#IReadsYou Movie Review: KRAVEN THE HUNTER

Kraven the Hunter (2024)

Running time:  127 minutes (2 hours, 7 minutes)

MPA – R for strong bloody violence, and language

DIRECTOR:  J.C. Chandor

WRITERS:  Richard Wenk, Art Marcum, and Matt Holloway; from a story by Richard Wenk (based on the Marvel Comics)

PRODUCERS:  Avi Arad, David B. Householter, and Matt Tolmach

CINEMATOGRAPHER:  Ben Davis (D.o.P.)

EDITORS:  Chris Lebenzon and Craig Wood

COMPOSERS:  Evgueni Galperine, Sacha Galperine, and Benjamin Wallfisch

SUPERHERO/FANTASY/ACTION

Starring:  Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, Levi Miller, Billy Barratt, Tom Reed, Diaana Babnicova, Yuri Kolokolnikov, Damola Adelaja, and Russell Crowe

Kraven the Hunter is a 2024 action movie and superhero film from director J.C. Chandor.  The movie is based on the Marvel Comics character, Sergei Kravinoff/Kraven the Hunter, that was created by writer Stan Lee and artist Steve Ditko and first appeared in The Amazing Spider-Man #15 (cover dated: August 1964).  This is also the sixth film in “Sony's Spider-Man Universe” (SSU) series.  The film focuses on a hunter of men and his complex relationship with his father, a ruthless Russian crime lord, which starts him down the path to becoming the greatest hunter of men in the world.

Kraven the Hunter opens in Northern Russia at a prison.  Of particular interest is Prisoner #0864, but soon, prison security and imprisoned Russian gangster, Semyon Chorney (Yuri Kolokolnikov), will learn that this prisoner is really a legendary assassin known as “The Hunter.”  Who is “The Hunter?”

He is really Sergei Kravinoff (Aaron Taylor-Johnson), the elder son of brutal Russian crime lord, Nikolai Kravinoff (Russell Crowe).  Sixteen years before The Hunter killed Chorney, Nikolai took Sergei and his younger son, Dmitri, on a hunting expedition in Northern Ghana.  A terrible accident leaves Sergei near death until a local young woman intervenes in a manner that changes Sergei in ways he never imagined.

In the present day, Sergei goes by the name “Kraven.”  His activities as “The Hunter” have earned him the ire of many criminals.  Kraven has a kill-list, and once someone is on it, they don't get off until he kills them.  Kraven reunites with Calypso (Ariana DeBose), the young woman who saved him sixteen years earlier.  Now, an adult, Calypso is an attorney, and Kraven asks her to assist him in his activities as “The Hunter” by finding information on his targets.

However, Kraven himself is now being hunted.  Wannabe Russian crime boss, Aleksei Sytsevich (Alessandro Nivola), and his ally, “The Foreigner” (Christopher Abbott), have targeted Kraven's brother, Dmitri (Fred Hechinger), now an adult, as a way to trap their prey.  Kraven will have to prove to his enemies that he is indeed the world's greatest hunter and also its most dangerous apex predator.

Kraven the Hunter is sixth film in “Sony's Spider-Man Universe” line of films.  It follows Venom (2018), Venom: Let There Be Carnage (2021), Morbius (2022), Madame Web (2024), and the recently release, Venom: The Last Dance (2024).  This film series stars characters and properties commonly associated with Marvel Comics' character, Spider-Man.  Sadly, media reports indicate that Kraven the Hunter will be the last entry in Sony's Spider-Man Universe, and that's a shame because Kraven the Hunter deserves a sequel.

Most movie actors could not have saved Kraven the Hunter, if it did indeed need saving, as industry and fan gossip indicated.  If we accept those arguments, dear readers, that Kraven the Hunter needed saving, then Aaron Taylor-Johnson is indeed this film's savior.  Taylor-Johnson is a talented young actor, and he can certainly portray the tough-guy hero or antihero in a way that seems genuine, if not outright real.

Without Taylor-Johnson, I think Kraven the Hunter would still be a really entertaining film.  The screenplay, regardless of whatever number of writers contributed to it, intrigued me.  Director J.C. Chandor deftly weaves the film's story across continents and through shifts in plot that keeps things so interesting and involved that I didn't have time to search for plot holes and inconsistencies.  Also, Russell Crowe as Nikolai Kravinoff makes his scenes with Taylor-Johnson's Kraven feel ultra edgy and especially dangerous.

With Taylor-Johnson, however, Kraven the Hunter, is not only a really entertaining film, but it is also an exceptional superhero spin-off comic book film.  As comic book and superhero movies go, Kraven the Hunter is kind of like a B-movie or, at least, a B-list film, but you, dear readers, don't have to be a comic book fan to enjoy the film or its star.  As Kraven, Taylor-Johnson has such animal magnetism; I wanted to see him be in action-mode and be violent.  Taylor-Johnson has true movie star qualities, such as charisma and presence, and girl, the camera absolutely loves him.  Seriously, Taylor-Johnson carries Kraven the Hunter past what most other actors would have done – all the way to whatever kind of cinematic glory a Spider-Man-adjacent film can have.

Marvel Comics fans will likely enjoy the fact that several Spider-Man-related characters appear in the film, some of them surprisingly so.  Still, this film is about Kraven the Hunter, and Aaron Taylor-Johnson makes every subplot, setting, and the other character bow down to his “king of the jungle” performance.  Kraven the Hunter is good, surprisingly and shockingly good, because its leading man knows how to be a beast.

A

★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: THE CROW (1994)

The Crow (1994)

Running time:  102 minutes (1 hour, 42 minutes)

MPAA – R for a great amount of strong violence and language, and for drug use and some sexuality

DIRECTOR: Alex Proyas

WRITERS:  David J. Schow and John Shirley (based on the comic book series and comics strip created by James O'Barr)

PRODUCERS:  Jeff Most and Edward R. Pressman

CINEMATOGRAPHER:  Dariusz Wolski (D.o.P.)

EDITORS:  Dov Hoenig and M. Scott Smith

COMPOSER:  Graeme Revell

SUPERHERO/FANTASY/ACTION/CRIME

Starring:  Brandon Lee, Michael Wincott, Ernie Hudson, Rochelle Davis, Bai Ling, Sofia Shinas, Anna Thomson, David Patrick Kelly, Angel David, Laurence Mason, Michael Massee, Tony Todd, Jon Polito, Bill Raymond, Marco Rodriguez, and Kim Sykes

The Crow is a 1994 American superhero and dark fantasy film from director Alex Proyas.  The movie is based on The Crow comic book series and on the character that first appeared in the comic book, Caliber Presents #1 (cover dated: January 1989), all created by James O'Barr.  The Crow the movie focuses on a musician who returns from the dead a year after he and his girlfriend were brutally murdered to seek vengeance against their murderers.

The Crow is infamous for the death of its lead actor, Brandon Lee (1965-1993), the son of film icon, Bruce Lee.  On March 31, 1993, Lee was fatally wounded by a discharge from a prop gun.  At that point, Lee had completed almost all his scenes for the film.  Through the use of special effects, digital face replacement, stunt doubles, and rewrites, Proyas was able to finish the film, and it was released in May 1994.

The Crow is set in a crime-ravaged and decrepit city that is like Detroit, Michigan, and the story opens on October 30th, Devil's Night (an infamous celebration in Detroit).  It introduces rock musician, Eric Draven (Brandon Lee), and his fiancée, Shelly Webster (Sofia Shinas).  They are going to be married on Halloween.  Instead, Eric is beaten and murdered.  Shelly is brutally beaten and raped and later dies of her injuries.

One year later, Eric Draven rises from the grave as an avenging spirit, The Crow (Brandon Lee).  He has returned to killed the men who murdered him and Shelly:  T-Bird (David Patrick Kelly), Funboy (Michael Massee), Tin Tin (Laurence Mason), and Skank (Angel David).  Sarah (Rochelle Davis), a young girl who was Eric and Shelly's friend, and Albrecht (Ernie Hudson), and an outcast police officer, become personally involved in Eric's return as The Crow.  Waiting in the background, however, is Top Dollar (Michael Wincott), the crime lord who is connected to what happened to Eric and Shelley and who sees The Crow's rampage as a threat to his criminal empire.

Despite the notoriety it gained because of the onset tragedy, The Crow should also be known as a really good film.  It was Alex Proyas first major directorial effort, and that shows in the occasional clumsiness in the flow of the narrative.  However, Proyas unleashes a film that is highly-stylized and drenched in darkness that has a painterly quality.  In other films, this darkness would merely be a case of a poor lighting and mediocre cinematography.  Here, the film's production values and contributions from the cinematographer, production design/art direction team, hair and make-up crew, and film editors contribute to the creation of dark and gloomy cinematic art.

Proyas finds the film's substance in Eric Draven/The Crow's quest for revenge.  In this film, retribution has depth, weight, feel soul; in that, The Crow is like its comic book source material.  Proyas finds power and vulnerability in his lead character the way he finds power and juice in the violence that must happen before Draven can return to his grave.

Proyas, who would go on to direct Will Smith in I, Robot (2004), gets fine performances from a number of supporting actors, especially Ernie Hudson, Michael Wincott, and Rochelle Davis.  He gets the most out of his star, Brandon Lee, who was likely on the verge of blowing up.  In this film, Lee has his own charisma and presence, different from that of his father, Bruce Lee, who made his most charismatic turn in Enter the Dragon (1973).  Was The Crow going to be Brandon's Enter the Dragon?  I don't know, but Brandon makes The Crow feel solid in its slightest moments and grander in its biggest and most violent moments.

The Crow is a flawed jewel, but not a heavily flawed jewel.  Also, I imagine that it is a lot more influential than movie buffs realize.  I can see bits and pieces of it in later films like Blade (1998), The Matrix (1999), and The Dark Knight (2008).  The on-set death of its star cast a melancholy mood over The Crow, but the determination of the filmmakers, cast, and crew eventually brought it out to the public.  The Crow is not a morbid curiosity.  It is more like a rose that survived a deluge of misfortune.

A

Thursday, August 22, 2024

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved.  Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: DEADPOOL & WOLVERINE

Deadpool & Wolverine (2024)

Running time:  127 minutes (2 hours, 7 minutes)

MPA – R for strong bloody violence and language throughout, gore and sexual references

DIRECTOR:  Shawn Levy

WRITERS:  Rhett Reese & Paul Wernick, Ryan Reynolds, Shawn Levy, and Zeb Wells (based on Marvel Comics characters)

PRODUCERS:  Kevin Feige, Shawn Levy, Ryan Reynolds, and Lauren Shuler Donner

CINEMATOGRAPHER:  George Richmond (D.o.P.)

EDITORS:  Shawn Reid and Dean Zimmerman

COMPOSER:  Rob Simonsen

SUPERHERO/COMEDY/ACTION

Starring:  Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew Macfayden, Jon Favreau, Rob Delaney, Morena Baccarin, Karan Soni, Brianna Hildebrand, Shioli Kutsuna, Aaron Stanford, and Leslie Uggams with Chris Evans, Jennifer Garner, Dafne Keen, Ray Parks, Channing Tatum, Blake Lively, Matthew McConaughey, and Wesley Snipes

Deadpool & Wolverine is a 2024 American superhero film and action-comedy directed by Shawn Levy and produced by Marvel Studios.  It is the 34th entry in the Marvel Cinematic Universe.  It is also the third entry in the Deadpool movie franchise.

The film is based on two Marvel Comics characters.  The first is Deadpool, a character created by artist Rob Liefeld and writer Fabian Nicieza, and that first appeared in New Mutants #98 (cover dated: December 1990).  The second is Wolverine, a character created by writer Len Wein and artists John Romita and Herb Trimpe and that first fully appeared in the comic book, The Incredible Hulk #181 (cover dated: November 1974).  In Deadpool & Wolverine the movie, a space-time organization has set Deadpool on a mission to save his own universe, so he brings in Wolverine to help him.

Deadpool & Wolverine basically begins on March 14, 2018.  That is the day that Wade Wilson/Deadpool (Ryan Reynolds), the smart-mouthed mutant mercenary, approaches the Avengers organization about becoming a member of the Avengers.  It doesn't work, and Wade falls into a deep depression that takes a toll on his relationship with his beloved Vanessa Carlysle (Morena Baccarin).  It's also time to celebrate Wade's birthday, and his friends gather at the apartment he shares with Blind Al (Leslie Uggams).

In the middle of the revelry, agents of the “Time Variance Authority” (TVA) arrive to take Wade into custody.  At TVA headquarters, project head, Mr. Paradox (Matthew Macfayden), informs Deadpool that his own Earth/universe, Earth-10005, is scheduled for destruction, but that he can live in another universe.  Determined to save his world, Deadpool rejects the offer and goes rogue.  He travels throughout the multiverse searching for a version of Wolverine that can help him save his Earth.  Eventually, Deadpool finds a variant of Wolverine (Hugh Jackman) with a tragic past.

Deadpool and Wolverine spend more time cursing, fighting, and stabbing each other than they do world-saving.  However, they end up in a place called the “Void,” where they face its leader, the murderous and ultra-powerful mutant, Cassandra Nova (Emma Corrin).  Now,  Deadpool and Wolverine are forced together to save a universe, but luckily, they will find themselves joined by an unexpected, but familiar quartet of heroes.

In preparation for Deadpool & Wolverine, I decided to watch the earlier films:  Deadpool (2016), Logan (2017), and Deadpool 2 (2018), that lead up to the new film, to one extent or another.  However, viewers may find such films as Blade (1998), X-Men (2000), Elektra (2005), and Fantastic Four (2005) to be of most use, although Deadpool & Wolverine also references other films and television series based on Marvel Comics characters.

Deadpool & Wolverine is very much an R-rated comedy like the earlier Deadpool films, but there is more harshly explicit language and profanity galore.  There seems to be more gross sexual language in Deadpool & Wolverine than there has been in any other film ever distributed by the Walt Disney Company.  At times, it is a bit too much, but only a bit.

As he does in the other Deadpool films, Ryan Reynolds makes the comedy in Deadpool & Wolverine work, via his schtick.  Still, one must say that Reynolds' repertoire of clowning, buffoonery, and jestering have become a refined work of comic performance art.  I can honestly say that I never feel as if I have had too much of Reynolds as Deadpool.

On the other hand, in Deadpool & Wolverine, Hugh Jackman as Wolverine is the dramatic balance to Ryan as Deadpool.  Without spoiling anything, Jackman has some deep, emotional moments that require tears in his eyes.  Jackman also gets to be powerful, dark, edgy, and grieving as Wolverine without treading on the mournful Logan/Wolverine he gave us in the film, Logan.

There are some excellent supporting performances in Deadpool & Wolverine.  Emma Corrin is maniacally, gleefully wicked and evil as Cassandra Nova, and Matthew Macfayden is perfectly sleazy as the sinfully ambitious TVA functionary, Mr. Paradox.  The actors that comprise the quartet which assists Deadpool and Wolverine in their crucial assault on Nova's base are a delight, and one of them proves that his is the defining version of the superhero for whom he is most famous.  Many of us want to see him again, Disney.

Deadpool & Wolverine is Marvel Studios' funniest “Multiverse Saga” entry.  It is not without its faults, and it isn't the best Marvel multiverse film because that belongs to Spider-Man: No Way Home (2021).  However, Marvel does with Deadpool & Wolverine what it should have done with some of its post-pandemic films:  have more substantial guest appearances from classic MCU characters and stars.  Most of the heroic things that Ryan Reynolds and Hugh Jackman do in Deadpool & Wolverine are done better with friends. 

A

★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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#IReadsYou Movie Review: DEADPOOL 2

Deadpool 2 (2018)

Running time:  119 minutes (1 hour, 59 minutes)

MPAA – R for strong violence and language throughout, sexual references and brief drug material

DIRECTOR:  David Leitch

WRITERS:  Rhett Reese & Paul Wernick and Ryan Reynolds (based on Marvel Comics characters)

PRODUCERS:  Ryan Reynolds, Simon Kinberg, and Lauren Shuler Donner

CINEMATOGRAPHER:  Jonathan Sela (D.o.P.)

EDITORS:  Craig Alpert, Elisabet Ronaldsdottir, and Dirk Westervelt

COMPOSER:  Tyler Bates

SUPERHERO/COMEDY/ACTION

Starring:  Ryan Reynolds, Josh Brolin, Julian Dennison, Morena Baccarin, Zazie Beetz, T.J. Miller, Karan Soni, Brianna Hildebrand, Leslie Uggams, Eddie Marsan, Shioli Kutsuna, Jack Kesy, Michasha Armstrong, and Stefan Kapicic

Deadpool 2 is a 2018 American superhero film and action-comedy from director David Leitch.  It is a spin-off film in 20th Century Fox’s X-Men film series and is the eleventh film overall in the series.  It is a direct sequel to Deadpool (2016) and is also the second entry in the Deadpool movie franchise.  The film is based on the Marvel Comics character, Deadpool, that was created by artist Rob Liefeld and writer Fabian Nicieza, and first appeared in New Mutants #98 (cover dated: December 1990).  Deadpool 2 finds the wisecracking Deadpool trying to protect a fiery young mutant from a time-traveling cyborg.

Deadpool 2 finds Wade Wilson/Deadpool (Ryan Reynolds), the smart-mouthed mutant mercenary, doing what he likes to do – brutally slaughter bad guys.  However, his violent activities catch up with him at home, and tragedy befalls his beloved Vanessa Carlysle (Morena Baccarin).  Deep in grief and depression, Deadpool tries to kill himself, but is rescued by Colossus (voice of Stefan Kapicic), the giant mutant who has a body of organic steel.  Colossus still wants Deadpool to changes his ways and also wants him to join the X-Men – as a trainee.

On his first mission as a trainee, Deadpool and the X-Men, which includes Negasonic Teenage Warhead (Brianna Hildebrand) and her girlfriend, Yukio (Shioli Kutsuna), travel to the “Essex House for Mutant Rehabilitation.”  There, they find one angry teenager, Russell Collins (Julian Dennison), in crisis.  He is a young mutant with pyrokinetic power, and he has given himself the unfortunate code name of “Fire Fist.”  Deadpool's attempt to save the young man has disastrous results, and now, Deadpool has to save Russell from Cable (Josh Brolin), a time-traveling cyborg who has arrived in the present determined to kill the teen.  So Deadpool forms his own X-team, called “X-Force,” with tragically hilarious and hilariously tragic results.

We are nearing the release of the latest Disney/Marvel Studios blockbuster movie, Deadpool & Wolverine (2024).  I decided to watch and review the previous X-Men films:  Deadpool, Logan (2017), and Deadpool 2, that lead up to the new film.

Deadpool is humorous and silly, but it was primarily an action movie with drama and humor.  It heavily leans into brutally strong violence, frequent profane language, and explicit sexual references.  Deadpool 2 also has brutally strong violence, constant profane language, and some explicit sexual references.  However, Deadpool is a comedy, and everything serves the comedy, including the drama, superhero action, and even much of the killing.

As he does for Deadpool, Ryan Reynolds makes Deadpool, a film that could not exist without his schtick.  He is the spine of this film's comedy and is the reason so much of it works when it would be disastrous for other performers.  The supporting cast is good, but not great.  Josh Brolin has his moments as Cable, but the Cable is more of a prop than a persona.  Zazie Beetz creates moments for Domino to shine which otherwise wouldn't be there.  Julian Dennison is mostly convincing as the angry young mutant, Russell Collins, especially in the second half of the film.

I find Deadpool 2 a definite, delightful surprise. I never expected much of it because I really did not care for what I had previously seen.  Now, a full and patient viewing makes me think that Deadpool 2 is an occasion when the sequel surpasses the original.

A-

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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#IReadsYou Movie Review: LOGAN

Logan (2017)

Running time:  137 minutes (2 hours, 17 minutes)

MPAA – PG-13 for strong brutal violence and language throughout, and for brief nudity

DIRECTOR:  James Mangold

WRITERS:  James Mangold & Scott Frank and Michael Green; from a story by James Mangold (based on the characters and stories appearing in Marvel Comics)

PRODUCERS:  Simon Kinberg, Hutch Parker, and Lauren Shuler Donner

CINEMATOGRAHER: John Mathieson (D.o.P.)

EDITORS:  Michael McCusker and Dirk Westervelt

COMPOSER:  Marco Beltrami

Academy Award nominee

SUPERHERO/ACTION/DRAMA

Starring:  Hugh Jackman, Patrick Stewart, Dafne Keen, Boyd Holbrook, Stephen Merchant, Elizabeth Rodriguez, Richard E. Grant, Eriq La Salle, Elise Neal, Quincy Fouse, Jason Genao, and Bryant Tardy

Logan is a 2017 American drama, action film and superhero movie from director James Mangold.  Starring Hugh Jackman in the title role, it is the tenth film in 20th Century Fox's X-Men movie franchise and is also the third entry in the Wolverine film series.  Logan is based on the Marvel Comics character, Logan/Wolverine, that was created by writer Len Wein and artists John Romita and Herb Trimpe and first fully appeared in the comic book, The Incredible Hulk #181 (cover dated: November 1974).  Logan the movie focuses on a legendary mutant trying to save a mutant child from the evil people determined to capture her.

Logan opens in the year 2029.  Mutants are nearly extinct, and no new mutants have been born in 24 years.  The aging and ailing Logan (Hugh Jackman) works as a limousine driver in El Paso, Texas.  Once upon a time, he was known as “Wolverine,” and he was a member of the legendary band of mutants, the “X-Men.”  Now, he and the elderly founder of the X-Men, Charles Xavier (Patrick Stewart), live in hiding. Xavier suffers from a degenerative brain condition, and he sometimes has telepathic seizures that render anyone in the vicinity virtually helpless.  A mutant known as “Caliban” (Stephen Merchant) helps Logan care for Charles.

Logan has plans for escape, but a complication arrives in the form of a small girl named Laura (Dafne Keen), also known as test subject “X23.”  She is a mutant and her abilities are remarkably similar to those of Wolverine's.  However, she is being hunted by Donald Pierce (Boyd Holbrook) and his band of killers, the “Reavers.”  They are in service of the research institute, Alkali Transigen, and the scientists there want her back no matter what it costs in terms of lives.  Will Logan become the hero Wolverine, again, and help Laura get to a place called “Eden?”  Or will he run away from his fate, again?

Having seen the first two Wolverine films, X-Men Origins: Wolverine (2009) and The Wolverine (2013), I did not go to the theater to see Logan when it was originally released in 2017.  [In my defense, I was knee deep in catastrophic family drama at the time.]  With the impending release of the upcoming Marvel Studios film, Deadpool & Wolverine, I decided it was time.

My was I missing an excellent film.  Logan is by far the best of the Wolverine films, and at the time of its release, it was the best X-Men since 2011's X-Men: First Class.  Truthfully, Logan would end up being the last really good X-Men film produced by 20th Century Fox.

Logan, which was rated “R” by the MPAA, is one of the most violent superhero films that I've ever seen.  Logan, Laura, and a surprise character called “X24” disembowel, dismember, behead, eviscerate, stab, and chop up what seems like a small town's worth of deserving men of various stripes.  Although I can sometimes be a prude about what I see as gratuitous violence in cinema, I love the brutal violence of Logan.  In fact, all the action scenes in Logan are brilliant, from the standoffs to the fights and car chases.

However, director James Mangold, a filmmaker with a hugely diverse filmography, makes Logan turn on dramatic storytelling and performances.  It is obvious that Hugh Jackman as Logan and Patrick Stewart as Charles Xavier would give fine performances.  Still, actor and comedian, Stephen Merchant, is simply wonderful in the important supporting role of Caliban, bringing pathos and depth to a role that could have ended up being an extraneous freak character.

Boyd Holbrook also brings range and a variety of moods to Donald Pierce, another character that could have been a generic mercenary type.  Dafne Keen matches the rage and range of Jackman as Logan.  Laura could have been lost in the hurricane that is Logan/Wolverine's story in this film, but Keen makes Laura a force of her own.  Also, I would be remiss if I didn't mention that Eriq La Salle makes the most of his short time on screen as Will Munson.

Logan is a mournful film.  It really is not a sequel to the earlier Wolverine films so much as it is the completion of Logan/Wolverine's tragic, but heroic story arc that buttressed the earlier films.  Logan is both an ending and a beginning, and I wish that the care and effort put into this film had been put into some of the other X-Men films.

A

★★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

NOTES:

The mock X-Men comic books that appear in this film were produced by writer Joe Quesada and artist Dan Panosian.

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this site or blog for reprint and syndication rights and fees.

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#IReadsYou Movie Review: DEADPOOL

Deadpool (2016)

Running time:  108 minutes

MPAA – R for strong violence and language throughout, sexual content and graphic nudity

DIRECTOR:  Tim Miller

WRITERS:  Rhett Reese and Paul Wernick (based on Marvel Comics characters)

PRODUCERS:  Ryan Reynolds, Simon Kinberg, and Lauren Shuler Donner

CINEMATOGRAPHER:  Ken Seng (D.o.P.)

EDITOR:  Julian Clark

COMPOSER:  Tom Holkenborg

SUPERHERO/ACTION/COMEDY

Starring:  Ryan Reynolds, Monica Baccarin, T.J. Miller, Ed Skrein, Karan Soni, Brianna Hildebrand, Gina Carano, Leslie Uggams, Stan Lee, and Stefan Kapicic (voice)

Deadpool is a 2016 American superhero film and action-comedy from director Tim Miller.  It is a spin-off film in 20th Century Fox’s X-Men film series and is the eighth film overall in the series.  It is also the first entry in what would become the Deadpool movie franchise.  The film is based on the Marvel Comics character, Deadpool, that was created by artist Rob Liefeld and writer Fabian Nicieza, and first appeared in New Mutants #98 (cover dated: December 1990).  Deadpool the movie focuses on a wisecracking costumed antihero who seeks revenge against the man who left him hideously scarred after a series of experiments.

Deadpool introduces Wade Wilson (Ryan Reynolds), a smart-mouthed mercenary and former special forces operative (“the merc with a mouth”).  Wade's life takes a dramatic turn when he meets and falls in love with Vanessa Carlysle (Monica Baccarin), a prostitute.  However, after a whirlwind romance, Wade discovers that he has terminal cancer, but as he is preparing to accept death, he learns of a lab run by the mysterious Ajax (Ed Skrein).  Ajax promises to not only cure Wade's cancer, but to also give him powers and make him a superhero.  Unfortunately, Ajax is a lying monster.

Although the experiments leave his face and body hideously disfigured, Wade is rendered virtually immortal when his mutant power activates and gives him incredibly accelerated healing powers.  Taking the name, “Deadpool,” Wade goes on a mission of revenge.  On the other hand, Colossus, the mutant who has a giant organic steel body, wants Deadpool to join the X-Men and become a superhero.  Will Deadpool become a good guy, or will he simply keep piling up dismembered and bullet-riddled bodies on the way to his reunion with Ajax?

We are nearing the release of the latest Disney/Marvel Studios blockbuster movie, Deadpool & Wolverine (2024).  I had seen Deadpool and Deadpool 2, previously, but I had never reviewed them.  I decided that now is the time to foist my opinions upon you, dear readers.  I'm also going to watch and review, Logan (2017), the one X-Men movie I have been unable to finish. 

Gleefully profane in language and sexual content, Deadpool was a surprise to movie audiences upon its February 2016 original theatrical release.  It was an R-rated superhero movie, and it was proud of it.  At the time, movie audiences had seen plenty of movies featuring superheroes, ordinary heroes, and anti-heroes, in which the lead character brutally kills his adversaries.  None of those films had done it like Deadpool, although 2013's The Wolverine, had tried.

The foul language is in such abundance in Deadpool that there are moments when it all seems like too much, but even in those moments, I started laughing after being repulsed for a few seconds.  I think a movie has to be doing something right when it has even Emmy and Tony-winning actress, Leslie Uggams (as Blind Al), dropping F-bombs.

For all the credit I give director Tim Miller and film editor, Julian Clark, for this film's fast action and eye-popping dances of violence, actor Ryan Reynolds makes Deadpool work.  Yeah, the sex scenes are a bit too long and too over-the-top, but it never seems as if Wade Wilson/Deadpool is talking too much.  Reynolds makes Deadpool different and unique; he makes it work.  Eight years after its original theatrical release, Deadpool and its superhero cinema blasphemy still seem fresh.

B+

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint or syndication rights and fees.

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#IReadsYou Movie Review: MADAME WEB

Madame Web (2024)

Running time:  117 minutes (1 hour, 57 minutes)

MPA – PG-13 for violence/action and language

DIRECTOR:  S.J. Clarkson

WRITERS:  Matt Sazama & Burk Sharpless and Claire Parker & S.J. Clarkson; from a story by Matt Sazama & Burk Sharpless and Kerem Sanga (based on the Marvel Comics)

PRODUCER:  Lorenzo di Bonaventura

CINEMATOGRAPHER:  Mauro Fiore (D.o.P.)

EDITOR:  Leigh Folsom Boyd

COMPOSER:  Johan Soderqvist

SUPERHERO/FANTASY/HORROR/ACTION

Starring:  Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O'Connor, Tahar Rahim, Adam Scott, Emma Roberts, Kerry Bishé, Zosia Mamet, José María Yazpik, and Mike Epps

Madame Web is a 2024 superhero fantasy, horror, and action film directed by S.J. Clarkson.  The movie is based on the Marvel Comics character, Madame Webb/Cassandra Webb, that was created by writer Denny O'Neil and artist John Romita Jr. and first appeared in The Amazing Spider-Man #210 (cover dated: November 1980).  This is also the fourth film in “Sony's Spider-Man Universe” (SSU) series.  Madame Web the movie focuses on a NYC paramedic who starts having visions of a shadowy figure hunting three young women.

Madame Web opens in 1973 in the jungles of Peru.  There, scientist Constance Webb (Kerry Bishe) searches for a rare spider deep in the Amazon.  At her side is her assistant, Ezekiel Sims (Tahar Rahim), who has plans of his own.  They are also surrounded by legends and rumors of “Las Arañas,” a secret Peruvian tribe in which its members have spider powers.  In the end, discovery leads to betrayal, death, and birth.

Thirty years later, New York City, 2003, Constance's daughter, Cassandra “Cassie” Webb (Dakota Johnson) is a paramedic.  An accident causes Cassie to start having strange visions, which she comes to believe are clairvoyant.  These visions of the future feature three young women:  Julia Cornwall (Sydney Sweeney), Anya Corazon (Isabela Merced), and Mattie Franklin (Celeste O'Connor) being hunted by a mysterious figure.  This man wears a costume; he has enhanced strength and speed; and he can crawl on walls and ceilings like a spider.  Forced to confront her past and her psychic abilities, Cassie must safeguard these three young women before this deadly adversary murders them.

Madame Web is fourth film in Sony's Spider-Man Universe following Venom (2018), Venom: Let There Be Carnage (2021), and Morbius (2022).  In my estimation, dear readers, Madame Webb is the second best of the quartet behind only the original Venom.

In fact, Madame Webb isn't the “worst film ever,” “absolutely horrible,” or any of the over-the-top things haters and trolls are saying on social media.  It isn't a great film, but Madame Web is quite entertaining.  However, I have ideas about why this new film is getting so much hate.  One reason is that there is a corner of social media that is dedicated to dissing films that are largely led by women characters.  We saw this in the vitriol and invective directed at the 2016 Ghostbusters film and Marvel Studios' recent target, The Marvels.  There are also some structural and narrative reasons that might irritate some viewers, and in order to talk about them, I will have to give you, dear readers, a...

SPOILERS WARNING:  Madame Web is a hybrid of superheroes, dark fantasy, horror, action, and mysticism.  On the superhero end, only the adversary trying to kill the three young women wears a costume.  Sometime in the future of Madame Web's timeline, Julia Cornwall, Anya Corazon, and Mattie Franklin will each be a version of the hero, Spider-Woman, but now they are not.  We only see them in their respective costumes in Cassie's visions of the future.  Still, in the main body of the story, each actress plays her respective character as if she takes her role seriously.  The trio is fun and rebellious, and their energy makes this film hop when it starts to drag.

On the action end, Madame Web has car chases and crashes and eye-crossing fights.  The film's mystical angle comes across as a bit hokey, especially when Cassie talks about her powers.  However, when Cassie's visions kick-in, they are trippy, confusing, and disorienting; they come and go in so many alternate versions with horror movie intensity.

Madame Web certainly could have been a better film had the main male characters had more development.  Screen time isn't the issue.  Adam Scott's Ben Parker, to whom you should pay attention, is more errand boy than friend, and the bad guy often comes across as a stock villain.

That said Madame Web is an entertaining film, and Dakota Johnson is good as Cassie Webb, considering neither her character nor this film in general has the benefit of a strong screenplay.  Madame Webb is a slightly above-average comic book movie, and it should entertain most fans of superhero movies... except those with culture war agendas.

B

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2024 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: THE MARVELS

The Marvels (2023)

Running time:  105 minutes (1 hour, 45 minutes)

MPAA – PG-13 for action/violence and brief language

DIRECTOR:  Nia DaCosta

WRITERS:  Nia DaCosta, Megan McDonnell, and Elissa Karasik

PRODUCER:  Kevin Feige

CINEMATOGRAPHER:  Sean Bobbitt (BSC)

EDITORS:  Catrin Hedström and Evan Schiff

COMPOSER:  Laura Karpman

SUPERHERO/SCI-FI/ACTION with elements of comedy

Starring:  Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton, Gary Lewis, Park See-joon, Zenobia Shroff, Mohan Kapur, Saagar Shaikh, Leila Farzad, Abraham Popoola, Lashana Lynch, and Samuel L. Jackson, Tessa Thompson, Hailee Steinfeld, and Kelsey Grammer

The Marvels is a 2023 superhero film directed by Nia DaCosta and produced by Marvel Studios.  The film is the 33rd entry in the Marvel Cinematic Universe (MCU) and is also a direct sequel to 2019's Captain Marvel.  The Marvels is also a continuation of the Disney+/Marvel Studios television miniseries, "Ms. Marvel" (2022).

The film is headlined by the Marvel Comics character, Carol Danvers, who first appeared in the comic book, Marvel Super-Heroes #13 (cover dated: March 1968), and who later became Captain Marvel.  In The Marvels, Captain Marvel gets her powers entangled with two other similarly-powered individuals, forcing the trio to work together to save the universe.

The Marvels opens with a focus on Hala, the capital planet of the Kree Empire.  The collapse of the empire's “Supreme Intelligence” leads to a civil war among the Kree on their home world of Hala.  The result is that the planet is becoming barren as it loses its natural resources and its sun is rapidly going dark.  Dar-Benn (Zawe Ashton), the new leader of the Kree, retrieves one of two “Quantum Bands.”  She hopes to harness its power and to pair it with her staff, “the Universal Weapon,” as part of her scheme to save Hala.

On Earth, specifically in a home in Jersey City, New Jersey, teenager Kamala Khan (Iman Vellani), who is also the superhero, “Ms. Marvel,” is dealing with teenage and family issues.  Kamala also happens to possess the other half of the Quantum Bands.

Meanwhile, above the Earth, Nick Fury (Samuel L. Jackson), now residing at the S.A.B.E.R. space station, has detected a “jump point” (which allows for hyperspace travel) anomaly caused by Dar-Benn.  Nick Fury calls in Carol Danvers/Captain Marvel (Brie Larson) and Monica Rambeau (Teyonah Parris), an astronaut who has the ability to manipulate all wavelengths of the electromagnetic spectrum, to investigate the jump point anomaly near S.A.B.E.R.

When Monica touches the jump point at the same time as Captain Marvel, it causes a reaction in which Monica, Carol, and Kamala switch places through teleportation.  Now, this reaction brings the three young women together in order to stop Dar-Benn from destroying several worlds in order to save her home world, Hala.  And Kamala thinks that she, Carol, and Monica can best do this as a team, a super-team she names “The Marvels.

In addition to being a sequel to the 2019 film, Captain Marvel, and being a continuation of the Ms. Marvel TV series, The Marvels includes story elements that appear in the Disney+ Marvel Studios miniseries, “WandaVision” (2021) and “Secret Invasion” (2023).  There are also elements from Avengers: Infinity War (2018) and Avengers: Endgame (2019).  At this point, I wonder if watching Marvel movies means having to be familiar with what has happened in too many previous films and television series.  There is also a scene that runs in the middle of the end credits that references other movies based on Marvel Comics characters.

Still, I love The Marvels.  I have not subscribed to Disney+, and I only saw the fifth and sixth episodes of the Ms. Marvels miniseries when it was aired on the ABC broadcast network in early September (2023).  I love The Marvels because I can figure out what is going on without having seen everything else it references.  If I really want to know more, I can read Wikipedia summaries of the Disney+ series that I have not seen.

The Marvels is marvelously enjoyable.  It is a science fiction adventure comedy that makes a comedy of physical errors out of every fight.  It's more like Guardians of the Galaxy (2014) and Thor: Ragnarok (2017) than it is like any other Marvel film.  Director Nia DaCosta and her co-writers take time to develop the relationship between Carol Danvers/Captain Marvel, Monica Rambeau, and Kamala Khan/Ms. Marvel.  Also, giving so much time to Kamala family:  her mother, Muneeba Khan (Zenobia Shroff); her father, Yusuf Khan (Mohan Kapur); and her older brother, Aamir Khan (Saagar Shaikh), gives the film a human element that keeps the sci-fi, outer space weirdness of The Marvels from entirely taking over the narrative.  Yes, the plot is a bit scattershot, but The Marvels is kinetic and packs a lot energy in its fight and action scenes.

The Marvels also gives us a lighter, funnier side of Nick Fury, and, the delights of Goose, the cat-like “Flerken” alien is multiplied this time.  Dar-Benn turns out to be one of the more ruthless and interesting of the MCU's recent villains.  And if that isn't enough, The Marvels has one of the MCU's best (if not the best) extra credit scenes.  The Marvels is refreshingly short, and while it is more loose than cohesive, it does remind me of one thing.  Every trip to the world of Marvel Studios' films is an out of this world experience.

[The film includes one extra-credits scenes that takes place during the middle of the credits (mid-credits).]

A

★★★★ out of 4 stars

Friday, November 10, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: NAUSICAA OF THE VALLEY OF THE WIND

Nausicaä of the Valley of the Wind (1984)

Kaze no Tani no Naushika – original Japanese title

Running time:  117 minutes (1 hour, 57 minutes)

MPAA – PG for violence

DIRECTOR:  Hayao Miyazaki

WRITER:  Hayao Miyazaki (based upon the manga by Hayao Miyazaki)

PRODUCER:  Isao Takahata

CINEMATOGRAPHERS: Yasuhiro Shimizu, Koji Shiragami, Yukitomo Shudo, and Mamoru Sugiura

EDITORS: Naoki Kaneko, Tomoko Kida, and Shoji Saka

COMPOSER:  Joe Hisaishi

ANIMATION/FANTASY and ACTION/ADVENTURE

Starring:  (voices) Sumi Shimamoto, Goro Naya, Ichiro Nagai, Hisako Kyoda, Yoji Matsuda, Yoshiko Sakakibara, Iemasa Kayumi, Kohei Miyauchi, Joji Yanami, Minoru Yada, Mina Tominaga, Mahito Tsujimura, and Rihoko Yoshida

Nausicaä of the Valley of the Wind is a 1984 Japanese animated, post-apocalyptic, fantasy film from director Hayao Miyazaki.  The film is based on Miyazaki's manga (Japanese comic), also titled Nausicaä of the Valley of the Wind, which first began publication in 1982.  Nausicaä of the Valley of the Wind the movie focuses on a princess who is both warrior and pacifist and her desperate struggles to prevent two warring nations from destroying themselves and her homeland.

Nausicaä of the Valley of the Wind opens one thousand years after the event known as “the Seven Days of Fire.”  It was an apocalyptic war that destroyed civilization and caused an ecological collapse, creating something called “the Sea of Decay.”  This is a poisonous forest of fungal life and plants that swarm with giant mutant insects, the largest and most dangerous being the the trilobite-like and armored “Ohm.”  The poison from the plants can kill humans, and every day, the Sea of Decay spreads, encroaching on what little open land remains.

Nausicaä (Sumi Shimamoto) is a teenage warrior and princess of the Valley of the Wind, a land that has remained, thus far, free of the Sea of Decay.  Riding the wind and sky in a powered glider, Nausicaä explores the jungles of the Sea of Decay and communicates with its creatures.  That is how she is reunited with the explorer and great swordsman, Lord Yupa Miralda (Goro Naya), who has returned to meet with Nausicaä's father, Jihl (Mahito Tsujimura), the King of the Valley of the Wind.

But tragedy strikes.  The Valley of the Wind is soon at the epicenter of two warring nations, the Kingdom of Tolmekia and Pejite.  Princess Kushana (Yoshiko Sakakibara) has led the Tolmekian Frontier Forces into the Valley.  Thus, Nausicaä must forge a relationship with Prince Asbel of Pejite (Yoji Matsuda), but there is something worse than two warring nations.  Destruction is headed towards the Valley of the Wind, and it will take all of Nausicaä's talents, skills, and tricks to save her home.

I have previously reviewed the following Miyazaki-directed films:  The Castle of Cagliostro (1979), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004), Ponyo (2008), and The Wind Rises (2013).  As Netflix is shutting down its DVD-by-mail division, I am hoping to get to the Miyazaki films that I have not previously watched.

Apparently, the work of the legendary French comic book creator, Jean “Moebius” Giraud (1938-2012), influenced Miyazaki in the creation of his manga, Nausicaä of the Valley of the Wind.  The influence of Moebius remains with Miyazaki's film adaptation of Nausicaä of the Valley of the Wind.  I also see the influence of the famed animation director, Ralph Bakshi, especially of his 1977 fantasy film, Wizards.  J.R.R. Tolkien's The Lord of the Rings novels (1954-55) are clearly influences, and Frank Herbert's famed science fiction novel, Dune (1965), is also an influence.  In fact, Nausicaä of the Valley of the Wind the film would arrive in theaters almost nine months before the first film adaption of Herbert's novel, director David Lynch's 1984 film, Dune.

Nausicaä of the Valley of the Wind is a beautifully and practically designed film in the sense that the environments have both a sense of naturalism and realism to them while the insects are fantastical creations that seem more practical than impractical because they are based on real insects.  This makes the world of Nausicaä of the Valley of the Wind seem like a credible future world or at least genuine post-apocalyptic future.  Yes, Nausicaä's glider is impractical, but the animation gives it such beauty in motion that I believe in it and I believe in the way Nausicaä flies it.

The film's plot and subplots are strongly environmental and ecological and the conflict is a series of familiar tribal tropes.  However, what carries plot and narrative are the inventive and engaging characters.  Every players, regardless of the size of his or her role, is inviting and intriguing.  Yes, Nausicaä is a star born, a heroine out of fairy tale, folklore, and mythology who captures hearts and holds our imaginations captive.  Still, the denizens of the Valley and the feuding and conniving citizens of Tolmekia and Pejite are a delightful bunch, not good and evil, so much as they are selfish, but likable, each in his or her own way.  The legendary Yupa, like Nausicaä, stands as a typical heroic figure, although he stands behind Nausicaä.

A long time ago, I told a fellow Miyazaki fan that Spirited Away was my favorite of the director's films.  He insisted that I see Nausicaä of the Valley of the Wind.  Now, I'm not so sure which is my favorite.  Nausicaä of the Valley of the Wind is like no other animated feature film, and I certainly consider it one of the greatest that I have ever seen.

10 of 10

Thursday, August 10, 2023

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#IReadsYou Movie Review: BLUE BEETLE

Blue Beetle (2023)

Running time:  127 minutes (2 hours, 7 minutes)

MPA – PG-13 for sequences of action and violence, language, and some suggestive references

DIRECTOR:  Angel Manuel Soto

WRITER:  Gareth Dunnet-Alcocer (based on characters from DC Comics)

PRODUCERS:  Zev Foreman and John Rickard

CINEMATOGRAPHER:  Pawel Pogorzelski (D.o.P.)

EDITOR:  Craig Alpert

COMPOSER:  The Haxan Cloak

SUPERHERO/FANTASY/ACTION/FAMILY

Starring:  Xolo Maridueña, Bruna Marquezine, Damien Alcazar, Adriana Barraza, Belissa Escobedo, Elpidia Carrillo, Raoul Max Trujillo, Modesto Lacen, and Harvey Guillén, Susan Sarandon, George Lopez, and  (voice) Becky G

Blue Beetle is a 2023 superhero and action-fantasy film directed by Ángel Manuel Soto.  The film is based on the DC Comics character, Blue Beetle/Jaime Reyes, that was created by Keith Giffen, John Rogers, and Cully Hamner and first appeared in the comic book, Infinite Crisis #3 (cover dated: February 2006).  Blue Beetle the movie focuses on a young man who finds himself chosen to be the symbiotic host of an alien artifact that gives him a suit of armor.

Blue Beetle introduces recent college graduate, Jaime Reyes (Xolo Mariduena), who is returning to his hometown of Palmera City.  He receives a warm welcome from his family:  his father, Alberto Reyes (Damian Alcazar); his mother, Rocio Reyes (Elpidia Carrillo); his Nana (Adrian Barraza), his younger sister, Milagro (Belissa Escobedo); and his uncle, Rudy Reyes (George Lopez).  Jaime soon learns that his family will lose their home due to financial difficulties and to Alberto's poor health.  Still, Jaime is optimistic that he will quickly get a job and make enough money for his family.

Some time later, Jaime meets Jenny Kord (Bruna Marquezine), the daughter of Ted Kord, the currently-missing CEO OF Kord Industries.  Jenny is at odds with her aunt, Victoria Kord (Susan Sarandon), the current CEO.  Jenny discovers that Victoria has dark plans for her recent discovery, an alien artifact called “the Scarab.”  Jenny steals the Scarab, and not knowing its true nature, she passes it on to Jaime.

 

As soon as Jaime touches the Scarab, it activates and attaches to him, creating a suit of armor around him.  The suit gives Jaime extraordinary powers, such as flight, super-strength, and invulnerability, but those powers are unpredictable.  Now, Jaime's family calls him a “superhero.”  However, Jaime isn't sure that he wants to be a superhero, and Victoria Kord will do whatever she has to do – including murder – to regain possession of the Scarab.

The Blue Beetle first appeared in Fox Comics' Mystery Men Comics #1 (cover dated: August 1939) and was the secret identity of a young police officer, Dan Garrett.  The second Blue Beetle first appeared in Charlton Comics' Captain Atom #83 (November 1966) and was Ted Kord, an industrialist and owner of KORD Industries.  I mention this because Dan Garrett is referenced in this film.  Also, Ted Kord, with a new origin, is a major subplot in this film, although the story is that he has been missing for years under mysterious circumstances.

However, this is Blue Beetle/Jaime Reyes' film.  He comes across as a normal young man in his early twenties.  Warner Bros. didn't even cast some muscular young android-like actor for the role.  Xolo Mariduena's body is in good shape, but he looks more like a high school kid still in physical development.  Everything about Xolo comes across as boy-next-door, which makes him more relatable to a larger segment of the audience.  After all, Jaime seems so vulnerable that even an alien suit of armor doesn't seem capable of completely protecting him.  If there is a superhero of the people – the champion next door – Xolo makes Jaime Reyes as Blue Beetle fit the role perfectly.

Like Warner Bros.'s 2019 DC Comics film, Shazam, Blue Beetle emphasizes family, and the Reyes are delightful.  George Lopez's Uncle Rudy is a scene stealer, and I'm glad the story reveals that there is so much more to him than meets the eye.  Of course, one can judge how good a family is by placing it in contrast with a problematic family, and that is the Kords.  Susan Sarandon plays the evil aunt, Victoria Kord, with relish, although she doesn't really go over the top.  The film puts Jenny Kord, smoothly played by actress Bruna Marquezine, at the center of the good family (the Reyes)-bad family (Victoria Kord) dynamic.  Which will Jenny ultimately choose?  Like Shazam, Blue Beetle shows how cool an extended or surrogate family can be, especially to someone in need.

I like what director Angel Manuel Soto does with his collaborators, cast, and crew.  Blue Beetle is an easy-going superhero film that is fun for a family audience, even with the sometimes intense action and dark plot elements.  I'm surprised that the film has as its themes, “imperialism in the name of democracy” and “militarized capitalism,” neither of which are ever portrayed as a good thing.  Uncle Rudy even calls Batman a “fascist,” which has caused a stir in some Internet circles.  This film definitely has an anti-authoritarian streak.

That aside, Blue Beetle is hugely and surprisingly entertaining, and it sparkles with humor.  By focusing on Jaime Reyes as much as it does on the Blue Beetle armor, the film gets to center on the most winning aspect of it story, family and friends.  Blue Beetle won't get the attention of bigger superhero film productions, but it has more heart than most of those other films.

[Blue Beetle has two extra scenes during the end credits.]

B+

★★★½ out of 4 stars

Friday, August 18, 2023

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: LUPIN III: The Castle of Cagliostro

Lupin III: The Castle of Cagliostro (1979)

Rupan Sansei: Kariosutoro no Shiro – original Japanese title

Running time:  102 minutes; MPAA – not rated

DIRECTOR:  Hayao Miyazaki

WRITERS:  Hayao Miyazaki and Haruya Yamazaki (based upon the manga by Monkey Punch)

PRODUCER:  Tetsuo Katayama

CINEMATOGRAPHER: Hirokata Takahashi

EDITOR: Masatoshi Tsurubuchi

COMPOSER:  Yuji Ohno

ANIMATION/FANTASY/COMEDY and ACTION/ADVENTURE

Starring:  (English voices – Manga Entertainment dub) David Hayter, Bridget Hoffman, Kirk Thornton, Kevin Seymour, John Snyder, Dorothy Elias-Fahn, Milton James, Michael Gregory, Barry Stigler, and Joe Romersa; (Japanese voices) Yasuo Yamada, Eiko Masuyama, Kiyoshi Kobayashi, Makio Inoue, Goro Naya, Sumi Shimamoto and Taro Ishida

Rupan Sansei: Kariosutoro no Shiro or Lupin III: The Castle of Cagliostro is a 1979 Japanese animated action-adventure and comic-fantasy animated from director Hayao Miyazaki.  An English-language dub of the film was first theatrically released in the U.S. in 1991 under the title, The Castle of Cagliostro, the title that I will use for this review.

The Castle of Cagliostro focuses on a master thief, Lupin III.  The film Lupin is based on the manga character, Lupin the Third, created by late manga artist, Kazuhiko Kato (1937-2019), who is best remembered by his pen name, Monkey Punch.  In the film, a dashing thief struggles to free a princess from an evil count who needs her in order to gain a mysterious treasure.

The Castle of Cagliostro opens in Monaco.  There, Master thief Lupin III (David Hayter) and his partner, Jigen (John Snyder), flee the National Casino with huge quantities of stolen money.  As they will soon learn, however, the stolen bills are actually distinctive, high-quality counterfeits known as “Goat bills.”  Lupin decides to seek out the source of this counterfeit money, the country known as the Duchy of Cagliostro.

Shortly after arriving, Lupin and Jigen see a young woman being chased by armed thugs.  It turns out that she is Lady Clarisse de Cagliostro (Bridget Hoffman), and she is running away from her fiancé, the Count de Cagliostro (Kirk Thornton), the regent of the Duchy of Cagliostro.  The Count has arranged a marriage with Lady Clarisse in order to cement his power. The marriage will also help him recover the fabled ancient treasure of Cagliostro, for which he needs both his and Clarisse's ancestral signet rings.

Lupin is determined to save Clarisse from this arranged marriage.  In addition to his partner Jigen, Lupin calls in the highly-skilled martial artist and swordsman, Goemon (Michael Gregory), and the rival professional thief, Fujiko (Dorothy Elias-Fahn).  Meanwhile, Inspector Zenigata of Interpol (Kevin Seymour) sees Lupin's activities in the Duchy of Cagliostro as a perfect opportunity to catch the thief he has been chasing for so long.  Can Lupin rescue Clarisse? Will Count Cagliostro destroy them both?  And just what is the treasure of Cagliostro?

I have previously reviewed the following Miyazaki-directed films:  My Neighbor Totoro (1988), Princess Monoke (1997), Spirited Away (2001), Howl's Moving Castle (2004), Ponyo (2008), and The Wind Rises (2013).  As Netflix is shutting down its DVD-by-mail division, I am hoping to get to the Miyazaki films that I have not previously watched.

I had heard of The Castle of Cagliostro in connection with Miyazaki, but I had put off seeing it.  I wish I'd seen it earlier, as it is a delightful and maniacal comedy.  The film is not without flaws, as it stretches credulity a bit far, even for a Japanese animated film.  Lupin is not just a master thief; he is also apparently a super-human thief with supernaturally good luck.

Still, I treasure The Castle of Cagliostro's loopiness because Miyazaki and his co-writer Haruya Yamazaki are imaginative when it comes to the comic and action-adventure possibilities of the twists and turns this quasi-mystery takes.  As both designer and storyboard artist, in addition to being director, Miyazaki is inventive in the way he stages the action as a series of chases and fights that are as defined by feats of aerial stunts and gymnastics as they are by martial arts and combat skills.

The characters are quite nice, especially gallant Lupin, who is apparently more ruthless in the original manga, and his partner, Jigen, the amiable, but quite skilled tough guy.  However, the star here is Miyazaki in his first feature-length film.  He makes the action unrestrained by gravity, natural law, or architecture.  Thus, the film is a rollicking adventure with a humorous tone that belies the threat of brutal violence and death that frequently pop up in the story.  I really like The Castle of Cagliostro, and I highly recommend it to fans of Hayao Miyazaki and to those searching for the great animated films.  I also plan on buying my own physical copy.

8 of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.

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#IReadsYou Movie Review: THE FLASH

The Flash (2023)

Running time:  144 minutes (2 hours, 24 minutes)

MPAA – PG-13 for sequences of violence and action, some strong language and partial nudity

DIRECTOR:  Andy Muschietti

WRITERS:  Christina Hodson; from a screen story by John Francis Daley, Jonathan Goldstein, Joby Harold (based on the DC Comics characters)

PRODUCERS:  Barbara Muschietti and Michael Disco

CINEMATOGRAPHER:  Henry Braham

EDITORS:  Jason Ballantine and Paul Machliss

COMPOSER:  Benjamin Wallfisch

SUPERHERO/FANTASY/ACTION

Starring:  Ezra Miller, Michael Keaton, Sasha Calle, Michael Shannon, Ron Livingston, Maribel Verdu, Kiesey Clemons, Antje Traue Temuera Morrison, Ben Affleck, Gal Gadot, Nicolas Cage, George Clooney, Jason Momoa, and Jeremy Irons

The Flash is a 2023 superhero and action-fantasy film directed by Andy Muschietti.  The film is based on the DC Comics character, The Flash, with the two most famous versions being created by the teams of writer Gardner Fox and artist Harry Lampert and writer Robert Kanigher and artist Carmine Infantino.  The film is the 13th entry in the DC Extended Universe (DCEU).  In The Flash, the superhero known as “the fastest man alive” uses his super-speed to change his family's tragic past, but also creates a world without superheroes.

The Flash opens at a very important time in the life of Barry Allen/The Flash (Ezra Miller).  His father, Henry Allen (Ron Livingston), has been imprisoned, wrongfully convicted for murdering his wife and Ezra's mother, Nora Allen (Maribel Verdu).  As a police forensic investigator for the Central City Police Department, Barry has been using his knowledge and connections in a bid to free his father, whose next appeal of his conviction is a day away.

However, Barry's superhero life intrudes, so he races to Gotham City where he helps Batman (Ben Affleck) stop a terrorist group.  After that, the Flash visits his childhood home.  Overcome by his emotions, Barry starts running so fast that he does not realize that his power, super-speed, has tapped into the “Speed Force” to such an extent that he has traveled back in time.  Although Batman's alter-ego, Bruce Wayne (Ben Affleck), warns him against doing so, the Flash travels back in time, again.

He returns to the day his mother was murdered and changes events in order to save her life, and the thing about which Bruce warned Barry occurs, the unintended consequences of time travel.  Soon, Barry comes face to face with his younger self, college-age Barry (Ezra Miller).  Not long afterwards, Barry learns that his big change to the past has also created an Earth without superheroes.  As an alien threat looms, the two Barrys seek out the one superhero everyone knows exists – or at least once existed, Batman.  However, this Earth's Bruce Wayne (Michael Keaton) does not want to be Batman again, even if it dooms the world.

When I first heard of the premise of The Flash, I knew that Warner Bros. Pictures wanted to make its on version of Sony Pictures and Marvel Studios' multiverse adventure, Spider-Man: No Way Home (2021).  Unlike this very sharp Spider-Man flick, The Flash is not as crisp and as efficient.  The Flash's action scenes are always at least a minute too long and too overdone.  The drama is a bit too melodramatic, sometimes in danger of being corny.  Still, director Andy Muschietti and his editors offer a film that is often quite engaging, thrilling, and entertaining.

I believe that the persons that really carry The Flash are first, Ezra Miller as The Flash/Barry Allen and as younger Barry Allen and second, Michael Keaton as Batman/Bruce Wayne.  This time around Ezra offers a superhero and alter-ego that are both far less annoying and forced than they were in Joss Whedon's 2016 superhero film, Justice League.  Miller is so good at portraying two versions of Barry that they seem like distinctly different people and personalities.  Here, Miller's Flash is more like a quirky character than in Justice League, where he seemed like bad character writing and a resulting confused and awkward performance.  Sadly, Miller's legal problems may keep them from portraying the Flash again, which is a shame.  They have finally got a bead on how to play that kind of character in a way that makes him endearing.

To a slightly lesser extent, Michael Keaton also carries this film.  His Batman/Bruce Wayne is one of the most famous iterations of the character, having appeared in director Tim Burton's Batman (1989) and Batman Returns (1992).  Keaton revives the beats of the way he played the character over three decades ago, while adding a lot of new flavors to his character and new engagement in his performance.  After this appearance, I would really like to see more of Keaton's Batman.

Ben Affleck also makes a really nice turn as the “DCEU Batman/Bruce Wayne.”  Sasha Calle as Kara Zor-El/Supergirl gives a performance that makes the character seem shoe-horned into this film.  And there are some delightful cameos from other actors and characters that have appeared in DC Comics-related film and television series.  Plus, there is a surprise appearance from another cinematic Batman.  As I have said, however, Ezra Miller and Michael Keaton put a light-speed jolt into The Flash.  I found The Flash entertaining, but I'm giving it the grade I am because of Miller and Keaton.

[The Flash has one scene at the end of the credits.]

B+

★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Movie Review: "GUARDIANS OF THE GALAXY VOL. 3"

Guardians of the Galaxy Vol. 3 (2023)

Running time:  150 minutes (2 hours, 30 minutes)

MPAA – PG-13 for intense sequences of violence and action, strong language, suggestive/drug references and thematic elements

DIRECTOR:  James Gunn

WRITER:  James Gunn (based on the Marvel Comics characters)

PRODUCER:  Kevin Feige

CINEMATOGRAPHER:  Henry Braham (D.o.P.)

EDITORS:  Fred Raskin and Greg D'Auria

COMPOSER:  John Murphy

SCI-FI/FANTASY and ACTION/ADVENTURE/COMEDY

Starring:  Chris Pratt, Zoe Saldana, Dave Bautista, Karen Gillan, Pom Klementieff, Chukwudi Iwuji, Sean Gunn, Will Poulter, Nico Santos, Miriam Shor, Elizabeth Debicki, Sylvester Stallone, Nathan Fillion, Michael Rooker, Gregg Henry, and the voices of Linda Cardellini, Seth Green, Maria Bakalova, Bradley Cooper, and Vin Diesel

Guardians of the Galaxy Vol. 3 is a 2023 science fiction, comedy, and action-adventure film written and directed by James Gunn and produced by Marvel Studios.  It is the third film in Marvel's Guardians of the Galaxy film series, following 2014's Guardians of the Galaxy and 2017's Guardians of the Galaxy Vol. 2.  It is also the 32nd film in the Marvel Cinematic Universe (MCU).  Vol. 3 finds the Guardians fighting to save one of their members from his creator, a mission that may destroy the Guardians whether they are successful or not.

Guardians of the Galaxy Vol. 3 opens on Knowhere, the strange space station where the Guardians of the Galaxy have established their headquarters.  Their leader, Peter Quill/Star-Lord (Chris Pratt), mourns the loss of his girlfriend, Gamora (Zoe Saldana).  The alien warlord, Thanos, killed Gamora (as seen in Avengers: Infinity War), but an alternate universe version of her appeared (as seen in Avengers: Endgame).  This new Gamora does not love Peter, and she associates with The Ravagers, which was once essentially Peter's surrogate family.

The group has bigger troubles ahead.  The Guardians are being targeted by the “Sovereign” empress Ayesha (Elizabeth Debicki), someone with a grudge against them (as seen in Vol. 2).  She sends her son, Adam Warlock (Will Poulter), to attack the Guardians, and he grievously wounds Rocket (voice of Bradley Cooper).  To save Rocket, Peter and his fellow Guardians:  Drax the Destroyer (Dave Bautista), Groot (voice of Vin Diesel), Mantis (Pom Klementieff), Nebula (Karen Gillan), and a reluctant Gamora, must confront The High Evolutionary (Chukwudi Iwuji), the Counter-Earth scientist who created Rocket.

The original Guardians of the Galaxy was one of the surprise hits of 2014, if not the surprise hit of the year.  Vol. 2 was a fun sci-fi-action movie and a surprisingly thoughtful character melodrama.  Guardians of the Galaxy Vol. 3 does everything the first two films did well and amplifies that.  Vol. 3 is the series' funniest film, and I found myself laughing throughout it.  That still surprises me because this movie has some pretty dark moments, especially concerning The High Evolutionary, who is superbly played with volcanic intensity and unremitting cruelty by the most excellent Chuckwudi Iwuji.

Guardians of the Galaxy Vol. 3 is one of Marvel Studios' best films in years.  I think it works for three reasons.  First, the film's production values and special effects are impressive.  The CGI-created environments, backdrops, sets (interiors and exteriors), space-ways, worlds, etc. are so dazzling in scope, color, and imagination that they surpass the impressive work of the first two films, especially the second film.  The entire entire “Orgoscope” sequence is an eye-popping collection of inventiveness.  Even the menagerie of people, creatures, and robots exceeds the first two film, probably combined.

The acting is quite good, and that makes me want to engage the characters even more.  Chris Pratt gives his best tern as Peter Quill/Star-Lord – drama, pathos, big emotions, and the sarcasm and quips are still here – but with edginess.  This is the first time that I really hoped that Star-Lord would be a long term MCU character.  It is so shocking that Zoe Saldana can convince me that she is a different Gamora.  Karen Gillan as Nebula and Pom Klementieff as Mantis do superb work with the character arcs that the story gives them.  As Drax the Destroyer, Dave Bautista makes the character seem not extraneous for the first time.  Vin Diesel and Bradley Cooper as always are winning in their voice roles as Groot and Rocket, respectively, with Diesel bringing some extra to Groot this time.

The third reason Guardians of the Galaxy Vol. 3 is so damn good is writer-director James Gunn.  This is Gunn at the peak of his powers.  Honestly, I liked Vol. 2 so much that I didn't think he could top himself, but he does with this third film.  I did find Vol. 3 a little dry and too dark in the beginning, but once it grabbed me, it would not let go.

This film has a heart – a center that is about the struggle to help a friend or family member no matter how bad his or her troubles might be or even if he or she resists and rejects the help.  In Vol. 3, Gunn makes all the characters unique individuals with wants, needs, goals, conflicts, and melodrama.  However, the best thing that Gunn does is accept that even the most intense relationships change, so he lets some of the characters move on.  The result is a last act for the ages and a closing sequence that recalls the beginning of the original film and leaves the viewer with the warmest feelings.

Guardians of the Galaxy Vol. 3 opens in the U.S. today, May 5, 2023.  That is 15 years and a few days after the release of the first MCU film, Iron Man (2008).  Vol. 3 exemplifies something that I just realize runs throughout Marvel Studios' film.  In almost all of them, a dominant theme is the formation of surrogate families.  Friends, enemies, heroes, and sometimes even the villains come together in a unit that is more than just a group of friends; they are family.  In Guardians of the Galaxy Vol. 3, James Gunn gives us the end of one version of the family as it evolves into something larger.  What makes Guardians of the Galaxy Vol. 3 an amazing film is that it is as heartwarming as it is exciting and thrilling.  Yes, there are big, mesmerizing action set pieces, but by the end, I really believe that these guys love one another.  I could watch it forever.

9 of 10

★★★★+ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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