation now.

What Avery discovered about himself six weeks before the Night of Variance seemed like a good thing, but this night, there is horror and there must be a reckoning.  As Avery's condition continues to manifest and become more intense, is his search for answers merely going to lead him to something far worse?

THE LOWDOWN:  In Dark Blood, television writer-producer LaToya Morgan (AMC's “TURN: Washington's Spies”) offers a comic book that flows through multiple genres, including science fiction and fantasy, horror, and history.  It has layers and subtexts.  There is metaphor and symbolism and history made reality.  Morgan presents her readers with a beautiful and complex work.

On the other hand, I see the art of Moisés Hidalgo, who has been the regular artist on this series since the third issue.  I read his signs and graphics and symbolism, and I realize that Dark Blood #5 is just so much fun to read.  I feel like a kid again discovering something every time I read a new comic book or new issue of a favorite series.  Even if I were too ignorant to figure out the layers behind this story, Hidalgo turns this tale into a wild adventure of mad scientists, Nazis, and rotten cops.  It is pure escapism, and ain't nothing wrong with that.  Hell, Dark Blood #5 is the magic and the mystery of the Golden Age of Comics before busybodies ruined this outsider art form with the “Comics Code Authority (CCA) in 1954.

A.H.G.'s beautiful colors on Hidalgo's art makes this vintage mode (so to speak) feel so real.  I hope the upcoming final issue of Dark Blood also has a touch of escapist entertainment in it.  I also hope that it isn't the end...

I READS YOU RECOMMENDS:  Fans of modern science fiction and dark fantasy comic books will want to drink Dark Blood.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
https://twitter.com/MorganicInk
https://twitter.com/WaltBarna
https://twitter.com/AHGColor
https://twitter.com/andworlddesign

https://twitter.com/boomstudios
https://www.boom-studios.com/wordpress/
https://www.facebook.com/BOOMStudiosComics
https://www.instagram.com/boom_studios/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

#IReadsYou Review: GOOD ON BOTH SIDES - A (th)ink Anthology

GOOD ON BOTH SIDES – A (TH)INK ANTHOLOGY #5
KEITH KNIGHT PRESS/Microcosm Publishing

CARTOONIST: Keith Knight
ISBN: 978-0-9788053-5-7; paperback; 6" x 7.5" x 0.4" (June 2022)
128pp, Color, $20.00 U.S.

Good on Both Sides is a new collection of the socio-political, single-panel comic strip, (th)ink.  Debuting in 2000 on the now defunct website, Africana.com, (th)ink is the creation of Keith Knight, a cartoonist, comics creator, and musician.  Knight is also the creator and an executive producer on the recent Hulu series, “Woke.”  (th)ink currently appears in several outlets, including the Nib, Daily KOS, Antigravity, and The Funny Times.

Good on Both Sides, the fifth (th)ink paperback collection, takes its title by paraphrasing Donald Trump's moral equivalency after the 2017 “Unite the Right” rally in Charlottesville, Virginia.  It covers (th)ink episodes published during the early years of Donald Trump's masquerade as the 45th President of the United States.  Knight captures the absurdity of the time under an absurd leader and chronicles and depicts everything that made non-white supremacists cringe.

THE LOWDOWN:  In a sense political cartoonists are a dime a dozen.  The truth is that I have a hard time finding many that are really bad at their chosen professions.  What makes Keith Knight different?

I first became acquainted with Knight's work in late 2006 when I received a copy of Are We Feeling Safer Yet? (2007), the second (th)ink collection.  Sadly, I lost touch with him and had not thought of him until I heard about his Hulu TV series, “Woke,” last year.  I recently reconnected with him to request a copy-for-review of Good on Both Sides.  On the back cover of this book is a quote from Dawn Tol, part of which reads, “Keith Knight has never been more overtly Black.”

That is what makes Knight different from other political cartoonists.  He is Black.  Yes, there are other African-American political cartoonists (Walt Carr, David G. Brown), but for now, we are talking about Keith Knight, who is from a particular tradition.  That tradition involves Coloreds, Negroes, Afro-Americans, African-American, etc. who do not bite their tongues, metaphorically or otherwise, for the sake of propriety and for the feelings of good White folk and cautious, fretting Black folk.

I had forgotten just how screwed up the first half of Trump's occupation was … because the second half turned into … well,you know.  Knight's commentary via political cartoons is both incisive and relentless.  I won't say that he is “unapologetic” because apologizing is irrelevant in the context of what Knight does.  It isn't just Trump that is wrong with this country; it is also the rotten culture and society.  Honestly, much of that rot comes from White racism, supremacy, and privilege:  those that perpetuate it; those that enjoy the advantages while letting someone else do the dirty work; and those who benefit and give nominal lip service in criticizing it.

In Good on Both Sides, nothing and no one is spared.  Warts and all, Klan robes and hoods:  Knight reveals the stains without a thought for decorum.  Political commentary, words, pictures, or cartoons need that, especially when so many commentators want us to “turn down the temperature.”  Knight is the triple truth, Ruth.

Good on Both Sides isn't all about Trump.  As I said, there were plenty of awful people during that time who deserve Knight's punches.  Knight also offers several nice memorials and tributes to such luminaries as W.E.B. Du Bois, Dick Gregory, and Josephine Baker, to name a few.  I am not crazy about everything in Good on Both Sides, but it's close.  I could have read another hundred pages just to see what Knight has to say about the time period this collection covers.

Keith Knight's political cartoons are timely, and many are timeless.  The timeless ones will always have bite, but the timely will cut like a knife for years to come.  And Good on Both Sides is just plain funny.  I laughed a lot, and I practically always need that from political cartoons.  I encourage you, dear readers, to get a copy of Good on Both Sides.  Maybe if enough of you read it, someone will get the notion to shortlist Mr. Knight for a Pulitzer Prize.

I READS YOU RECOMMENDS:  Fans of great political cartoons and of Keith Knight's work will want to read Good on Both Sides.

A

★★★★+ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


You can buy copies of Good on Both Sides at indie book stores or at the following online shops: here or https://keithknight.bigcartel.com/product/pre-order-good-on-both-sides-the-new-th-ink-collection and here or https://microcosmpublishing.com/catalog/books/1446.


Find Keith Knight on the Internet:
https://keithknightart.com/
https://kchronicles.com/
https://twitter.com/KeefKnight
https://www.patreon.com/keefknight
https://www.instagram.com/iamkeithknight/?hl=en
https://keithknight.bigcartel.com/
https://microcosmpublishing.com/catalog/books/1446
https://www.facebook.com/keithknightcartoonist/
https://www.gocomics.com/thekchronicles


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------------

#IReadsYou Review: ARE WE FEELING SAFER YET? - A (th)ink Anthology

ARE WE FEELING SAFER YET? A (TH)INK ANTHOLOGY #2
KEITH KNIGHT PRESS/Top Shelf Productions

CARTOONIST: Keith Knight
ISBN-13: 978-0-9788053-0-2; paperback; (January 2007)
128pp, B&W, $12.95 U.S., $16.95 CAN

Keith Knight is a cartoonist, musician, and television creator and executive producer (Hulu's “Woke”).  Knight also produces a weekly multi-panel strip, The K Chronicles, and he has previously contributed to MAD Magazine and ESPN The Magazine.

One of Knight's other comics is (th)ink, a socio-political (mostly) single-panel cartoon.  It began life in 2000 as a digital comic on the now defunct website, Africana.com.  Over the years, (th)ink has appeared on numerous websites and has been published in daily and alternative newspapers (including the San Francisco Chronicle, The Rocky Mountain Chronicle, and the Haight Ashbury Beat).  It currently appears in the Nib, Daily KOS, Antigravity, and The Funny Times, to name a few.

Published in 2007, Are We Feeling Safer Yet? was the second paperback collection of Knight's (th)ink cartoons.  What follows is the edited and revised text of a review of Are We Feeling Safer Yet? that I wrote for another website in late 2006:

THE LOWDOWN:  Although Knight probably calls (th)ink a comic strip, it's more like an ongoing editorial cartoon.  Knight's work is certainly related in terms of comic strips to work of cartoonist, Garry Trudeau, who is best known for his award-winning newspaper comic, Doonesbury.  As an African-American cartoonist, Knight's work is similar in tone to Aaron McGruder newspaper comic strip, The Boondocks.  However, while, Trudeau and McGruder deal with a cast of continuing characters and use them to comment on politics, society, and culture, Knight's cast is America itself.  Essentially, that is what an editorial cartoonist generally uses as his cast – our nation, even if, as a group, editorial cartoonists seemed fixated on politicians and in particular, the sitting President (in this case George W. Bush).

Knight is sharp and clever, and his humor and commentary are even sharper.  He is, though, not mean-spirited, and he only draws blood when he has to do so - such as when he uses a guy discovering that his color and white laundry have been mixed to comment on integration (p. 46).  Sometimes he cuts a subject because they handed him the blade, as in a cartoon featuring Snoop Dogg which comments on the rapper-actor's behavior on stage (p.78).

Knight is probably often compared to McGruder because both are Black cartoonists/commentators and both take the Bush Administration to the shed, but there, the similarity ends.  Knight belongs on the editorial page.  Because he uses Black characters and often deals with African-American or Hip-Hop culture doesn't make him different from white cartoonists and commentators who ply their trade on our nation's newspaper editorial sections.

Keith Knight is a funny guy, but he is astute like the good editorial cartoonist should be.  What Knight says with pen and ink makes sense, and he's ready for the big time. [End of text of original review.]

I READS YOU RECOMMENDS:  Fans of Keith Knight and (th)ink will want Are We Feeling Safer Yet?

A
★★★★+ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Readers can buy copies of Are We Feeling Safer Yet here or at https://keithknight.bigcartel.com/product/are-we-feeling-safer-yet-th-ink-book-2 or https://lastgasp.com/products/are-we-feeling-safer-yet-a-think-anthology?_pos=1&_sid=19da0e2ca&_ss=r.


Find Keith Knight on the Internet:
https://keithknightart.com/
https://kchronicles.com/
https://twitter.com/KeefKnight
https://www.patreon.com/keefknight
https://www.instagram.com/iamkeithknight/?hl=en
https://keithknight.bigcartel.com/
https://microcosmpublishing.com/catalog/books/1446
https://www.facebook.com/keithknightcartoonist/
https://www.gocomics.com/thekchronicles


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------

#IReadsYou Review: DARK BLOOD #3

DARK BLOOD #3 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART:  Moisés Hidalgo
COLORS: A.H.G.
LETTERS:  Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Valentine De Landro; Christian Ward
24pp, Colors, 3.99 U.S. (September 2021)

Dark Blood created by LaToya Morgan

Dark Blood is a new six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s “The Walking Dead,” “Into The Badlands”).  Published by BOOM! Studios, the series is drawn by Walt Barna and Moisés Hidalgo; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on a Black World War II veteran who discovers that he has strange new abilities.

Alabama, 1955.  After leaving his job at the diner, “Hardy's Eats,” Avery Aldridge, also known as “Double A,” has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

Dark Blood #3 opens in 1945, ten years before the Variance.  In Alabama, Emma Aldridge, Avery's wife, feels the penetrating eyes of a member of the local wolf pack, also known as a police officer, specifically Officer Wright.  Meanwhile, near the Austrian border, Avery and a fellow pilot race for safety with another kind of wolf pack, in the form of a Nazi commandant and his soldiers, nipping at their heels.

Ten years later, back in the present, it is the “Night of the Variance.”  Once again, Emma evades a wolf, while Avery runs away from one.  As he did a decade before, Avery will once again have to decide when he should stop running and turn around and start fighting.

THE LOWDOWN:  The indignities that Avery Aldridge suffers in Dark Blood #2 are familiar to me because I have experienced some of them and others were told to me via first hand or second hand accounts.  A theme that runs throughout Dark Blood, thus far, is the notion that Black people are often being hunted.  Sometimes, even being watched is a form of being hunted; the difference is that the hunter hunts with his stare or gaze.

Television writer-producer LaToya Morgan (AMC's “TURN: Washington's Spies”) offers in Dark Blood a comic book that flows through multiple genres, including science fiction and fantasy, horror, history, and reality-based drama, to name a few.  As a television writer, she knows how to deliver action, suspense, and thrills along with the character drama.  And Dark Blood #3 offers the thrill of the hunt.

This third issue finds husband and wife, Avery and Emma Aldridge, living and surviving on the razor's edge more than once, over two time periods.  It would not be inappropriate to compare this issue's hunters, Alabama law enforcement and Nazi military personnel to one another.  After all, one was the teacher of codified racism, and the other was the student.  [I'll let you, dear readers, figure out which was which.]

Morgan delivers Dark Blood's most taut thrills and fraught drama, thus far, and this time she has a different artist as her creative partner.  Moisés Hidalgo, who drew a few pages of Dark Blood #2, returns to draw Dark Blood #3's dark nights of pursuit to life.  Hidalgo's compositions seem inspired by the surreal madness of Steve Ditko's comics and also the impressionism and and wild-eyed emotions of Japanese manga.  Here, Hidalgo makes the reader feel, as if he refuses to allow the reader to experience Morgan's story only in a rational way.  His art wants us to be fearful, desperate, and even irrational.  While reading this issue, I believed that I had to feel this story if I was really going to have a chance of understanding the characters' plights.

Once again, I must praise A.H.G.'s coloring for Dark Blood.  I read comiXology's digital editions of Dark Blood when I am reviewing the series, and A.H.G.'s colors look gorgeous in this format.  The coloring makes Dark Blood's interiors look like pages from a vintage comic book, so Dark Blood seems to be not a comic book about the past, but a comic book from the past.  It is like a memento from a time capsule, a story that has been waiting for us.

Strangely, Dark Blood #3 confirms what I have been thinking since I started reading this series.  Dark Blood is the comic book that some comic book readers need and have needed for a long time, though some may only discover this later via a Dark Blood trade paperback.  So, once gain, I highly recommend Dark Blood.

I READS YOU RECOMMENDS:  Fans of modern science fiction and dark fantasy comic books will want to drink Dark Blood.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
https://twitter.com/MorganicInk
https://twitter.com/WaltBarna
https://twitter.com/AHGColor
https://twitter.com/andworlddesign

https://twitter.com/boomstudios
https://www.boom-studios.com/wordpress/
https://www.facebook.com/BOOMStudiosComics
https://www.instagram.com/boom_studios/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

#IReadsYou: Review: DARK BLOOD #2

DARK BLOOD #2 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART: Walt Barna with Moisés Hidalgo (pp. 10-12, 19)
COLORS: A.H.G.
LETTERS: Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Valentine De Landro; Taurin Clarke
24pp, Colors, 3.99 U.S.(August 2021)

Dark Blood created by LaToya Morgan

Dark Blood is a new six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s “The Walking Dead,” “Into The Badlands”).  Published by BOOM! Studios, the series is drawn by Walt Barna; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on a Black World War II veteran who discovers that he has strange new abilities.

Alabama, 1955.  After leaving his job at the diner, “Hardy's Eats,” Avery Aldridge, also known as “Double A,” has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

Dark Blood #2 opens six months before the Variance and reflects that which occupies Avery's oft-troubled mind.  He thinks of his wife, Emma, and their daughter, Grace Emmadell.  We see his life in “Vale Junction,” a small Black community where everyone knows him and loves Emma's “Vale Junction Book Mobile.”  Even his wartime experiences, especially from a particular time in Austria, circa 1945, flits in and out of Avery's memories.

However, reality intrudes after an altercation leaves Avery hurt.  Dr. Carlisle, a white university doctor, is the unlikely bystander who steps in to help, offering Avery immediate first aid.  As luck … would have it, Dr. Carlisle also operates a clinic “right outside of town on the old Rickman Farm” where he offers free medical care.  But nothing is really free...

THE LOWDOWN:  The indignities that Avery Aldridge suffers in Dark Blood #2 are familiar to me because I have experienced some of them and others were told to me via first hand or second hand accounts.  I admire a writer who can take such things and transform them into drama.  When a writer takes reality and inflicts it on make-believe people in a way that hits the audience in the soft spots (the heart, the soul, the mind), that is some mighty powerful storytelling.

Television writer-producer LaToya Morgan (AMC's “TURN: Washington's Spies”) offers in Dark Blood a comic book that is both science fiction-fantasy/horror and historical or reality-based drama.  She makes the Jim Crow world in her corner of Alabama truly an awful place, but at the same time, she presents in Vale Junction a Black community permeated with love and possibilities.  And that was the world that Black Americans lived not that long ago.

There are times when Avery suffers the insults of White people, and I can feel the hoary ghost of Nat Turner scratching at every window of my soul.  A documentary film or a work of journalism in our world would take Avery's experiences and attempt to engage our intellect.  Great drama takes those same experiences and engages our soul and ensnares our imagination.  It is through such mighty and imaginative drama that Morgan makes Dark Blood work as serialized fiction, a kind of fantastic fiction born in our reality based histories.

By page design and panel composition, artist Walt Barna brings the compelling drama of Dark Blood #2 to life.  With each panel, he is like a photographer working the right angles and capturing the perfect moments as he builds this chapter/issue.  There are also some beautifully drawn pages by guest artist Moisés Hidalgo.  Of course, A.H.G.'s gorgeous colors shift with the winds of Avery's memories, as well as with the linear jooks of Morgan's narratives.  So I credit the colors with forcing me to pay attention to the graphics throughout Dark Blood, especially this second issue.

After reading the first issue, I thought that LaToya Morgan, Walt Barna, A.H.G., and Andworld Design were off to a most excellent start, offering something that had great promise.  Dark Blood #2 aggressively delivers on that great promise.

I READS YOU RECOMMENDS:  Fans of modern science fiction and dark fantasy comic books will want to drink Dark Blood.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
https://twitter.com/MorganicInk
https://twitter.com/WaltBarna
https://twitter.com/AHGColor
https://twitter.com/andworlddesign

https://twitter.com/boomstudios
https://www.boom-studios.com/wordpress/
https://www.facebook.com/BOOMStudiosComics
https://www.instagram.com/boom_studios/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

#IReadsYou Review: DARK BLOOD #1

DARK BLOOD #1 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART:  Walt Barna
COLORS: A.H.G.
LETTERS:  Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Dan Mora; Valentine De Landro; Marcus Williams; Javan Jordan; Mico Suayan; Felix Icarus Morales with Robert Nugent; David Sanchez with Omi Remalante; Karen S. Darboe; Ingrid Gala; Marco Rudy
24pp, Colors, 3.99 U.S.(July 2021)

Dark Blood created by LaToya Morgan

Dark Blood is a new six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s "The Walking Dead," "Into The Badlands").  Published by BOOM! Studios, the series is drawn by Walt Barna; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on an Black World War II veteran who discovers that he has strange new abilities.

Dark Blood #1 opens in Alabama, 1955.  It's night.  Avery Aldridge, also known as “Double A,” is leaving his job at the diner, “Hardy's Eats.”  In the alley, he has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful, grown-ass man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

THE LOWDOWN:  As I much as I love the original Star Wars movies and a number of classic Walt Disney animated features (Peter Pan), my all-time favorite movie moment occurs in 1967's In the Heat of the Night.  Involuntarily assigned to a homicide case in Sparta Mississippi, Philadelphia police detective Virgil Tibbs (played by Sidney Poitier) is interviewing a suspect, a local and powerful rich white man named Endicott (Larry Gates), when Endicott slaps him in the face.  Tibbs slaps him right back.  The first time I saw Tibbs slap Endicott, it took my breath away … and it still does.

Television writer-producer LaToya Morgan (AMC's "TURN: Washington's Spies") offers a sci-fi/horror spin on Tibbs' slap as the spine of the first issue of her new comic book, Dark Blood.  This time, the confrontation is longer, and Avery Aldridge's response is made a bit more complicated, partly because he seems unstuck in time.  Morgan does everything to tell her readers a lot by whetting their appetites for more, because they don't know the half of it, and she makes that “it” intriguing.

For all that I am intrigued by Dark Blood #1's story and concept, this first issue is also a showcase for the art team of illustrator Walt Barna and colorist A.H.G.  Barna's compositions are some of the most convincing period art that I have seen in a modern comic book in years.  Barna's Alabama, 1955 looks so “old-timey” that I could believe that it is something Barna drew at least half-a-century ago.  Barna's aerial sequences depicting Aldridge's time as a Red Tail reminds me of the comic book art one might find in EC Comics' legendary war comic book, Aces High (1955).

A.H.G.'s colors are gorgeous and also from a time machine.  If I didn't know better, I would say he hand-colored this comic book and manually separated those colors in a back office at a NYC-based comic book publisher – in days gone by.  Seriously, his colors shimmer, but are also earthy, and they make the storytelling's time periods look and feel authentic.

And I always enjoy Andworld Design's lettering, which is always stylish in a way that brings immediacy and power to the drama.  So LaToya Morgan, Walt Barna, A.H.G., and Andworld Design are off to a most excellent start, and Dark Blood #1 sparkles with promise.

I READS YOU RECOMMENDS:  Fans of modern science fiction and dark fantasy comic books will want to drink Dark Blood.

A

★★★★+ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
https://twitter.com/MorganicInk
https://twitter.com/WaltBarna
https://twitter.com/AHGColor
https://twitter.com/andworlddesign

https://twitter.com/boomstudios
https://www.boom-studios.com/wordpress/
https://www.facebook.com/BOOMStudiosComics
https://www.instagram.com/boom_studios/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

#IReadsYou Review: KILLADELPHIA #8

KILLADELPHIA #8
IMAGE COMICS – @ImageComics

[This review was originally posted on Patreon.]

STORY: Rodney Barnes
ART: Jason Shawn Alexander
COLORS: Luis Nct
LETTERS: Marshall Dillon
LOGO/GRAPHIC DESIGN: Brent Ashe
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander with Luis Nct
VARIANT COVER ARTIST: Bill Sienkiewicz
28pp, Colors, 3.99 U.S.(September 2020)

Rated “M/ Mature”

“Burn Baby Burn” Part II: “Oh So Close...”

Published by Image Comics, Killadelphia is a comic book series from writer Rodney Barnes and artist Jason Shawn Alexander.  At the center of this series is a police officer caught in a lurid conspiracy in which vampires attempt to rule Philadelphia, “the City of Brotherly Love.”  Colorist Luis Nct and letterer Marshall Dillon complete Killadelphia's creative team.

Killadelphia focuses on James “Jim” Sangster, Jr., who came home to Philly to deal with the final affairs of his recently murdered father, revered Philadelphia homicide detective, James Sangster, Sr.  But Senior was not dead; he was of the undead.  It took the son, the vampire father, the chief medical examiner (Jose Padilla), and a rebellious vampire (Tevin “See Saw” Thompkins) to lead the battle to save “the City of Brotherly Love” from a vampire apocalypse.  But that was a battle, and there is a war.

Killadelphia #8 (“Oh So Close...”) opens with Jim, Sr. in his grave and ready to move on with his afterlife, but the vampire revolution still plans on being televised.  Jim, Jr. and Ms. Padilla are digging through the bloody mess found at the Governor's mansion, and what they discover will require help – even if the help doesn't want to be required.  Meanwhile, Abigail Adams and her acolytes make their next move by targeting a big event in an act of violence that cannot be ignored.

THE LOWDOWN:  Killadelphia's first story line, “Sins of the Father,” is quite fantastic. Writer Rodney Barnes seems intent on making “Burn Baby Burn” an even more intense reading experience.  I don't want to spoil this wonderful issue, but Barnes sends one of his characters on a dark fantastic journey that recalls the travels readers experienced in Neil Gaiman's The Sandman (DC Comics).

Did artist Jason Shawn Alexander also sell his soul at the crossroads?  Seriously, in Killadelphia #8, Alexander offers his most imaginative compositions and graphical storytelling.  He introduces new landscapes and dreamscapes into this narrative that takes Killadelphia where no other vampire comic book has gone.

Colorist Luis Nct turns out the fiery hues and neon lights for this excellent issue that transports this narrative to new worlds and also conveys the encroaching horror to its next battlegrounds.  Marshall Dillon's lettering is becoming its own character, especially as this story goes new places.

Damn, I thought this comic book would settle down.  I didn't know that Killadelphia would still be scratching at the window of my imagination by the eighth issue.

I READS YOU RECOMMENDS:  Fans of vampire comic books and of exceptional dark fantasy will want Killadelphia.

10 out of 10

Killadelphia #8 has a backup feature:
“Elysium Gardens” Part 2 “Blood Moon”
Story: Rodney Barnes
Art: Jason Shawn Alexander
Layouts: Sherard Jackson
Letters: Marshall Dillon

After opening on the Santa Monica Pier in Los Angeles, California on April 28, 1962, the back-up story, “Elysium Gardens,” moves to Sicily, 827 A.D.  There, the mystery woman, Zubiya, recounts her dark and mystical past, but it is in the 1960s where she will find some surprising truths.

Rodney Barnes' story and Jason Shawn Alexander's art (with its ethereal and mystical qualities) recalls the black and white horror comics magazines of Warren Publications (like Creepy and Eerie).  But it is also something new, and “Elysium Gardens” looks like it wants to break more than just a little ground.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/TheRodneyBarnes
https://twitter.com/jasonshawnalex
https://twitter.com/luisnct
https://twitter.com/MarshallDillon
https://twitter.com/ImageComics
https://imagecomics.com/
http://rodneybarnes.com/


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

#IReadsYou Review: KILLADELPHIA #7

KILLADELPHIA No. 7
IMAGE COMICS – @ImageComics

[This review was originally posted on Patreon.]

STORY: Rodney Barnes
ART: Jason Shawn Alexander
COLORS: Luis Nct
LETTERS: Marshall Dillon
LOGO/GRAPHIC DESIGN: Brent Ashe
EDITOR: Greg Tumbarello
COVER: Jason Shawn Alexander with Luis Nct
VARIANT COVER ARTIST: Skottie Young
28pp, Colors, 3.99 U.S.(August 2020)

Rated “M/ Mature”

“Burn Baby Burn” Part I: “Jupiter Rising”

Launched by Image Comics last year, Killadelphia is a comic book series from writer Rodney Barnes and artist Jason Shawn Alexander.  The series focuses on a police officer caught in a lurid conspiracy, one masterminded by the second president of the United States, John Adams.  A vampire, Adams made the corrupt, but historical city of Philadelphia vampire-ridden.  Colorist Luis Nct and letterer Marshall Dillon complete Killadelphia's creative team.

James “Jim” Sangster, Jr., a Baltimore Police Department, came home to Philly to deal with the final affairs of his recently murdered father, revered Philadelphia homicide detective, James Sangster, Sr.  But Senior was not dead; he was of the undead.  It took the son, the vampire father, the chief medical examiner (Jose Padilla), and a rebellious vampire (Tevin “See Saw” Thompkins) to lead the battle to save “the City of Brotherly Love” from a vampire apocalypse.

Killadelphia #7 (“Jupiter Rising”) opens six months after John Adams brought Philly to its knees, before his ultimate destruction.  Jimmy and Ms. Padilla are part of the front line forces that keep the bloodsuckers in check.  But what of the remnants of John Adams' family, the ones who waited patiently for centuries along with him?  What is Abigail, Adams' “widow,” up to up there on Chestnut Hill?

Plus, it is April 28, 1962 on the Santa Monica Pier in Los Angeles, California.  Watts is on fire.  And the patrolman in Los Angeles Police Department Car 2713 is about to have a fatal encounter with a “suspicious Negro woman.”

THE LOWDOWN:  Killadelphia's first story line, “Sins of the Father,” was quite fantastic.  In six issues, the Killadelphia creative team established this comic book as maybe the best vampire comic book of the twenty-first century.

What writer Rodney Barnes offers in Killadelphia is what some of us readers wish we could find in Marvel's Blade comic books, but better creator-owned than being owned.  Barnes quickly switches gears and delivers a first chapter of the second story arc that may be as powerful as the opening act of the first story arc.  New readers don't need to have read the first six issues in order to understand Killadelphia #7, but they will want to because it is so... bloody good.

Artist Jason Shawn Alexander offers a little night music that promises to keep this dark fantasy fresh and full of possibilities.  His art goes for the throat, and with colorist Luis Nct throwing red hues after him, Alexander will make you love and be afraid of Killadelphia, as it should be.  After all, this is a horror comic book, but, as read under Marshall Dillon's lettering, the character and the drama will move this comic book and narrative beyond mere genre considerations.

Comic book news sites have been reporting a surge in sales for Killadelphia #7.  These new readers are about to get a treat, and maybe some of them will sock away a few copies in their coffins as an investment.  All the smart immortals are making their way to Killadelphia.

I READS YOU RECOMMENDS:  Fans of vampire comic books and of exceptional dark fantasy will find that Killadelphia is an essential read.

10 out of 10

[This comic book includes the extra story, “Elysium Gardens” by Rodney Barnes, Jason Shawn Alexander, and Marshall Dillon

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/TheRodneyBarnes
https://twitter.com/jasonshawnalex
https://twitter.com/luisnct
https://twitter.com/MarshallDillon
https://twitter.com/ImageComics
https://imagecomics.com/
http://rodneybarnes.com/


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

#IReadsYou: Review HASS #4

HASS #4
APPROBATION COMICS

[This review was originally posted on Patreon.]

WRITER/CREATOR: B. Alex Thompson – @ApproBAT
PENCILS: Edgard Machiavello
INKS: Victor Moya
COLORS: Alivon Ortiz
LETTERS: Krugos
MISC. ART: Cesar Grego and Federico Santagati
COVERS: Cesar Grego and Federico Santagati
32pp, Color, $9.99 U.S. (2020)

Hass is a four-issue comic book miniseries from Approbation Comics.  Hass is written and created by B. Alex Thompson.  The third and fourth issues are drawn by Edgard Machiavello (pencils) and Victor Moya (inks).  Alivón Ortiz is the series' colorist, and Krugos is the series' letterer.

A racial drama and crime thriller, Hass centers on Joshua “Josh” Jones, a freshman attending a college “deep in the heart of Texas.”  First day on campus, Josh falls in love with fellow medical student, Maggie Stewart, but he has to work hard to get Maggie to give him a chance at romance.

Eventually, this relationship forces Josh to confront violence and racism, and to have an unfortunate tattoo branded on his chest.  Before long, Josh is hanging out with Maggie's racist, drug-dealing cousin, Cole Truitt, and his gang of misfits: Eugene “Shamrock” Walsh (also known as “Rocky), Edward Vargas, Randall Gavin, and Warren “Great” White (also known as “Sharky”).

Hass #4 opens with the cliffhanger where the third issue left us.  Josh finds himself in a “Mexican standoff” with a gang of Mexican-American drug dealers … at a redneck honky-tonk!  Josh may be smart enough to talk himself out of this predicament, but when changes come to Cole's gang, he finds himself on the outside.  It turns out, however, that nothing was ever what it seems.  There is a turncoat in Cole's gang, and Maggie and her ailing father's lives are in danger.  It all heads to an explosive climax at Josh's college, and there will be many violent false endings before there is a happy ending.

THE LOWDOWN:  Early in the series, the back cover copy describes Hass as “William Shakespeare’s Romeo and Juliet” meets American History X” (the 1998 film).  Throw in your favorite undercover cop drama-thriller, dear readers, and you will be pretty close to the crazy fun that Hass offers.

B. Alex Thompson is the creator of the long-running indie, comedy-horror comic book series, Chaos Campus: Sorority Girls vs. Zombies.  As much as I love Chaos Campus, Hass is Thompson's best work to date.  He creates a scenario in Hass that allows him to explore various themes emerging from racism, as well as the violence that racism inspires or to which it directly leads.  Thompson explores the consequences of violence and its aftermath, and he also depicts the myriad ways in which racism, prejudice, and bigotry reveal themselves.

Pencil artist Edgard Machiavello was bold and unapologetic in delivering graphical storytelling for Hass #3; he took Thompson's dangerous ideas and kept them dangerous.  For Hass #4, Machiavello presents compositions that deliver on the furious pace of Thompson's finale for this series.  Inker Victor Moya brings nuance to the explosive nature of Machiavello's pencils.  As usual, Alivón Ortiz's colors accentuate the story by bring bright colors to the violence.  Krugos' lettering does what it has to do this issue, and that is to make sure that the story never slows down until the end.

Cover artist Cesar Grego once again delivers excellent cover art for the front and back covers and also drops a nice interior illustration.  This time, Grego's art captures the heat and the heart that define Hass #4.  As I have said before, I have never read another comic book that has explored American racism and prejudice in such a unique and complex way as Hass does.  Bold and different in ways that other comic books would not dare be, Hass is one of the decade's best indie comic books.

I READS YOU RECOMMENDS:  Readers looking for bold comic book storytelling and for the very best in comic books will want Hass.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/ApproBAT
http://alexthompsonwriter.com/
https://www.comixology.com/Approbation-Comics/comics-publisher/7396-0
www.ApprobationComics.com


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

-------------

I Reads You Juniors November 2020 - Update #95

"Support Leroy on Patreon.

Leroy's Amazon Comics and Graphic Novels Page:  

DC CINEMA - From ArsTechnica:   "Justice League: The Snyder Cut" black and white trailer - released Nov. 17th, 2020.

DC TV - From HBOMax:   See HBO Max's "Titans" Season 1-Episode 1 ("Titans," 2018) for free - for the time being.

From HBOMax:  See HBO Max's animated "Harley Quinn" Season1-Episode 1 ("Till Death Do Us Part," 2019) for free - for the time being.

---------------- 

DC COMICS - From GamesRadar:  DC Comics is re-imagining "Batman" character, "Poison Ivy" for the Summer 2021 young adult graphic novel, "Vines 'N Roses."

DC TV - From DCBlog:   Anna Diop of HBO Max's "Titans" shows off "Starfire's" new costume.

DC COMICS - From DCComics:  Here is the "Future State" page.

From DCBlog:  DC Future State Takes You Beyond Tomorrow

DC COMICS - From GamesRadar:   A 1939 copy of Detective Comics #27, which features the first appearance of Batman, sold for $1.5 million via Heritage Auctions.

MARVEL - From GamesRadar:  Of the comic books that Marvel Comics is cancelling is its comic book adaptation of "Star Wars: The Rise of Skywalker."

UK COMICS - From 2000AD:   A look at Pat Mills and Rafael Busom's "Sugar Jones," as "The Best of Sugar Jones" collection arrives.

BOOKS - From BleedingCool:   Book publisher Penguin Random House has fellow publisher, Simon & Shuster," for 2 billion dollars.  That has created a mega-publisher and mega distributor with ramifications for comic book publishers.

DARK HORSE - From TheBeat:  Dark Horse Comics will publish an original graphic novel from famed comics cover artist and illustrator, Dave McKean.  Entitled "Raptor: A Sokol Graphic Novel," it will feature his first creator-owned character.

DC TV - From DCBlog:  HBO Max will stream, "DMZ," the four-part television adaptation of the Vertigo comic book series, "DMZ" (2005-12) from writer Brian Wood and artist Riccardo Burchielli.

MANGA - From GamesRadar:  Sony's investment arm, "Sony Innovation Fund," has reportedly invested in the new digital manga service, "Mangamo." 

DC COMICS - From GamesRadar:  A 7-foot tall statue of Batman is now on display in downtown Burbank, California.

DC COMICS - From Deadline:   DC Comics will introduce its first non-binary hero in "Kid Quick," who will appear in DC's holiday-themed comics anthology, "DC's Merry Multiverse."

COMICS - From THR:  Writer Steve Niles, the creator of "30 Days of Night," has formed a multi-platform production company, "Monster Forge Productions," with artist Shannon Eric Denton.

DC TV - From Variety:  The CW is cancelling its superhero TV series, "Black Lightning," after its upcoming Season 4.

MARVEL - From Previews:  Marvel Comics releases a trailer for the first chapter of "Enter the Phoenix," the new Avengers story line that opens in "Avengers #40."

DC CINEMA - From Deadline:  Warner Bros. will release "Wonder Woman 1984" Dec. 25th, 2020 in U.S. and to stream on HBO Max.  The film will reportedly be released overseas on Dec. 16th.

DISNEY BOOKS - From SFWA:  The Walt Disney Company apparently is not paying royalties owed to veteran novelist Alan Dean Foster for books he wrote and that they now own.

DC CINEMA - From WeGotThisCovered:   Actress Amber Heard played "Mera" in Warner Bros.'s hit film, "Aquaman" (2018). Rumors say the studio will expand her role in the sequel and possibly develop a Mera film for her.  The latter is reportedly contingent on continued favorable rulings for Heard in her long-running and ugly legal battle with her ex-husband, Johnny Depp.

COMICS TO TV - From ComicBook:  Actor Jeffrey Dean Morgan says that there is still a chance is notorious character from "The Walking Dead," Negan, might still get a spinoff TV series.

MARVEL - From GamesRadar:   Hasbra has said that the Transformers and the X-Men will crossover in some way in 2021 as part of its "Tranformers Collaborative" line.

DC CINEMA - From BloodyDisgusting:   Zack Snyder teases a new look for Jared Leto as the "Joker" in "Justice League."

MANGA - From ANN:   Revered manga creator, Naoki Urasawa, who is best known for manga such as "Monster" and "20th Century Boys," says that he is making an anime.

MANGA - From Kotaku:  Naruto creator, Masashi Kishimoto, will start writing the sequel, "Boruto," beginning with Chapter 52.  Ukyo Kodachi has been writing the series since Chapter 1.

DC TV - From Deadline:  The CW is developing a "Wonder Girl" TV series and the series lead may be a Latina.

DC COMICS - From BleedingCool:   Vixen will apparently be the first feature in DC's upcoming digital anthology comic, "Truth & Justice."

COMICS - From GamesRadar:   Kaare Andrews talks about his new teen superhero, "E-Ratic."

DC COMICS - From BleedingCool:  Eisner Award-winning artist, Sanford Greene, said in an interview that he is working on comics projects with Patton Oswalt and Milestone Media.

DC CINEMA - From Variety:   Director James Gunn confirms that Sylvester Stallone has joined his film, "The Suicide Squad."

DC CINEMA - From Deadline:   Apparently, there is still lots of debate about the release date and release platform for "Wonder Woman 1984."  It involves Christmas Day, HBO Max, PVOD, etc.

DC COMICS - From DCComics:  DC provides a preview of "Week One" of the "Justice League: Endless Winter" event, which begins with titles shipping December 8, 2020.

DC COMICS - From THR:  DC Comics has announced a new anthology series, "Truth & Justice."  It will launch digitally with print releases to follow.  The series will showcase "the catalog of characters in the DC library."

DC COMICS - From BleedingCool:  Is DC Comics leaving comic book shops and quitting conventions?

IMAGE COMICS - From BleedingCool:  Writer Geoff Johns and artist Gary Frank's creator-owned series, "Geiger," will be published by Image Comics.

MARVEL - From Inverse:   An article about the comic book that inspired the upcoming Disney+ series, "WandaVision."  That would be Tom King's "The Vision" miniseries.

DC TV - From Deadline:  The CW is developing a "Black Lighting" spinoff series for the character "Painkiller," which actor Jordan Calloway will play.  The series will be developed via a "backdoor pilot," which is when an episode of an existing TV series (in this case "Black Lightning") will introduce Painkiller. 

DC COMICS - From GamesRadar:   All Batman publications from now through September 2021.

MANGA - From BleedingCool:   Japanese comic book publisher, Enmaku is publishing their first mini-series, Ninja World USA, aimed at the US market and released digitally on the 20th of November.

MARVEL - From BET:   Adidas And Marvel Will Release Spider-Man: Miles Morales Sneakers

DC COMICS - From BleedingCool:   More senior DC Comics staff has reportedly been laid off

CONVENTIONS - From BleedingCool:  ReedPop is moving the next editions of both "Chicago Comic and Entertainment Expo (C2E2) and "Emerald City Comic Con" (ECCC) to December 2021.

MARVEL - From BleedingCool:  Legendary X-Men writer, Chris Claremont, will be part of Marvel Comics' upcoming "X-Men: Legends" ongoing series.

DC COMICS - From BleedingCool:  Rumor says that writer Geoff Johns and artist Jason Fabok will produce a one-shot sequel to their mega-hit miniseries, "Batman: The Three Jokers."

FANTAGRAPHICS-DISNEY - From BleedingCool:  Fantagraphics Books will collect the the "Uncle Scrooge" comics of beloved Disney comic book artist, William Van Horn, in "Walt Disney's Uncle Scrooge: Pie in the Sky: Disney Masters Vol. 18."

DC COMICS - From BleedingCool:  Marie Javins is now the full Editor-in-Chief at DC Comics.

DC COMICS - From ComicBook:   Karl Kerschl introduces the newest Robin, "Mia 'Maps' Mizoguchi."  She will debut in the upcoming "Batman: Black and White" relaunch.

MARVEL - From ComicBook:  Marvel publisher John Nee is no longer with the company. Nee was among a number of Disney employees furloughed as a result of the ongoing COVID-19 pandemic.

BIDEN-HARRIS! - From BleedingCool:  Comics creator react to Joe Biden and Kamala Harris winning the 2020 Presidential election. 

DC COMICS - From BleedingCool:  DC Comics will collect writer Jesse Leon McCann and artist Min Sung Ku's "Krypto the Superdog" (2006-07) comic book series as a graphic novel in its "DC Kids" line.

MANGA - From 411Mania:  Yen Press announces Nov. 10 digital launch for Tetsuya Naito manga, "New Japan Academy."

DISNEY - From MousePlanet:   Writer John Korkis reprints an interview he conducted with classic Mickey Mouse newspaper comic strip artist, Floyd Gottfredson.

DC COMICS - From DCComics:   The publisher provides an exclusive first look at "Justice League #56," which arrives in story on or around Tues., Nov. 10th.

COMICS - From CBR:  Acclaimed comic book writer, Grant Morrison, comes out as non-binary.

TOYS-COLLECTIBLES - From BleedingCool:   The Teenage Mutant Ninja Turtles return to the 1980s with FiGPiN enamel pins.

COMICS - From CBR:  Dianne Buscema-Gerogianis is trying to recover multiple pieces of original comics art that was created by her father, the late great John Buscema. The art work was recently stolen from her family.

DC COMICS - From GamesRadar:   The site has a preview of DC Comics' upcoming "Punchline #1"

DARK HORSE - From BleedingCool:  Mike Mignola announces a line of books collecting "essential" Hellboy comics, "Hellboy Universe Essentials."

DC TO FILM - From YahooEntertainment:   Actor Joe Manganiello post a photo of himself sporting the blue mohawk that he will wear as the villain"Deathstroke" in Zach Snyder's "Justice League."

DC COMICS - From BleedingCool:   The site reports rumors that say that DC Comics may be abandoning the idea of single "DC Universe."  It would be replaced by a kind of "omniverse" in which characters and comic books would have their own universe or at least play fast and loose with history.

COMICS UK - From 2000AD:   The new episode of "The 2000 AD Thrill-Cast Lockdown Tapes" podcast features artist Greg Staples, who has worked in comic books, video games, and movies and on "Magic: The Gathering" cards.

MARVEL - From ScreenRant:  How Marvel Comics' monsters changed the face of comic book heroes.

DC COMICS - From Newsarama:  Writer James Tynion IV is working on a second "Batman family" title for 2021.

COMICS TO FILM - From ShadowandAct:    Wesley Snipes denies that he tried to strangle director David Goyer on the set of the 2004 film, "Blade: Trinity," a claim made by co-star, actor and comedian Patton Oswalt.

INTERVIEW - From TheBeat:  Joe Grunenwald interview comics writer, Peter Milligan, about his new comic book, "Happy Hour" (Ahoy Comics).

DC COMICS - From BleedingCool:   George Perez's "Wonder Woman" gets the "Absolute" treatment.  "Absolute Wonder Woman: Gods And Mortals" will reprint Perez's classic run on "Wonder Woman #1-14" from 1986 and 1987 as well as his Wonder Woman work for "Who's Who: The Definitive Directory of the DC Universe #26" and the "Who's Who Update 1987 #1-3."  360 pages long, for $125, the volume will be published on the 20th of July, 2021.

FANTAGRAPHICS - From Forbes: The site takes a look at Fantagraphics upcoming three-volume box set, "The Complete Hate," which collects the totality of Peter Bagge's seminal alt-comix series.  That includes all the issues of "Hate" (1990-98) and the "Hate Annuals" (1999-2011).

DC COMICS - From BleedingCool:  DC Comics announces new young adult graphic novel and hero with, "Whistle: A New Gotham Hero," due May 2021.

COMICS - From BubbleBlabber:  A look back at Bongo Comics' "Treehouse of Horror" comic books, which are, of course, based on "The Simpsons" TV series' annual special episode of the same name.

MARVEL - From ValdostaDailyTimes:  A look back at "The Ulimates."

MANGA - From CBR: 10 Forgotten Manga Written By Legendary Creators Before Their Most Famous Works

MARVEL - From GamesRadar:  With the news of the casting of the Disney+ "Moon Knight" series, the site offers "Who is Moon Knight and what are his powers?"

SCANDAL - From BleedingCool:  Tony Gushee, the owner of "Apache Comics & Toys" of Mesa, Arizona, is facing a murder trial!

PALESTINE - From BleedingCool:  In an interview for the CBC (Canadian state broadcaster) with acclaimed comics creator, Joe Sacco, the title of one of Sacco's most acclaimed works came up, "Palestine."  Later, the mention of the word "Palestine" was both censored and apologized for.

DC COMICS - From BusinessInsider:   Two Black former DC Comics editors describe the career obstacles they faced, from white leadership saying they'd never be promoted to their achievements being undercut.

DC COMICS - From DCBlog:  A beginner's guide to DC Comics horror.

------------------------------

DC FUTURE STATE: 

From GamesRadar:  What is DC saying about the post "Future State" Batman title?

From GamesRadar:  DC Future State "Flash" will be part of a gender-swapped "Teen Titans."

From TheBeat:   A first look at "Nubai," the classic Wonder Woman character as she will be in DC Future State's "Immortal Wonder Woman."

From BleedingCool:  DC Comics will make all their "Future State" comic books returnable for comic book stores.

From GamesRadar:  DC Future State Superman and Justice League January 2021 solicitations

From GamesRadar:   DC Future State Batman January 2021 solicitations

From GamesRadar:  "DC Future State" reveals the Next Batman, the fate of Bruce Wayne, and a whole new line of titles

From GamesRadar:  "DC Future State" details.

From THR:   DC Comics is starting 2021 by looking into the future of its superhero universe with "DC Future State," a two-month publishing event (January and February 2021) that offers glimpses at what might be coming for Batman, Wonder Woman and the rest of the Justice League.

--------------------------

NOVEMBER 2020 COMICS SOLICITATIONS:
From BleedingCool:  Abaze for November 2020
From BleedingCool:  AfterShock Comics for November 2020
From BleedingCool:  Ahoy Comics for November 2020
From BleedingCool:  Archie Comics for November 2020
From BleedingCool:  Behemoth Comics for November 2020
From BleedingCool:  BOOM! Studios for November 2020
From BleedingCool:  Dark Horse Comics for November 2020
From BleedingCool:  DC Comics for November 2020
From BleedingCool:  Hero Collector for November 2020
From BleedingCool:  IDW Publishing for November 2020
From BleedingCool:  Image Comics for November 2020
From BleedingCool:  Marvel Comics for November 2020
From BleedingCool:  Oni Press/Lion Forge for November 2020
From BleedingCool:  Scout Comics for November 2020
From BleedingCool:  Titan Comics for November 2020
From BleedingCool:  Valiant Entertainment for November 2020
From BleedingCool:  Vault Comics for November 2020
From BleedingCool:  Zenescope Entertainment for November 2020

DECEMBER 2020 COMICS SOLICITATIONS:

From BleedingCool:  AfterShock Comics for December 2020

From BleedingCool:  Albatross Funnybooks for December 2020

From BleedingCool:  Antarctic Press for December 2020

From BleedingCool:  Archie Comics for December 2020 

From BleedingCool:  BOOM! Studios for December 2020

From BleedingCool:  Chapterhouse for December 2020

From BleedingCool:  Dark Horse Comics for December 2020
From BleedingCool:  DC Comics for December 2020

From BleedingCool:  Image Comics for December 2020
From BleedingCool:  Marvel Comics for December 2020

From BleedingCool:  Oni Press for December 2020

From 2000AD:   Rebellion Comics for December 2020

From BleedingCool:  Titan Comics for December 2020

From BleedingCool:  Vault Comics for December 2020 

From BleedingCool: VIZ Media for December 2020

 

JANUARY 2021 COMICS SOLICITATIONS:

From BleedingCool:  Ablaze for January 2021

From BleedingCool:  Ahoy Comics for January 2021

From BleedingCool:  Archie Comics for January 2021

From BleedingCool:  AWA for January 2021 

From BleedingCool:  Behemoth Comics for January 2021

From BleedingCool:  Black Mask Studios for January 2021

From BleedingCool:  BOOM! Studios for January 2021

From BleedingCool:  Dark Horse Comics for January 2021

From BleedingCool:  DC Comics for January 2021 

From BleedingCool:  IDW Publishing for January 2021

From BleedingCool:  Image Comics for January 2021 

From BleedingCool:  Kodansha for January 2021

From BleedingCool:  Marvel Comics for January 2021

From BleedingCool:  Marvel Comics - King in Black for January 2021

From BleedingCool:  Oni Press for January 2021

From BleedingCool:  Scout Comics for January 2021

From BleedingCool:  Source Point Press for January 2021

From BleedingCool:  Titans Comics for January 2021

From BleedingCool:  Vertical Comics for January 2021

From BleedingCool:  VIZ Media for January 2021

From BleedingCool:  Yen Press for January 2021

FEBRUARY 2021 COMICS SOLICITATIONS:

From BleedingCool:  Ablaze for February 2021

From BleedingCool:  Antarctic Press for February 2021

From BleedingCool:  Archie Comics for February 2021

From BleedingCool:  Artists, Writers & Artisans for February 2020

From BleedingCool:  BOOM! Studios for February 2020

From BleedingCool:  Dark Horse Comics for February 2021

From TheBeat: DC Comics for February 2021

From BleedingCool:  Hero Collector for February 2021 

From BleedingCool:  IDW Publishing for February 2021

From BleedingCool:  Image Comics for February 2021

From BleedingCool:  Marvel Comics for February 2021

From BleedingCool:  Marvel's "King in Black" for February 2021

From BleedingCool:  Oni Press for February 2021

From 2000AD:   Rebellion Comics for February 2021

From BleedingCool:  Scout Comics for February 2021

From BleedingCool:  Titan Comics for February 2021

From BleedingCool:  VIZ Media for February 2021

From BleedingCool:   Zenescope Entertainment for February 2021

----------------------