Showing posts with label Jonathan Sibal. Show all posts
Showing posts with label Jonathan Sibal. Show all posts

Wednesday, October 16, 2024

#IReadsYou Review: BATMAN: EARTH ONE Volume Two

BATMAN: EARTH ONE VOLUME TWO
DC COMICS

STORY: Geoff Johns
PENCILS: Gary Frank
INKS: Jonathan Sibal
COLORS: Brad Anderson
LETTERS: Rob Leigh
COVER: Gary Frank with Brad Anderson
ISBN: 978-1-4012-6251-8; paperback (June 21, 2016)
144pp, Color, $14.99 U.S., $17.99 CAN

Batman created by Bob Kane and Bill Finger

Batman: Earth One Volume 2 is 2015 hardcover original graphic novel (OGN) published by DC Comics.  It is written by Geoff Johns; drawn by Gary Frank (pencils) and Jonathan Sibal (inks); colored by Brad Anderson; and lettered by Rob Leigh.  Set in a reality that is different from the flagship Batman titles, Earth One Vol. 2 pits Batman against The Riddler for the first time.

In 2009, DC Comics announced plans to publish new graphic novels that would retell or re-imagine the beginnings of Batman and Superman.  Each character would have his own ongoing series of original graphic novels depicting his earliest moments as a superhero and crime fighter.  Each graphic novel would be a stand-alone story set on a new Earth with an all-new continuity.  Superman: Earth One Volume One arrived in October 2010 and Batman: Earth One Volume One arrived in 2012, both released as hardcover original graphic novels.  To date (2024), there have been three releases each featuring Superman and Batman, and some releases featuring other DC Comics characters. [My review is based on the 2016 paperback edition of this graphic novel.]

Batman: Earth One Volume Two opens in the gritty, contemporary metropolis of Gotham City in the wake of the murder of Mayor Osward Cobblepot (as seen in Vol. 1).  The police and the public believe that Batman murdered the mayor, but the actual killer is Alfred Pennyworth.  The former Royal Marine and friend of Bruce Wayne's late father, Thomas Wayne, Alfred is now Bruce's head of security and partner in Bruce's war on crime and corruption as the costumed-wearing vigilante, The Batman.

Something else, however, is also troubling Gotham City.  It has been plunged into terror by an enigmatic anarchist, terrorist, and killer calling himself “The Riddler.”  He begins with a bang with the murder of five people who plunge to their deaths in an elevator.  Batman is determined to stop him, but he finds himself caught in the conflicting ideologies of Detective Jim Gordon of the Gotham City Police Department (GCPD) and of Alfred.  Gordon is also dealing with the troubles of his partner, Harvey Bullock.  Once flashy and overconfident, Bullock is now traumatized by the discovery he made in a serial killer's basement (as seen in Vol. 1).

If that weren't enough melodrama, Gotham Mayor Jessica Dent wants Bruce to help her discover the identities of the five VIP Gotham residents who have taken over the late Mayor Cobblepot's criminal empire.  However, her brother, District Attorney Harvey Dent, has hated Bruce since they were children, and he has his own secret agenda.  Meanwhile, there are reports of a bizarre creature, called “Killer Croc, prowling the sewers of the city, treating human and animal as meat for the beast.

THE LOWDOWN:  I was crazy about Batman: Earth One Volume One.  It is like a “Batman Family” story because Johns writes it as if it were an ensemble crime drama.  Batman is obviously the lead, but Vol. 1 seems to treat Bruce Wayne as one of several supporting characters in the story.  I rather like that.

In Batman: Earth One Volume Two, John makes Bruce Wayne the lead, with the Batman being only one part of a complicate life of purposes.  The story seems to be about Bruce Wayne working out who he is.  Is Bruce just the Batman, or is Bruce a civilian with a mission that is just as important as Batman's mission as a costumed vigilante?  It is an interesting take, one that is more interesting than anything to do with The Riddler angle of the story.

Speaking of the Riddler:  I have not yet read Batman: Earth One Volume Three, but I believe the first two volumes had a big influence on director Matt Reeves' 2022 Batman film, The Batman, especially Vol. 2.  Reading this graphic novel, over two years after first seeing The Batman, I find that Vol. 2 seems quite familiar.  It wasn't long into reading this that I was making connections to the 2022 Batman film, which also has The Riddler as a terrorist-like villain.

British comic book artist, Gary Frank, has displayed his muscular compositions and forceful graphical storytelling to readers for the better part of four decades – three decades in the U.S.  I don't think Geoff John's edgy, retooling of Batman, which owes a lot to Frank Miller's Batman: The Dark Knight Returns and to Alan Moore and Brian Bolland's Batman: The Killing Joke, would work quite as well without Frank's brawny storytelling and pencils.  Inker Jon Sibal captures that strength with a balance of sinewy precision and consistent and deft grace in his inking.

Colorist Brad Anderson makes the art both bright and dark – bright to reveal the emotional moments and dark to hide the danger.  Another strong contributor is Rob Leigh; his lettering is what gives the story a balance of sound and effect.

I don't know if there is going to be more Batman: Earth One.  Truthfully, Earth One should have been the direction taken by the “Rebirth” launch of the flagship Batman in 2016.  But what do I know?  I'm not a comics publisher selling comic books in a stagnate market for American comic books.

I READS YOU RECOMMENDS:  Fans of Batman comic books will want to read Batman: Earth One Volume Two.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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Wednesday, October 17, 2012

Albert Avilla Reviews: Teen Titans #0

Teen Titans #0
DC Comics

Reviewed by Albert Avilla

Writer: Scott Lobdell
Pencils: Tyler Kirkman
Inks: Batt, Norm Rapmund, Jon Sibal

"Red Robin" (Spoiler Alert!)
The origin of Red Robin. Lobdell writes a wonderful story; this is a fascinating beginning for a Robin. Tim Drake is motivated to be a hero for different reasons than Batman and the other Robins. His determination to be the best at everything is important in his struggle to become Robin.

From the beginning, his family sees that Tim is destined for greatness and they support him. Despite Batman's efforts to dissuade him from the life, Tim continues in his pursuit of the mantle of Robin. Tim begins his own war on crime by stealing from rich criminals and giving to the poor. He runs afoul of the Penguin when he steals a fortune from Cobblepot. Batman saves him just as a hit squad arrives to kill him. Tim's parents are put in witness protection, and Batman takes Tim on as Robin.

Points that I liked about the story: Tim wants to be Robin, so it is not thrust upon him; he sees it as a step toward reaching his destiny. He feels that he is meant for greatness. Being Robin is not the be-all and end-all of his life. He forges his own destiny by designing his own uniform and choosing the name Red Robin. Lobdell is making Teen Titans his book with the creative direction he is taking this book.

The art is average. The characters look clunky; sometimes their movement does not seem natural. I do not like the dark gloomy look of most of the book.

I rate Teen Titans #0 Buy Your Own Copy.

Wednesday, July 11, 2012

Review: BATMAN: EARTH ONE (OGN)

BATMAN: EARTH ONE
DC COMICS

WRITER: Geoff Johns
PENCILS: Gary Frank
INKS: Jonathan Sibal
COLORS: Brad Anderson
LETTERS: Rob Leigh
COVER: Gary Frank with Brad Anderson
ISBN: 978-1-4012-3208-5; hardcover
144pp, Color, $22.99 U.S., $25.99 CAN

Unlike many comic book readers, I have not been a fan of Geoff Johns, the popular comic book writer best known for his work on Flash, Green Lantern, Superman, and JSA. I neither like nor dislike him. I have not read many comic books written by Johns, and what I have read led me to wonder why fans and fans who are critics liked him so much. By the time I got to the middle of Batman: Earth One, I said to myself, “Oh, that’s why they like him so much.”

Three years ago, DC Comics announced plans to publish new graphic novels that would retell or re-imagine the beginnings of Batman and Superman. Each character would have his own ongoing series of original graphic novels depicting his earliest moments as a superhero and crime fighter. Each graphic novel would be a stand-alone story set on a new Earth with an all-new continuity. Superman: Earth One arrived in October 2010 and was hit – mainly because it was so good.

Over a year and a half later, Batman: Earth One arrived in comic book stores on July 4, 2012, and DC Comics generously provided me with a copy for review. This original hardcover graphic novel is written by Geoff Johns, penciled by Gary Frank, inked by Jonathan Sibal, and colored by Brad Anderson. Batman Earth One is a new interpretation of a classic character and retells Batman’s origins by altering players, events, conflicts, and motivations to one degree or another.

The Gotham City of Batman: Earth One is a gritty, contemporary city. This troubled metropolis is rotten top to bottom, with corrupt politicians ruling from the top and a vile street-level criminal class at the bottom that seems to kill with impunity. Enter a masked man the press is calling “Batman.” Neither hero nor vigilante, he is just an angry young man named Bruce Wayne. Fallible, lonely, and vulnerable, Bruce is Batman and wants no help on his mission of vengeance, but he is about to learn that grit and determination are not enough in cold, cold-bloodied Gotham.

Meanwhile, Alfred Pennyworth, a former Royal Marine and friend of Bruce’s late father, Thomas Wayne, is reaching out to Bruce, and only getting his hand slapped. Detective James Gordon is so marginalized that many of his colleagues don’t even know he exists. Mayor Oswald Cobblepot, the man who dresses in a tuxedo that deserves the term, “penguin suit,” rules Gotham City, and when people get in his way, they get a birthday surprise – even if it isn’t their birthday. Searching for the real killers behind his parents’ deaths, Bruce feels unstoppable as Batman, but Gotham City is about to show him that he can be stopped and maybe even killed.

This graphic novel is something like a “Batman Family” story because what Johns has written is an ensemble piece. I don’t want to spoil this for people who have not yet read the book, so I’m going to be careful describing the characters and details. You have probably read many Batman comic books in which Bruce Wayne is like a supporting character. Sometimes, it is almost as if he really isn’t Batman; it is as if he is just another supporting player.

Here, Johns makes Bruce Wayne dominant; Batman is a guise, a vehicle for his quest for vengeance rather than being some kind of separate identity or personality. In this story, even in scenes that feature Batman, Bruce Wayne’s personality comes through the mask. I think that approach of dealing with Batman as a man rather than as a “superman” gives Johns more freedom. He can dig into the supporting characters and make them fuller characters, and not just the people who orbit Batman. Johns’ take on James Gordon is the most complex and thoughtfully fashioned version of the character since Batman: Year One (which was first published a quarter-century ago). The extent to which Johns is able to enrich supporting characters is exemplified by this novel’s snazzy Harvey Bullock, a mercurial character who constantly surprises by the things he says and does.

Now, as much as I have praised Johns, I think the true star of Batman: Earth One is artist Gary Frank. Frank gives this graphic novel its sense of being contemporary fiction, of being more modern crime thriller than superhero comic book. Frank takes the meaty, but elegant style of Brian Bolland and the photo-realistic compositions of Bryan Hitch and creates his own style, one that creates art both powerful and graceful.

In Batman: Earth One, the figure drawing has an immensely physical appearance, suggesting the power and grace of the human body. Here, the fight scenes are like a blend of Jack Kirby’s superhero art (as inked by Joe Sinnott) married to a neo-classical painting style (think Jacques-Louis David’s The Oath of the Horatii). Frank draws Batman’s costume as a costume and not as plastic armor (like in the movies). It even seems as if you can see Batman’s junk moving in his trunks.

Batman: Earth One is already on my best comics of the year list. I want a second volume… now.

A+

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