#IReadsYou Movie Review: SUPERMAN 2025

Superman (2025)

Running time:  129 minutes (2 hours, 9 minutes)

Rating: MPA – PG for violence, action and language

DIRECTOR:  James Gunn

WRITER:  James Gunn (based characters created by Jerry Siegel and Joe Shuster)

PRODUCERS:  James Gunn and Peter Safran

CINEMATOGRAPHER:  Henry Braham (D.o.P.)

EDITORS:  Craig Alpert and William Hoy

COMPOSERS:  David Fleming and John Murphy

SUPERHERO/FANTASY/ACTION

Starring:  David Corenswet, Rachel Brosnahan, Nicholas Hoult, Edi Gathegi, Nathan Fillion, Isabela Merced, Skyler Gisondo, Maria Gabriela de Faria, Sara Sampaio, Wendell Pierce, Beck Bennett, Pruitt Taylor Vince, Neva Howell, Bradley Cooper, Angela Sarafyan, and Sean Gunn

Superman is a 2025 American superhero, fantasy, and action film from writer-director James Gunn.  It is the first film in the new DC Comics cinematic universe known as the “DC Universe.”  The character, Superman, first appeared in the comic book, Action Comics #1 (on-sale date of April 18, 1938), and was created by writer Jerry Siegel and artist Joe Shuster, who also created other characters and situations related to Superman.  In Superman, the embodiment of truth, justice, and the human way must reconcile his desire to help humanity with a shocking revelation about his alien heritage.

Superman opens threes years after the metahuman, Superman (David Corenswet), revealed himself to the people of Metropolis.  His alter-ego, Clark Kent (David Corenswet), works as a reporter for “The Daily Planet,” where he has a relationship with fellow reporter, Lois Lane (Rachel Brosnahan).  Lois knows that Clark is Superman.  She knows that he is Kal-El, a baby sent from the planet, Krypton, by rocket ship to Earth.  Lois also knows that Clark was raised in Smallville, Kansas by his adoptive parents, Jonathan and Martha Kent (Pruitt Taylor Vince and Neva Howell), a fact he has kept secrets from others.

Superman recently stopped the country of Boravia, an ally of the United States, from invading its neighboring country, Jarhanpur.  As the film begins, Superman has just received a beat-down from Boravia's own metahuman, the Hammer of Boravia.  Things are not as they seem, however, as brilliant billionaire Lex Luthor (Nicholas Hoult) has launched a secret plot to destroy Superman, whom he sees not as a superhero, but as an existential alien threat to mankind.  With the help of his lackeys, Ultraman and The Engineer (Maria Gabriela de Faria), Luthor believes that he has the science and technology – the brain power – to beat Superman.

But Superman is not the only metahuman who is a superhero.  He occasionally gets help from the “Justice Gang”:  Michael Holt/Mister Terrific (Edi Gathegi), Guy Gardner/Green Lantern (Nathan Fillion), and Kendra Saunders/Hawkgirl (Isabela Merced).  And Clark Kent will need all the friends he can get; a complete version of the broken message his Kryptonian parents, Jor-El (Bradley Cooper) and Lara Lor-Van (Angela Sarafyan), sent with him has come to light.  Now, some of the people of the world are starting to feel differently about Superman just when they need him the most.

Superman is a good film, but not a great film.  Overall, I like it, but I found myself rather cool to it as I watched it in a local theater last night.  I must admit that I felt the same way about the previous two attempts to reboot the Superman film franchise, director Bryan Singer's Superman Returns (2006) and director Zack Snyder's Man of Steel (2013).  Like Superman (2025), the plot and narratives of these earlier films are over-stuffed with subplots, settings, and characters that make the overall plot and narrative struggle to come together.  The over-stuffings are like roadblocks that force the central plot and narrative to veer off their most obvious and productive path.  I don't think the new Superman is as awkward in these areas as the aforementioned Superman reboots, but I do believe that the new film spends its first half bouncing around ideas, subplots, themes, relationships and conflicts.  To me, it is obvious that Superman 2025 borrows the big action set pieces of Man of Steel and also follows Superman Return's veneration of director Richard Donner and star Christopher Reeve's respective work on the Superman film franchise (1978-87).

There are things about the new Superman film that I really like.  I think the actors and the way they play the characters, for the most part, are nearly perfect.  The best thing about David Corenswet as Clark Kent/Superman is that he is the first actor that I have accepted as a true heir to the late Christopher Reeve (1952-2004), who is the gold standard when it comes to a cinematic Clark Kent/Kal-El/Superman.  In a way, Superman 2025 offers its audience a vision of Superman as the quintessential nice guy the way Christopher Reeve and Superman: The Movie (1978) did.

Also, Rachel Brosnahan is a true heir to my favorite cinematic Lois Lane, the late Margot Kidder (1948-2018), Christopher Reeve's co-star.  I also got a kick out of Edi Gathegi as Mister Terrific.  I liked him in his early roles in such films as Twilight (2008) and X-Men: First Class (2011), and I'd like to see him play Mister Terrific as a lead in either film or television.  I like Nicholas Hoult as Lex Luthor, but the character is played way too over-the-top, but I think Hoult as Luther will be a huge benefit to future DC Universe films.

I obviously don't like James Gunn's Superman as much as I enjoyed his work on Marvel Studios' Guardians of the Galaxy trilogy, which ended with the fantastic Guardians of the Galaxy Vol. 3 (2023).  Still, the new Superman is both a fresh start and a start in the right direction.

B

★★★ out of 4 stars

Friday, July 11, 2025

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

-------------------

#IReadsYou Movie Review: SUPERMAN III

Superman III (1983)

Running time:  125 minutes (2 hours, 5 minutes)

MPAA – PG

DIRECTOR:  Richard Lester

WRITERS:  David Newman and Leslie Newman (based characters created by Jerry Siegel and Joe Shuster and on characters appearing in comic books published by DC Comics)

PRODUCER:  Pierre Spengler

CINEMATOGRAPHER:  Robert Paynter (D.o.P.)

EDITOR:  John Victor Smith

COMPOSER:  Ken Thorne

SUPERHERO/FANTASY/COMEDY

Starring:  Christopher Reeve, Richard Pryor, Jackie Cooper, Marc McClure, Annette O'Toole, Robert Vaughn, Annie Ross, Pamela Stephenson, Gavan O'Herlihy, Paul Kaethler, and Margot Kidder

Superman III is a 1983 American superhero film and comic-fantasy from director Richard Lester.  The film is the third in the “Superman” film series, which began with 1978's Superman (also known as Superman: The Movie).  The character, Superman, first appeared in the comic book, Action Comics #1 (on-sale date of April 18, 1938) and was created by writer Jerry Siegel and artist Joe Shuster, who also created other characters and situations related to Superman.  In Superman III, Superman becomes the target of a greedy entrepreneur and a computer genius when they realize that he will obstruct their plans for wealth and world domination.

Superman III opens at an unemployment office in Metropolis.  August “Gus” Gorman (Richard Pryor) has discovered that his employment checks have run out, but by chance he discovers information about a school where he can learn to be a computer programmer.  Soon, Gus is working for the conglomerate, Webscoe Industries, where he uses his amazing computer skills to secretly embezzle over $85,000 from the company payroll.

However, Gus' activities do draw the attention of Webscoe's boss, Ross Webster (Robert Vaughn), and his sister and partner, Vera Webster (Annie Ross).  Ross is obsessed with the idea of using technology in order to gain financial domination over the world.  With the help of Annie and his tawdry mistress, Lorelei Ambrosia (Pamela Stephenson), Ross blackmails Gus into using his fantastic computer skills to begin a series of evil tech schemes.

Meanwhile, over at “The Daily Planet,” Metropolis' top newspaper, Clark Kent/Superman (Christopher Reeve) is preparing to return to his hometown of Smallville for his high school reunion, the Class of 1965.  He wants to use the reunion as the subject of a feature article, so he takes Daily Planet photographer, Jimmy Olsen (Marc McClure), with him.  At the reunion, Clark reconnects with his childhood friend, Lana Lang (Annette O'Toole), much to the chagrin of Clark's former high school bully, Brad Wilson (Gavan O'Herlihy).

While Clark enjoys his time with Lana and also bonds with her young son, Ricky (Paul Kaethler), Ross and Gus have launched their diabolical plans.  Even the Daily Planet's star reporter, Lois Lane (Margot Kidder), ends up being a victim of their moves.  When Ross discovers that Superman be an obstruction to his schemes, he forces Gus to find a way to destroy Superman, and those methods of destruction may come very close defeating the Man of Steel.

Superman III was not nearly the box office success that its predecessors, Superman: The Movie and Superman II (1980) were.  Some fans and critics blamed the film's shortcomings on having Richard Pryor as a cast member.  Some people may remember that Paramount Pictures was considering adding Eddie Murphy as a star of Star Trek IV: The Voyage Home.  Many of the science fiction and comic book fans that I knew at the time insisted that because Richard Pryor “ruined” Superman III, a science fiction film could not have a “Black comedian” in it or it would be similarly ruined.  They predicted doom and gloom for the fourth Star Trek feature film, but Murphy eventually passed on it to star in The Golden Child (1986).  These early fans that I met were racist and stupid, and, at the time, I thought their opinions about “Blacks” in genre films were racist and stupid.  I am glad that my association with them was short-lived.

Anyway, Pryor, one of the most influential American stand-up comedians of all-time, was known for his raunchy, adult-oriented act during the 1970s.  Into the 1980s, however, he became a more cuddly figure, appearing in a number of mainstream and even family-friendly films.  Although I was surprised that Pryor was cast in Superman III, I thought he was one of the few good things about the film when I first saw it in a theater back in 1983.  I still think that.

Superman III is mediocre because the screenplay by David Newman and Leslie Newman, or at least what made it to screen, is awkward and sometimes illogical.  Superman III's director, Richard Lester, was a very capable director during his active career; I am still a fan of his 1973 film, The Three Musketeers.  Lester is controversial a figure in the annals of Superman cinema because of the production of Superman II, which I don't feel like getting into right this moment.  Speaking strictly of Superman III, Lester and the Newmans did get one thing right.

When Superman III focuses on the jovial and genial nature of the film's characters, it is quite lovable.  Clark, Lois, Lana, Ricky, Gus, Jimmy, the Daily Planet editor Perry White (Jackie Cooper), and even the film's ostensible villains:  Brad, Ross, Vera, and Lorelei all come across as endearing.  I enjoyed getting to know them as eccentric characters and character types.  When the focus moves to Superman III's conflict/plot, the film turns simply ridiculous.

Almost a day after watching the entirety of Superman III for the first time in 32 years, I'm still thinking about it.  And yes, I like Richard Pryor in this film as much as I like Christopher Reeve, the star of four Superman films from 1978 to 1987, returning to play his signature role.  I don't mind the comic nature of Superman III, especially as some modern superhero movies are too damn dark.  However, it has too many ideas, and too many of them are handled in the most nonsensical manner.  Still, I can't help but kind of like Superman III because it is full of nice people.

B-

★★½ out of 4 stars

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

-----------------------

#IReadsYou Movie Review: AQUAMAN AND THE LOST KINGDOM

Aquaman and the Lost Kingdom (2023)

Running time:  124 minutes (2 hours, 4 minutes)

MPA – PG-13 for sci-fi violence and some language

DIRECTOR:  James Wan

WRITERS:  David Leslie Johnson-McGoldrick; from a story by James Wan and David Leslie Johnson-McGoldrick & Jason Momoa and Thomas Pa'a Sibbett (based on the character created by Paul Norris and Mort Weisinger and appearing in DC Comics)

PRODUCERS:  James Wan, Rob Cowan, and Peter Safran

CINEMATOGRAPHER: Don Burgess

EDITOR:  Kirk M. Morri

COMPOSER:  Rupert Gregson-Williams

SUPERHERO/FANTASY/SCI-FI and ACTION/ADVENTURE

Starring:  Jason Momoa, Patrick Wilson, Yahya Abdul-Mateen II, Amber Heard, Dolph Lundgren, Temuera Morrison, Randall Park, Jani Zhao, Indya Moore, and Nicole Kidman with the voices of Martin Short, John Rhys-Davies, and Pilou Asbaek

Aquaman and the Lost Kingdom is a 2023 superhero, action-adventure and science fiction-fantasy film from director James Wan.  It is a direct sequel to the 2018 film, Aquaman, and it is also the 15th and final installment of the DC Extended Universe (DCEU).  The film is based on the DC Comics character, Aquaman, that was created by artist Paul Norris and editor Mort Weisinger and first appeared in More Fun Comics #73 (cover dated: November 1941).  In Aquaman and the Lost Kingdom, Black Manta forges a deal with a mysterious evil from Atlantis' past, forcing Aquaman to forge an alliance with his imprisoned brother in order to save Atlantis.

Aquaman and the Lost Kingdom opens four years after Aquaman/Arthur Curry (Jason Momoa) became King of Atlantis and married Mera (Amber Heard).  They are now parents to a son, Arthur Jr.  Aquaman splits his life between land and sea, strengthening his bond with his father, Thomas Curry (Temuera Morrison), and getting wise advice about being a father from him.  However, splitting time between his life on land and his life as the ruler of Atlantis has led to clashes with the High Council of the Seven Kingdoms.

Meanwhile, David Kane/Black Manta (Yahya Abdul-Mateen) continues to seek revenge against Aquaman for the death of his father (as seen in Aquaman).  With the help of marine biologist, Stephen Shin (Randall Park), Kane finds a mysterious artifact, “the Black Trident.”  As soon Kane touches the trident, it possesses him and connects his mind to the mysterious Kordax, the undead king of the lost undersea kingdom of Necrus.  Soon, Kane, at Kordax's command, is poisoning the surface world with an element known as “Orichalcum.”

Aquaman's mother, Atlanna (Nicole Kidman), the former queen of Atlantis, implores him to seek the help of his imprisoned brother, Orm Marius (Patrick Wilson), the deposed King of Atlantis in order to stop Kane.  But can Aquaman trust Orm, who tried to kill him and whom he removed from the throne of Atlantis?

While watching the original film, Aquaman, I could not help but notice that many of its story points and plot elements were glaringly similar to those found in Marvel Studios' Black Panther, which debuted earlier in the same year, 2018, that Aquaman hit theaters.  I also find Black Panther elements in Aquaman and the Lost Kingdom, but none as pronounced as in the first film.  I also believe that Aquaman and the Lost Kingdom is strongly influenced by the Star Wars “prequel” films, especially Star Wars: Episode I – The Phantom Menace.

That said, Aquaman and the Lost Kingdom is like the first film – a grand, old-fashioned, action-adventure fantasy film.  The sequel is quite entertaining, but not as solidly entertaining as the first film.

The plot, narrative, and character drama in Aquaman and the Lost Kingdom seem forced when they are not being over-the-top, and are lacking in genuine emotion and feeling when they not being forced and over-the-top.  Director James Wan and his co-writers emphasize sound and fury.  It is as if they believe that the more CGI, action scenes, explosions, subplots, and weird-looking things they throw on the screen the less likely that the audience will realize how ungainly this film is.  Aquaman and the Lost Kingdom isn't cinematic art; it's merely corporate entertainment product, and unlike the first time, Warner Bros. Pictures didn't as lucky with the sequel.

Aquaman and the Lost Kingdom treads water just not to be mediocre.  I will admit that its production values and special visual effects all look quite good.  Visually, the film is sumptuous even if the drama is rickety.  And as I write this, I am just remembering that I like the film score, although I am sure that I have heard parts of it in another film.

Also, I admire that Jason Momoa throws himself into this film, doing his best to make it seem like the most fun he and the audience could ever have in a superhero movie.  Unfortunately, it was the Aquaman movie before Aquaman and the Lost Kingdom that was really fun.

B-

★★½ out of 4 stars

Tuesday, January 28, 2025

The text is copyright © 2025 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

----------------------------

"Jonny Quest" Returns to Comic Books in Time for 60th Anniversary

Jonny Quest's Adventures Continue in Ongoing Series by Joe Casey

Celebrating the 60th Anniversary of the Original Series

Fans are invited to join the adventuring party of Jonny Quest and crew this August alongside fan-favorite writer Joe Casey and brilliant artist Sebastián Piriz. The tale celebrates the six incredible decades of Jonny Quest fandom and follows the issue #0 prelude story with approximately 80,000 copies released for Free Comic Book Day this May.

Climb aboard the Sea Quest and get ready to embark on a journey like no other. Legendary boy explorer Jonny Quest is back in action, and joined by the whole beloved cast originally created for the Hanna-Barbera animation line by comic book legend Doug Wildey.

Jonny's father, Dr. Benton Quest, is a genius scientist often leading the way. “Race” Bannon is a special agent tasked with protecting Jonny and teaching him a range of skills. Hadji is the orphaned adopted son of Dr. Quest, and Jonny’s brother. Last, but certainly not least, Jonny’s dog Bandit is always along for the ride.

This batch of characters are all back in four color pages, and they'll be joined by even more unexpected faces as writer Joe Casey hews close to the original spirit of the series, while using a modern storytelling approach in his signature style. This comic series picks up where the original animated series left off in 1964, but fans will be surprised as things quickly take a turn for the uncanny! Now Dynamite and Warner Bros. Discovery Global Consumer Products kick off a new era for the franchise!

"The hope is that we’re maintaining the bouncy spirit of the original TV show," said Joe Casey. "From one episode to the next, Jonny Quest always had a particular dramatic rhythm that was completely unique. We want our book to have that same kind of vibe. Plus, the fact that Benton and Jonny are father and son automatically makes this a generational story. We’re taking that angle and really running with it, taking that specific generational aspect to the extreme in ways that, we think, deepen the characters and give them the proper amount of gravitas that we demand from our beloved genre fiction."

Joe Casey is a certified legend with plenty of experience bringing comics inspired stories to animation and vice versa. As part of the creative group Man of Action, he's played a role in creating iconic franchises like "Ben 10" and "Generator Rex." In comics, Casey has tackled many of the industry's top titles, while always finding time for his own creations too. He's written for titles including Uncanny X-Men, Adventures of Superman, Incredible Hulk, Cable, WildC.A.T.s, G.I. Joe, as well as Gødland, All-America Comix, and others.

Casey's major co-star on the title is rising artist Sebastián Piriz (We Ride Titans, Deadweights). His fantastic, fluid artwork has been wowing plugged in fans for a while with his fan art, commissions, and process shared on social media. Dynamite and the whole team are excited about Quest being perhaps his biggest showcase yet for fans to enjoy his perfectly matched style.

The title is enhanced by a roster of fully frameable covers by industry luminaries including Chad Hardin (Harley Quinn), Jae Lee, Tom Raney, Bob Layton, and Richard Pace. More surprises may be around the corner, as Dynamite invites some of the most fun names in comics to tackle this icon.

JONNY QUEST #1 will be solicited in Diamond Comic Distributors’ June 2024 Previews catalog, the premier source of merchandise for the comic book specialty market, and slated for release in August 2024. Comic book fans are encouraged to preorder copies of the book with their local comic book retailers. It will also be available for individual customer purchase through digital platforms courtesy of Comixology, Kindle, iBooks, Google Play, Dynamite Digital, ComicsPlus, and more!

###

 

JONNY QUEST and all related characters and elements © & ™ Hanna-Barbera. (s24)

About Dynamite Entertainment:

Dynamite was founded in 2004 and is home to several best-selling comic book titles and properties, including The Boys, The Shadow, Red Sonja, Warlord of Mars, Bionic Man, A Game of Thrones, and more. Dynamite owns and controls an extensive library with over 3,000 characters (which includes the Harris Comics and Chaos Comics properties), such as Vampirella, Pantha, Evil Ernie, Smiley the Psychotic Button, Chastity, and Peter Cannon: Thunderbolt. In addition to their critically-acclaimed titles and bestselling comics, Dynamite works with some of the most high-profile creators in comics and entertainment, including Gail Simone, Christopher Priest, Leah Moore, Kevin Smith, David Walker, Vita Ayala, Danny Lore, Neil Gaiman, Garth Ennis, Darick Robertson, Mark Russell, Brandon Thomas, Amy Chu, Reginald Hudlin, Nancy Collins, David Walker, Steve Orlando, Greg Pak, Jenny Frison, Matt Wagner, and a host of up-and-coming new talent. Dynamite is consistently ranked in the upper tiers of comic book publishers and several of their titles - including Alex Ross and Jim Krueger's Project Superpowers - have debuted in the Top Ten lists produced by Diamond Comics Distributors. In 2005, Diamond awarded the company a GEM award for Best New Publisher and another GEM in 2006 for Comics Publisher of the Year (under 5%) and again in 2011. The company has also been nominated for and won several industry awards, including the prestigious Harvey and Eisner Awards.

About Warner Bros. Discovery Global Consumer Products:

Warner Bros. Discovery Global Consumer Products (WBDGCP), part of Warner Bros. Discovery Global Brands, Franchises, and Experiences, extends the company’s powerful portfolio of entertainment brands and franchises into the lives of fans around the world. WBDGCP partners with best-in-class licensees globally on award-winning toy, fashion, home décor and publishing programs inspired by the biggest franchises from Warner Bros.’ film, television, animation, and games studios, HBO, Discovery, DC, Cartoon Network, HGTV, Eurosport, Adult Swim, and more. With innovative global licensing and merchandising programs, retail initiatives, and promotional partnerships, WBDGCP is one of the leading licensing and retail merchandising organizations in the world.

----------------------------

#IReadsYou Movie Review: THE FLASH

The Flash (2023)

Running time:  144 minutes (2 hours, 24 minutes)

MPAA – PG-13 for sequences of violence and action, some strong language and partial nudity

DIRECTOR:  Andy Muschietti

WRITERS:  Christina Hodson; from a screen story by John Francis Daley, Jonathan Goldstein, Joby Harold (based on the DC Comics characters)

PRODUCERS:  Barbara Muschietti and Michael Disco

CINEMATOGRAPHER:  Henry Braham

EDITORS:  Jason Ballantine and Paul Machliss

COMPOSER:  Benjamin Wallfisch

SUPERHERO/FANTASY/ACTION

Starring:  Ezra Miller, Michael Keaton, Sasha Calle, Michael Shannon, Ron Livingston, Maribel Verdu, Kiesey Clemons, Antje Traue Temuera Morrison, Ben Affleck, Gal Gadot, Nicolas Cage, George Clooney, Jason Momoa, and Jeremy Irons

The Flash is a 2023 superhero and action-fantasy film directed by Andy Muschietti.  The film is based on the DC Comics character, The Flash, with the two most famous versions being created by the teams of writer Gardner Fox and artist Harry Lampert and writer Robert Kanigher and artist Carmine Infantino.  The film is the 13th entry in the DC Extended Universe (DCEU).  In The Flash, the superhero known as “the fastest man alive” uses his super-speed to change his family's tragic past, but also creates a world without superheroes.

The Flash opens at a very important time in the life of Barry Allen/The Flash (Ezra Miller).  His father, Henry Allen (Ron Livingston), has been imprisoned, wrongfully convicted for murdering his wife and Ezra's mother, Nora Allen (Maribel Verdu).  As a police forensic investigator for the Central City Police Department, Barry has been using his knowledge and connections in a bid to free his father, whose next appeal of his conviction is a day away.

However, Barry's superhero life intrudes, so he races to Gotham City where he helps Batman (Ben Affleck) stop a terrorist group.  After that, the Flash visits his childhood home.  Overcome by his emotions, Barry starts running so fast that he does not realize that his power, super-speed, has tapped into the “Speed Force” to such an extent that he has traveled back in time.  Although Batman's alter-ego, Bruce Wayne (Ben Affleck), warns him against doing so, the Flash travels back in time, again.

He returns to the day his mother was murdered and changes events in order to save her life, and the thing about which Bruce warned Barry occurs, the unintended consequences of time travel.  Soon, Barry comes face to face with his younger self, college-age Barry (Ezra Miller).  Not long afterwards, Barry learns that his big change to the past has also created an Earth without superheroes.  As an alien threat looms, the two Barrys seek out the one superhero everyone knows exists – or at least once existed, Batman.  However, this Earth's Bruce Wayne (Michael Keaton) does not want to be Batman again, even if it dooms the world.

When I first heard of the premise of The Flash, I knew that Warner Bros. Pictures wanted to make its on version of Sony Pictures and Marvel Studios' multiverse adventure, Spider-Man: No Way Home (2021).  Unlike this very sharp Spider-Man flick, The Flash is not as crisp and as efficient.  The Flash's action scenes are always at least a minute too long and too overdone.  The drama is a bit too melodramatic, sometimes in danger of being corny.  Still, director Andy Muschietti and his editors offer a film that is often quite engaging, thrilling, and entertaining.

I believe that the persons that really carry The Flash are first, Ezra Miller as The Flash/Barry Allen and as younger Barry Allen and second, Michael Keaton as Batman/Bruce Wayne.  This time around Ezra offers a superhero and alter-ego that are both far less annoying and forced than they were in Joss Whedon's 2016 superhero film, Justice League.  Miller is so good at portraying two versions of Barry that they seem like distinctly different people and personalities.  Here, Miller's Flash is more like a quirky character than in Justice League, where he seemed like bad character writing and a resulting confused and awkward performance.  Sadly, Miller's legal problems may keep them from portraying the Flash again, which is a shame.  They have finally got a bead on how to play that kind of character in a way that makes him endearing.

To a slightly lesser extent, Michael Keaton also carries this film.  His Batman/Bruce Wayne is one of the most famous iterations of the character, having appeared in director Tim Burton's Batman (1989) and Batman Returns (1992).  Keaton revives the beats of the way he played the character over three decades ago, while adding a lot of new flavors to his character and new engagement in his performance.  After this appearance, I would really like to see more of Keaton's Batman.

Ben Affleck also makes a really nice turn as the “DCEU Batman/Bruce Wayne.”  Sasha Calle as Kara Zor-El/Supergirl gives a performance that makes the character seem shoe-horned into this film.  And there are some delightful cameos from other actors and characters that have appeared in DC Comics-related film and television series.  Plus, there is a surprise appearance from another cinematic Batman.  As I have said, however, Ezra Miller and Michael Keaton put a light-speed jolt into The Flash.  I found The Flash entertaining, but I'm giving it the grade I am because of Miller and Keaton.

[The Flash has one scene at the end of the credits.]

B+

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------------

Two Musical Tracks Released from "'The Flash' (Original Motion Picture Soundtrack)"

Two Batman-Themed Tracks Released From The Flash (Original Motion Picture Soundtrack)

“I Am Batman” and “Sounds About Right, Bruce” Now Available From WaterTower Music

Featuring the Music of 2X GRAMMY- and BAFTA-Nominated Composer Benjamin Wallfisch

The Flash (Original Motion Picture Soundtrack) Full Album Preorders Now Available: Triple LP, Two Color Vinyl and Double CD

LOS ANGELES--(BUSINESS WIRE)--WaterTower Music has announced the release of two highly anticipated tracks of music from Warner Bros. Pictures’ upcoming film “The Flash,” along with the availability of preorders for Triple LP, Two-Color Vinyl and Double CD versions of the full The Flash (Original Motion Picture Soundtrack).

The two Batman-related themes—“I Am Batman” and “Sounds About Right, Bruce”—are the latest music to be released from the upcoming The Flash (Original Motion Picture Soundtrack), which features the music of celebrated two-time GRAMMY- and BAFTA-nominated composer, Benjamin Wallfisch, (the “IT” films, “Shazam,” “Blade Runner 2049” [with Hans Zimmer]). Two previous tracks from the upcoming album, “Worlds Collide” and “Run,” were made available two weeks ago. All four pieces of music are now available for streaming (Standard and Dolby Atmos / Spatial Audio configurations) and digital purchase, and will be on the soundtrack, scheduled for release the same day as director Andy Muschietti’s “The Flash”—the DC Super Hero’s first-ever standalone feature film—is set to open in theaters in North America, June 16, 2023.

Fans may find familiarity upon hearing “I Am Batman,” and for good reason. “The Flash” composer Benjamin Wallfisch explains: “As a DC fan for as long as I can remember, I’ve loved Danny Elfman’s ‘The Batman Theme’ from the moment it hit me as a 10 year old back in 1989. It’s of course one of the most iconic themes of all time, and so beloved by fans around the world, it was my job to pull all the stops out and celebrate it in “The Flash” when Keaton is on screen, whilst also finding a way to completely reinvent it for our movie. Keaton returns to this role with more complexity, and a lot more physicality – the music needed to reflect that,” the composer continued. “Andy encouraged me to go all-in with mining all kinds of variations from those iconic six notes and you can hear them both full tilt, but also planted as Easter Eggs. It was so much fun to get to play in that world.

Wallfisch continued: “The music for Ben Affleck’s Batman, “Sounds About Right, Bruce,” has a completely different approach. I wanted to honor the sheer intensity of sound and orchestration that we’ve heard created for his character in recent films, but as his action takes place in the world of The Flash, it needed a ton of propulsion and forward motion, and from that came this new Batman Theme. There’s also a new theme capturing Batman’s backstory (as yet unreleased) that connects both Affleck and Keaton in the movie, heard several times at some key moments in the story.”

ABOUT “THE FLASH”:

Warner Bros. Pictures presents “The Flash,” directed by Andy Muschietti. Ezra Miller reprises their role as Barry Allen in the DC Super Hero’s first-ever standalone feature film. Worlds collide when Barry uses his superpowers to travel back in time in order to change the events of the past. But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to. That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?

“The Flash” ensemble also includes rising star Sasha Calle, Michael Shannon, Ron Livingston, Maribel Verdú, Kiersey Clemons, Antje Traue and Michael Keaton. It is produced by Barbara Muschietti and Michael Disco. The screenplay is by Christina Hodson, with a screen story by John Francis Daley & Jonathan Goldstein and Joby Harold, based on characters from DC. The executive producers are Toby Emmerich, Walter Hamada, Galen Vaisman and Marianne Jenkins.

Warner Bros. Pictures presents a Double Dream/a Disco Factory Production of an Andy Muschietti Film, “The Flash” will be distributed worldwide by Warner Bros. Pictures and is set to open in theaters in North America on June 16, 2023 and internationally beginning 14 June 2023.

ABOUT BENJAMIN WALLFISCH:

Golden Globe, BAFTA, two-time Grammy, Emmy and five-time World Soundtrack Award nominee, composer Benjamin Wallfisch has worked on over 80 feature films, collaborating with directors including Ron Howard, Ted Melfi, Andy Muschietti, Christopher Nolan, David F. Sandberg, Leigh Whannell, Gore Verbinski and Denis Villeneuve. His latest project is Andy Muschietti’s The Flash for DC / Warner Bros.

A graduate of the Royal Academy of Music in London—and mentored by Dario Marianelli and Hans Zimmer—Benjamin’s notable projects include It and It Chapter Two, Blade Runner 2049 (with Hans Zimmer), Shazam!, The Invisible Man, Mortal Kombat, Thirteen Lives, A Cure For Wellness, Annabelle: Creation, King Of Thieves, Hidden Figures (with Pharrell Williams and Hans Zimmer), and music based on Elgar’s Enigma Variations for Dunkirk.

Benjamin has performed live in over 100 concerts worldwide, conducting orchestras such as the London Philharmonic, Philharmonia, Los Angeles Philharmonic, Los Angeles Chamber Orchestra and the Sydney Symphony at venues including the Hollywood Bowl, Sydney Opera House and Royal Festival Hall. He is a member of the Academy of Motion Pictures Arts and Sciences and BAFTA, and is an Associate of the Royal Academy of Music. In 2019 he founded The Scoring Lab, a state-of-the art scoring production company and Dolby Atmos Certified mix studio in the heart of Santa Monica, California.

ABOUT WATERTOWER MUSIC:

WaterTower Music, the in-house label for the Warner Bros. Discovery companies, releases recorded music as rich and diverse as the companies themselves. It has been the soundtrack home to many of the world’s most iconic films, television shows and games since 2001.

------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

"Batman: The Doom That Came to Gotham" Animated Movie Has Arrived on Blu-ray

"Batman: The Doom That Came to Gotham" Coming March 28

(Burbank, CA) – Batman’s rational mind and unparalleled fighting skills are put to the ultimate test when an ancient force threatens his world and everyone he holds dear in Batman: The Doom That Came To Gotham, available to purchase Digitally and on 4K Ultra HD Blu-ray Combo Pack and Blu-ray on March 28, 2023 from Warner Bros. Discovery Home Entertainment. The all-new, feature-length DC Animated Movie puts Batman up against Lovecraftian supernatural forces threatening the sheer existence of Gotham as he’s aided and confronted along the way by reimagined versions of his well-known allies and enemies, including Green Arrow, Ra’s al Ghul, Mr. Freeze, Killer Croc, Two-Face, James Gordon and more. 

David Giuntoli (Grimm, A Million Little Things) reprises his Batman: Soul of the Dragon role as the voice of the Dark Knight in this all-new 1920s-based DC Elseworlds tale. Tati Gabrielle (Chilling Adventures of Sabrina, Uncharted) makes her DC animated debut as Kai Li Cain, Batman’s closest ally.

Elevating the action and drama are DC animation veterans Christopher Gorham (The Lincoln Lawyer, Insatiable) as Oliver Queen, Patrick Fabian (Better Call Saul) as Harvey Dent, John DiMaggio (Futurama, Anne Rice’s Interview with the Vampire) as James Gordon, and David Dastmalchian (Dune, The Suicide Squad, Ant-Man) as Grendon.

Rounding out the cast is Gideon Adlon (Legion of Super-Heroes) as Oracle, Karan Brar (Jessie, Diary of a Wimpy Kid franchise) as Sanjay “Jay” Tawde, Jeffrey Combs (Re-Animator, The Frighteners) as Kirk Langstrom, Darin De Paul (Mortal Kombat Legends & Overwatch franchises) as Thomas Wayne, Brian George (Seinfeld) as Alfred, Jason Marsden (Young Justice, A Goofy Movie) as Dick Grayson & Young Bruce Wayne, Navid Negahban (Homeland, The Cleaning Lady) as Ra’s al Ghul, Emily O’Brien (Days of Our Lives) as Talia al Ghul & Martha Wayne, Tim Russ (Star Trek: Voyager) as Lucius Fox, William Salyers (The Regular Show) as Cobbelpot & Professor Manfurd, and Matthew Waterson (The Croods: Family Tree) as Jason Blood/Etrigan.

Sam Liu (The Death and Return of Superman) fills the dual role of producer and co-director of Batman: The Doom That Came To Gotham, working closely with co-director Christopher Berkeley (Young Justice) to bring to animated life the script from screenwriter Jase Ricci (Teen Titans Go! and DC Super Hero Girls: Mayhem in the Multiverse). Producers are Jim Krieg (Batman: Gotham by Gaslight) and Kimberly S. Moreau (Legion of Super-Heroes). Executive Producer is Michael Uslan. Sam Register is Executive Producer.

Batman: The Doom That Came To Gotham will be available on March 28 to purchase Digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more. 4K Ultra HD and Blu-Ray Discs will be available to purchase online and in-store at major retailers. Pre-order your copy now.

SYNOPSIS:

Inspired by the comic book series by Mike Mignola, Richard Pace, and Troy Nixey, Batman: The Doom That Came To Gotham is a 1920s-based tale that finds explorer Bruce Wayne accidentally unleashing an ancient evil, expediting his return to Gotham City after a two-decade hiatus. The logic/science-driven Batman must battle Lovecraftian supernatural forces threatening the sheer existence of Gotham, along the way being aided and confronted by reimagined versions of his well-known allies and enemies, including Green Arrow, Ra’s al Ghul, Mr. Freeze, Killer Croc, Two-Face, James Gordon and Bruce’s beloved wards. Prepare for a mystical, often terrifying Batman adventure unlike any other.

SPECIAL FEATURES INCLUDE:

Batman: Shadows of Gotham (New Featurette) – An examination of themes of existential dread in a world drenched in gothic overtones that combine to create one of Batman’s most unique adventures. 

Audio Commentary – Filmmakers and storytellers, including producer/co-director Sam Liu and screenwriter Jase Ricci, take in all the gothic horror and intrigue of Batman: The Doom That Came to Gotham.

Pricing and film information:

PRODUCT SRP (Standard Retail Price)

Digital purchase - $19.99

4K Ultra HD Blu-ray Combo Pack + Digital Version* - $39.99 USA

4K Ultra HD Blu-ray Combo Pack - $44.98 Canada

Blu-ray + Digital Version* - $29.98 USA    

Blu-ray - $39.99 Canada

4K/Blu-ray Languages: English, Spanish, French

Blu-ray Subtitles: English, Spanish, French

Running Time: 90 minutes

Rated PG-13 for some strong violence, disturbing images, language and brief partial nudity

*Digital version not available in Canada

------------------------

------------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

#IReadsYou Movie Review: SHAZAM! Fury of the Gods

Shazam! Fury of the Gods (2023)

Running time:  130 minutes (2 hours, 10 minutes)

MPAA – PG-13 for sequences of action and violence, and language

DIRECTOR:  David F. Sandberg

WRITERS:  Henry Gayden and Chris Morgan (based on the DC Comics characters)

PRODUCER:  Peter Safran

CINEMATOGRAPHER:  Gyula Pados

EDITOR:  Michel Aller 

COMPOSER:  Christophe Beck

SUPERHERO/FANTASY/ACTION/COMEDY

Starring:  Zachary Levi, Asher Angel, Jack Dylan Glazer, Adam Brody, Ross Butler, D.J Cotrona, Grace Caroline Currey, Meagan Good, Rachel Zegler, Helen Mirren, Lucy Liu, Marta Milans, Cooper Andrews, Faithe Herman, Ian Chen, Jovan Armand, and Djimon Hounsou with Gal Gadot

Shazam! Fury of the Gods is a 2023 superhero and fantasy film from director David F. Sandberg.  The film is based on the DC Comics character now called “Shazam.”  Shazam! Fury of the Gods is a direct sequel to the 2019 film, Shazam! and is also the 12th installment in “DC Extended Universe” (DCEU).  Fury of the Gods continues the story of the teenage foster kid who becomes a superhero by uttering one magic word, “SHAZAM!”

Shazam! Fury of the Gods opens in Philadelphia two years after the events depicted in the first film.  Billy Batson (Asher Angel) can still transform into an adult hero, the champion who bears the name “Shazam” (Zachary Levi).  Billy will turn 18-year-old in a few months, which he believes means that he will loose his foster parents, Rosa (Marta Milans) and Victor Vásquez (Cooper Andrews).

Billy shared the power he got from “The Wizard” (Djimon Hounsou) with his five foster siblings.  He calls them the “Shazamily.”  His foster brother, Freddie Freeman (Jack Dylan Glazer), is an adult superhero who calls himself “Captain Everything” (Adam Brody).  His older foster sister, Mary Bromfield (Grace Caroline Currey) is trying to be an adult while also being a superhero.  The other foster kid/adult hero pairs are Eugene Choi (Ian Chen and Ross Butler), Pedro Peña (Jovan Armand and D.J. Cotrona), Darla Dudley (Faithe Herman and Meagan Good).  Billy/Shazam is desperate to keep his “Shazamily” together, but they are having a rough time being superheroes.  After doing a less than stellar job saving civilians from a collapsing bridge, Shazam and company discover that the local media refers to them as the “Philly Fiascoes.”

Bigger troubles are ahead, however.  “The Daughters of Atlas” have imprisoned The Wizard, and they want to regain the powers he stole from the gods, including their father, the Titan Atlas, and gave to his new champions – Billy and his Shazamily.  Can they survive the attack of the daughters:  Hespera (Helen Mirren), Kalypso (Lucy Liu), and the reluctant Anthea (Rachel Zegler), and save the world from destruction and from the fury of the gods?

In the first Shazam! film, the drama was driven by Billy Batson's internal conflict.  It was built around the tension between the foster family Bill could have and did not want and the biological family he wanted but could no longer have (if he ever really had it to begin with).  In Shazam! Fury of the Gods, Billy/Shazam fears losing the foster family that he eventually embraced, and with such a theme, he must inevitably learn that one should not hold onto things too tightly – even loved ones.  The Daughters of Atlas must learn the same, concerning the things to which they cling too tightly.  Billy/Shazam's dilemmas don't resonate this time around the way they did in the original film, and, at times, Billy and Shazam's obsession with holding onto the family seems forced.  But at least this film has the requisite drama.

Shazam! Fury of the Gods, like Shazam!, is a very entertaining film that is part energetic superhero movie, part charming comedy, and part heartwarming family film.  The superhero action is not as intense as that found in most superhero films, although Fury of the Gods' action is more intense than in the original.  Some of the villains' murderous intentions seem really murderous.

Except for the increase in intensity, everything about Fury of the Gods is a little down from the first film.  It is not as poignant, not quite as funny, and it seems too long, although it is a littler shorter than the original film.  Still, fans of Shazam! will likely enjoy Shazam! Fury of the Gods.  It even has a nice cameo appearance by another DC Comics superhero, and that cameo makes me wish that we could get more Shazam! Films.  It would be fun to see Billy Batson and Shazam team up with other DC  heroes and pitted against DC villains.  It is likely, however, that Shazam! Fury of the Gods is the final half of a truly unique pair of superhero movies.

B

★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

NOTES:

Shazam! Fury of the Gods has one extra scene in the middle of the credits and one at the end of the credits.

The DC Comics character, Shazam, was the first comic book character to have the name “Captain Marvel.”  A boy named Billy Batson became Captain Marvel by uttering the word, “Shazam!”  Captain Marvel was created by comic book artist C. C. Beck and writer Bill Parker.  He first appeared in Whiz Comics #2 (cover-dated:  February 1940) which was published by Fawcett Comics.  A legal dispute caused Fawcett to stop publishing Captain Marvel comic books in 1953.  DC Comics revived the character in 1972, but by then, Marvel Comics owned the trademark to the name “Captain Marvel.”  Thus, the original Captain Marvel is now called Shazam.

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------

Warner Bros Debuts the Official First Trailer for "The Flash"

Warner Bros. Pictures presents “The Flash,” directed by Andy Muschietti (the “IT” films). Ezra Miller reprises their role as Barry Allen in the DC Super Hero’s first-ever standalone feature film.

Worlds collide in “The Flash” when Barry uses his superpowers to travel back in time in order to change the events of the past. But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to. That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe? 

“The Flash” ensemble also includes rising star Sasha Calle, Michael Shannon (“Bullet Train,” “Batman v Superman: Dawn of Justice”), Ron Livingston (“Loudermilk,” “The Conjuring”), Maribel Verdú (“Elite,” “Y tu mamá también”), Kiersey Clemons (“Zack Snyder’s Justice League,” “Sweetheart”), Antje Traue (“King of Ravens,” “Man of Steel”) and Michael Keaton (“Spider-Man: Homecoming,” “Batman”).

“The Flash” is produced by Barbara Muschietti (the “IT” films) and Michael Disco (“Rampage,” “San Andreas”). The screenplay is by Christina Hodson (“Birds of Prey,” “Bumblebee”), with a screen story by John Francis Daley & Jonathan Goldstein (“Dungeons & Dragons: Honor Among Thieves,” “Spider-Man: Homecoming”) and Joby Harold (“Transformers: Rise of the Beasts,” “Army of the Dead”), based on characters from DC. The executive producers are Toby Emmerich, Walter Hamada, Galen Vaisman and Marianne Jenkins.

Joining director Muschietti behind the camera are director of photography Henry Braham (“Guardians of the Galaxy Vol. 3,” “The Suicide Squad”), production designer Paul Denham Austerberry (“IT Chapter Two,” “The Shape of Water”), editors Jason Ballantine (the “IT” films, “The Great Gatsby”) and Paul Machliss (“The Gentlemen,” “Baby Driver”), and costume designer Alexandra Byrne (“Doctor Strange,” “Guardians of the Galaxy”); the score is by Benjamin Wallfisch 

(“The Invisible Man,” the “IT” films).

Warner Bros. Pictures presents a Double Dream/a Disco Factory production of an Andy Muschietti film, “The Flash.” It will be distributed worldwide by Warner Bros. Pictures and is set to open in theaters in North America on June 16, 2023 and internationally beginning June 14 2023. #TheFlashMovie 

---------------------------------

---------------------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

Animated Film, "Legion of Super-Heroes," Arrives on Blu-ray Feb. 7th

"Legion of Super-Heroes" DCU Film on Disc and Digital in February

(Burbank, CA) – Supergirl ventures to the 31st century to find answers to her present-day dilemmas, only to encounter new problems and an old enemy in Legion of Super-Heroes, an all-new, feature-length DC Universe Movie coming to 4K Ultra HD Blu-ray Combo Pack, Blu-ray+Digital, Blu-ray (Canada only), and Digital starting February 7, 2023 from Warner Bros. Home Entertainment.

Produced by Warner Bros. Animation, DC and Warner Bros. Home Entertainment, the action-packed Legion of Super-Heroes will be available on 4K Ultra HD Combo Pack (USA $39.99 SRP; Canada $44.98 SRP), Blu-ray+Digital (USA $29.98 SRP), Blu-ray (Canada $39.99 SRP) and Digital ($19.99). The Blu-ray+Digital features a Blu-ray disc with the film in hi-definition and a digital version of the movie. The 4K Ultra HD Combo Pack features an Ultra HD Blu-ray disc in 4K with HDR, a Blu-ray disc featuring the film in hi-definition, and a digital version of the movie. 

Welcome to the 31st century and the Legion Academy, where a new generation hones their powers with hopes of joining the Legion of Super-Heroes. Devastated by tragedy, Supergirl struggles to adjust to her new life on Earth. Taking her cousin Superman’s advice, Supergirl leaves their space-time to attend the Academy. There, she quickly makes new friends, as well as a new enemy with old ties: Brainiac 5. But a nefarious plot lurks in the shadows – the mysterious group known as the Dark Circle seeks a powerful weapon held in the Academy’s vault. Find out if the budding heroes can rise to the challenge in this all-new DC Universe Movie!

Meg Donnelly (American Housewife) and Harry Shum Jr. (Crazy Rich Asians) lead a star-studded cast as the voices of Supergirl/Kara and Brainiac 5. Darren Criss (Glee, The Assassination of Gianni Versace), Matt Bomer (Doom Patrol, White Collar) and Jensen Ackles (Supernatural, The Boys) reprise their roles in this ongoing Justice League continuity as Superman, The Flash and Batman, respectively.

The remainder of the robust Legion of Super-Heroes cast features Cynthia Hamidi (FBI) as Dawnstar, Gideon Adlon (Blockers) as Phantom Girl, Ely Henry (Players, Smallfoot) as Bouncing Boy, Robbie Daymond (Critical Role) as Timber Wolf & Brainiac 4, Yuri Lowenthal (He-Man and the Masters of the Universe, Spider-Man) as Mon-El, Eric Lopez (Young Justice) as Cosmic Boy & Chemical King, Darin De Paul (Mortal Kombat Legends franchise) as Brainiac & Solomon Grundy, Ben Diskin (Muppet Babies) as Arms Fall Off Boy & Brainiac 2, Victoria Grace (Pacific Rim: The Black) as Shadow Lass, Jennifer Hale (Mass Effectfranchise) as Alura, Daisy Lightfoot (Avengers Assemble) as Triplicate Girl, and Zeno Robinson (Batman and Superman: Battle of the Super Sons) as Invisible Kid & Brainiac 3.

Jeff Wamester (Justice Society: World War II) directs Legion of Super-Heroes from a screenplay by Josie Campbell (She-Ra and the Princesses of Power). Producers are Jim Krieg (Batman: Gotham by Gaslight) and Kimberly S. Moreau (Batman vs. Teenage Mutant Ninja Turtles). Butch Lukic (Batman: The Long Halloween, Superman: Man of Tomorrow) is Supervising Producer. Sam Register is Executive Producer.

Legion of Super-Heroes – Special Features:

4K, Blu-ray and Digital: 

The Legion Behind The Legion (New Featurette) – It took a heroic effort from a legion of writers, artists, animators and filmmakers to bring Legion of Super-Heroes to life. In this featurette, filmmakers and stars give us a deep dive into the making of the movie, from the original story idea through character development and final animation.

Meet the Legionnaires (New Featurette) – There are dozens and dozens of Legion members, many of whom are featured in Legion of Super-Heroes. Who made the cut, and why? Lucky for us, the filmmakers are here to introduce us to each one - and give us some background on who they are, and why they’re important to the movie. 

Brainiac Attack: The Intellect Behind the Super-Villain (New Featurette) – In Legion of Super-Heroes, Brainiac 5 proves himself to be the pinnacle of all Brainiac iterations, but how did he become that way? In this featurette, filmmakers explain what we should we know about the 4 Brainiacs who came before him, and how – and why – Brainiac 5 chose his own path.

Down to Earth: The Story of Supergirl (New Featurette) – Supergirl’s narrow escape from Krypton and her arrival on Earth is just the beginning of our story (literally). In this featurette, filmmakers explain why they chose to center Legion of Super-Heroeson Supergirl, what the backstory is between her and Superman at the start of the movie, and what exactly is going on between her and Brainiac 5. 

Spend some time with the expansive canon of popular DC Universe Movies, DC Animated Movies and many other animated DC films and television series by checking out HBO Max!

SPECS:

4K Ultra HD Blu-ray Combo Pack - $39.99 USA (SRP)

4K Ultra HD Blu-ray Combo Pack - $44.98 Canada (SRP)

Blu-ray + Digital - $29.98 USA (SRP)

Blu-ray - $39.99 Canada (SRP)

4K/Blu-ray Languages: English, Spanish

Blu-ray Subtitles: English, Spanish

Running Time: 83 minutes

Rated PG-13 for some violence and language

---------------------------

---------------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

#IReadsYou Movie Review: DC LEAGUE OF SUPER-PETS

DC League of Super-Pets (2022)

Running time:  105 minutes (1 hour, 45 minutes)
MPAA – PG for action, mild violence, language and rude humor
DIRECTOR:  Jared Stern
WRITERS:  Jared Stern and John Whittington (based on characters appearing in DC Comics)
PRODUCERS: Dwayne Johnson, Dany Garcia, Hiram Garcia, Patricia Hicks, and Jared Stern
EDITORS:  David Egan and Jhoanne Reyes
COMPOSER:  Steve Jablonsky
ANIMATION STUDIO:  Warner Animation Group/Animal Logic

ANIMATION/SUPERHERO/ACTION/FANTASY

Starring:  (voices) Dwayne “The Rock” Johnson, Kevin Hart, Kate McKinnon, John Krasinski, Vanessa Bayer, Natasha Lyonne, Diego Luna, Thomas Middleditch, Ben Schwartz, Keanu Reeves, Marc Maron, Olivia Wilde, Jameela Jamil, Jemaine Clement, John Early, Daveed Diggs, Dascha Polanco, Maya Erskine, Yvette Nicole Brown, Alfred Molina, Lena Headey, Winona Bradshaw, and Keith David

DC League of Super-Pets is a 2022 3D computer-animated, superhero fantasy and action-comedy film directed by Jared Stern with CGI animation produced by Animal Logic.  The film is based on characters and concepts appearing in comic books published by DC Comics.  DC League of Super-Pets focuses on Superman's dog and a group newly super-powered shelter animals who must stop a conspiracy hatched by a guinea pig that is an evil genius.

DC League of Super-Pets opens with the story of how baby Kal-El and a Labrador Retriever-like pup left the planet Krypton, as it was in the throes of destruction, in a space ship headed to Earth.  Decades later, the baby is now Superman/Clark Kent (John Krasinski) and his pet, Krypto the Superdog (Dwayne Johnson).  All is well between Superman and his super-best friend until Clark decides to take his relationship with Lois Lane (Olivia Wilde), a fellow reporter at “The Daily Planet,” to the next level.  Krypto suddenly feels that his relationship with Superman is threatened.

Meanwhile, LexCorp CEO and Superman's enemy, Lex Luthor (Marc Maron), has hatched a plot to bring a meteorite of “orange kryptonite” to Earth.  Superman and Krypto easily stop the plot with the aid of the Justice League:  Wonder Woman (Jameela Jamil), Aquaman (Jemaine Clement), Flash (John Early), Green Lantern (Dascha Polanco), Cyborg (Daveed Diggs), and the Batman (Keanu Reeves).

At LexCorp, Lex used guinea pigs as test subjects.  One of them, Lulu (Kate McKinnon), is also an evil genius.  She has reeled in her own piece of orange kryptonite, having discovered that it gives super-powers to animals.  Now empowered by flight and telekinesis, Lulu is determined to free the now imprisoned Lex Luthor and to destroy Superman and the Justice League.  Now, only Krypto and a ragtag band of shelter animals:  Ace a boxer dog (Kevin Hart), PB the potbellied pig (Vanessa Bayer), Merton the slider turtle (Natasha Lyonne), and Chip the squirrel (Diego Luna), are left to stop Lulu's plot and save Superman.

DC League of Super-Pets is cute, and I imagine that it may be a hit with certain young viewers.  While watching it, I couldn't wait for it to be over.  The first 56 minutes of the film is formulaic superhero movie drivel, except for a moment here and there, such as the baby Kal-El and puppy Krypto's exodus from a dying Krypton.  The film does not have another emotional moment that feels real until Kevin Hart's Ace tells his tragic story.  When the other shelter pets tell their story, those stories don't work as well as Ace's.  Also, I wasn't crazy with the design and art direction for this film.  Everything looks like second-rate retro and draw-by-number art deco.

Perhaps, I have mixed feelings about this movie because I have mixed feelings about the voice performances.  Dwayne Johnson is okay as Krypto; to me, his personality seems wrong for Krypto.  Keanu Reeves is good as Batman, mainly because he captures the humorous angle written for the character.  Kevin Hart is quite good as Ace; actually, Hart's Ace would have been a better lead character.  [Maybe, we can get an “Ace the Bat-Hound” movie.]  Kate McKinnon is also really good as Lulu, and she makes a character that probably shouldn't work dominate much of this movie.  No other voice performances in this film really move me.

The last act of DC League of Super-Pets offers a satisfying superhero battle with a victory for the heroes.  McKinnon is so good at making Lulu evil that I cheered when she receives her comeuppance.  I can recommend this movie to fans of superhero films, especially fans of films based on DC Comics characters, and to young audiences.  For the most part, it is like the average DreamWorks Animation or Illumination Entertainment anthropomorphic animal movie.  There are many superhero films that I watch repeatedly, but I doubt DC League of Super-Pets will be one of them.

C+
★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

---------------------

Amazon wants me to inform you that the affiliate link below is a PAID AD, but I technically only get paid (eventually) if you click on the affiliate link below AND buy something(s).

VIDEO: Warner Bros. Releases Deleted Batman/Joker Scene from "THE BATMAN"

Warner Bros. has released a deleted scene from THE BATMAN, in which Batman (Robert Pattinson) meets the Joker (Barry Keoghan) for a menacing conversation in Arkham.  The scene suggests that the two have an establish history.  The video is below:

-------------------

#IReadsYou Movie Review: THE BATMAN

The Batman (2022)

Running time:  175 minutes (2 hours, 55 minutes)
MPAA – PG-13 for strong violent and disturbing content, drug content, strong language, and some suggestive material
DIRECTOR:  Matt Reeves
WRITERS:  Matt Reeves and Peter Craig (based on Batman created by Bob Kane and Bill Finger)
PRODUCERS:  Dylan Clark and Matt Reeves
CINEMATOGRAPHER:  Greig Fraser (D.o.P.)
EDITORS:  William Hoy and Tyler Nelson
COMPOSER:  Michael Giacchino

SUPERHERO/FANTASY/ACTION and DRAMA/MYSTERY

Starring:  Robert Pattinson, Zoë Kravitz, Jeffrey Wright, Paul Dano, Colin Farrell, John Turturro, Andy Serkis, Peter Sarsgaard, Jayme Lawson, Gil Perez-Abraham, Alex Ferns, Rupert Penry-Jones, Hana Hrzic, Charlie Carver, Max Carver, Luke Roberts, Stella Stocker, and Barry Keoghan

The Batman is a 2022 superhero action-drama from director Matt Reeves.  It is the eighth film in the modern Batman film franchise that began with director Tim Burton's 1989 film, Batman, and it is a reboot of the Batman film franchise.  In The Batman, a sadistic serial killer begins murdering key political figures, forcing Batman to investigate his city's hidden corruption, which may involve both his father and mother's side of the family.

The Batman opens on Halloween.  The Gotham City mayoral race is in the final stretch between incumbent Mayor Don Mitchell Jr. (Robert Pattinson) and challenger, Bella Reál (Jayme Lawson).  A sadistic new serial killer, who calls himself "The Riddler" (Paul Dano), murders Mayor Mitchell.  Thus, begins The Riddler's wave of murder and terror.

The Batman (Robert Pattinson), a vigilante who has operated in Gotham for two years, works alongside Lieutenant James Gordon (Jeffrey Wright) of the Gotham City Police Department, much to the chagrin of many rank and file officers and higher-ups in the department.  They discover that with each of his murders, The Riddler leaves a message for Batman.

Batman is really reclusive billionaire, Bruce Wayne (Robert Pattinson), who obsessively protects Gotham.  So focused on his mission is Bruce that he pushes away his loyal butler and mentor, Alfred Pennyworth (Andy Serkis).  However, Batman ends up partnering with Selina Kyle ( Zoë Kravitz), a waitress who is something of a cat burglar – a “Catwoman” – who is trying to find her missing roommate and girlfriend Annika (Hana Hrzic).

The Batman will be forced to reckon with Gotham City's hidden corruption and also face tough questions about his late parents, Thomas and Martha Wayne's (Luke Roberts and Stella Stocker) involvement in that corruption  Especially, troubling is Thomas Wayne's connection to a notorious Gotham crime lord, Carmine Falcone (John Turturro).

The Batman is a film that borrows liberally from the recent film and comic book past of Batman.  I recognize story elements borrowed from Batman comic book stories like “Batman: Year One” and “Zero Year.”  There are allusions to Tim Burton's 1989 Batman film; even composer Michael Giacchino's score seems to reference composer Danny Elfman's score for Burton's film.

However, director Matt Reeves, in making The Batman, seems obsessed with or bewitched by director Christopher Nolan's hugely popular Batman films:  Batman Begins (2005), The Dark Knight (2008), and The Dark Knight Rises (2012), referred to as “The Dark Knight trilogy.”  Nolan's film were “dark” and edgy in terms of subject matter, plots, and characters, but Nolan filled the films with invigorating and tense action set pieces.

The Batman is just dark.  It is as if Reeves took Nolan's aesthetic and through a coal black filter over it.  The Gotham City of this film seems like a real-life city, and it is dark as all Hell at night and damp – really damp.  Reeves and his co-screenwriter, Peter Craig, fashion a story that is overwhelmed with political corruption and depraved criminals that are dark in personality and even darker in motivation.  Bruce Wayne is morose, as if both actor Robert Pattinson and Matt Reeves are determined to make him a caricature of the caricature that has become iconic rock musician, the late Kurt Cobain.  It is an utter waste of Pattinson's potential as both an actor and a movie star.

On the other hand, Pattinson's Batman has more layers.  Pattinson makes him formidable and dangerous, but also introspective and capable of mercy.  This Batman is also a fierce fighter, but is physically vulnerable; Bruce's body is marked with the scars of his Batman activities.  Batman is often knocked down by his opponents in hand to hand combat and seriously injured by gunfire.

Too bad that The Batman does not have better villains.  They aren't really worth talking about, but I do want to point out the really terrible version of The Riddler that is in this film.  He is a whiny, boring incel, and as The Riddler, actor Paul Dano is more doofus than diabolical.

The Batman does have good supporting characters, but the script does not give them much with which to work.  Zoë Kravitz is full of fire and talent as Selina Kyle, and when she is allowed to show her acting chops, she steals entire scenes.  Most of the time, however, it feels like all the filmmakers really want her to do is pose and look bad-ass slash alluring.  James Gordon is a mostly one-note character, and even the supremely talented Jeffrey Wright cannot make the character be more than that.  I won't get into how much the brilliant Andy Serkis is wasted as Alfred Pennyworth.

The Batman is truly at its best during the fights, chases, and action scenes.  The film also gives us a monster-like Batmobile that is more muscle car than mobile, and when Batman uses it to pursue the Penguin (Colin Farrell) in his car, the film seems to explode off the screen.

What keeps The Batman from being a really good film, to say nothing of being a great film, is that it is too long.  It is half kick-ass action and half plodding melodrama, and I wish the plodding melodrama had been cut in half.  Honestly, I would only recommend The Batman to people who enjoy watching Batman movies, regardless of whether they are comic book fans or not.

B

Friday, March 4, 2022


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

----------------

#IReadsYou Movie Review: Scooby-Doo! & Batman: The Brave and the Bold

Scooby-Doo! & Batman: The Brave and the Bold (2018)

Running time:  75 minutes (1 hour, 15 minutes)
DIRECTOR:  Jake Castorena
WRITERS: Paul Giacoppo; from a story by James Tucker (based on characters from Hanna-Barbera and characters from DC)
PRODUCER: Michael Jelenic
EXECUTIVE PRODUCES: Sam Register and Benjamin Melniker & Michael E. Uslan
EDITORS:  Christopher D. Lozinski and Molly Yahr
COMPOSERS:  Kristopher Carter, Michael McCuistion, and Lolita Ritmanis
ANIMATION STUDIO:  Digital eMation, Inc.

ANIMATION/FANTASY/SUPERHERO/FAMILY and ACTION/COMEDY/MYSTERY

Starring:  (voices) Frank Welker, Matthew Lillard, Grey Griffin, Kate Micucci, Diedrich Bader, Jeff Bennett, Jeffrey Combs, John DiMaggio, Nicholas Guest, John Michael Higgins, Kevin Michael Richardson, Fred Tatasciore, Nika Futterman, and Tara Strong

Scooby-Doo! & Batman: The Brave and the Bold is a 2018 straight-to-video, animated, comic mystery film.  It is the 30th animated movie in the Scooby-Doo straight-to-video series from Warner Bros. Animation, which began in 1998 with Scooby-Doo on Zombie Island.  This film is also a crossover between Scooby-Doo and the Cartoon Network animated television series, “Batman: The Brave and the Bold” (2008-2011).  The story finds Scooby-Doo and his friends joining Batman and superhero colleagues in order to solve a mystery involving a scary new villain.

Scooby-Doo! & Batman: The Brave and the Bold opens as Mystery Incorporated: Fred Jones (Frank Welker), Daphne Blake (Grey Griffin), Velma Dinkley (Kate Micucci), Shaggy Rogers (Matthew Lillard), and Scooby-Doo (Frank Welker) investigates a series of thefts performed by the ghost of Puppetto the Puppeteer and his puppet, Fredo.  As the gang struggles to capture the ghost, Batman (Diedrich Bader) intervenes and warns them to leave things to the professionals.

Mystery Inc. manages to capture Puppetto and Fredo and discovers that the ghost and his puppet are really the superheroes, Martian Manhunter (Nicholas Guest) and Detective Chimp (Kevin Michael Richardson).  Batman, Manhunter, and Detective Chimp reveal that the Puppetto mystery was a test for Mystery Inc., which they passed.  So the heroes initiate Scooby and company into the “Mystery Analysts of Gotham,” the world's preeminent crime-busting organization.  The superheroes also inform the gang that they could use their help on a few cases.

A week later, Mystery Inc. visits the Mystery Analysts' headquarters where they meet the other members:  The Question (Jeffrey Combs), Black Canary (Grey Griffin), and Plastic Man (Tom Kenny), as well as the tag-a-long Aquaman (John DiMaggio), who desperately wants to be a member of the Analysts.

Mystery Inc. gets a chance to take the lead in the next case for the Analysts and follows the heroes to Gotham Chemical Storage.  There, they encounter a red-cloaked figure, calling himself “the Crimson Cloak” (John DiMaggio).  Why is he swearing revenge on Batman, and how is he tied to the one case Batman has never been able to solve?

I only watched a few episodes of “Batman: The Brave and the Bold.”  The series had a lighter tone than some of the Batman animated TV series that came before it, and it depicted Batman as being witty and playful.  I was curious how a collaboration between Scooby-Doo and this iteration of Batman would work.

As a child, I was a huge fan of the second Scooby-Doo animated TV series, “The New Scooby-Doo Movies,” which premiered on September 9, 1972 and ran for two seasons on CBS until 1974.  It was the first Scooby-Doo cartoon series that I ever saw, and it began my life-long love of Scooby-Doo and his pals.  It also began my life-long love affair with Batman and Robin.  The Dynamic Duo were guests stars on two Season One episodes of “The New Scooby-Doo Movies” – Episode #2's “The Dynamic Scooby-Doo Affair” and Episode #15's “The Caped Crusader Caper.”  These episodes were my first encounters with Batman and Robin, and I was immediately fascinated by the mysterious Batman and his colorful young sidekick.

Scooby-Doo! & Batman: The Brave and the Bold reminds me of those old cartoons, and while this film doesn't quite take me back to the 1970s, I enjoyed it immensely.  The animation is good, and it allows for the many colorful DC Comics' superheroes and super-villains that appear in this film to move in a way that really conveys the action.  The color palette is perfect for the comic mystery atmosphere of Scooby-Doo, and, to some extent, recalls those old Mystery Inc./Batman team-ups of the 1970s.

The story is good, but it has more superhero characters than it really needs.  Sometimes, Scooby-Doo! & Batman: The Brave and the Bold comes across like an advertisement for a DC Comics toy fair.  Aquaman, who eventually proves to be useful to solving the mystery, is often extraneous, and he is constantly and annoyingly yelling “Outrageous!”  And The Question, Black Canary, and Plastic Man seem like nothing more than IP placement.  Luckily, there is a surprisingly happy ending.

Still, Scooby-Doo and Mystery Incorporated teaming up with Batman casts a spell that is still effective on me.  I had fun, and I can't wait for them to do it again.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).