VIDEO: Warner Bros. Releases Deleted Batman/Joker Scene from "THE BATMAN"

Warner Bros. has released a deleted scene from THE BATMAN, in which Batman (Robert Pattinson) meets the Joker (Barry Keoghan) for a menacing conversation in Arkham.  The scene suggests that the two have an establish history.  The video is below:

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#IReadsYou Movie Review: THE BATMAN

The Batman (2022)

Running time:  175 minutes (2 hours, 55 minutes)
MPAA – PG-13 for strong violent and disturbing content, drug content, strong language, and some suggestive material
DIRECTOR:  Matt Reeves
WRITERS:  Matt Reeves and Peter Craig (based on Batman created by Bob Kane and Bill Finger)
PRODUCERS:  Dylan Clark and Matt Reeves
CINEMATOGRAPHER:  Greig Fraser (D.o.P.)
EDITORS:  William Hoy and Tyler Nelson
COMPOSER:  Michael Giacchino

SUPERHERO/FANTASY/ACTION and DRAMA/MYSTERY

Starring:  Robert Pattinson, Zoë Kravitz, Jeffrey Wright, Paul Dano, Colin Farrell, John Turturro, Andy Serkis, Peter Sarsgaard, Jayme Lawson, Gil Perez-Abraham, Alex Ferns, Rupert Penry-Jones, Hana Hrzic, Charlie Carver, Max Carver, Luke Roberts, Stella Stocker, and Barry Keoghan

The Batman is a 2022 superhero action-drama from director Matt Reeves.  It is the eighth film in the modern Batman film franchise that began with director Tim Burton's 1989 film, Batman, and it is a reboot of the Batman film franchise.  In The Batman, a sadistic serial killer begins murdering key political figures, forcing Batman to investigate his city's hidden corruption, which may involve both his father and mother's side of the family.

The Batman opens on Halloween.  The Gotham City mayoral race is in the final stretch between incumbent Mayor Don Mitchell Jr. (Robert Pattinson) and challenger, Bella Reál (Jayme Lawson).  A sadistic new serial killer, who calls himself "The Riddler" (Paul Dano), murders Mayor Mitchell.  Thus, begins The Riddler's wave of murder and terror.

The Batman (Robert Pattinson), a vigilante who has operated in Gotham for two years, works alongside Lieutenant James Gordon (Jeffrey Wright) of the Gotham City Police Department, much to the chagrin of many rank and file officers and higher-ups in the department.  They discover that with each of his murders, The Riddler leaves a message for Batman.

Batman is really reclusive billionaire, Bruce Wayne (Robert Pattinson), who obsessively protects Gotham.  So focused on his mission is Bruce that he pushes away his loyal butler and mentor, Alfred Pennyworth (Andy Serkis).  However, Batman ends up partnering with Selina Kyle ( Zoë Kravitz), a waitress who is something of a cat burglar – a “Catwoman” – who is trying to find her missing roommate and girlfriend Annika (Hana Hrzic).

The Batman will be forced to reckon with Gotham City's hidden corruption and also face tough questions about his late parents, Thomas and Martha Wayne's (Luke Roberts and Stella Stocker) involvement in that corruption  Especially, troubling is Thomas Wayne's connection to a notorious Gotham crime lord, Carmine Falcone (John Turturro).

The Batman is a film that borrows liberally from the recent film and comic book past of Batman.  I recognize story elements borrowed from Batman comic book stories like “Batman: Year One” and “Zero Year.”  There are allusions to Tim Burton's 1989 Batman film; even composer Michael Giacchino's score seems to reference composer Danny Elfman's score for Burton's film.

However, director Matt Reeves, in making The Batman, seems obsessed with or bewitched by director Christopher Nolan's hugely popular Batman films:  Batman Begins (2005), The Dark Knight (2008), and The Dark Knight Rises (2012), referred to as “The Dark Knight trilogy.”  Nolan's film were “dark” and edgy in terms of subject matter, plots, and characters, but Nolan filled the films with invigorating and tense action set pieces.

The Batman is just dark.  It is as if Reeves took Nolan's aesthetic and through a coal black filter over it.  The Gotham City of this film seems like a real-life city, and it is dark as all Hell at night and damp – really damp.  Reeves and his co-screenwriter, Peter Craig, fashion a story that is overwhelmed with political corruption and depraved criminals that are dark in personality and even darker in motivation.  Bruce Wayne is morose, as if both actor Robert Pattinson and Matt Reeves are determined to make him a caricature of the caricature that has become iconic rock musician, the late Kurt Cobain.  It is an utter waste of Pattinson's potential as both an actor and a movie star.

On the other hand, Pattinson's Batman has more layers.  Pattinson makes him formidable and dangerous, but also introspective and capable of mercy.  This Batman is also a fierce fighter, but is physically vulnerable; Bruce's body is marked with the scars of his Batman activities.  Batman is often knocked down by his opponents in hand to hand combat and seriously injured by gunfire.

Too bad that The Batman does not have better villains.  They aren't really worth talking about, but I do want to point out the really terrible version of The Riddler that is in this film.  He is a whiny, boring incel, and as The Riddler, actor Paul Dano is more doofus than diabolical.

The Batman does have good supporting characters, but the script does not give them much with which to work.  Zoë Kravitz is full of fire and talent as Selina Kyle, and when she is allowed to show her acting chops, she steals entire scenes.  Most of the time, however, it feels like all the filmmakers really want her to do is pose and look bad-ass slash alluring.  James Gordon is a mostly one-note character, and even the supremely talented Jeffrey Wright cannot make the character be more than that.  I won't get into how much the brilliant Andy Serkis is wasted as Alfred Pennyworth.

The Batman is truly at its best during the fights, chases, and action scenes.  The film also gives us a monster-like Batmobile that is more muscle car than mobile, and when Batman uses it to pursue the Penguin (Colin Farrell) in his car, the film seems to explode off the screen.

What keeps The Batman from being a really good film, to say nothing of being a great film, is that it is too long.  It is half kick-ass action and half plodding melodrama, and I wish the plodding melodrama had been cut in half.  Honestly, I would only recommend The Batman to people who enjoy watching Batman movies, regardless of whether they are comic book fans or not.

B

Friday, March 4, 2022


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#IReadsYou Movie Review: THE ADDAMS FAMILY 2

The Addams Family 2 (2021)

Running time:  93 minutes (1 hour, 33 minutes)
MPAA – PG for macabre and rude humor, violence and language
DIRECTORS:  Greg Tiernan and Conrad Vernon
WRITERS:  Dan Hernandez, Benji Samit, Ben Queen, and Susanna Fogel; from a story by Dan Hernandez and Benji Samit (based on the characters created by Charles Addams)
PRODUCERS:  Gail Berman, Alison O'Brien, Danielle Sterling, and Conrad Vernon
EDITOR:  Ryan Folsey
COMPOSERS: Jeff Danna and Mychael Danna

ANIMATION/FANTASY/COMEDY/FAMILY

Starring:  (voices) Oscar Isaac, Charlize Theron, Chloe Grace Moretz, Javon “Wanna” Walton, Nick Kroll, Snoop Dogg, Bette Midler, Conrad Vernon, Bill Hader, Wallace Shawn, Brian Sommer, Cherami Leigh, and Ted Evans

The Addams Family 2 is a 2021 computer-animated supernatural comedy from directors Conrad Vernon and Greg Tiernan.  The film is a sequel to the 2019 animated film, The Addams Family.  Both films are based on the characters created by The New Yorker cartoonist, the late Charles Addams (1912-1988).  The Addams Family 2 focuses on the Addams Family as take a road trip, during which a scientist pursues Wednesday.

The Addams Family 2 opens at a school science fair.  There, Wednesday Addams (Chloe Grace Moretz) presents her experiment, in which she uses DNA from her pet squid, Socrates, on her Uncle Fester (Nick Kroll) to show how humans can be improved.  Wednesday is somewhat put off that her family:  father, Gomez Addams (Oscar Isaac); mother, Morticia (Charlize Theron); and her brother, Pugsley (Javon “Wanna” Walton) have decided to attend the science fair, which is sponsored by the Cyrus Strange Foundation.  Cyrus Strange (Bill Hader) himself appears at the fair as a 3D hologram, and he is instantly drawn to Wednesday experiment and hopes to recruit her to work for him.

Back at home, Gomez Addams worries that the children are drifting apart from him and Morticia.  He decides that a family vacation is just what is needed to keep the family together, so he declares that they are going on a road trip across the United States.  Uncle Fester, Thing (the sentient hand), and Lurch (the butler) join them on the vacation, with everyone packing into an huge, odd-looking camper.  Gomez even takes the family to Miami where he hopes Cousin Itt (Snoop Dogg) can help with the family dilemma.

There is a complication in these vacation plans, however.  Cyrus Strange is determined to have Wednesday, and sends a shady lawyer, Mr. Mustela (Wallace Shawn), and a brutish henchman, Pongo (Ted Evans) to trick Gomez and Morticia into believing that Wednesday might be Cyrus' child.  Wednesday is already having doubts about her connections to the Addams Family, so which family will she decide to choose, the Addams or Cyrus Strange?

Charles Addams' macabre cartoon characters first became “The Addams Family” in the former ABC television series, “The Addams Family” (1964-66).  I have been a fan of that series since I was a child.  As a child, I was also a fan of NBC's former Saturday morning cartoon series, “The Addams Family” (Hanna-Barbera, 1973).  That series depicts the Addams Family on a cross-country road trip, exploring the United States in their “Creepy Camper” that resembles their Victorian-style mansion home.  The Addams Family 2 is not a remake of that old cartoon series, but it does borrow a few elements from it.

The Addams Family 2019 was enough of a hit that producing a sequel probably seemed obvious to MGM, which holds the rights to produce Addams Family film and television series.  The end result is something that looks and feels like a sequel that was rushed into production.  The idea of Wednesday not being an Addams is a ridiculous plot.  I can certainly accept the notion of a precocious child wondering about her parentage and lineage.  However, if she is different from the rest of her family, it is because each member of the Addams Family is different from all others.  That is the point this film makes at end of the story, but we didn't need an entire mediocre movie to tell us that.  Raising questions about Wednesday's family is just a lame plot line.

So, it goes without saying that I did not like this film.  The Addams Family 2 ends up being the latest in a long line of pitiful Hollywood road trip movies.  I will say that the last 17 minutes of the film – before the end credits – are actually good.  It is the only time that the film has any real conflict, melodrama, or action, and what happens in these seventeen minutes is actually consequential to the both the Addams Family and a few other supporting characters.

The Addams Family 2019 is my favorite media adaptation of “The Addams Family” characters outside of the 1960s and 1970s.  It manages to be sweet, charming, heartwarming, and, of course, macabre – the way it should be.  I gave it a B+, but The Addams Family 2 bored the hell outta me until the last seventeen minutes.  I'm being generous giving it a C.

C

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: KINGSMAN: The Golden Circle

Kingsman: The Golden Circle (2017)

Running time: 141 minutes (2 hours, 21 minutes)
MPAA – R for sequences of strong violence, drug content, language throughout and some sexual content
DIRECTOR:  Matthew Vaughn
WRITERS:  Jane Goldman and Matthew Vaughn (based on on the comic book, The Secret Service, by Mark Millar and Dave Gibbons)
PRODUCERS:  Adam Bohling, David Reid, and Matthew Vaughn
CINEMATOGRAPHER:  George Richmond (D.o.P.)
EDITOR:  Eddie Hamilton
COMPOSERS:  Henry Jackman and Matthew Margeson

COMEDY/ACTION/SPY/SCI-FI

Starring:  Taron Egerton, Colin Firth, Julianne Moore, Mark Strong, Halle Berry, Pedro Pascal, Channing Taturm, Jeff Bridges, Edward Holcroft, Hanna Alström, Calvin Demba, Thomas Turgoose, Tobi Bakare, Bruce Greenwood, Emily Watson, Elton John, Sophie Cookson, and Michael Gambon

Kingsman: The Golden Circle is a 2017 spy movie and action-comedy from director Matthew Vaughn.  It is a direct sequel to the 2014 film, Kingsman: The Secret Service.  Both films are based on characters and elements from the 2012 comic book, The Secret Service, by Mark Millar and Dave Gibbons.  The Golden Circle focuses on two elite secret organizations that must band together to defeat a common enemy that is holding the world hostage.

Kingsman: The Golden Circle opens a year after Gary “Eggsy” Unwin (Taron Egerton) defeated and killed the diabolical Internet billionaire, Richmond Valentine.  Eggsy has officially joined the independent intelligence agency, Kingsman, and has taken his late mentor, Harry Hart's (Colin Firth) position as agent “Galahad.”  Eggsy is also dating Tilde (Hanna Alström), Crown Princess of Sweden, whom he saved from Valentine.

One night in London, Eggsy is ambushed by Charlie Hesketh (Edward Holcroft), a rejected Kingsman applicant.  Eggsy defeats Charlie, who escapes.  However, Charlie has a new employer, a mysterious organization known as “The Golden Circle.”  Its leader, Poppy Adams (Julianne Moore), the world's largest manufacturer and distributor of illegal drugs and narcotics, launches an attack against the Kingsman that leaves the agency devastated.  The survivors, Eggsy and Merlin (Mark Strong), make contact with “Statesman,” the American counterpart of Kingsman, which uses a Kentucky-based bourbon whiskey business as a front.  [The Kingsman's front is as a Savile Row tailor.]

With the help of the Statesman, Agent Whiskey (Pedro Pascal) and Ginger Ale (Halle Berry), Eggsy tries to stop Poppy Adams' plot to use a toxin in the drugs and narcotics she sells to hold the world for ransom.  She wants her demands met or she will withhold an antidote to the toxin, which means hundreds of millions of people will die.  In order to stop her, Eggsy will have to face many challenges … and a number of surprising reveals.

I enjoyed Kingsman: The Secret Service quite a bit, but it was mostly a substance-free past-time.  As much as I enjoyed the film, I had mostly forgotten about it a few hours after seeing it.  Kingsman: The Golden Circle isn't quite as substance-free as its predecessor.  The bonds and obligations of friendship and love weigh on the characters, especially Eggsy.  He can no longer just live for the job, not when there is a serious relationship commitment in front of him.

I found some of the Statesman characters to be either superfluous or simply boring, with the exception of Halle Berry's Ginger Ale.  I am a longtime fan of Berry's, and she makes the casually smart and calm Ginger an endearing character.  Elton John also makes a surprising and shocking turn as something of a fun and offbeat action hero.

The film also has a wacky-ass and fun soundtrack.  It uses John Denver's 1971 hit, “Take Me Home, Country Roads,” including a poignant version sung by Mark Strong's Merlin.  There are a few Elton John hits, of course, some performed in the film by Elton.  The best song on the soundtrack may be a funky, country rock version of Cameo's “Word Up” by the German musical act “The BossHoss.”

Taron Egerton as Eggsy has star appeal and leading man quality, which is a surprise to me.  I wish the film had given some of the narrative time devoted to the Statesman characters back to Eggsy.  Egerton takes the Kingsman film franchise to the next level.  Kingsman: The Golden Circle is an improvement over the original film, enough of an improvement that I hope to see another sequel.

B+

Wednesday, February 16, 2022


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#IReadsYou Movie Review: SUPERMAN: Red Son

Superman: Red Son (2020)

Running time:  87 minutes(1 hour, 27 minutes)
MPAA – PG-13 for violent content, bloody images, suggestive material, language, thematic elements and some smoking.
DIRECTOR:  Sam Liu
WRITERS:  J.M. DeMatteis (based on characters appearing in comic books published by DC Comics)
PRODUCERS:  Sam Liu and Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and Bruce Timm
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann  
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Jason Isaacs, Amy Acker, Diedrich Bader, Vanessa Marshall, Phil Morris, Paul Williams, Greg Chun, Phil LeMarr, Jim Meskimen, Sasha Roiz, William Salyers, Roger Craig Smith, Jason Spisak, Tara Strong, Anna Vocino, Jim Ward, Travis Willingham, and Winter Ave Zoli

Superman: Red Son is a 2020 straight-to-video animated superhero film from Warner Bros. Animation and director Sam Liu.  It is the thirty-seventh film in the DC Universe Animated Original Movies series.  The film is based on the 2003, four-issue, comic book miniseries, Superman: Red Son, written by Mark Millar and drawn by Dave Johnson and Kilian Plunkett.

The traditional origin of Superman is as follows.  A rocket ship from the doomed planet, Krypton, carries baby Kal-El to Earth.  It lands in the United States, specifically in a field near the town of Smallville, Kansas.  Jonathan and Martha Kent find the rocket and Kal-El inside.  They adopt him and name him “Clark Kent,” and Clark grows up to be Superman.  The premise of Superman: Red Son is that the rocket ship landed in the Union of Soviet Socialist Republics (USSR) a.k.a. the Soviet Union.

Superman: Red Son opens in the Soviet Union during the year 1946.  There, we meet a young boy who is being chased by a gang of bullies.  The boy's friend, a young girl named Svetlana, defends him by chasing the bullies away.  The boy reveals to Svetlana that he was not scared of the boys, but that he was instead scared for their safety.  The boy then reveals to Svetlana his superhuman strength and his ability to fly.

In the year 1955, the Soviet Union releases a propaganda film of an alien superhuman under the command of the nation's premiere, Joseph Stalin.  The American media dubs the alien, the “Soviet Superman” (Jason Isaacs).  In the United States, President Dwight D. Eisenhower (Jim Meskimen) tasks genius scientist, industrialist, and inventor, Lex Luthor (Diedrich Bader), to develop countermeasures against this Soviet Superman.

After the Soviet Superman prevents a satellite from crashing into the American city of Metropolis, Luthor's wife, Lois Lane Luthor (Amy Acker), secures an interview with him.  Lois uses the interview to reveal to him a top secret document that indicates the horrors Premiere Stalin perpetuates against some citizens of the Soviet Union behind Superman's back.  This leads to changes in the nature of Superman's relationship with the Soviet Union and also with the world at large.  Now, a Cold War between Superman and the United States begins, with Lex guiding the U.S. side.  Can the world survive Superman's goals and Lex Luthor's machinations?

The novelty of Superman: Red Son is that it offers alternate-reality versions of not only Superman, Lex Luthor, and Lois Lane, but also of Batman, the Green Lantern Corps, and Wonder Woman (Vanessa Marshall).  However, the novelty soon wears off, and Superman: Red Son's gimmick grow old and cold rather quickly.

Luckily, Superman, Lex Luthor, Lois Lane, and Wonder Woman are so well-written in terms of personality and character drama that I found myself fascinated by the inter-character relationships involving these four.  Beyond that, I was initially fascinated by the film, but felt less so after the first half hour.

I have never read Mark Millar's original comic book, Superman: Red Son, but I have been planning to for ages, although I keep putting it off.  I am a huge fan of the majority of Millar's comic book output.  Superman: Red Son has its moments, but after seeing it, now, I really need to read the comic book.

B

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: JUSTICE LEAGUE DARK: Apokolips War

Justice League Dark: Apokolips War (2020)

Running time:  90 minutes (1 hour, 30 minutes)
MPAA – R for bloody violence, language, and some sexual references
DIRECTORS:  Matt Peters and Christina Sotter
WRITERS:  Ernie Altbacker and Mairghread Scott; from a story by Mairghread Scott (based on characters appearing in DC Comics)
PRODUCER:  Amy McKenna
EXECUTIVE PRODUCERS: Sam Register and James Tucker
EDITOR:  Christopher D. Lozinski
COMPOSER:  Frederik Wiedmann
ANIMATION STUDIO:  Tiger Animation

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Matt Ryan, Camilla Luddington, Taissa Farmiga, Jerry O'Connell, Rebecca Romijn, Rosario Dawson, Jason O'Mara, Stuart Allen, Hynden Walch, Rainn Wilson, Liam McIntyre, Ray Chase, John DiMaggio, Roger Cross, Shemar Moore, Christopher Gorham, and Tony Todd

Justice League Dark: Apokolips War is a 2020 straight-to-video animated superhero film from Warner Bros. Animation.  It is the thirty-eighth film in Warner Home Video's line of “DC Universe Animated Original Movies.”  This film features the marquee DC Comics superhero teams:  Justice League, Teen Titans, and Suicide Squad.  The title of the movie references the supernatural-leaning version of the Justice League, the “Justice League Dark.”  In Justice League Dark: Apokolips War, the Earth's remaining superheroes engage in an epic battle to save what is left of Earth from Darkseid.

As Justice League Dark: Apokolips War opens, Superman (Jerry O'Connell) has devised a plan in which the Justice League will lead a first-strike attack on the all-powerful New God, Darkseid (Tony Todd), who has made two failed attempts at conquering Earth.  The plan is also for the Teen Titans to stay behind and protect the planet.  Unfortunately for the heroes of Earth, Darkseid has learned of their plans and overwhelms them with his “Paradooms,” a genetic hybrid creature made from combination of Darkseid's Parademons and Doomsday, the alien creature that once “killed” Superman.

Two years later, Earth is in ruins, and Darkseid has placed three devices, known as “Reapers,” on Earth to mine the planet's core of its magma.  Some superheroes, such as Cyborg (Shemar Moore), Wonder Woman (Rosario Dawson), and Batman (Jason O'Mara), are now Darkseid's slaves.  Many of the surviving heroes blame Clark Kent/Superman for leading them into failure, and worse, Superman has been forcibly de-powered after Darkseid tattooed his chest with liquid kryptonite.  Still, the Man of Steel has not given up on saving Earth.

Supeman and Lois Lane (Rebecca Romijn) have hatched a new plan to stop Darkseid.  Clark recruits the remaining Teen Titans, Damian Wayne/Robin (Stuart Allen) and Raven (Taissa Farmiga), who is struggling to maintain her father, Trigon's (John DiMaggio) imprisonment.  But everything may hinge on the troublesome con man and sorcerer, John Constantine (Matt Ryan).

Within the “DC Universe Animated Original Movies,” there is the “DC Animated Movie Universe.”  The line began in 2013 with the straight-to-video release of Justice League: The Flashpoint Paradox and is comprised of 15 feature length films.  The point of the “DC Animated Movie Universe” was to make animated films that were loosely based on “The New 52.”  Started in 2011, “The New 52” was the publishing initiative in which DC Comics relaunched its entire line of superhero comic books.

Justice League Dark: Apokolips War is the last film in the “DC Animated Movie Universe.”  That factoid is second in importance to the fact that Justice League Dark: Apokolips War is a really good DC Comics animated film.  The film probably uses the “Justice League Dark” title rather than simply “Justice League” because of the tone of the story and because, in many ways, John Constantine, the star of 2017's Justice League Dark animated film, is the lynch pin of Apokolips War.

Justice League Dark: Apokolips War takes the viewers in some inventive and intriguing directions in regards to characters, relationships, and mythologies.  The film offers a surprising amount of emotionally fulfilling character drama and arcs, including the usual Lois Lane and Clark Kent relationship.  However, John Constantine and Zatanna (Camilla Luddington) offer a poignant pairing, but the most surprising is the romance between Damian Wayne and Raven.  They're good enough to be the stars of their own animated film.

The surprising turns and compelling directions in which this film travels are matched by some high quality animation, a strong script, and some surprisingly lean and mean directing.  Such a large cast and so many subplots could have dragged on Apokolips War.  Instead, Justice League Dark: Apokolips War is an exciting and riveting film, and it is a great way to end one universe in the DC Comics multiverse.

8 of 10
A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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