Showing posts with label Mark Roslan. Show all posts
Showing posts with label Mark Roslan. Show all posts

Sunday, March 28, 2010

I Reads You Review: Ultimate X #1


ULTIMATE X #1
MARVEL COMICS
WRITER: Jeph Loeb
PENCILS: Arthur Adams
INKS: Aspen MLT’s Mark Roslan
COLORS: Aspen MLT’s Peter Steigerwald
LETTERS: Richard Starkings & Comicraft’s Albert Deschesne


Last year Marvel Comics brought an end to its Ultimate Comics line with a big event called Ultimatum. Never one to let its suckers… I mean customers keep a few extra bucks in their wallets, Marvel has relaunched the line and Ultimate X-Men is now Ultimate X.


Ultimate X #1 introduces readers to shirtless Jimmy Hudson, the adopted son of trailer park denizens, James and Heather Hudson. In the regular Marvel Universe, the Hudson’s were part of Alpha Flight. Here, James is a redneck sheriff and Heather is a home-bound harpy. Their little Jimmy is actually the spawn of Wolverine and some unnamed female. It’s a good thing that Bill Jemas and his regime of “realistic” comic book stories no longer reigns at Marvel or Jemas would make Jimmy’s mother an actual Wolverine.

The rest of the story (Chapter One: “His Father’s Son”) involves Kitty Pryde showing up to tell Jimmy all the secrets he should know. God forbid that he could learn that on his own and give this story a little more drama and action.

When I first heard of this comic, I was excited because I am a long time fan of artist Art Adams. I figured that it would be hit or miss with Jeph Loeb, and it is all miss. I’ve often wondered why Loeb is so acclaimed and popular. He has written some good comics, but most of his work is so stunningly mediocre. I figure that Loeb gets so many writing assignments because (1) people like him and (2) he is good at kissing ass, brown-nosing, and/or bee-jaying. The script for Ultimate X #1 is so dull that it is practically a strong dose of sleeping pills. Obviously, it is not good, but it isn’t so much bad as it is flat. In fact, even when Loeb attempts to create intrigue, it comes out as the opposite of intrigue.

As for Adams, he’s good enough to keep me coming back. I think Adams best days are behind him, having peaked in the 1990s around the time of his work on Monkeyman and O’Brien and his work with Wildstorm. Peter Steigerwald’s colors are professional, if not inspired. The coloring on Jimmy’s jeans, however, really stands out for some reason. Overall, I don’t see myself paying $3.99 per issue for Ultimate X, unless there is improvement, but I’ll continue to read it even if I have to shoplift a copy or download a pirated copy.

C


[This comic also includes a preview of New Ultimates #1.]


Buy Ultimatum