#IReadsYou Review: NIGHT OF THE GHOUL #4

NIGHT OF THE GHOUL #4 (OF 6)
comiXology/Best Jacket Press

STORY: Scott Snyder
ART: Francesco Francavilla
COLORS: Francesco Francavilla
LETTERS: Andworld Design
EDITOR: Will Dennis
COVER: Francesco Francavilla
24pp, Colors, 3.99 U.S. (January 2022)

Age Rating: 15+

Night of the Ghoul co-created by Scott Snyder and Francesco Francavilla

Episode 04

Night of the Ghoul is a digital comic book miniseries created by writer Scott Snyder and artist Francesco Francavilla.  It is published by comiXology as part of its “comiXology Originals” line of digital comics.  This six-issue series will later be collected in trade paperback form by Dark Horse Comics.  Night of the Ghoul focuses on the dark conspiracy behind a lost horror film from 1936.

Night of the Ghoul finds film fanatic, Forest Innman, and his son, Orson, at an old folks home deep in the desert.  There, Forest meets one of the home's residents, Charles Patrick, who is really T.F. Merritt, a screenwriter and film director from the Golden Age of Hollywood.  In 1936, Merritt shot a a cursed horror film, “Night of the Ghoul,” that never made it to the silver screen.  A mysterious studio fire destroyed the footage and killed the cast and crew at the wrap-party.  The film became a legend, but no footage was ever recovered … until Forest finds some footage.  And the trouble begins.

Night of the Ghoul #4 opens in the past – in the film, Night of the Ghoul.  Alex Powell, the son of Sgt. Kurt Powell of Eagle Company, continues his quest to free his father of the curse of the Ghoul.  Helping him is his “uncle,” Johnny Polaris, who was in Eagle Company during World War I with Kurt.

Johnny has summoned the rest of Eagle Company, and they have sought the help of Dale Holloway, a professor of Anthropological Studies.  An expert on the “Gul,” the wheel-chair bound Prof. Holloway has a “tincture” that will drive the Ghoul from Kurt.  But what will driving the creature out look like?

Meanwhile, in the present, Forest has returned to rescue Merritt from the clutches of Dr. Skeen, whom the old man claims has the Ghoul inside his body.  Meanwhile, Forest's wife, Gina, is desperately trying to reach him.  Their son, Orson, who accompanied his father on this hellish trip, is in trouble … underground.

THE LOWDOWN:  In Night of the Ghoul, Francavilla and Snyder have created a masterpiece of atmospheric horror.  Truthfully, it never stops being a masterpiece; I keep waiting for it it have a bad chapter or even a momentary lapse in quality, and it does not.

Episode 4 has me convinced that Night of the Ghoul is the the best work that Snyder and Francavilla have produced both as a team and as individuals.  It is certainly Francavilla's best graphical storytelling.  The color sections of issue four are scary, but the black and white or sepia segments (inside the Night of the Ghoul film) are an embarrassment of riches in terms of atmospherics.  I feel as if I am in the grip of fear in every beautiful panel in the story of Alex Powell and Johnny Polaris.

I can't wait to read more.

I READS YOU RECOMMENDS:  Fans of Scott Snyder and of Francesco Francavilla will want to try Night of the Ghoul.

A+

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/comiXology
https://twitter.com/DarkHorseComics
https://twitter.com/Ssnyder1835
https://www.instagram.com/ssnyder1835/
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https://twitter.com/andworlddesign


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------

#IReadsYou Review: RUMPUS ROOM #1

RUMPUS ROOM #1 (OF 5)

AWA STUDIOS

STORY: Mark Russell

ART: Ramon Rosanas

COLORS: Ive Svorcina

LETTERS: Andworld Design

COVER: Tony Harris

VARIANT COVER ARTISTS: Mike and Laura Allred; Mark Russell; Tony Harris

32pp, Color, $3.99 U.S. (September 2023)

Rated: “Mature”

Rumpus Room is a new five-issue miniseries from AWA Studios.  It is written by Mark Russell; drawn by Ramon Rosanas; colored by Ive Svorcina; and lettered by Andworld Design.  The series pits a group of prisoners against their jailer, a billionaire who needs their organs and fluids.

Rumpus Room #1 introduces Bob Schrunk.  He is a tech billionaire, collector of bad art, and sufferer of a terrible skin condition.  That condition can only be treated by a special face cream that comes from deep in the bowels of his Rumpus Room.  Enter Erica Hernandez.  She is looking for her missing sister, Olivia, who apparently worked for Schrunk's company – not that he'd care.  Erica is about to discover the awful truth.

THE LOWDOWN:  AWA Studios' marketing recently began providing me with PDF review copies of their comic book publications.  Rumpus Room #1 is the latest.

I was a huge fan of writer Mark Russell's 2015 reboot of DC Comics' decades old weird comic book series, Prez (1973-74).  Luckily, Rumpus Room is in the vein of the cleverly satirical Prez, only darker, as well as being uncomfortably plausible.  It has an accent that recalls the meanness of Stanley Kubrick's A Clockwork Orange (1971), but elements of Rumpus Room seem more Clive Barker than Anthony Burgess.

I love the work of the late English comic book artist, Steve Dillon (1962-2016).  In Rumpus Room, artist Ramon Rosanas captures the concise layouts and simplicity of composition that Dillon used to create conflict, tension, and intensity with substance rather than with sound and fury.  I find Rosanas' storytelling mesmerizing, so much so that by the end of this series, Rosanas may have me back on that crack pipe.

Recently, I found another celebrity comics creator whining about the horrid state of the American comics industry.  Maybe, if more readers stopped dry-humping the dead horse that is the Marvel/DC Comics slab of the market and focused on what a publisher like AWA Studios is doing, they'd be happy comic book readers.  So, dear readers, let's enjoy the good stuff, like Rumpus Room #1.

I READS YOU RECOMMENDS:  Fans of Mark Russell's unique brand of comic books will want Rumpus Room.

A

★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

AWA Website: https://awastudios.net/

AWA Instagram: https://www.instagram.com/awastudiosofficial/

AWA Twitter: https://twitter.com/AWA_Studios

AWA Facebook: https://www.facebook.com/awastudiosofficial

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#IReadsYou Review: NIGHT OF THE GHOUL #3

NIGHT OF THE GHOUL #3 (OF 6)
comiXology/Best Jacket Press

STORY: Scott Snyder
ART: Francesco Francavilla
COLORS: Francesco Francavilla
LETTERS: Andworld Design
EDITOR: Will Dennis
COVER: Francesco Francavilla
24pp, Colors, 3.99 U.S. (December 2021)

Age Rating: 15+

Night of the Ghoul co-created by Scott Snyder and Francesco Francavilla

Episode 03

Night of the Ghoul is a digital comic book miniseries created by writer Scott Snyder and artist Francesco Francavilla.  It is published by comiXology as part of its “comiXology Originals” line of digital comics.  This six-issue series will later be collected in trade paperback form by Dark Horse Comics.  Night of the Ghoul focuses on the dark conspiracy behind a lost horror film from 1936.

Night of the Ghoul finds film fanatic, Forest Innman, and his son, Orson, at an old folks home deep in the desert.  There, Forest meets one of the home's residents, Charles Patrick, who is really T.F. Merritt, a screenwriter and film director from the Golden Age of Hollywood.  In 1936, Merritt shot a a cursed horror film, “Night of the Ghoul,” that never made it to the silver screen.  A mysterious studio fire destroyed the footage and killed the cast and crew at the wrap-party.  The film became a legend, but no footage was ever recovered … until Forest finds some footage.  And the trouble begins.

As Night of the Ghoul #3 opens, Dr. Skeen, head of the facility, interrupts Forest's interview with Merritt.  Skeen also rebuffs Orson's story about the corpses of children being in the facility.  Father and son depart the facility and during an argument, Orson reveals some surprising news about his mother, Forest's wife.  It all leads to Forest witnessing something shocking.

Meanwhile, inside the film, “Night of the Ghoul,” Alex and Johnny Polaris continue their investigation into the Ghoul.  Alex is the son of Sgt. Kurt Powell of Eagle Company, and Polaris, Powell's friend and fellow veteran of World War I, was also in the Eagle Company.  They believe that Kurt became infected with the Ghoul during a secret mission in Italy during the war.

Alex and Polaris meet Dale Holloway, a professor of Anthropological Studies.  She once researched “Gul” legends, and she actually tried to find the Ghoul.  The result is that she has terrible story to tell.

THE LOWDOWN:  In Night of the Ghoul, Francavilla and Snyder have created a masterpiece of atmospheric horror.  I can never get enough of this visually splendid comic book.

In Episode 3, Snyder ups the ante by revealing more about the precarious state of Forest Innman's marriage and his frayed relationship.  Inside the Night of the Ghoul film, Francavilla presents beautiful graphic design, especially in the “Gul” artifacts.  The artist also creates an appropriately chilly atmosphere for Prof. Holloway's tale.

I will continue to recommend Night of the Ghoul because it is the kind of horror comic book that makes me remember my earliest horror comics experiences.  As I said in my review of issues #1 and #2, this is the kind of comic book that gives me a reason to keep reading comic books.

I READS YOU RECOMMENDS:  Fans of Scott Snyder and of Francesco Francavilla will want to try Night of the Ghoul.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/comiXology
https://twitter.com/DarkHorseComics
https://twitter.com/Ssnyder1835
https://www.instagram.com/ssnyder1835/
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https://twitter.com/andworlddesign


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------

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#IReadsYou Review: NIGHT OF THE GHOUL #2

NIGHT OF THE GHOUL #2 (OF 6)
comiXology/Best Jacket Press

STORY: Scott Snyder
ART: Francesco Francavilla
COLORS: Francesco Francavilla
LETTERS: Andworld Design
EDITOR: Will Dennis
COVER: Francesco Francavilla
24pp, Colors, 3.99 U.S. (November 2021)

Age Rating: 15+

Night of the Ghoul co-created by Scott Snyder and Francesco Francavilla

Episode 02

Night of the Ghoul is a digital comic book miniseries created by writer Scott Snyder and artist Francesco Francavilla.  It is published by comiXology as part of its “comiXology Originals” line of digital comics.  This six-issue series will later be collected in trade paperback form by Dark Horse Comics.  Night of the Ghoul focuses on the dark conspiracy behind a lost horror film from 1936.

Night of the Ghoul finds film fanatic, Forest Innman, and his son, Orson, at an old folks home deep in the desert.  There, Forest meets one of the home's residents, Charles Patrick, who is really T.F. Merritt, a screenwriter and film director from the Golden Age of Hollywood.  In 1936, Merritt shot a a cursed horror film, “Night of the Ghoul,” that never made it to the silver screen.  A mysterious studio fire destroyed the footage and killed the cast and crew at the wrap-party.  The film became a legend, but no footage was ever recovered … until Forest finds some footage.  And the trouble begins.

Night of the Ghoul #2 opens inside the film, “Night of the Ghoul,” in the scene explaining what “the Ghoul” is.  Later, World War I ends and Sgt. Kurt Powell of Eagle Company returns to America with his fellow soldier, Johnny.  However, something is wrong with Kurt, and when he is reunited with Alex, his young son, the boy recognizes it immediately.  Johnny and Alex also overhear two officers from the ship that brought them home discussing something quite unsettling.

Leaving the film, the story returns to the nursing home.  There, Merritt explains his fate since the destruction of his film.  He also forces Forest to admit that he knows more than he has let on to the old man.  What is “The Order of the Fly?”  Meanwhile, Orson is trying to escape from his father by leaving the old folks' home, but he is discovering a series of disturbing things about the place.

THE LOWDOWN:  Francavilla and Snyder continue to work as a single creative unit; at least, that is the sense I get when I read this hugely entertaining comic.  However, the star here is artist Francesco Francavilla, whose seamlessly transforms Synder's script into the kind of spooky, atmospheric comics that is his signature work – such as Afterlife with Archie and The Black Beetle.

On Page 14, Francavilla draws Orson descending a staircase at the old folks' home.  Shadows that look like bony fingers reach out towards him, and for me, that image recalls the late Edward Gorey's animations for the opening of the television series, “PBS Mystery!”  It is both beautiful and delightfully scary.

I am recommending Night of the Ghoul because it is the kind of horror comic book that makes me remember my earliest horror comics experiences – Charlton Comics and Warren Publishing.  As I said in my review of issue #1, this is the kind of comic book that gives me a reason to keep reading comic books.

I READS YOU RECOMMENDS:  Fans of Scott Snyder and of Francesco Francavilla will want to try Night of the Ghoul.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/comiXology
https://twitter.com/DarkHorseComics
https://twitter.com/Ssnyder1835
https://www.instagram.com/ssnyder1835/
https://twitter.com/f_francavilla
https://twitter.com/andworlddesign


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------------

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#IReadsYou Review: KING SPAWN #6

KING SPAWN #6
IMAGE COMICS

STORY: Sean Lewis with Todd McFarlane (additional dialogue)

PENCILS: Javi Fernandez

COLORS: FCO Plascencia with Ulises Arreola

LETTERS: Andworld Design

EDITOR: Thomas Healy

COVER:  Jonathan Glapion

VARIANT COVER ARTIST: Javi Fernandez

28pp, Color, $3.99 U.S. (January 2022)

Rated: “T/ Teen”

Spawn created by Todd McFarlane

Spawn is a superhero/antihero character that stars in the long-running comic book series, Spawn.  Created by writer-artist Todd McFarlane, Spawn first appeared in Spawn #1 (cover dated: May 1992).

Spawn was Albert Francis “Al” Simmons.  A career military man who becomes a highly capable assassin and dies a violent death.  He makes a deal with the devil, Malebolgia, in order to return to the living realm to see his wife one last time.  However, Al returns with almost no memories accept that his name is Al Simmons, and he learns that he is now a “Hellspawn” in service of Malebolgia.  Rebelling, Al Simmons, now “Spawn,” finds a new purpose in stopping evil.

A year ago, (February 2021), Todd McFarlane announced his plans to build a larger, multi-character, interconnected, comic book universe based around his Spawn comic book – a “Spawn Universe.”  McFarlane also announced four new comic book titles coming out in 2021, with three of them continuing as regular monthly titles.

One of them is King Spawn.  This series is written by Sean Lewis; drawn by Javi Fernandez; colored by FCO Plascencia; lettered by Andworld Design.  King Spawn finds Spawn battling the members of a dark conspiracy that wants to force him to accept his crown.

King Spawn #6 opens after the shocking revelation that the “Disruptor” is Jason Wynn, the late director of the U.S. Security Group … and Al Simmons' former boss … who betrayed him.  Wynn wants Spawn to open the “Dead Zones” and to embrace his destiny as “King Spawn.”

Spawn simply wants to remember the wrongs everyone has done to him … all of them.  Meanwhile, another secretive organization prepares for Spawn's fate.

THE LOWDOWN:  King Spawn continues to be the best Spawn spin-off comic book to date.  It is so fun to read; nothing against other comic books in the Spawn line, but King Spawn is … king.

Writer Sean Lewis' poison pen/keyboard offers mean-spirited, angry, violent, crazy, demented and sometimes inappropriate scenes, plots, and subplots.  And that's all I ever wanted.  Lewis is proving to be a true spawn of Hell, a writer determined to activate every bit of dark potential in Spawn.

Javi Fernandez's art and storytelling recalls the early glory days of Todd McFarlane's Spawn art.  Sure some of this art will get him banned in Texas school and public libraries.  Some of it may even cause him to end up in Hell, side by side with Billy Kincaid.  In the meantime, however, Javi is giving Hell-spawned readers their hellish delights.

Tonight, a vampire might be floating outside your house, scratching on your window.  It will be holding a copy of King Spawn #6 just for you.  Seriously, this is a fantastic comic book, and it always, always leaves me wanting more.

I READS YOU RECOMMENDS:  Fans of Spawn will want to read King Spawn.

[This comic book includes “Spawning Ground” Presents “The Breakdown,” which is an interview of King Spawn writer, Sean Lewis.]

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------

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#IReadsYou Review: NIGHT OF THE GHOUL #1

NIGHT OF THE GHOUL #1 (OF 6)
comiXology/Best Jacket Press

STORY: Scott Snyder
ART: Francesco Francavilla
COLORS: Francesco Francavilla
LETTERS: Andworld Design
EDITOR: Will Dennis
COVER: Francesco Francavilla
32pp, Colors, 3.99 U.S. (October 2021)

Age Rating: 15+

Episode 01

Night of the Ghoul is a digital comic book miniseries created by writer Scott Snyder and artist Francesco Francavilla.  It is published by comiXology as part of its “comiXology Originals” line of digital comics.  This six-issue series will later be collected in trade paperback form by Dark Horse Comics.  Night of the Ghoul focuses on the dark conspiracy behind a lost horror film from 1936.

Night of the Ghoul #1 opens at night in the California desert – fifty miles west of Calexico.  Forest Innman and his son, Orson, race to an old folks home, where Forest will pretend to be an agent of “Northgood Health Insurance.”  Under that guise, Forest hopes to meet one of the home's residents, Charles Patrick.

Charles Patrick, however, isn't his real name.  He is really T.F. Merritt, a screenwriter and film director from the Golden Age of Hollywood.  In 1936, Merritt shot a film, “Night of the Ghoul,” that was meant to stand side by side with James Whale's Frankenstein (1931) and Tod Browning's Dracula (1931) as seminal Hollywood horror films and as instant classics.  “Night of the Ghoul,” however, never made it to the silver screen.  A mysterious studio fire destroyed the footage and killed the cast and crew at the wrap-party.  The film became a legend, but no footage was ever recovered … until now.

Inman, obsessed with horror films, found a forgotten canister of footage from “Night of the Ghoul,” and this discovery has sent him on his odyssey to meet T.F. Merritt.  But Merritt asks one important and ominous questions: has Inman watched the film?

THE LOWDOWN:  Twenty-nine of the 32 pages of Night of the Ghoul #1 are story pages.  My synopsis is really only a broad overview of what happens in this first episode.  There is an entire co-plot that is actually the depiction of the film, “Night of the Ghoul,” which artist Francesco Francavilla draws in beautiful black and white.

Francavilla and Snyder work as a single creative unit.  Snyder's story, which recalls the classic horror films of yesteryear, and Francavilla's art, which is inherently spooky, come together in one alluring package.  There is an extra creepy scene that takes place in a hall in the home that does not come across to me as ever being a script and then a series of illustrations.  It seems to have come into existence whole, so convincing is the evil that it conveys.  Night of the Ghoul is a world of shadow and fog, not creative process, one that will invite you inside … in time to kill you.

This first episode is not so much an intellectual experience as it is a reading experience that calls on the reader's memories and the emotions attached to specific memories.  The authors seem to bid you to get inside this story and feel, perhaps, feel the way you did when you first read comic books.  In that way, Night of the Ghoul is a pure pop comic book, like Francavilla's The Black Beetle comic books.

I am recommending Night of the Ghoul because it is the kind of horror comic book that makes me remember my earliest horror comics experiences – Charlton Comics and Warren Publishing.  And it is the kind of comic book that gives me a reason to keep reading comic books.

I READS YOU RECOMMENDS:  Fans of Scott Snyder and of Francesco Francavilla will want to try Night of the Ghoul.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/comiXology
https://twitter.com/DarkHorseComics
https://twitter.com/Ssnyder1835
https://www.instagram.com/ssnyder1835/
https://twitter.com/f_francavilla
https://twitter.com/andworlddesign


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

#IReadsYou Review: KING SPAWN #4

KING SPAWN #4
IMAGE COMICS

STORY: Sean Lewis with Todd McFarlane
PENCILS: Javi Fernandez
COLORS: FCO Plascencia
LETTERS: Andworld Design
EDITOR: Thomas Healy
COVER:  Jason Shawn Alexander
VARIANT COVER ARTIST: Javi Fernandez
28pp, Color, $3.99 U.S. (November 2021)

Rated: “T/ Teen”

Spawn created by Todd McFarlane

Spawn is a superhero/antihero character that stars in the long-running comic book series, Spawn.  Created by writer-artist Todd McFarlane, Spawn first appeared in Spawn #1 (cover dated: May 1992).

Spawn was Albert Francis “Al” Simmons.  A career military man who becomes a highly capable assassin and dies a violent death.  He makes a deal with the devil, Malebolgia, in order to return to the living realm to see his wife one last time.  However, Al returns with almost no memories accept that his name is Al Simmons, and he learns that he is now a “Hellspawn” in service of Malebolgia.  Rebelling, Al Simmons, now “Spawn,” finds a new purpose in stopping evil.

Back in February (2021), Todd McFarlane announced his plans to build a larger, multi-character, interconnected, comic book universe based around his Spawn comic book – a “Spawn Universe.”  McFarlane also announced four new comic book titles coming out in 2021, with three of them continuing as regular monthly titles.  The first of the three titles, King Spawn, has arrived.

King Spawn is written by Sean Lewis with Todd McFarlane; drawn by Javi Fernandez; colored by FCO Plascencia; lettered by Andworld Design.  King Spawn finds Spawn battling one of his old adversaries, but it is someone only Spawn knows that exists.  And that someone want to make Spawn a king.

As King Spawn #4 opens, it's the showdown between Spawn and one of his oldest and vilest enemies, the child killer, Billy Kincaid.  But this mutha is supposed to be burning in Hell!  So why is he here?  And why is he so happy to face Spawn again … even if the outcome will be awful for him.

Meanwhile, Medieval Spawn and Jessica (She-Spawn) are globetrotting hunter-killers of terrorists.  So why are the locations of their fights so familiar?  Plus, there is a warning from Mother Nature.

THE LOWDOWN:  King Spawn continues its impressive debut as the most impressive Spawn spin-off comic book to date.  Sean Lewis presents Spawn in all his raging glory, unleashing ultra-violence, even when he knows that this is what his adversaries want.  This is the way Lewis builds a sense of mystery and of anticipation, so we know something good and crazy is coming.

Javi Fernandez's art and storytelling capture the craziness, dragging us along in Spawn's wake.  So vivid is Fernandez's storytelling that you, dear readers, might feel icky … or delighted … if a bordello of blood is your thing.  And if you don't get it, FCO Plascencia's colors present the violence in living color.

King Spawn is still ruling, so won't you consent to be ruled.  Seriously, this is a good … superhero comic book.

I READS YOU RECOMMENDS:  Fans of Spawn will want to read King Spawn.

[This comic book includes “Spawning Ground” Presents “The Breakdown,” takes a look at series artist Javi Fernandez's process, specifically focusing on how Fernandez produced the double-page spread (pp. 17-18) for this issue.]

A

★★★★+ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Todd_McFarlane
https://mcfarlane.com/
https://twitter.com/ImageComics
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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: DARK BLOOD #6

DARK BLOOD #6 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART:  Moisés Hidalgo
COLORS: A.H.G. with Allison Hu (pp. 18-21)
LETTERS:  Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Valentine De Landro; Tiffany Turrill
24pp, Colors, 3.99 U.S. (January 2022)

Dark Blood created by LaToya Morgan

Dark Blood is a six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s “The Walking Dead,” “Into The Badlands”).  Published by BOOM! Studios, the series is drawn by Moisés Hidalgo and Walt Barna; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on a Black World War II veteran who discovers that he has strange powers.

Alabama, 1955.  After leaving his job at the diner, “Hardy's Eats,” Avery Aldridge, also known as “Double A,” has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

Dark Blood #6 opens in 1955 – late into the Night of the Variance.  Avery confronts Dr. Carlisle and Dr. Marshall, and he learns that he is the “Variant,” the one who responded “positively” to their formula (apparently dubbed "Formula 687") and treatment.  Now, his powers are raging, and powerful as he is, it comes with a devastating cost.

Meanwhile, Sheriff Wright has finally caught up with Avery.  If Avery wants to see his wife, Emma, and daughter, Grace, again, the racist lawman insists that he must play by his rules.  But does he?  Can Avery make sure that no one ever goes through what he has?  Can he protect his wife and child?  Will it cost him everything to do this?

THE LOWDOWN:  I recently learned, via “CBS Evening News,” that the United States Air Force museum had been keeping a secret.  In 1949, a team from the famed all-Black “Tuskegee Airmen” won the first “Top Gun” contest.  This contest was a gunnery competition among pilots from across the Air Force.  However, the Air Force's record book listed the winner as “unknown.”

The winners' trophy was hidden in the bowels of the Air Force museum until a historian discovered it in 2005.  Now, the trophy is on display at Nellis Air Force Base in Nevada.  The Tuskegee Airmen have finally been recognized with Top Gun honor – 73 years after winning the first contest.

The “Red Tails” (the 332nd Fighter Group) were part of the Tuskegee Airmen, and in “Dark Blood,” Avery Aldridge” was a Red Tail.  I didn't take this revelation as mere coincidence that I learned of it less that a week before the release of the final issue of the Dark Blood comic book miniseries.

In Dark Blood, television writer-producer LaToya Morgan (AMC's “TURN: Washington's Spies”) offers a comic book that is steeped in the history of African-American participation in World War II.  Dark Blood is allegorical in the way that it references the “Tuskegee Experiment” (a study which observed the effects of untreated syphilis in Black men).  The series also opens at the dawn of the “American Civil Rights Movement” (1954-68).  Dark Blood has been historical.

Yet it was not until Dark Blood #5 that I realized how much this comic book is also a rip-roaring science fiction yarn.  The series' narrative blood is certainly Black history and culture, but Dark Blood's DNA is pulp science fiction literature.  Its pedigree is the world of weird science fiction and fantasy comic books that emerged after World War II.  While reading issue #5, the sci-fi reality of Dark Blood came at me like a space rocket.

Morgan, artists Moisés Hidalgo and Walt Barna, and colorist A.H.G. have presented readers with a comic book series that looks and feels like it came out of the 1950s.  In an alternate reality, I can see it as something that William Gaines would have published through EC Comics.  Yes, Dark Blood would have been one more nail in EC's coffin, but Morgan's mixture of reality and sci-fi would have been a perfect fit for EC's mixture of morality and blood and guts genre.

Dark Blood #6 offers both – history and drama and also the astounding yearnings of golden age science fiction.  The drama has a powerful resolution, and the super-powers are the fireworks of comic book magic.  Superheroes and mutants – Dark Blood #6 promises readers an interesting future as the series comes to an end.  Whatever may come, what we have now in Dark Blood, dear readers, it is a blast to read.  And if you haven't read it yet, Dark Blood flows at comiXology.

I READS YOU RECOMMENDS:  Fans of golden age science fiction and of super science fiction comic books will want to read Dark Blood.

A+

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
https://twitter.com/MorganicInk
https://twitter.com/WaltBarna
https://twitter.com/AHGColor
https://twitter.com/andworlddesign

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https://www.boom-studios.com/wordpress/
https://www.facebook.com/BOOMStudiosComics
https://www.instagram.com/boom_studios/


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: NOCTERRA #7

NOCTERRA #7
IMAGE COMICS/Best Jacket Press

STORY: Scott Snyder and Tony S. Daniel
PENCILS: Tony S. Daniel
INKS: Sandu Florea and Tony S. Daniel
COLORS: Marcelo Maiolo
LETTERS: Andworld Design
EDITOR: Will Dennis
COVER: Tony S. Daniel with Marcelo Maiolo
VARIANT COVER ARTISTS: Jason Fabok with Brad Anderson; Dani with Brad Simpson; Tony S. Daniel and Marcelo Maiolo
28pp, Colors, 3.99 U.S. (February 2022)

Rated “M/ Mature”

“Pedal to the Metal” Part One

Nocterra is a horror and science fiction comic book series from writer Scott Snyder and artist Tony S. Daniel.  Published by Image Comics, Nocterra is set on an Earth that has been experiencing an everlasting night, the “Big PM,” since the sky went dark and the world was plunged into an everlasting night over a decade ago.  Inker Sandu Florea, colorist Marcelo Maiolo, and letterer Andworld Design complete the series' creative current team.

In Nocterra, any living organisms left unlit in the dark for more than 10 hours start undergoing a biological transformation.  Soon, the living turn into monstrous versions of themselves, becoming something called a “Shade.”

Valentina “Val” Riggs – call sign “Sundog,” – was in the fifth grade the day the “Big PM” occurred.  Fourteen years later (“14 PM”), Val drives a big rig hauler, a heavily-illuminated 18-wheeler known as the “Sundog Convoy.”  A skilled “ferryman” Val transports people and goods along deadly unlit roads between the few remaining human outposts.  Aboard her rig is Bailey McCray, the rig's “bean counter,” and Emory “Em” Riggs, Val's brother who was cured of the Shade infection.

As Nocterra #7 opens, it is almost “14 PM,” fourteen years after the “Big PM.”  The Sundog leads a convoy of four rigs, including itself.  Their goal is Outpost 31, also known as the “Drive-in.”  They're hoping to get information on Bailey's late grandfather, August McCray, who may have been one of the people who helped bring the darkness, but who also claimed to have a way to bring back the light.

Meanwhile, Blacktop Bill meets some old friends.  Can Val and friends save the world?  And what dirty deals with they have to make to do it?

THE LOWDOWN:  After the sour taste that the Nocterra Blacktop Bill Special left in my imagination, I needed the the first chapter of the main series' second story arc, “Pedal to the Metal,” to bring back the good feelings this series gave me.  It did.

From the beginning of Nocterra, writer Scott Snyder has offered his readers a comic book series that reads like an old-fashioned pulp serial, complete with cliffhanger endings.  Nocterra is a mixed genre treat; sometimes it is like a penny dreadful and other times it is constantly dropping apocalyptic science fiction elements.

Now drawing with an inker (Sandu Florea) and with a new colorist Marcelo Maiolo, artist Tony S. Daniel electric storytelling is still … electric, moving swiftly from panel to panel.  Daniel builds up to an occasional big splash sequence that makes the story explode off the page while hitting the key points of the plot.  It makes for engaging and bracing comic book storytelling.

Nocterra is back.  And here, the dark is still good.

I READS YOU RECOMMENDS:  Fans of Scott Snyder and Tony S. Daniel will want to sample Nocterra.

A

★★★★+ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Ssnyder1835
https://www.instagram.com/ssnyder1835/
https://twitter.com/TonyDanielx2
https://tonydaniel.bigcartel.com/
https://twitter.com/tomeu_morey
https://twitter.com/deronbennett
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#IReadsYou Review: DARK BLOOD #5

DARK BLOOD #5 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART:  Moisés Hidalgo
COLORS: A.H.G. with Allison Hu
LETTERS:  Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Valentine De Landro; Ernanda Souza
24pp, Colors, 3.99 U.S. (December 2021)

Dark Blood created by LaToya Morgan

Dark Blood is a new six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s “The Walking Dead,” “Into The Badlands”).  Published by BOOM! Studios, the series is drawn by Moisés Hidalgo and Walt Barna; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on a Black World War II veteran who discovers that he has strange powers.

Alabama, 1955.  After leaving his job at the diner, “Hardy's Eats,” Avery Aldridge, also known as “Double A,” has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

Dark Blood #5 opens in 1955 – the Night of the Variance.  But this night feels the weight of a time a decade earlier when World War II servicemen, Avery and Henderson, two pilots of the Red Tails, face injustice masquerading as justice in Austria.  Oh, how it resembles the same process of injustice in the United States.  What happened that night may have laid the groundwork for Avery's situation now.

What Avery discovered about himself six weeks before the Night of Variance seemed like a good thing, but this night, there is horror and there must be a reckoning.  As Avery's condition continues to manifest and become more intense, is his search for answers merely going to lead him to something far worse?

THE LOWDOWN:  In Dark Blood, television writer-producer LaToya Morgan (AMC's “TURN: Washington's Spies”) offers a comic book that flows through multiple genres, including science fiction and fantasy, horror, and history.  It has layers and subtexts.  There is metaphor and symbolism and history made reality.  Morgan presents her readers with a beautiful and complex work.

On the other hand, I see the art of Moisés Hidalgo, who has been the regular artist on this series since the third issue.  I read his signs and graphics and symbolism, and I realize that Dark Blood #5 is just so much fun to read.  I feel like a kid again discovering something every time I read a new comic book or new issue of a favorite series.  Even if I were too ignorant to figure out the layers behind this story, Hidalgo turns this tale into a wild adventure of mad scientists, Nazis, and rotten cops.  It is pure escapism, and ain't nothing wrong with that.  Hell, Dark Blood #5 is the magic and the mystery of the Golden Age of Comics before busybodies ruined this outsider art form with the “Comics Code Authority (CCA) in 1954.

A.H.G.'s beautiful colors on Hidalgo's art makes this vintage mode (so to speak) feel so real.  I hope the upcoming final issue of Dark Blood also has a touch of escapist entertainment in it.  I also hope that it isn't the end...

I READS YOU RECOMMENDS:  Fans of modern science fiction and dark fantasy comic books will want to drink Dark Blood.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
https://twitter.com/MorganicInk
https://twitter.com/WaltBarna
https://twitter.com/AHGColor
https://twitter.com/andworlddesign

https://twitter.com/boomstudios
https://www.boom-studios.com/wordpress/
https://www.facebook.com/BOOMStudiosComics
https://www.instagram.com/boom_studios/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: NOCTERRA Blacktop Bill Special

NOCTERRA BLACKTOP BILL SPECIAL
IMAGE COMICS/Best Jacket Press

STORY: Scott Snyder and Tony S. Daniel
PENCILS: Denys Cowan
INKS: Kent Williams
COLORS: Chris Sotomayor
LETTERS: Andworld Design
EDITOR: Will Dennis
COVER: Tony S. Daniel with Marcelo Maiolo
VARIANT COVER ARTIST: Denys Cowan
28pp, Colors, 3.99 U.S. (January 2022)

Rated “M/ Mature”

“Blacktop Bill Origins” Part One: “Hall of Mirrors”

Nocterra is a horror and science fiction comic book series from writer Scott Snyder and artist Tony S. Daniel.  Published by Image Comics, Nocterra is set on an Earth that has been experiencing an everlasting night, the “Big PM,” since the sky went dark and the world was plunged into an everlasting night over a decade ago.

Nocterra's most terrifying creature is “Blacktop Bill,” whose body is bonded with a matrix of carbon nanotubes.  His origin story is the subject of a new special one-shot comic book, Nocterra Blacktop Bill Special.  It is written by Snyder and Daniel; drawn by Denys Cowan (pencils) and Kent Williams (inks); colored by Chris Sotomayor; and lettered by Andworld Design.

Nocterra Blacktop Bill Special opens somewhere in Florida.  That is where we meet “Blacktop Bill,” the so-called “hitman of hitmen,” But when it comes to killing, for Bill, there is work and then, there are “passion kills.”  Was Nocterra's most terrifying creature a monster before the “Big PM?”

THE LOWDOWN:  In Nocterra #4, on page 13 of the story, Mother Hubbard (at the “Hub Cap”) and Bea Bellweather (in Luxville, Colorado) are having a conversation over a private channel.  Bellweather wants to know the history of Blacktop Bill, and Mother starts telling what he has heard...

Nocterra Blacktop Bill Special is that story, the origin of Blacktop Bill.  I am a fan of Nocterra, one of the best new comic books of 2021, and I am a longtime fan of Denys Cowan, the artist for this special.  Writer Scott Snyder offers what seems like a folk tale side-story to Nocterra, and Cowan's art has a surreal, freestyle quality.

Honestly, I enjoyed it only a little, but I expected more.  Maybe, that's the problem.  Considering that I like Nocterra and that I am a fan of Cowan, I expected something bigger … or perhaps, better...  However, I also see it as the first of something more to come – maybe, something bigger.

I READS YOU RECOMMENDS:  Fans of Scott Snyder and Tony S. Daniel's Nocterra will want Nocterra Blacktop Bill Special.

[This comic book contains a seven-page preview of the comic book series, “Monkey Meat,” by Juni Ba.]

B-

★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Ssnyder1835
https://tonydaniel.bigcartel.com/
https://twitter.com/andworlddesign
https://twitter.com/ImageComics
https://imagecomics.com/


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: KING SPAWN #3

KING SPAWN #3
IMAGE COMICS

STORY: Sean Lewis with Todd McFarlane
PENCILS: Javi Fernandez
COLORS: FCO Plascencia
LETTERS: Andworld Design
EDITOR: Thomas Healy
COVER:  Jonathan Glapion
VARIANT COVER ARTISTS: Todd McFarlane; Javi Fernandez; Bjorn Barends
56pp, Color, $5.99 U.S. (October 2021)

Rated: “T/ Teen”

Spawn created by Todd McFarlane

Spawn is a superhero/antihero character that stars in the long-running comic book series, Spawn.  Created by writer-artist Todd McFarlane, Spawn first appeared in Spawn #1 (cover dated: May 1992).

Spawn was Albert Francis “Al” Simmons.  A career military man who becomes a highly capable assassin and dies a violent death.  He makes a deal with the devil, Malebolgia, in order to return to the living realm to see his wife one last time.  However, Al returns with almost no memories accept that his name is Al Simmons, and he learns that he is now a “Hellspawn” in service of Malebolgia.  Rebelling, Al Simmons, now “Spawn,” finds a new purpose in stopping evil.

Back in February (2021), Todd McFarlane announced his plans to build a larger, multi-character, interconnected, comic book universe based around his Spawn comic book – a “Spawn Universe.”  McFarlane also announced four new comic book titles coming out in 2021, with three of them continuing as regular monthly titles.  The first of the three titles, King Spawn, has arrived.

King Spawn is written by Sean Lewis with Todd McFarlane; drawn by Javi Fernandez; colored by FCO Plascencia; lettered by Andworld Design.  King Spawn finds Spawn battling one of his old adversaries, but it is someone only Spawn knows that exists.  And that someone want to make Spawn a king.

As King Spawn #3 opens, Spawn and Terry talk strategy, but Terry's demands that Spawn reveal the whereabouts of his daughter, Cyan, opens old wounds.  Their feud will have to wait, however, as the world is beginning to come undone at the seams, and the pace is picking up.  The underground religious terrorist group, “Psalms 137,” launches attacks around the globe.

Spawn sends his agents to those hot spots, but he saves one trouble area for himself.  Spawn prepares for a reunion with one of his oldest enemies, Billy Kincaid.  But has Spawn become too enraged to realize that all of this is about making him a king, or is he just too busy slaughtering to give a f**k?

THE LOWDOWN:  When I first read Spawn #1 back in 1992, I thought that it had the potential to be a long-running title, and lo these many years, it is still running through comic book solicitations lists.  I thought that its spin-offs would also have potential, but I never found one that really grabbed onto what made the original Spawn so great.

King Spawn, only in its third issue, is the first Spawn comic book spin-off to really get to the heart of Spawn.  Spawn deals with themes related to redemption, but at its core is a war between dark forces, in which both the “dark” sides and the “light” sides are those very dark forces.  Innocent humans are caught between the warring sides and they suffer greatly.  Their fates are unjust, often resulting in brutal and savage deaths.  Spawn is the force that seeks justice for the suffering and, when necessary, gets bloody vengeance for the dead.

I have been praising the creative team of writer Sean Lewis and artist Javi Fernandez because they have created the first great Spawn comic book to come after the original Spawn.  Lewis's scripts are violent and deranged – gleefully so.  Fernandez draws Lewis' script into comic book art and storytelling that unflinchingly delivers the rage and the anger, but is also as cool as the other side of the pillow.

In a way, I don't like what Sean and Javi have done to me.  Every time I finish an issue, I am ready to turn tricks … if that would just get me the next issue right away.  I'm a King Spawn crack ho, so won't you join me, dear readers.

Seriously, though, King Spawn is one of Image Comics' very best titles.

I READS YOU RECOMMENDS:  Fans of Spawn will want to read King Spawn.

[This comic book includes “Spawning Ground” Presents “The Breakdown,” which features “The Evolution of Redeemer.]

A+

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Todd_McFarlane
https://mcfarlane.com/
https://twitter.com/ImageComics
https://imagecomics.com/
https://www.instagram.com/imagecomics/
https://www.facebook.com/pages/Image-Comics-Inc/178643148813259
https://www.twitch.tv/imagecomics
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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: DARK BLOOD #4

DARK BLOOD #4 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART:  Moisés Hidalgo
COLORS: A.H.G.
LETTERS:  Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Valentine De Landro; Jonboy Meyers
24pp, Colors, 3.99 U.S. (October 2021)

Dark Blood created by LaToya Morgan

Dark Blood is a new six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s “The Walking Dead,” “Into The Badlands”).  Published by BOOM! Studios, the series is drawn by Walt Barna and Moisés Hidalgo; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on a Black World War II veteran who discovers that he has strange new abilities.

Alabama, 1955.  After leaving his job at the diner, “Hardy's Eats,” Avery Aldridge, also known as “Double A,” has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

Dark Blood #4 opens in 1955 – the Night of the Variance.  Avery is on the run with Sheriff Wright closing in on him.  Avery is certain that the police have blamed him for an accidental death that occurred behind the diner where he works.  His younger brother, Theodore “Theo” Aldridge, is waiting for him, and li'l bro will be shocked by what Avery has to reveal.

Those revelations include what happened ten years ago in World War II – behind enemy lines – when Avery had an encounter with ... werewolves.  Can Avery clear his name and find out what's really happening to him?

THE LOWDOWN:  I thought that the term “Nazi werewolves” was merely some B-movie or cheap sci-fi/horror trope.  Though Pocket, the reading list service, I discovered Lorraine Boissoneault's article for Smithsonian Magazine that detailed the World War II guerrilla fighters referred to by that name.

In Dark Blood, television writer-producer LaToya Morgan (AMC's “TURN: Washington's Spies”) offers a comic book that flows through multiple genres, including science fiction and fantasy, horror, and history.  It is a reality-based drama that treads the borders of the fantastic the way Rod Serling did in his legendary TV series, “The Twilight Zone.”

On the other hand, Dark Blood #4 throws readers into the thrill of the hunt, as two similar kinds of human wolves hunt Avery, ten years apart.  In this way, Morgan reminds us that there are thrills, chills, and action flowing in Dark Blood.  Like EC Comics' famous war comics titles, Frontline Combat and Two-Fisted Tales, Dark Blood drops readers behind enemy lines into the treachery and menace of war.  In 1955, as Avery eludes his pursuers, fans may be reminded that there is nothing like the thrill of watching an unsuspecting person wander into the Twilight Zone and end up being hunted.

In Dark Blood #4, Moisés Hidalgo, who also drew issue #3, delivers the kind of comic book storytelling that will have readers burning through the pages, and rereading much of the it.  The naturalism of his illustrative style keeps the story from being constrained by time.  What happens is more important than when it happened, making the story feel timeless.  In a sense, what occurs in Dark Blood #4 is always an occurrence – to one person and another, at one time and another.

A.H.G.'s beautiful colors on Hidalgo's art brings forth the power of this story, and for me, it's like riding lightning through Avery's (mis)adventures.  As usual, Andworld Design's lettering throws gasoline on the fire.

So, dear readers, at least you who need a change from what you read every month, here it is.  Like Rodney Barnes and Jason Shawn Alexander's Killadelphia (Image Comics), Dark Blood is the … new blood your imaginations need.

I READS YOU RECOMMENDS:  Fans of modern science fiction and dark fantasy comic books will want to drink Dark Blood.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
https://twitter.com/MorganicInk
https://twitter.com/WaltBarna
https://twitter.com/AHGColor
https://twitter.com/andworlddesign

https://twitter.com/boomstudios
https://www.boom-studios.com/wordpress/
https://www.facebook.com/BOOMStudiosComics
https://www.instagram.com/boom_studios/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: THE SCORCHED #1

THE SCORCHED #1
IMAGE COMICS

STORY: Sean Lewis; Todd McFarlane (additional dialogue)
ART: Stephen Segovia; Paulo Siqueira
COLORS: Ulises Arreola; Nikos Koutsis
LETTERS: Andworld Design (King Spawn)
EDITOR: Thomas Healy
COVER:  Puppeteer Lee
VARIANT COVER ARTISTS: Todd McFarlane with FCO Plascencia; Brett Booth and Todd McFarlane with FCO Plascencia; Greg Capullo and Jonathan Glapion with Dave McCaig; Don Aguillo; Marc Silvestri and Todd McFarlane with Peter Steigerwald; Ryan Stegman and Todd McFarlane with Peter Steigerwald
56pp, Color, $5.99 U.S. (January 2022)

Rated: “T/ Teen”

Spawn created by Todd McFarlane

Spawn is a superhero/antihero character that stars in the long-running comic book series, Spawn.  Created by writer-artist Todd McFarlane, Spawn first appeared in Spawn #1 (cover dated: May 1992).

Spawn was Albert Francis “Al” Simmons.  A career military man who becomes a highly capable assassin and dies a violent death.  He makes a deal with the devil, Malebolgia, in order to return to the living realm to see his wife one last time.  However, Al returns with almost no memories accept that his name is Al Simmons, and he learns that he is now a “Hellspawn” in service of Malebolgia.  Rebelling, Al Simmons, now “Spawn,” finds a new purpose in stopping evil.

Back in February 2021, Todd McFarlane announced his plans to build a larger, multi-character, interconnected, comic book universe based around his Spawn comic book – a “Spawn Universe.”  McFarlane also announced four new comic book titles coming out in 2021, with three of them continuing as regular monthly titles.  The last of the three monthly titles, The Scorched, has arrived.

The Scorched is written by Sean Lewis; drawn by Stephen Segovia and Paulo Siqueira; colored by Ulises Arreola and Nikos Koutsis; and lettered by Andworld Design.  The Scorched features the debut of the “Spawn Universe's” first superhero team.

The Scorched #1 opens somewhere in Russia.  Medieval Spawn, Gunslinger Spawn, Jessica Priest/She-Spawn, and Redeemer are trying to save two young women, Odessa Turgnev and Natasha Gorky, from the clutches of Russian Colonel Kruschev.

Before this, however, see how Spawn brought them together.  Or did he?  Who made whom?  Plus, Gunslinger Spawn takes on the “Locust Rangers” in Crowheart, Wyoming.  And Al and Terry argue and debate, again.

THE LOWDOWN:  I read Spawn #1 back in 1992, and I had mixed feelings about it.  Yet I was a fan and followed the series for another five or six years.  I've always expected more of it...

2021 saw the expansion of the Spawn publishing line and the full birth of the “Spawn Universe.”  Writer Sean Lewis is emerging in this new era as the most consequential writer of Spawn comic books since the creator-master himself, Todd McFarlane.  McFarlane's storytelling is full of craziness, in the tradition of classic comic book weirdness and in the vein of the madness that was and is Robert E. Howard.  Lewis embraces that craziness and, using his own inventive turns, delivers high-octane fight comics, dark fantasy violence, and edgy, angry character drama.  It wouldn't be Spawn without some monsters and some edgy people.

The art team of Stephen Segovia and Ulises Arreola and the team of Paulo Siqueira and Nikos Koutsis each deliver in a solid way, and the latter's textured illustrations and painterly colors stand out.  Andworld Design's matter-of-fact lettering delivers the real foot up the ass to your imagination.  The Scorched #1 is an excellent start and is the kind of first issue that will bring readers back for more of … whatever craziness is to come.

I READS YOU RECOMMENDS:  Fans of Spawn will want to read The Scorched.

[This comic book includes four back-up stories and “Spawning Ground” Presents “The Breakdown,” in which Todd McFarlane looks back at the beginning and at the year's covers.]

A-

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Todd_McFarlane
https://mcfarlane.com/
https://twitter.com/ImageComics
https://imagecomics.com/


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

#IReadsYou Review: DARK BLOOD #3

DARK BLOOD #3 (OF 6)
BOOM! STUDIOS

STORY: LaToya Morgan
ART:  Moisés Hidalgo
COLORS: A.H.G.
LETTERS:  Andworld Design
EDITOR: Dafna Pleban
COVER: Valentine De Landro
VARIANT COVER ARTISTS: Juni Ba; Valentine De Landro; Christian Ward
24pp, Colors, 3.99 U.S. (September 2021)

Dark Blood created by LaToya Morgan

Dark Blood is a new six-issue comic book miniseries created and written by screenwriter LaToya Morgan (AMC’s “The Walking Dead,” “Into The Badlands”).  Published by BOOM! Studios, the series is drawn by Walt Barna and Moisés Hidalgo; colored by A.H.G.; and lettered by Andworld Design.  The series focuses on a Black World War II veteran who discovers that he has strange new abilities.

Alabama, 1955.  After leaving his job at the diner, “Hardy's Eats,” Avery Aldridge, also known as “Double A,” has a fateful encounter with a racist.  Double A is a highly decorated World War II soldier, a former fighter pilot, a member of the soon-to-be-legendary “Red Tails.”  He is expected to act like a boy … when he is actually a very powerful man.  But this is “The Night of the Variance,” and everything is going to start to change – even the things some don't want changed.

Dark Blood #3 opens in 1945, ten years before the Variance.  In Alabama, Emma Aldridge, Avery's wife, feels the penetrating eyes of a member of the local wolf pack, also known as a police officer, specifically Officer Wright.  Meanwhile, near the Austrian border, Avery and a fellow pilot race for safety with another kind of wolf pack, in the form of a Nazi commandant and his soldiers, nipping at their heels.

Ten years later, back in the present, it is the “Night of the Variance.”  Once again, Emma evades a wolf, while Avery runs away from one.  As he did a decade before, Avery will once again have to decide when he should stop running and turn around and start fighting.

THE LOWDOWN:  The indignities that Avery Aldridge suffers in Dark Blood #2 are familiar to me because I have experienced some of them and others were told to me via first hand or second hand accounts.  A theme that runs throughout Dark Blood, thus far, is the notion that Black people are often being hunted.  Sometimes, even being watched is a form of being hunted; the difference is that the hunter hunts with his stare or gaze.

Television writer-producer LaToya Morgan (AMC's “TURN: Washington's Spies”) offers in Dark Blood a comic book that flows through multiple genres, including science fiction and fantasy, horror, history, and reality-based drama, to name a few.  As a television writer, she knows how to deliver action, suspense, and thrills along with the character drama.  And Dark Blood #3 offers the thrill of the hunt.

This third issue finds husband and wife, Avery and Emma Aldridge, living and surviving on the razor's edge more than once, over two time periods.  It would not be inappropriate to compare this issue's hunters, Alabama law enforcement and Nazi military personnel to one another.  After all, one was the teacher of codified racism, and the other was the student.  [I'll let you, dear readers, figure out which was which.]

Morgan delivers Dark Blood's most taut thrills and fraught drama, thus far, and this time she has a different artist as her creative partner.  Moisés Hidalgo, who drew a few pages of Dark Blood #2, returns to draw Dark Blood #3's dark nights of pursuit to life.  Hidalgo's compositions seem inspired by the surreal madness of Steve Ditko's comics and also the impressionism and and wild-eyed emotions of Japanese manga.  Here, Hidalgo makes the reader feel, as if he refuses to allow the reader to experience Morgan's story only in a rational way.  His art wants us to be fearful, desperate, and even irrational.  While reading this issue, I believed that I had to feel this story if I was really going to have a chance of understanding the characters' plights.

Once again, I must praise A.H.G.'s coloring for Dark Blood.  I read comiXology's digital editions of Dark Blood when I am reviewing the series, and A.H.G.'s colors look gorgeous in this format.  The coloring makes Dark Blood's interiors look like pages from a vintage comic book, so Dark Blood seems to be not a comic book about the past, but a comic book from the past.  It is like a memento from a time capsule, a story that has been waiting for us.

Strangely, Dark Blood #3 confirms what I have been thinking since I started reading this series.  Dark Blood is the comic book that some comic book readers need and have needed for a long time, though some may only discover this later via a Dark Blood trade paperback.  So, once gain, I highly recommend Dark Blood.

I READS YOU RECOMMENDS:  Fans of modern science fiction and dark fantasy comic books will want to drink Dark Blood.

A+

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


Dark Blood trailer: https://www.youtube.com/watch?v=WzzXIYr_FrA&feature=youtu.be
Dark Blood first loook: https://www.boom-studios.com/wordpress/archives/dark-blood-1-first-look/
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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: NOCTERRA #6

NOCTERRA #6
IMAGE COMICS/Best Jacket Press

STORY: Scott Snyder
ART: Tony S. Daniel
COLORS: Tomeu Morey
LETTERS: Andworld Design
EDITOR: Will Dennis
COVER: Tony S. Daniel with Tomeu Morey
VARIANT COVER ARTISTS: Emanuela Lupacchino with Dave McCaig; Tony S. Daniel and Marcelo Maiolo
28pp, Colors, 3.99 U.S. (August 2021)

Rated “M/ Mature”

“Full Throttle Dark” Part Six

Nocterra is a horror and science fiction comic book series from writer Scott Snyder and artist Tony S. Daniel.  Published by Image Comics, Nocterra is set on an Earth that has been experiencing an everlasting night, the “Big PM,” since the sky went dark and the world was plunged into an everlasting night over a decade ago.  Colorist Tomeu Morey and letterer Andworld Design complete the series' creative team.

In Nocterra, any living organisms left unlit in the dark for more than 10 hours start undergoing a biological transformation.  Soon, the living turn into monstrous versions of themselves, becoming something called a “Shade.”

Valentina “Val” Riggs – call sign “Sundog,” – was in the fifth grade the day the “Big PM” occurred.  Thirteen years later (“13 PM”), Val drives a big rig hauler, a heavily-illuminated 18-wheeler known as the “Sundog Convoy.”  A skilled “ferryman” Val transports people and goods along deadly unlit roads between the few remaining human outposts, and now she has her most dangerous haul – Bailey, a girl with a dangerous secret and her brother, Emory “Em” Riggs, who is becoming a Shade.

As Nocterra #6 opens, Val is back in those early days of sanctuary, when she saw the true killing ability of the “Smudges,” the name for a human Shade.  Val has found safety in the mysterious Sanctuary, having brought Bailey to Tiberius McCray, the leader of Sanctuary and the brother of her grandfather, Augustus McCray.

Now, however, the calm has given way to the storm, and Val is surrounded by shocking revelations.  She must prepare for both battle and for survival afterwards for herself, Bailey, and Emory.  Can she see past the darkness into the light?

THE LOWDOWN:  As I have written in some of my earlier reviews of Nocterra, I enjoy writer Scott Snyder's creator-owned series.  I have also told you, dear readers, that I am usually happy to read a comic book drawn by Tony S. Daniels, going back to his early days writing and drawing creator-owned titles at Image, such as The Tenth.  Nocterra has justified my devotion, and this sixth issue ends the series' first story arc with a tremendous payoff for readers who stuck around after the first issue.

Like issue #5, Nocterra #6 gets all thematic, and like the fifth issue, the sixth is the best of the series.  This new issue expands the world of Nocterra in one fell swoop, and the potential for this narrative's long haul excites me with the possibility of new places and so many new dangers.

I don't want to spoil anything, but Snyder, Tony Daniel, Tomeu Morey, and Andworld Design are doing some of their best work as a killer creative team of this amazing title.  Science fiction, dark fantasy, horror, family drama, action:  Nocterra is terribly good, dear readers, equally exiting and mysterious, at all times.  The trade collection for the first arc arrives in October, so take that chance to start at the beginning and then, run on up to catch up with us, the regulars of Nocterra.

I READS YOU RECOMMENDS:  Fans of Scott Snyder and Tony S. Daniel will want to sample Nocterra.

A

★★★★+ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).