COMICS & GRAPHIC NOVELS
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JUL198088 LOST IN SPACE COUNTDOWN TO DANGER HC GN VOL 02 $17.99
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MAY191895 MALL #5 (RES) $3.99
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JUL191979 MR WOLFS CLASS GN VOL 03 LUCKY STARS $9.99
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JUL191818 ONCE UPON A TIME IN FRANCE OMNIBUS GN $29.95
JUL192422 POKEMON SUN & MOON GN VOL 05 $4.99
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JUN191385 RED KOI #1 (OF 2) (MR) $1.50
JUN191787 ROBERT SILVERBERG COLONIES HC RETURN TO BELZAGOR $24.95
JUL192225 ROBOTECH #24 CVR A SPOKES $3.99
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JUN192085 WORLDS END HAREM GN VOL 06 (MR) $12.99
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MAGAZINES
JUL191806 COMIC SHOP NEWS [90CT BUNDLE] #1682 $PI
JAN191929 SOFT WOOD ONE SHOT CVR A PEYRAVERNAY (MR) $8.95
BOOKS
JUL192012 ART OF HARRY POTTER MINI HC $11.99
JUL192013 DC COMICS DETECTIVE COMICS COMP COVERS MINI HC VOL 03 $11.99
JUL192014 DC COMICS WONDER WOMAN COMP COVERS MINI HC VOL 03 $11.99
JUL191368 DRAWING POWER WOMENS STORIES SEXUAL VIOLENCE HC $29.99
JUN191759 FRANK CHO BALLPOINT BEAUTIES SC (MR) $19.95
JUL191904 FREE S$$T HC CHARLES BURNS ZINE COLLECTION $19.99
JUL192016 HARRY POTTER FILM VAULT HC VOL 01 $16.99
JUL192017 HARRY POTTER FILM VAULT HC VOL 02 $16.99
JUL192239 HARRYHAUSEN LOST MOVIES HC $39.95
JUN192250 HOW REALIST HERO REBUILT KINGDOM LIGHT NOVEL VOL 04 $13.99
JUL191823 I AM BRAVE MARTIN LUTHER KING JR BOARD BOOK $7.99
JUL191824 I AM CARING JANE GOODALL BOARD BOOK $7.99
JUL191825 I AM MARIE CURIE YR HC $15.99
JUL191826 I AM WALT DISNEY YR HC $15.99
JUL191785 JOE QUINNS POLTERGEIST ILLUST HC $17.99
MAY191816 KOLCHAK NIGHTSTALKER LAST TEMPTATION NOVEL $9.99
APR191711 MONSTER ART OF BASIL GOGOS HC $100.00
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JUN192251 RESTAURANT TO ANOTHER WORLD LIGHT NOVEL VOL 02 $13.99
APR191988 SANTA MY LIFE & TIMES ILLUS AUTOBIOGRAPHY HC $24.99
MAY191887 SHADOW DOUBLE NOVEL SC VOL 144 DEAD LIVED & CRIME OVER CASCO $14.95
JUL192160 SHE-RA REBEL PRINCESS GUIDE HC $12.99
JUL192021 SONGS OF GIANTS POETRY OF PULP LTD HC $29.99
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Showing posts with label Charles Burns. Show all posts
Showing posts with label Charles Burns. Show all posts
Monday, September 9, 2019
Comic Books, Magazines and Books from Diamond Distributors for September 11, 2019
Labels:
AfterShock,
Archie Comics,
Art Book,
Book News,
Charles Burns,
comics news,
Diamond Distributors,
Fantagraphics Books,
Frank Cho,
Kodansha,
manga news,
Star Wars,
Valiant Comics,
VIZ Media
Monday, November 27, 2017
Comics, Magazines and Books from Diamond Distributors for November 29, 2017
COMICS & GRAPHIC NOVELS
SEP171874 A CENTAURS LIFE GN VOL 13 (MR) $13.99
SEP172055 ABANDONED SACRED BEASTS GN VOL 05 $10.95
SEP171876 AKASHIC RECORDS OF BASTARD MAGICAL INSTRUCTOR GN VOL 02 $12.99
SEP172078 ANONYMOUS NOISE GN VOL 05 $9.99
SEP171191 ARCHIE COMICS DOUBLE DIGEST #284 $5.99
AUG171197 ARYA #2 $3.99
OCT171957 ASSASSINATION CLASSROOM GN VOL 19 $9.99
OCT171959 ASTRA LOST IN SPACE GN VOL 01 $9.99
JUL171491 BAD MASK ORIGINAL GN $39.99
JUL171351 BEDTIME STORIES FOR IMPRESSIONABLE CHILDREN #1 JC VAUGHN SIG $9.99
SEP171487 BETTIE PAGE #1 LTD ED HILDEBRANDT B&W CVR $19.99
SEP171488 BETTIE PAGE #5 CVR A LINSNER $3.99
SEP171489 BETTIE PAGE #5 CVR B BONE $3.99
SEP171490 BETTIE PAGE #5 CVR C PHOTO $3.99
OCT171715 BIG BOOK OF BISEXUAL TRIALS AND ERRORS GN (MR) $24.99
JUL171389 BLADE BUNNY VOL 2 #11 $3.99
OCT171972 BLOODY MARY GN VOL 09 $9.99
SEP171878 CAPTAIN HARLOCK DIMENSIONAL VOYAGE GN VOL 02 $12.99
SEP171947 CAPTAIN KRONOS #3 CVR A MANDRAKE $3.99
SEP171948 CAPTAIN KRONOS #3 CVR B HAMMER GLAMOUR $3.99
SEP171949 CAPTAIN KRONOS #3 CVR C GULACY $3.99
SEP171756 CATALYST PRIME KINO #1 MAIN CVR $3.99
SEP171440 CBLDF DEFENDER VOL 2 #4 (BUNDLE OF 50) $PI
SEP171031 CHARLTON ARROW #2 $7.99
SEP171854 CHASING HITLER #1 (OF 4) $3.95
SEP171881 DANCE IN VAMPIRE BUND OMNIBUS VOL 07 (MR) $24.99
SEP171090 DARK ARK #3 $3.99
JUL171503 DEATH BE DAMNED TP VOL 01 $14.99
SEP171028 DEATH OF CEREBUS IN HELL #1 (OF 1) $4.00
SEP161646 DF HARLEY QUINN #1 DF EXC LEE CVR CGC GRADED $99.99
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APR171711 DF PETER PARKER SPECTACULAR SPIDER-MAN #1 ROMITA SR SGN $196.20
SEP171708 DISNEY PIXAR COCO ONE SHOT $4.99
SEP171928 DOCTOR WHO 11TH YEAR THREE #12 CVR A MYERS & SMITH $3.99
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OCT171815 DONT BE CRUEL TP VOL 06 (MR) $12.99
OCT171954 DRAGON BALL SUPER GN VOL 02 $9.99
JUN171160 EQUILIBRIUM #1-3 PHOTO CVRS SET $19.99
SEP172030 ETERNITY #2 CVR A DJURDJEVIC $3.99
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JUL171767 GWAR ORGASMAGEDDON #1 GROUP SGN ED (MR) $100.00
OCT171962 HAIKYU GN VOL 18 $9.99
AUG171184 HATCHET #0 DOUBLE SIGNED HASSON & HAESER $19.99
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SEP171331 HEAVY VINYL #4 (OF 4) (FORMERLY HI-FI FIGHT CLUB) $3.99
SEP171627 I AM NOT OKAY WITH THIS GN $14.99
SEP171098 INSEXTS TP VOL 02 (MR) $17.99
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SEP171267 IT SECRET WORLD OF MODERN BANKING 2 #2 (OF 5) CVR A MICHAEL $3.99
SEP171309 JIM HENSON LABYRINTH 2017 SPECIAL #1 $7.99
SEP171899 JOHN CARPENTER TALES OF SCI FI VORTEX #2 (OF 8) (MR) $3.99
JUL171650 JOHN WICK #1 CVR A VALLETTA $3.99
JUL171651 JOHN WICK #1 CVR B COWAN SIENKIEWICZ $3.99
JUL171652 JOHN WICK #1 CVR C PHOTO $3.99
JUL171653 JOHN WICK #1 CVR D CASSADAY EXC SUBSCRIPTION VAR $3.99
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AUG171559 JUSTICE INC FACES OF JUSTICE #4 (OF 4) $3.99
SEP171792 KAIJUMAX SEASON 3 #5 (MR) $3.99
JUL171333 KILLBOX CHICAGO #4 (OF 4) $3.99
OCT171481 KISS THE ELDER TP VOL 02 ODYSSEY $19.99
OCT171977 KUROKO BASKETBALL 2IN1 TP VOL 09 $16.99
SEP171200 LOLA XOXO VOL 2 #5 CVR A OUM $3.99
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OCT171975 MAGI GN VOL 27 $9.99
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OCT171956 PLATINUM END GN VOL 04 (MR) $9.99
AUG171954 PLUM CRAZY TALES OF TIGER STRIPED CAT GN VOL 03 $12.99
JUL172064 PRE CODE CLASSICS ADV INTO DARKNESS SLIPCASE ED VOL 01 $54.99
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JUL172067 PRE CODE CLASSICS UNKNOWN WORLD STRANGE STORIES SLIPCASE $54.99
JUL172068 PRE CODE CLASSICS UNSEEN HC VOL 01 $49.99
SEP171630 PRINCE VALIANT HC BOX SET VOL 01-03 1937-1942 $99.99
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SEP171905 QUARRYS WAR #1 CVR A RONALD $3.99
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JUL172286 REACTOR #1 (OF 4) $3.99
JUL171534 REGULAR SHOW PARKS & WRECK TP $14.99
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SEP171788 RISING OF THE SHIELD HERO GN VOL 07 MANGA COMPANION $11.95
SEP172146 ROBYN HOOD THE HUNT #5 CVR A GEORGE $3.99
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MAR171980 ROY THOMAS PRESENTS LOST WORLD SLIPCASE ED HC $79.99
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SEP171446 SANTA CLAUS PRIVATE EYE GN $14.99
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AUG171941 SOLAR FLARE TP $17.99
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Wednesday, September 17, 2014
Review: Charles Burns' SUGAR SKULL
PANTHEON BOOKS – @PantheonBooks @AAKnopf @doubledaypub
CARTOONIST: Charles Burns
ISBN: 978-0-307-90790-5; hardcover (September 16, 2014)
64pp, Color, $23.00 U.S.
Charles Burns is the American cartoonist and illustrator best known for his graphic novel, Black Hole, which was originally published as a comic book series, first by Kitchen Sink Press, and finally by Fantagraphics Books. His comics short stories have been collected in such book collections as Big Baby and Skin Deep.
His most recent comics work is a graphic novel trilogy that began in X'ed Out and continued in The Hive and now, comes to an end in Sugar Skull. The long strange trip of a guy named Doug comes to an end that is both mind-bending and heart-wrenching (or pathetic, depending on how you look at it).
In X’ed Out, Burns introduces Doug, a photographic artist who has a head injury of some kind. One night, he awakens and sees his cat, Inky, who is supposed to be dead. Doug follows Inky through a hole torn in a brick wall, where he discovers a place called The Hive. This place is likely an alternate reality that has been induced by the trauma Doug experienced and by the prescription medications he uses. In the Hive, Doug's persona becomes that of “Johnny,” a version of Nitnit, his performance art alter-ego.
In The Hive, Doug begins working in that nightmarish alternate world as a lowly employee who carts supplies around the Hive. He also strikes up a friendship with a breeder named Suzy, and that new relationship is almost like another Doug previously had. Meanwhile, back in reality, Doug slowly transforms from an ambitious young artist into a guy who merely drifts through life, bereft of his hopes and dreams.
As Sugar Skull begins, Doug-as-Johnny is back in the the Hive. After a troubling encounter with a sow-life creature and her thing-lets, he reunites with a his Hive-chick, Suzy. However, she is about to undergo a bodily function that disturbs and freaks-out Johnny. Meanwhile, back in reality, Doug is now fully a lost and ambivalent man, but he lives with Sally, a woman who clearly loves him
Doug has regrets and questions. What does the Hive represent? What happened to him? Where is his former girlfriend, Sarah? As he digs for answers, he seeks out Sarah, who has a surprise for him. We also finally learn how Doug received the head injury that has put his reality into a crazy, mind-bending, dream/nightmare loop.
I have enjoyed Charles Burns' trilogy of graphic novels. [I don't know whether to call this “The Hive trilogy” or the “X'ed Out trilogy” or even the “Nitnit trilogy.”] I like the publishing format for these comic books: hardcover, large-sized at 8.9 x 11.8 (which is similar to a French album or graphic novel), with a cloth-covered spine and beautifully illustrated end papers.
I found X'ed Out to be especially intriguing and captivating; I could not help but be taken in by the mystery and reality-warping, which seemed straight out of a David Lynch movie. The Hive was vague and sometimes seemed like filler material, which can be a problem with the middle installment of a trilogy. I was somewhat frustrated with it.
Four years after I read X'ed Out, Sugar Skull rewards my patience. Suddenly, the answers pour forth, and they will break your heart. For all the surrealism of much of story prior to the final volume, this ending is surprisingly human. Burns depicts the melancholy nature of a promising life that has decided to settle for the mundane.
This trilogy operates on so many levels and layers, and Doug and perhaps a few other characters exist in different persona. Time, symbolism, and metaphor exist in multiple layers. Sugar Skull is more grounded than the other books. It forces reality and consequence, even in the alternate reality. A “sugar skull” or calavera is a representation of the human skull made out of clay or sugar and is used in the Mexican celebration, Day of the Dead (which takes place over three days beginning on October 31st).
Is Doug dead? Is he an unreliable narrator? I don't think that Doug is a deceased character, who is narrating the last of his life. Rather, he is forced to confront the truth about himself, and that can be more painful than a blow to the head. Sugar Skull justifies this entire enterprise undertaken by Charles Burns, and it proves that Burns' stories may be strange and intense, but they are not impersonal. They are unique depictions of the human condition, and, as Sugar Skull shows, they are deeply personal.
A
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Reviewed by Leroy Douresseaux
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Thursday, October 11, 2012
Review: Charles Burns' THE HIVE
THE HIVE
PANTHEON BOOKS – @PantheonBooks
CARTOONIST: Charles Burns
ISBN: 978-0-307-90788-2; hardcover (October 2012)
56pp, Color, $21.95 US, $25.95 CAN
Charles Burns is the Philadelphia-based comic book creator, cartoonist, and illustrator known for such works as Black Hole and Big Baby. Burns grew up in Seattle in the 1970s and rose to prominence in the mid-1980s when his comics began to appear in RAW, the avant-garde magazine founded by Art Spiegelman and Françoise Mouly.
Burns’ latest work is The Hive, the second volume of a graphic novel trilogy that began in 2010 with X’ed Out. Both volumes are published as 9x12 hardcover editions, similar to the oversized format Fantagraphics Books used for its “Charles Burns Library.” Apparently, Burns has drawn inspiration for X’ed Out and The Hive from legendary cartoonist Hergé (Tintin) and author William Burroughs (The Naked Lunch), although I think the films of David Lynch could also be an influence.
Like X’ed Out, The Hive is the story of Doug, a photographic artist who has a head injury of some kind. Following his cat, Inky, who is supposed to be dead, through a hole torn in a brick wall, Doug discovers a place called The Hive. As the second volume begins, Doug works in that nightmarish alternate world as a lowly employee who carts supplies around The Hive. He strikes up a friendship with a breeder named Suzy, and that new relationship is almost like another he had.
In fact, in the real world, Doug is talking about his past to an unidentified woman. He struggles to recall a mysterious incident with his now-absent girlfriend, Sarah (who is also a photographer), and her menacing boyfriend. Where are the answers?
I have to admit that by the time I finished reading the first half of The Hive, I was bored with it. Actually, I thought I was bored; I was simply lost in and confused by this narrative, which not only travels between two worlds, but also moves back and forth through time. The hero, Doug, is also unmoored in time. I think he’s an unreliable narrator, and I wouldn’t be surprised if he’s dead, in a coma, or intellectually disabled.
Once I got my bearings, I realized that Charles Burns had done it to me again. He’d drawn me into another one of his surreal landscapes – infused with a sense of creeping dread and filled with the dreadfully creepy. When he draws a figure, human or humanoid, Burns beats back the ordinary (except for a nude depiction of Doug, who is ordinary), choosing the extraordinary and the bizarre. As Chris Ware just showed with Building Stories, Burns reveals with The Hive that, as a comics creator, he is in a place where few other cartoonists are.
A-
Reviewed by Leroy Douresseaux
www.facebook.com/pantheonbooks
www.pantheoncomics.com
PANTHEON BOOKS – @PantheonBooks
CARTOONIST: Charles Burns
ISBN: 978-0-307-90788-2; hardcover (October 2012)
56pp, Color, $21.95 US, $25.95 CAN
Charles Burns is the Philadelphia-based comic book creator, cartoonist, and illustrator known for such works as Black Hole and Big Baby. Burns grew up in Seattle in the 1970s and rose to prominence in the mid-1980s when his comics began to appear in RAW, the avant-garde magazine founded by Art Spiegelman and Françoise Mouly.
Burns’ latest work is The Hive, the second volume of a graphic novel trilogy that began in 2010 with X’ed Out. Both volumes are published as 9x12 hardcover editions, similar to the oversized format Fantagraphics Books used for its “Charles Burns Library.” Apparently, Burns has drawn inspiration for X’ed Out and The Hive from legendary cartoonist Hergé (Tintin) and author William Burroughs (The Naked Lunch), although I think the films of David Lynch could also be an influence.
Like X’ed Out, The Hive is the story of Doug, a photographic artist who has a head injury of some kind. Following his cat, Inky, who is supposed to be dead, through a hole torn in a brick wall, Doug discovers a place called The Hive. As the second volume begins, Doug works in that nightmarish alternate world as a lowly employee who carts supplies around The Hive. He strikes up a friendship with a breeder named Suzy, and that new relationship is almost like another he had.
In fact, in the real world, Doug is talking about his past to an unidentified woman. He struggles to recall a mysterious incident with his now-absent girlfriend, Sarah (who is also a photographer), and her menacing boyfriend. Where are the answers?
I have to admit that by the time I finished reading the first half of The Hive, I was bored with it. Actually, I thought I was bored; I was simply lost in and confused by this narrative, which not only travels between two worlds, but also moves back and forth through time. The hero, Doug, is also unmoored in time. I think he’s an unreliable narrator, and I wouldn’t be surprised if he’s dead, in a coma, or intellectually disabled.
Once I got my bearings, I realized that Charles Burns had done it to me again. He’d drawn me into another one of his surreal landscapes – infused with a sense of creeping dread and filled with the dreadfully creepy. When he draws a figure, human or humanoid, Burns beats back the ordinary (except for a nude depiction of Doug, who is ordinary), choosing the extraordinary and the bizarre. As Chris Ware just showed with Building Stories, Burns reveals with The Hive that, as a comics creator, he is in a place where few other cartoonists are.
A-
Reviewed by Leroy Douresseaux
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Monday, October 8, 2012
Review: X'ed Out by Charles Burns
X’ED OUT
PANTHEON BOOKS
CARTOONIST: Charles Burns
ISBN: 978-0-307-37913-9; hardcover (October 2010)
56pp, Color, $19.95 US, $22.95 CAN
Cartoonist and illustrator Charles Burns rose to prominence in the mid-1980s when his comics began to appear in RAW, the avant-garde magazine founded by Art Spiegelman and Françoise Mouly. He went on to illustrate album covers, advertisements, and magazine covers. Burns is best known for his comics works, such as the 12-issue series, Black Hole, and graphic novels such as El Borbah and Big Baby.
X’ed Out is the first volume of a graphic novel trilogy from Burns. X’ed Out is published as a 9x12 hardcover, similar to the oversized format Fantagraphics Books used for its “Charles Burns Library.” Apparently, Burns has drawn inspiration for X’ed Out from Hergé (Tintin) and author William Burroughs (although film director David Lynch could also be an influence).
X’ed Out opens in the peculiar dream time of an unusual fellow named Doug, a photographic artist who has a head injury of some kind. Doug awakens to find his deceased cat, Inky, standing next to a hole torn in a brick wall. Inky walks through the hole, silently beckoning Doug to follow. Doug follows and finds himself near a putrid stream running through a crumbling badland. That leads to some kind of egg processing plant, full of huge white eggs with splotches of red on them (the Tintin reference?). Then, his journey and the narrative become a shifting reality and landscape of reptilian thugs, pills, fetal pigs, an Interzone-like market, and lots of Polaroid pictures. Will Doug find clarity? Can he?
I first encountered Charles Burns work in RAW, but I avoided reading it (much as I would do when I first saw Richard Sala’s comix). Something about that first story I encountered made me feel uncomfortable. Someone even gave me a copy of Big Baby or El Borbah after Fantagraphics Books published them, and I still didn’t want to read Burns. Somewhere, it happened, but I don’t remember when I first relented or why.
There is something disquieting about Charles Burns’ work. He is cryptic without being oblique, and the reader can always figure out that something wrong or some problem in a story. This must be what is known as creeping dread, and X’ed Out is filled with that.
This slim volume that is X’ed Out, however, merely asks a lot of questions that future volumes will hopefully answer. Only Burns could get away with offering relatively little in an opening salvo. It is the meticulous craftsmanship of his high-contrast art and his ability to make every single element on a page matter that engages the readers’ imaginations, and for the reader, that will have to do, here. Where is X’ed Out going? I don’t know, but I will follow.
A-
Reviewed by Leroy Douresseaux
PANTHEON BOOKS
CARTOONIST: Charles Burns
ISBN: 978-0-307-37913-9; hardcover (October 2010)
56pp, Color, $19.95 US, $22.95 CAN
Cartoonist and illustrator Charles Burns rose to prominence in the mid-1980s when his comics began to appear in RAW, the avant-garde magazine founded by Art Spiegelman and Françoise Mouly. He went on to illustrate album covers, advertisements, and magazine covers. Burns is best known for his comics works, such as the 12-issue series, Black Hole, and graphic novels such as El Borbah and Big Baby.
X’ed Out is the first volume of a graphic novel trilogy from Burns. X’ed Out is published as a 9x12 hardcover, similar to the oversized format Fantagraphics Books used for its “Charles Burns Library.” Apparently, Burns has drawn inspiration for X’ed Out from Hergé (Tintin) and author William Burroughs (although film director David Lynch could also be an influence).
X’ed Out opens in the peculiar dream time of an unusual fellow named Doug, a photographic artist who has a head injury of some kind. Doug awakens to find his deceased cat, Inky, standing next to a hole torn in a brick wall. Inky walks through the hole, silently beckoning Doug to follow. Doug follows and finds himself near a putrid stream running through a crumbling badland. That leads to some kind of egg processing plant, full of huge white eggs with splotches of red on them (the Tintin reference?). Then, his journey and the narrative become a shifting reality and landscape of reptilian thugs, pills, fetal pigs, an Interzone-like market, and lots of Polaroid pictures. Will Doug find clarity? Can he?
I first encountered Charles Burns work in RAW, but I avoided reading it (much as I would do when I first saw Richard Sala’s comix). Something about that first story I encountered made me feel uncomfortable. Someone even gave me a copy of Big Baby or El Borbah after Fantagraphics Books published them, and I still didn’t want to read Burns. Somewhere, it happened, but I don’t remember when I first relented or why.
There is something disquieting about Charles Burns’ work. He is cryptic without being oblique, and the reader can always figure out that something wrong or some problem in a story. This must be what is known as creeping dread, and X’ed Out is filled with that.
This slim volume that is X’ed Out, however, merely asks a lot of questions that future volumes will hopefully answer. Only Burns could get away with offering relatively little in an opening salvo. It is the meticulous craftsmanship of his high-contrast art and his ability to make every single element on a page matter that engages the readers’ imaginations, and for the reader, that will have to do, here. Where is X’ed Out going? I don’t know, but I will follow.
A-
Reviewed by Leroy Douresseaux
Labels:
alt-comix,
Charles Burns,
OGN,
Pantheon Books,
Random House,
Review
Friday, September 14, 2012
Review: Steven Heller's COMICS SKETCHBOOKS
COMICS SKETCHBOOKS: The Private Worlds of Today’s Most Creative Talents
THAMES & HUDSON, INC. – @thamesandhudson
AUTHOR: Steven Heller
DESIGNER: Ashley Olsson
ISBN: 978-0-500-28994-5; paperback
352pp, Color and Black and White; $44.95 U.S., $47.50 CAN
Steven Heller is co-chair of the MFA/Designer as Author + Entrepreneur program at New York’s School of Visual Arts. He is the author, editor, and co-editor of over one hundred books on design and popular culture. His works include Handwritten: Expressive Lettering in the Digital Age (with Mirko Ilic) and New Modernist Type (with Gail Anderson).
His latest book is Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents. A massive book (365 pages, 8.65 x 11.5), Comics Sketchbooks contains sketches, doodles, drawings, roughs, thumbnails, and even comics from some of the world’s most cutting edge and innovative artists and also some emerging talents. Over 80 artists open up their private sketchbooks and notebooks, from which Heller culled the hundreds drawings and samples that fill this fat (and phat) book. Even some artists who do not keep sketchbooks provided roughs and studies for this book.
Readers get a chance to see the thinking and planning and the experimentation, practice, and play behind the work and style of such artists as Charles Burns, Lilli Carré, Drew Friedman, David Mazzucchelli, Gary Panter, and Carol Tyler, to name a few. Readers can see into the sketchbooks of such legends as R. Crumb, Bill Griffith, Victor Moscoso, Bill Plympton, and Arnold Roth. Not every artist in this collection is specifically a comics artists, but according to Heller (in his introduction), all of them make comics as either their primary occupation or as part of their larger body of work.
Admirers, fans, and students of alternative comics and cartoonists will like Comics Sketchbooks. Still, some, like myself, may find this book missing things they wanted, which is a bit ungrateful. Why do I want more?
Obviously, Heller could not get every drawing that he wanted included in this book, for various reasons. One of the reasons is that some artists are self-conscious about opening their sketchbooks. Another reason is that some artists only actively sketch to prepare for upcoming projects, and may, in fact, discard such preliminary drawings and preparatory material once projects are completed.
So, the two pages of David Mazzucchelli just don’t seem like enough, although the sample of his typographical skills almost makes up for that. There are four pages of R. Crumb, but since Crumb has been publishing his sketchbooks and sketchbook material for four decades, the illustrations here won’t seem like anything new.
My minor quibbles aside, there is some spectacular material in Comics Sketchbooks from some major talents, known and little known. The six pages of sketches by Carol Tyler are a doorway into the wonderland that is the talent of this unheralded artist. The offerings from political cartoonist, Ann Telnaes, include several superb sketches of President Barack Obama caricatures. There is no way to prepare for the six pages of Joseph Lambert, which are crammed with drawings. I couldn’t help but return to his section several times.
It would be impractical for me to try to describe all the drawings in this book, all of it good, some of it even stunning, and even a few pieces that are (dare I say it) great. I will tempt some of you by saying that there are a few sketches in here that were proposals for covers for the magazine, The New Yorker, including one by the always fabulous Drew Friedman. This is a good book. Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents should be on comics fans’ wish lists. Steven Heller deserves some awards recognition, and certainly, at least, an Eisner nomination next year.
A
Reviewed by Leroy Douresseaux
www.thamesandhudsonusa.com
The artist and cartoonists included in Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents:
Sotos Anagnos, Chris Battle, Lou Beach, Kaye Blegvad, Peter Blegvad, Russ Braun, Steve Brodner, Charles Burns, Chris Capuozzo, Lilli Carré, Seymour Chwast, Colonel Moutarde, R. Crumb, John Cuneo, Vanessa Davis, Kim Deitch, Julie Delporte, Eric Drooker, Drew Friedman, Manuel Gomez Burns, Bill Griffith, Robert Grossman, Benoit Guillaume, Cyril Guru, David Heatley, Rian Hughes, Kevin Huizenga, Nathan Jurevicius, Ben Katchor, Denis Kitchen, Jakob Klemencic, Thomas Knowler, Matej Kocjan, Nora Krug, Olivier Kugler, Peter Kuper, Joseph Lambert, Brendan Leach, Etienne Lecroart, Matthias Lehmann, Martin Lemelman, David Libens, Sebastien Lumineau, Patrick McHale, Matt Madden, Javier Mariscal, David Mazzucchelli, Rutu Modan, Saxton Moore, Victor Moscoso, Joanna Neborsky, Josh Neufeld, Mark Newgarden, Vladan Nikolic, Gary Panter, Bill Plympton, Max De Radigues, Laren Redniss, Arnold Roth, Marcel Ruijters, Johnny Ryan, David Sandlin, Seth, Peter De Seve, Robert Sikoryak, Posy Simmonds, Mark Alan Stamaty, Jim Steranko, James Sturm, Joost Swarte, Takeshi Tadatsu, Ann Telnaes, Simon Tofield, Jeremy Traum, Carol Tyler, Andres Vera Martinez, Lauren Weinstein, Tracy White, Signe Wilkinson, Run Wrake, Derek Yaniger, and Danijel Zezelj
THAMES & HUDSON, INC. – @thamesandhudson
AUTHOR: Steven Heller
DESIGNER: Ashley Olsson
ISBN: 978-0-500-28994-5; paperback
352pp, Color and Black and White; $44.95 U.S., $47.50 CAN
Steven Heller is co-chair of the MFA/Designer as Author + Entrepreneur program at New York’s School of Visual Arts. He is the author, editor, and co-editor of over one hundred books on design and popular culture. His works include Handwritten: Expressive Lettering in the Digital Age (with Mirko Ilic) and New Modernist Type (with Gail Anderson).
His latest book is Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents. A massive book (365 pages, 8.65 x 11.5), Comics Sketchbooks contains sketches, doodles, drawings, roughs, thumbnails, and even comics from some of the world’s most cutting edge and innovative artists and also some emerging talents. Over 80 artists open up their private sketchbooks and notebooks, from which Heller culled the hundreds drawings and samples that fill this fat (and phat) book. Even some artists who do not keep sketchbooks provided roughs and studies for this book.
Readers get a chance to see the thinking and planning and the experimentation, practice, and play behind the work and style of such artists as Charles Burns, Lilli Carré, Drew Friedman, David Mazzucchelli, Gary Panter, and Carol Tyler, to name a few. Readers can see into the sketchbooks of such legends as R. Crumb, Bill Griffith, Victor Moscoso, Bill Plympton, and Arnold Roth. Not every artist in this collection is specifically a comics artists, but according to Heller (in his introduction), all of them make comics as either their primary occupation or as part of their larger body of work.
Admirers, fans, and students of alternative comics and cartoonists will like Comics Sketchbooks. Still, some, like myself, may find this book missing things they wanted, which is a bit ungrateful. Why do I want more?
Obviously, Heller could not get every drawing that he wanted included in this book, for various reasons. One of the reasons is that some artists are self-conscious about opening their sketchbooks. Another reason is that some artists only actively sketch to prepare for upcoming projects, and may, in fact, discard such preliminary drawings and preparatory material once projects are completed.
So, the two pages of David Mazzucchelli just don’t seem like enough, although the sample of his typographical skills almost makes up for that. There are four pages of R. Crumb, but since Crumb has been publishing his sketchbooks and sketchbook material for four decades, the illustrations here won’t seem like anything new.
My minor quibbles aside, there is some spectacular material in Comics Sketchbooks from some major talents, known and little known. The six pages of sketches by Carol Tyler are a doorway into the wonderland that is the talent of this unheralded artist. The offerings from political cartoonist, Ann Telnaes, include several superb sketches of President Barack Obama caricatures. There is no way to prepare for the six pages of Joseph Lambert, which are crammed with drawings. I couldn’t help but return to his section several times.
It would be impractical for me to try to describe all the drawings in this book, all of it good, some of it even stunning, and even a few pieces that are (dare I say it) great. I will tempt some of you by saying that there are a few sketches in here that were proposals for covers for the magazine, The New Yorker, including one by the always fabulous Drew Friedman. This is a good book. Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents should be on comics fans’ wish lists. Steven Heller deserves some awards recognition, and certainly, at least, an Eisner nomination next year.
A
Reviewed by Leroy Douresseaux
www.thamesandhudsonusa.com
The artist and cartoonists included in Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents:
Sotos Anagnos, Chris Battle, Lou Beach, Kaye Blegvad, Peter Blegvad, Russ Braun, Steve Brodner, Charles Burns, Chris Capuozzo, Lilli Carré, Seymour Chwast, Colonel Moutarde, R. Crumb, John Cuneo, Vanessa Davis, Kim Deitch, Julie Delporte, Eric Drooker, Drew Friedman, Manuel Gomez Burns, Bill Griffith, Robert Grossman, Benoit Guillaume, Cyril Guru, David Heatley, Rian Hughes, Kevin Huizenga, Nathan Jurevicius, Ben Katchor, Denis Kitchen, Jakob Klemencic, Thomas Knowler, Matej Kocjan, Nora Krug, Olivier Kugler, Peter Kuper, Joseph Lambert, Brendan Leach, Etienne Lecroart, Matthias Lehmann, Martin Lemelman, David Libens, Sebastien Lumineau, Patrick McHale, Matt Madden, Javier Mariscal, David Mazzucchelli, Rutu Modan, Saxton Moore, Victor Moscoso, Joanna Neborsky, Josh Neufeld, Mark Newgarden, Vladan Nikolic, Gary Panter, Bill Plympton, Max De Radigues, Laren Redniss, Arnold Roth, Marcel Ruijters, Johnny Ryan, David Sandlin, Seth, Peter De Seve, Robert Sikoryak, Posy Simmonds, Mark Alan Stamaty, Jim Steranko, James Sturm, Joost Swarte, Takeshi Tadatsu, Ann Telnaes, Simon Tofield, Jeremy Traum, Carol Tyler, Andres Vera Martinez, Lauren Weinstein, Tracy White, Signe Wilkinson, Run Wrake, Derek Yaniger, and Danijel Zezelj
Labels:
alt-comix,
Art Book,
Barack Obama,
Book Review,
Charles Burns,
David Mazzucchelli,
Drew Friedman,
Eurocomics,
Johnny Ryan,
Kim Deitch,
R. Crumb,
Review,
Seth,
Underground Comix,
Victor Moscoso
Sunday, November 21, 2010
X-ed Out is Out
I read X'ed Out
I posted a review at the Comic Book Bin. This is the new Charles Burns graphic novel.
I posted a review at the Comic Book Bin. This is the new Charles Burns graphic novel.
Labels:
alt-comix,
Charles Burns,
Comic Book Bin,
Pantheon Books
Monday, October 18, 2010
Charles Burns at Fantagraphics Bookstore on October 30th
Charles Burns Returns to Seattle on October 30 with Spooky New Book
Charles Burns was among a trio of gifted cartoonists to emerge from The Evergreen State College in the mid-1970s. Together, Burns and fellow Evergreen alumni Matt Groening and Lynda Barry altered the course of contemporary comix and left an indelible mark on regional culture. Burns makes a rare return visit to his native Seattle on Saturday, October 30 to celebrate the publication of his amazing new graphic novel X’ED OUT with a slide talk, art exhibition, and book signing at Fantagraphics Bookstore & Gallery. His idiosyncratic horror-story sensibility is perfect for the Halloween-eve occasion.
Burns began his career as a fine artist in Seattle while publishing illustrations and his “Big Baby” cartoon in The Rocket magazine, developing his signature stark-contrast rendering style. Burns also composed covers for Bruce Pavitt’s seminal Sub Pop cassette fanzine, the forerunner to the celebrated record label. On a visit to New York, Burns came to the attention of cartoonist Art Spiegelman, who subsequently published his work in the influential anthology RAW. The rest, as they say, is history. Spiegelman published the collected BIG BABY on his RAW imprint, and Seattle-based publisher Fantagraphics Books produced his influential BLACK HOLE serial, as well as graphic albums SKIN DEEP and EL BORBAH (in addition to reprinting BIG BABY.)
X’ED OUT continues the artist’s examination of the furtive insecurities of adolescence becoming manifested in bizarre and horrific consequences. In a departure from Burns’ prior work, the current graphic novel is presented in full color.
The reception at Fantagraphics Bookstore & Gallery, located at 1201 S. Vale Street, will feature a brief slide talk and book signing. An exhibition of recent fine art prints will be complemented by Burns’ original drawings and related Sub Pop ephemera courtesy of label co-founder Bruce Pavitt.
Please join us to celebrate the lasting legacy of Charles Burns on Seattle’s civic culture and the debut of his graphic novel X’ED OUT on Saturday, October 30 from 6:00 to 9:00 PM. Spooky Halloween costumes are welcome but not required. All ages, free admission.
Listing Information:
CHARLES BURNS: X’ED OUT
Slide Talk, Print Exhibition and Book Signing
Saturday, October 30, 6:00 to 9:00 PM
Fantagraphics Bookstore & Gallery
1201 S. Vale Street, Seattle, WA 98108
206.658.0110
Open Daily 11:30 – 8:00 PM, Sunday until 5:00 PM
http://www.fantagraphics.com/
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