Showing posts with label Michael Avon Oeming. Show all posts
Showing posts with label Michael Avon Oeming. Show all posts

Tuesday, January 5, 2021

#IReadsYou Review: HELLBOY WINTER SPECIAL (2016)

HELLBOY WINTER SPECIAL 2016
DARK HORSE COMICS – @DarkHorseComics

[This review was originally posted on Patreon.]

STORY: Mike Mignola, Scott Allie, Chris Roberson, Chelsea Cain, Dean Rankine
ARTISTS: Tim Sale; Michael Walsh; Michael Avon Oeming; Dean Rankine
COLORS: Dave Stewart; Dean Rankine
LETTERS: Clem Robins
COVER: Tim Sale with Dave Stewart
EDITOR: Scott Allie
VARIANT COVER: Mike Mignola with Dave Stewart
32pp, Color, $3.99 U.S. (January 2016)

Hellboy is both a superhero and horror comic book character.  Created by writer-artist Mike Mignola, Hellboy first appeared in San Diego Comic-Con Comics #2 (cover date: August 1993).  The character's debut in his own comic book was Hellboy: Seed of Destruction #1 (March 1994).  However, some of the best Hellboy stories are short stories, and for over two decades, Hellboy shorts have appeared in a number of Hellboy comic books and also in the classic anthology, Dark Horse Presents.

Hellboy Winter Special is a recently published Hellboy anthology that offers four Hellboy short stories and features two covers – a Tim Sale regular cover and a Mike Mignola variant.  The first of the three snowbound stories is “Broken Vessels,” written by Mignola and Scott Allie and drawn by Tim Sale (in his Hellboy or “Mignolaverse” debut).  In the story, which is set in Mignolaverse prehistoric mythology, a warrior shares his campfire with a seemingly deranged man who claims to be a shaman.

Writer Chris Roberson and artist Michael Walsh enter the world of Hellboy in “Wandering Souls,” a Hellboy and the B.P.R.D.: 1953 story.  This tale opens in Sweetwater County, Wyoming in 1953.  Hellboy and Agent Susan Xiang are investigating a seemingly haunted camp, a place where Xiang will discover why she felt so compelled to accompany Hellboy on this mission.

In “Mood Swings,” Chelsea Cain (another Mignolaverse debut) and Michael Avon Oeming present Liz in a bad Christmas mood.  Also, writer-artist Dean Rankine finds fun with Chinese takeout in “Kung Pao Lobster.”

Simply put, I would recommend Hellboy Winter Special not only to Hellboy fans, but also to anyone who has ever read even a single Hellboy short story, let alone a full comic book.  Hellboy is a true fantasy and horror comic book in a way that Doctor Strange and Doctor Fate comic books have never really been.  Hellboy is a superhero, but Hellboy comics and stories (as well as those of the B.P.R.D.) are fantasy that encompasses action-adventure, mystery, ghost stories, fairy tales, folk tales, myth, etc.

Hellboy is truly unique, and Mike Mignola and his collaborators have executed the long narrative of Hellboy and company with inventiveness and imagination.  In a way, what Hellboy is can be said to be largely unseen in North American comic books.  Hellboy Winter Special is a sampler pack, a taste of that Hellboy and Mignolaverse special way.

The one thing I hate about Hellboy Winter Special is that there isn't more of it.  Yeah, I'm ungrateful, but winter is long, so I wish there was a Hellboy “Mid-Winter” special and a “end-of-winter/turn-of-spring” special and “Ides of March” special and a....

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Monday, August 31, 2020

DC Comics from Lunar/UCS Distributors for September 1, 2020

DC COMICS:

Batman #98 (Cover A David Finch), $3.99
Batman #98 (Cover B Francesco Mattina Card Stock Variant), AR
Batman #98 (Cover C Jorge Jimenez Catwoman Card Stock Variant), AR
Batman The Adventures Continue #4 (Of 7)(Cover A James Harren), $3.99
Batman The Adventures Continue #4 (Of 7)(Cover B Ben Caldwell Card Stock Variant), AR
Booster Gold Future Lost HC, $39.99
DC Connect Checklist Poster #3, AR
DC Super Hero Girls Midterms TP, $9.99
DCeased Dead Planet #3 (Of 7)(Cover A David Finch), $3.99
DCeased Dead Planet #3 (Of 7)(Cover B Francesco Mattina Card Stock Variant), AR
DCeased Dead Planet #3 (Of 7)(Cover C Yasmine Putri Movie Homage Card Stock Variant), AR
Dollar Comics Batman #663, $1.00
Dollar Comics Catwoman #1 (2002), $1.00
Dreaming Waking Hours #2 (Of 12), $3.99
Flash Savage Velocity TP, $39.99
Green Arrow The Longbow Hunters Saga Omnibus Volume 1 HC, $150.00
Hellblazer Rise And Fall #1 (Of 3)(Cover A Darick Robertson), $6.99
Hellblazer Rise And Fall #1 (Of 3)(Cover B Lee Bermejo), AR
Hellblazer Volume 23 No Future TP, $29.99
He-Man And The Masters Of The Multiverse TP, $17.99
Justice League #52 (Cover A Cully Hamner), $3.99
Justice League #52 (Cover B Nick Derington), AR
Powers The Best Ever HC, $29.99
Shazam #14 (Cover A Dale Eaglesham), $3.99
Shazam #14 (Cover B Dale Keown), AR
Spectre The Wrath Of The Spectre Omnibus HC, $125.00
Strange Adventures #5 (Of 12)(Cover A Mitch Gerads), $4.99
Strange Adventures #5 (Of 12)(Cover B Evan Doc Shaner), AR
Supergirl Cosmic Adventures In The 8th Grade TP (New Edition), $9.99
Teen Titan Beast Boy TP,
Young Justice #18 (Cover A John Timms), $3.99
Young Justice #18 (Cover B Derrick Chew Card Stock Variant), AR

Wednesday, June 12, 2019

Review: UNITED STATES VS. MURDER, INC. #1

UNITED STATES VS. MURDER, INC. No. 1
DC COMICS/Jinxworld – @DCComics

[This review was originally posted on Patreon.]

STORY: Brian Michael Bendis
ART: Michael Avon Oeming
COLORS: Taki Soma
LETTERS: Carlos Mangual
EDITOR: Michael McCalister
COVER: Michael Avon Oeming
VARIANT COVERS: David Mack
32pp, Color, $3.99 U.S. (November 2018)

Rated “M” for “Mature”

United States vs. Murder, Inc. created by Brian Michael Bendis and Michael Avon Oeming

United States vs. Murder, Inc. is a new comic book series from writer Brian Michael Bendis and artist Michael Avon Oeming.  It is a follow-up to their 2014-15, six-issue miniseries, United States of Murder Inc., which was published by Marvel Comics' Icon imprint.  Colorist Taki Soma and letterer Carlos Mangual complete the new series' creative team.

The United States of Murder Inc. imagines an alternate history for the United States in which the American Mafia did not lose its war with the Federal Bureau Investigation (FBI).  Instead, the “Five Families” forced the government of the United States to concede most of the Eastern Seaboard of the U.S., the city of Chicago, and parts of Nevada to them.  This area controlled by the families is euphemistically called “the territories.”  The series focuses on two members of the Bonavese crime family, Valentine Gallo, who recently became a “made man,” and Jagger Rose, a hit-woman for the family, who must uncover a conspiracy for which they have been blamed and marked for death.

United States vs. Murder, Inc. #1 opens in a world in which “the five families” of organized crime still maintain a stranglehold over part of the United States of America.  Decades ago, the U.S. government found itself forced to give up part of the country or lose all of it.  Now, the unrest between the rest of America and the families has come to a boil.  A war between the forces of the American government and the American mafia is about to begin.  No one is really ready for that, and newly made man Valentine Gallo and mob hit-woman Jagger Rose must choose sides.

The drama begins with the origin story of Jagger Rose, the first female to become a hit man for the Bonavese crime family.

United States vs. Murder, Inc. #1 has the misfortune of following the six pulse-pounding issues of The Unites States of Murder Inc.  The second series, however, turns misfortune into pure gold.  I do not want to spoil anything, but I can say that Bendis' story and script are killers.  He does not miss a beat, making United States vs. Murder, Inc. #1 seem like the seventh issue of the original series.

Michael Avon Oeming's art is more stylish than ever.  Elastic and expressionistic, it moves the story forward, while being intimately connected to the prior work.  Taki Soma's two-fisted coloring, especially the reds and blues recreate the sexiness and eroticism of classic Film-Noir cinematography.  Letterer Carlos Mangual uses fonts and word balloons to give even the most mundane stories at least a little of that magic that comic books should have.  Here, Mangual does not have to rescue the Bendis-Oeming team; he just make the work even more magical.

As you can see, I am all in on this continuation of one of the truly great recent crime comics.  Please, give United States vs. Murder, Inc. #1 a try.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Wednesday, November 14, 2018

Review: THE UNITED STATES OF MURDER INC. #1

THE UNITED STATES OF MURDER INC. No. 1
MARVEL COMICS/Icon – @Marvel

[This review was originally posted on Patreon.]

STORY: Brian Michael Bendis
ART: Michael Avon Oeming
COLORS: Taki Soma
LETTERS: Chris Eliopoulos
EDITOR: Jennifer Grunwald
COVER: Michael Avon Oeming
48pp, Color, $3.99 U.S. (May 2014)

The United States of Murder Inc. created by Brian Michael Bendis and Michael Avon Oeming

The United States of Murder Inc. is a six-issue miniseries written by Brian Michael Bendis and drawn by Michael Avon Oeming.  It was originally published in 2014 (cover dated from May 2014 to February 2015) under Marvel Comics' Icon imprint.

The United States of Murder Inc. imagines an alternate history for the United States in which the American Mafia did not lose its war with the Federal Bureau Investigation (FBI).  Instead, in the world of this comic book, the “Five Families” forced the government of the United States to concede most of the Eastern Seaboard of the U.S., the city of Chicago, and parts of Nevada to them.  This area controlled by the families is euphemistically called “the territories.”  [If I understand this correctly, the names of the “five families” are Golanno, Lobombo, Luciano, DiGastra, and Bonavese, which I think are plays on the names of real-world mob crime families.]

The United States of Murder Inc. #1 opens on the day that Valentine Gallo becomes a “made man” in the Bonavese crime family.  Now, head of the family, Don Chucky Bonavese, sends Valentine on his first mission as a made man.  To complete this task, however, Valentine must leave the territories for the first time and travel to Washington D.C.

Not wanting to go alone on this momentous trip, Valentine takes his friend Dino with him.  Don Bonavese also sends his talented hit-woman, Jagger Rose, with Valentine.  Valentine must deliver a suitcase to Senator Fuller, a mission he completes.  Unfortunately, things go terribly wrong, leaving Valentine and Jagger hunted by both the mob and the CIA.  And Valentine's mother, Madonna Gallo, has a shocking secret to reveal.  Valentine was born to destroy everything in which he believes!

I remember seeing The United States of Murder Inc. #1 on a comic book store shelf, but, at the time, I had heard nothing about it.  I ignored it although I am a fan of both Brian Michael Bendis and Michael Avon Oeming and also of their seminal work together, the long-running superhero comic book, Powers.  So I don't know why I had zero interest in The United States of Murder Inc.

I should have been paying attention.  The United States of Murder Inc. #1 is the kind of first issue that makes the reader salivate for the rest of the series.  I practically tore through issues #2 to #6 and read the entire thing before writing this review.

Although The United States of Murder Inc. is a smoothly running operation as far as how a creative team executes a graphical narrative, the entire series tone is that of a rough and tumble, rollicking crime story as serial adventure.  The shocking terrorist act in the first issue exemplifies the explosiveness of the first issue itself and of the series as a whole.

I could not turn the pages fast enough or get to the next issue fast enough.  Readers who like alternate-history fiction and mafia fiction may find, in The United States of Murder Inc., that they have struck gold.  I look forward to the follow-up, United States vs. Murder, Inc. (DC Comics).

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Monday, March 19, 2018

DC Comics from Diamond Distributors for March 21, 2018

DC COMICS

JAN180251    AQUAMAN #34    $3.99
JAN180252    AQUAMAN #34 VAR ED    $3.99
DEC170382    AQUAMAN THE LEGEND OF AQUAMAN TP    $19.99
JAN180262    BATMAN #43    $2.99
JAN180263    BATMAN #43 VAR ED    $2.99
SEP170451    BATMAN ANIMATED JOKER EXPRESSIONS PACK    $50.00
DEC170390    BATMAN NEW GOTHAM TP VOL 02    $24.99
JAN180264    BATMAN SINS OF THE FATHER #2 (OF 6)    $2.99
DEC170391    BATMAN TALES OF THE MAN BAT TP    $19.99
JAN180266    BATMAN TEENAGE MUTANT NINJA TURTLES II #5 (OF 6)    $3.99
JAN180267    BATMAN TEENAGE MUTANT NINJA TURTLES II #5 (OF 6) VAR ED    $3.99
JAN180273    BATWOMAN #13    $3.99
JAN180274    BATWOMAN #13 VAR ED    $3.99
JAN180277    BOMBSHELLS UNITED #14    $2.99
JAN180278    BRAVE & THE BOLD BATMAN & WONDER WOMAN #2 (OF 6)    $3.99
JAN180245    CAVE CARSON HAS AN INTERSTELLAR EYE #1 (MR)    $3.99
JAN180246    CAVE CARSON HAS AN INTERSTELLAR EYE #1 VAR ED (MR)    $3.99
JAN180239    DAMAGE #3    $2.99
JAN180279    DEADMAN #5 (OF 6)    $3.99
JAN180413    DEATHBED #2 (OF 6) (MR)    $3.99
DEC170377    FLASH TP VOL 05 NEGATIVE REBIRTH    $14.99
JAN180363    FUTURE QUEST PRESENTS #8    $3.99
JAN180364    FUTURE QUEST PRESENTS #8 VAR ED    $3.99
JAN180297    GREEN LANTERNS #43    $2.99
JAN180298    GREEN LANTERNS #43 VAR ED    $2.99
JAN180305    HARLEY QUINN #40    $2.99
JAN180306    HARLEY QUINN #40 VAR ED    $2.99
JAN180312    INJUSTICE 2 #22    $2.99
JAN180315    JUSTICE LEAGUE #41    $2.99
JAN180316    JUSTICE LEAGUE #41 VAR ED    $2.99
DEC170396    JUSTICE LEAGUE TASK FORCE TP VOL 01 PURIFICATION PLAGUE    $29.99
JAN180328    NIGHTWING #41    $2.99
JAN180329    NIGHTWING #41 VAR ED    $2.99
DEC170398    PLANETARY TP BOOK 02    $24.99
JAN180344    SUPER SONS #14    $3.99
JAN180345    SUPER SONS #14 VAR ED    $3.99
JAN180342    SUPERMAN #43    $2.99
JAN180343    SUPERMAN #43 VAR ED    $2.99
NOV170353    SUPERMAN ACTION COMICS DLX ED MR OZ HC REBIRTH    $29.99
JAN188153    SWAMP THING WINTER SPECIAL #1 2ND PTG    $7.99
DEC170400    WONDER WOMAN FORGOTTEN LEGENDS TP    $16.99

Thursday, August 31, 2017

Review: CAVE CARSON HAS A CYBERNETIC EYE #1

CAVE CARSON HAS A CYBERNETIC EYE No. 1
DC COMICS/Young Animal – @DCComics

[This review was originally posted on Patreon.]

STORY: Gerard Way and Jon Rivera
ART: Michael Avon Oeming
COLORS: Nick Filardi
LETTERS: Clem Robins
COVER: Michael Avon Oeming with Nick Filardi
VARIANT COVERS: Matthew Wagner with Brennan Wagner; Bill Sienkiewicz
40pp, Color, $3.99 U.S. (December 2016)

Mature Readers

Cave Carson created by France Herron and Bruno Premiani.

Part One: “Going Underground”

Calvin “Cave” Carson is a DC Comics science fiction character.  He first appeared in Brave and the Bold #31 (cover dated: September 1960) and was created by France Herron and Bruno Premiani.  A spelunker (someone who explores wild caves), Cave Carson and his team of fellow adventurers engaged in various adventures beneath the Earth.

Cave Carson is the latest decades-old DC Comics property to get a re-imagining makeover as part of the “Young Animal” imprint.  Cave Carson Has a Cybernetic Eye is written by Gerard Way and Jon Rivera; drawn by Michael Avon Oeming; colored by Nick Filardi; and lettered by Clem Robins.

Cave Carson Has a Cybernetic Eye #1 (“Going Underground”) opens with the funeral of Cave Carson's wife and partner, Eileen.  His relationship with his now-adult daughter, Chloe, is a little rocky, but his organization seems to be humming along.  However, Carson's cybernetic eye is acting up, and he is seeing strange things, some of which might be real.

This will be a short review.  I don't know if I will read Cave Carson Has a Cybernetic Eye past this debut issue.  It is not bad; I just don't find anything in particular that really grabs me.  I like Michael Avon Oeming's art, and my interest is piqued by the appearance of D-list DC Comics character that first appeared in the late 1980s.

I am, for the time being, wedded to Young Animal's Doom Patrol because I am a DP fan.  I am curious about Shade the Changing Girl because of its writer.  However, I might read the second issue of this third Young Animal title if I don't have to go out of my way to do so.

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Saturday, July 29, 2017

Review: DOOM PATROL #2

DOOM PATROL No. 2 (2016)
DC COMICS/Young Animal – @DCComics

[This review was originally posted on Patreon.]

STORY: Gerard Way
ART: Nick Derington
COLORS: Tamra Bonvillain
LETTERS: Todd Klein
COVER: Nick Derington
VARIANT COVERS: Mike and Laura Allred
40pp, Color, $3.99 U.S. (December 2016)

Mature Readers

Doom Patrol created by Arnold Drake

“Negative World” Part Two: “Brick by Brick 2”

The 2016 Doom Patrol is the latest iteration of DC Comic's Silver Age superhero team of the weird.  Part of the new DC Comics imprint, “Young Animal,” the new Doom Patrol is written by Gerard Way; drawn by Nick Derington; colored by Tamra Bonvillain; and lettered by Todd Klein.

Doom Patrol #2 (“Brick by Brick 2”) finds ambulance driver, Casey Brinke, and her partner, Samuel, getting the most peculiar emergency calls.  For instance, there is the raving lunatic who might be Larry Trainor.  Also, Robotman awakens; more Doom Patrol members from the past begin to appear, and there is a reunion and more extra-dimensional weirdness.

Gerard Way is certainly building his new Doom Patrol (DP) brick by brick.  With this second issue, however, there is just as much of the story becoming clear as there is of it remaining weird and vague.  Readers will like that more members of the original DP appear, as well as a somewhat infamous member.  After reading this second issue, I think that Grant Morrison's late 1980s, early 1990s Doom Patrol is the primary template for the Young Animals DP.  I don't yet know if that is a good thing, although I am a fan of Morrison's DP.

I still really like the art by Nick Derington.  No, I think I am falling in love with Derington's simple, clean style that looks like an indie comics version of Silver Age comic book art and also has a passing resemblance to the art of Chris Samnee.  It's great graphical storytelling simply because the art makes you want to keeping reading, being excited for each new page.

I am still recommending the Young Animal Doom Patrol.  Although I want more, I am not ready to give it a review grade.

[This comic book contains a “special sneak preview” of Cave Carson Has a Cybernetic Eye #1 by Gerard Way and Jon Rivera and Michael Avon Oeming.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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