Review: Steven Heller's COMICS SKETCHBOOKS

COMICS SKETCHBOOKS: The Private Worlds of Today’s Most Creative Talents
THAMES & HUDSON, INC. – @thamesandhudson

AUTHOR: Steven Heller
DESIGNER: Ashley Olsson
ISBN: 978-0-500-28994-5; paperback
352pp, Color and Black and White; $44.95 U.S., $47.50 CAN

Steven Heller is co-chair of the MFA/Designer as Author + Entrepreneur program at New York’s School of Visual Arts. He is the author, editor, and co-editor of over one hundred books on design and popular culture. His works include Handwritten: Expressive Lettering in the Digital Age (with Mirko Ilic) and New Modernist Type (with Gail Anderson).

His latest book is Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents. A massive book (365 pages, 8.65 x 11.5), Comics Sketchbooks contains sketches, doodles, drawings, roughs, thumbnails, and even comics from some of the world’s most cutting edge and innovative artists and also some emerging talents. Over 80 artists open up their private sketchbooks and notebooks, from which Heller culled the hundreds drawings and samples that fill this fat (and phat) book. Even some artists who do not keep sketchbooks provided roughs and studies for this book.

Readers get a chance to see the thinking and planning and the experimentation, practice, and play behind the work and style of such artists as Charles Burns, Lilli Carré, Drew Friedman, David Mazzucchelli, Gary Panter, and Carol Tyler, to name a few. Readers can see into the sketchbooks of such legends as R. Crumb, Bill Griffith, Victor Moscoso, Bill Plympton, and Arnold Roth. Not every artist in this collection is specifically a comics artists, but according to Heller (in his introduction), all of them make comics as either their primary occupation or as part of their larger body of work.

Admirers, fans, and students of alternative comics and cartoonists will like Comics Sketchbooks. Still, some, like myself, may find this book missing things they wanted, which is a bit ungrateful. Why do I want more?

Obviously, Heller could not get every drawing that he wanted included in this book, for various reasons. One of the reasons is that some artists are self-conscious about opening their sketchbooks. Another reason is that some artists only actively sketch to prepare for upcoming projects, and may, in fact, discard such preliminary drawings and preparatory material once projects are completed.

So, the two pages of David Mazzucchelli just don’t seem like enough, although the sample of his typographical skills almost makes up for that. There are four pages of R. Crumb, but since Crumb has been publishing his sketchbooks and sketchbook material for four decades, the illustrations here won’t seem like anything new.

My minor quibbles aside, there is some spectacular material in Comics Sketchbooks from some major talents, known and little known. The six pages of sketches by Carol Tyler are a doorway into the wonderland that is the talent of this unheralded artist. The offerings from political cartoonist, Ann Telnaes, include several superb sketches of President Barack Obama caricatures. There is no way to prepare for the six pages of Joseph Lambert, which are crammed with drawings. I couldn’t help but return to his section several times.

It would be impractical for me to try to describe all the drawings in this book, all of it good, some of it even stunning, and even a few pieces that are (dare I say it) great. I will tempt some of you by saying that there are a few sketches in here that were proposals for covers for the magazine, The New Yorker, including one by the always fabulous Drew Friedman. This is a good book. Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents should be on comics fans’ wish lists. Steven Heller deserves some awards recognition, and certainly, at least, an Eisner nomination next year.

A

Reviewed by Leroy Douresseaux

www.thamesandhudsonusa.com

The artist and cartoonists included in Comics Sketchbooks: The Private Worlds of Today’s Most Creative Talents:

Sotos Anagnos, Chris Battle, Lou Beach, Kaye Blegvad, Peter Blegvad, Russ Braun, Steve Brodner, Charles Burns, Chris Capuozzo, Lilli Carré, Seymour Chwast, Colonel Moutarde, R. Crumb, John Cuneo, Vanessa Davis, Kim Deitch, Julie Delporte, Eric Drooker, Drew Friedman, Manuel Gomez Burns, Bill Griffith, Robert Grossman, Benoit Guillaume, Cyril Guru, David Heatley, Rian Hughes, Kevin Huizenga, Nathan Jurevicius, Ben Katchor, Denis Kitchen, Jakob Klemencic, Thomas Knowler, Matej Kocjan, Nora Krug, Olivier Kugler, Peter Kuper, Joseph Lambert, Brendan Leach, Etienne Lecroart, Matthias Lehmann, Martin Lemelman, David Libens, Sebastien Lumineau, Patrick McHale, Matt Madden, Javier Mariscal, David Mazzucchelli, Rutu Modan, Saxton Moore, Victor Moscoso, Joanna Neborsky, Josh Neufeld, Mark Newgarden, Vladan Nikolic, Gary Panter, Bill Plympton, Max De Radigues, Laren Redniss, Arnold Roth, Marcel Ruijters, Johnny Ryan, David Sandlin, Seth, Peter De Seve, Robert Sikoryak, Posy Simmonds, Mark Alan Stamaty, Jim Steranko, James Sturm, Joost Swarte, Takeshi Tadatsu, Ann Telnaes, Simon Tofield, Jeremy Traum, Carol Tyler, Andres Vera Martinez, Lauren Weinstein, Tracy White, Signe Wilkinson, Run Wrake, Derek Yaniger, and Danijel Zezelj

The Complete Zap Comix Coming Fall 2012

FANTAGRAPHICS TO PUBLISH THE COMPLETE ZAP COMIX

JULY 23, 2011, SAN DIEGO, CA—Fantagraphics Books President and Co-Publisher Gary Groth announced today at Comic-Con International that the Seattle-based publisher has entered into an agreement to publish The Complete ZAP Comix in Fall of 2012.

ZAP remains the best-known and most influential underground comic of all-time, and in many ways is Ground Zero for the entire field of underground, alternative, literary and art comics that exists today. Created by Robert Crumb, it was one of the defining events in the counterculture of the 1960s and singlehandedly launched the “underground comix” era.

“ZAP took comics from children to adults, crushing The Comics Code Authority in the process,” proclaimed ZAP artist Victor Moscoso.

The Complete ZAP Comix will be published as a two-volume, slipcased hardcover set, printed slightly larger than the original comics, and shot from the original negatives to the comic books, ensuring the finest reproduction ever seen of the material. It will also include the rarely-seen ZAM, a one-shot mini-comic/jam spinoff of ZAP from 1974, as well as other supplementary features, interviews with the artists, and other surprises.

“ZAP may be the most significant series in the history of American comics,” said Fantagraphics President and Co- Publisher Gary Groth. “Its cultural preeminence is the result of artistic merit, not collectibility or economics and that sets it apart from most comics series that have achieved this level of public awareness or notoriety. The artists that Crumb invited into ZAP each proved to be a stylistic virtuoso with a unique point of view and an uncompromising vision. ZAP was the vanguard of a movement that segued into the alternative comics of the ’80s and the graphic novels of the ’00s. We couldn’t be prouder to collect this landmark series in its entirety in a beautifully packaged two-volume set.”

Originally printed by Beat writer Charles Plymell in an edition of around 3,500 copies, ZAP #1 was the first title published by the late Don Donahue under the Apex Novelties imprint, and was infamously sold on the streets of Haight-Ashbury out of a baby stroller pushed by Crumb’s ex-wife, Dana. Over time, the series’ 16 issues have sold millions of copies.

Although R. Crumb had initially created ZAP as a showcase for his own work, the success of the first issue led him to open up the pages of subsequent issues to several other artists. He invited his peers S. Clay Wilson, Robert Wil- liams, “Spain” Rodriguez, Gilbert Shelton, Victor Moscoso and Rick Griffin to join him, effectively creating an artists’ collective that has remained mostly constant in the subsequent decades; when Rick Griffin died in 1991, the artist Paul Mavrides was invited to join the group.

“Fantagraphics’ The Complete ZAP Comix, as designed by Victor Moscoso, will be a classy item for the bookshelves of underground comics fans — those who can afford it, that is,” said ZAP artist Gilbert Shelton. “I imagine most of the original readers wish they still had their copy of the first edition of ZAP # 1, which sells for over ten thousand dollars now, if in perfect condition. But part of the secret of the success of underground comix was that they werecheaply produced and turned yellow and fell apart quickly, and also that they were borrowed and never returned by one’s friends, thereby forcing you to buy another copy. This will not happen with the new collected edition, which will be produced under the most rigorous of quality control.”

“Much as the effect EC’s MAD had on the mid-20th Century, ZAP was equally influential and disruptive to cultural mores at the end of the 20th Century, but without the hindrance of the old comic book code that cramped graphic novel expression for 40 years,” said ZAP artist Robert Williams. “I’m very pleased that Fantagraphics will release this long-awaited compendium of ZAP Comix.”

“When Robert Crumb started ZAP in 1968, no one had any idea that it would still be alive 45 years later,” Shelton added. “This exercise in anarchy — there were never any rules, restrictions, or editorial policy — is still the flagship of the underground comics movement. I tried, and failed, to get my fellow ZAPsters to correct their spelling errors, but they would not be subjected to such editorial tyranny. I also wanted to let other artists into the group, but it was decided to restrict the number of contributors to seven. So be it. Spell free or die, I now say.”

Fantagraphics will be publishing the The Complete ZAP Comix in Fall of 2012.

The Complete ZAP Comix
By: R. Crumb, S. Clay Wilson, Robert Williams, Spain Rodriguez, Gilbert Shelton, Victor Moscoso, Rick Griffin, & Paul Mavrides
Release Date: Fall 2012
Page Count: 800 PP
B & W + Full Color • Two-Volume, Slipcased Hardcover Set

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