Review: GENERATIONS: Phoenix & Jean Grey #1

GENERATIONS: PHOENIX & JEAN GREY No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

WRITER: Cullen Bunn
PENCILS: R. B. Silva
INKS: Adriano Di Benedetto with R. B. Silva
COLORS: Rain Beredo
LETTERS: VC's Travis Lanham
COVER: Stephanie Hans
VARIANT COVERS: Terry Dodson with Rachel Dodson; Alex Ross; Stephane Roux
36pp, Color, $4.99 U.S. (October 2017)

Rated T+

Jean Grey created by Jack Kirby and Stan Lee; Phoenix created by Chris Claremont and Dave Cockrum

“The Phoenix”

Generations is a ten-issue anthology, weekly comic book series published by Marvel Comics.  Each issue is written and drawn by a different creative team, and each issue will feature a different team-up of a classic Marvel superhero with his or her modern-day counterpart.  The series is meant to unite the legacy of classic Marvel Comics characters with the next generation of heroes, as both move into the future of Marvel Comics storytelling.

The second issue of this series is Generations: Phoenix & Jean Grey.  This stand-alone story brings together two versions of Marvel Girl/Jean Grey.  First is the young Jean Grey of the original X-Men, who was brought to the future/present and stranded there beginning in the series, All-New X-Men (written by Brian Michael Bendis).  The second is The Phoenix/Jean Grey, the version of the character that came into existence in X-Men #101 (cover dated:  October 1976) when Jean was possessed by the nigh-all-powerful cosmic entity, the “Phoenix Force.”  This entry in the Generations series is written by Cullen Bunn; drawn by R.B. Silva and Adriano Di Benedetto; colored by Rain Beredo; and lettered by Travis Lanham.

Generations: Phoenix & Jean Grey #1 (“The Phoenix”) opens as young Jean Grey finds herself somewhere she shouldn't be – another world.  After a short walk, she discovers a beach and an older version of herself sunning on the beach.  Jean knows that this older Jean is “The Phoenix.”  Young Jean knows that the Phoenix Force is coming for her (in fact, it already is back in her world).  Now, is the time to ask questions about the Phoenix, but older Jean seems reluctant to tell.  Plus, Jean Grey/The Phoenix suspects that young Jean knows something about her fate – something terrible.  Plus, three classic Marvel Comics cosmic entities guest star.

I wanted to be cynical, but I really enjoyed Generations: Phoenix & Jean Grey.  Writer Cullen Bunn makes young Jean Grey ask Jean Grey/The Phoenix ALL the questions she should.  Older Jean Grey should be annoyed, but Bunn depicts her as reticent and troubled.  Bunn's approach not only makes this issue of Generations intriguing, but also makes the current ongoing Jean Grey series seem like a comic book that should be read (and yes, you should be reading it.)

The art team of Generations: Phoenix & Jean Grey – R.B. Silva, Adriano Di Benedetto, and Rain Beredo – deliver some gorgeous art, and the storytelling is quite good.  The character scenes are dramatic and even a little poignant and maybe even sad, and the action scenes come across as something a little different – or different enough from standard X-Men franchise fare.  In fact, the art in Generations: Phoenix & Jean Grey reminds me of the best of Stuart Immonen and company in one of the few high-quality recent X-Men comic books, All-New X-Men (2012),

So Generations: Phoenix & Jean Grey #1, the second entry in the Generations series, is the best so far.  If the Generations to come are better than this one, the entire series will end up being more than just another cynical Marvel editorial ploy

A
8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

-----------------------------

Review: HARLEY QUINN AND POWER GIRL #1

HARLEY QUINN AND POWER GIRL #1
DC COMICS – @DCComics

[This review was first published on Patreon.]

WRITERS: Amanda Conner, Jimmy Palmiotti, and Justin Gray
ART: Stephane Roux
COLORS: Paul Mounts
LETTERS: John J. Hill
COVER: Amanda Conner with Paul Mounts
VARIANT COVERS: Stephane Roux
32pp, Color, $3.99 U.S. (August 2015)

Rated “T” for “Teen”

Harley Quinn created by Paul Dini and Bruce Timm; Power Girl created by Gerry Conway, Ric Estrada, and Wally Wood

“Extrastellar Exploitations”

Harley Quinn is a DC Comics character, specifically a villain.  However, Harley Quinn originated as a character on the animated television series, "Batman" (also known as Batman: The Animated Series; FOX Network, 1992).  Harley was created by Paul Dini and Bruce Timm and made her first appearance in the episode “Joker’s Favor” (September 11, 1992), as a female sidekick of The Joker and his eventual accomplice.  Harley made her first comic book appearance in The Batman Adventures #12 (September 1993), DC Comics’ comic book spin-off of the animated series.

Power Girl (birth name Kara Zor-L) is a DC Comics female superhero.  She was created created by Gerry Conway, Ric Estrada, and Wally Wood and first appeared in All Star Comics #58 (January/February 1976).  Power Girl is a cousin of some sort of Superman.

Harley and Powergirl are now a duo in the new “DCYou” comic book series, Harley Quinn and Power Girl.  The series is written by the trio of Amanda Conner, Jimmy Palmiotti, and Justin Gray, drawn by Stephane Roux, colored by Paul Mounts, and lettered by John J. Hill.

Harley Quinn and Power Girl #1 (“Extrastellar Exploitations”) opens in “La Galaxia del Sombrero” on “Hoard Moon.”  [See the 2014 Harley Quinn comic book, issues #11-13, apparently.]  Power Girl/Kara is suffering from amnesia, and Harley is telling jokes.  Both women discover that they can get answers about their predicament from Lord Vartox of Valeron, but he is being held prisoner by world-beater, Oreth Odeox, on the Lust Moon of Lustox.

Harley Quinn and Power Girl #1 has some beautiful art.  Stephane Roux is a talent, and the accomplished and famed colorist, Paul Mounts, makes this comic book one of the prettiest you can find on comic book store shelves.

Sadly, the comic book isn't much to read.  It is one of the stupidest things that I have read in awhile.  I can understand the writers' egos allowing them to believe that this is something for which they should accept a paycheck.  However, there should be a level of corporate shame that would have forced DC “Entertainment” to shelve this, but they didn't and have the gall to accept payment for this from customers.  Or... maybe Harley Quinn and Power Girl will turn out to be a good series.

C-

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

I Reads You Review: HARLEY QUINN #0

HARLEY QUINN #0
DC COMICS – @DCComics

WRITERS: Amanda Conner and Jimmy Palmiotti
ART:  Amanda Conner, Becky Cloonan, Tony S. Daniel, Sandu Florea, Stephane Roux, Dan Panosian, Walter Simonson, Jim Lee, Scott Williams, Bruce Timm, Charlie Adlard, Adam Hughes, Art Baltazar, Tradd Moore, Dave Johnson, Jeremy Roberts, Sam Keith, Darwyn Cooke, Chad Hardin
COLORS: Paul Mounts, Tomeu Morey, John Kalisz, Lovern Kindzierski, Alex Sinclair, Lee Loughridge, Dave Stewart, Alex Sollazzo
LETTERS: John J. Hill
COVER: Amanda Conner with Paul Mounts
VARIANT COVER: Stephane Roux
32pp, Color, $2.99 U.S. (May 2014 – second printing)

Rated “T” for “Teen”

Harley Quinn created by Paul Dini and Bruce Timm

DC Comics began publishing a new Harley Quinn comic book series by writers Amanda Conner and Jimmy Palmiotti and artists Chad Hardin (pencils and inks) and Alex Sinclair (colors) at the turn of the year.  As a tie-in to the new series, DC published Harley Quinn #0, which was also written by Amanda Conner and Jimmy Palmiotti.

Harley Quinn #0 is essentially a stand-alone, anthology comic book.  This issue has a single narrative, which basically breaks the fourth wall, allowing Harley Quinn and Connor and Palmiotti to interact.  The two sides are arguing about the type of artists that should draw Quinn and her adventures.  The anthology part is that 17 artists draw at least one page of the 20 pages of story in Harley Quinn #0.  Amanda Conner draws the opening two pages, and Chad Hardin, the artist of the new ongoing Harley Quinn series, draws the three pages that end the story.  That leaves 15 pages for the 15 other artists.

I am a fan of many of the artists contributing to Harley Quinn #0, and some of them are familiar to me, but only in passing.  I grabbed a second printing of Harley Quinn #0 as soon as I read the names of the artists listed on the cover.  I was most looking forward to seeing art by Jim Lee and Bruce Timm, but was somewhat disappointed by their contributions.  The best page is by Walter Simonson – transposing his classic version of Manhunter onto Harley Quinn.

The biggest surprises for me were Stephane Roux, Dan Panosian, and Jeremy Roberts, and Tradd Moore’s page makes me want to see more of his work.  Of course, I am always happy to see anything by the genius named Darwyn Cooke.  I have one question for Harley: can we do this again?

A-

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

Leroy Douresseaux on STAR WARS: JEDI – The Dark Side #4

STAR WARS: JEDI – THE DARK SIDE #4
DARK HORSE BOOKS

["Star Wars Central" review page is here.]

SCRIPT: Scott Allie
ARTIST: Mahmud Asrar
COLORS: Paul Mounts
LETTERS: Michael Heisler
COVER: Stéphane Roux
32pp, Color, $2.99

The only reason that I’ve become a regular reader of the Star Wars comic books that Dark Horse Comics publishes is because Dark Horse sends me advance review copies in PDF form. Since I don’t make regular (or even semi-regular) trips to the comic book shops that are closest to me (and they’re not that close), I avoid getting into series that require me to buy consecutive issues. If I were a regular comic book guy, I’d probably buy these Star Wars comic books. They’re quite good.

Star Wars: Jedi – The Dark Side is a Star Wars comic book set during “The Rise of the Empire” era, the thousand-year period before the original Star Wars film. This particular storyline takes place two decades before Star Wars: Episode I – The Phantom Menace.

The Jedi Council has sent Jedi Master Qui-Gon Jinn, his headstrong Padawan Xanatos, the beautiful Jedi Master Tahl, and the Padawan Orykan Tamarik (whose master is deceased) to the planet Telos IV. Their assignment is to quell the unrest caused by the mysterious death and possible assassination of High Priestess Liora.

As Star Wars: Jedi – The Dark Side #4 opens, Qui-Gon and the Jedi deal with the aftermath of the attack on Lord Crion, the ruler of Telos IV and father of Xanatos. The attack resulted in a shocking death, which Crion uses to his political advantage. Meanwhile, Qui-Gon must do without one his companions, and he must also deal with the fact that the Jedi are being used for political purposes. And still the true villain behind the murder of the High Priestess remains unknown.

Writer Scott Allie has turned in a Star Wars comic book story that is part palace drama and part conspiracy thriller, in addition to having the usual Star Wars elements. Plus, in this issue, there is plenty of hot light saber action, courtesy of Qui-Gon. Speaking of the master, Allie has generally presented a richly characterized version of Qui-Gon in the series. With this issue, however, he is vapid, although I think the character is supposed to come across as perplexed? Anyway, this series is steadily moving towards a conclusion that I hope can live up to the build up.

B+

Leroy Douresseaux on STAR WARS: JEDI – THE DARK SIDE #3

STAR WARS: JEDI – THE DARK SIDE #3
DARK HORSE BOOKS

["Star Wars Central" review page is here.]

SCRIPT: Scott Allie
ARTIST: Mahmud Asrar
COLORS: Paul Mounts
LETTERS: Michael Heisler
COVER: Stéphane Roux
32pp, Color, $2.99

Star Wars: Jedi – The Dark Side is a recently launched Star Wars comic book series from Dark Horse Comics. It is set during “The Rise of the Empire” era, which is essentially the time period of the Star Wars prequel trilogy. This particular story takes place two decades before Star Wars: Episode I – The Phantom Menace.

In Star Wars: Jedi – The Dark Side, the Jedi Council sends Jedi Master Qui-Gon Jinn, his headstrong Padawan Xanatos, the beautiful Jedi Master Tahl, and the Padawan Orykan Tamarik (whose master is deceased) to the planet Telos IV. Their assignment is to quell the unrest caused by the mysterious death and possible assassination of High Priestess Liora.

As Star Wars: Jedi – The Dark Side #3 opens, Qui-Gon attempts to bring peace between Xanatos and his father, Lord Crion, the ruler of Telos IV. Father and son have a difficult relationship, made even more difficult by Crion’s pride and Xanatos’ stubborn ways. Xanatos’ sister, Nason, also tries to bring her brother and father together, but she may be endangering herself. Meanwhile, the dissidents on Telos IV grow bolder, and the mysterious Jedi figure that may be behind the planet’s troubles is revealed to Qui-Gon,

Writer Scott Allie has turned Star Wars into a high-quality court drama and conspiracy thriller. This is more like a summer potboiler prose novel than a comic book. Artist Mahmud Asrar does his best work in depicting the Jedi in action. His art captures the jumping, flipping, cart-wheeling Jedi of The Phantom Menace in still pictures that don’t lose the energy of the moving image originals. I didn’t think that I’d like this, but I’m actually looking forward to more, especially because Allie presents a richly characterized version of Qui-Gon.

A-

Leroy Douresseaux on STAR WARS: JEDI - THE DARK SIDE #2

STAR WARS: JEDI – THE DARK SIDE #2
DARK HORSE BOOKS

[Visit the "Star Wars Central" review page here.]

SCRIPT: Scott Allie
ARTIST: Mahmud Asrar
COLORS: Paul Mounts
LETTERS: Michael Heisler
COVER: Stéphane Roux
32pp, Color, $2.99

Star Wars: Jedi – The Dark Side is a new Star Wars comic book recently launched by Dark Horse Comics. It is written by Scott Allie, who previously wrote Star Wars: Empire—Betrayal. The artist is Mahmud Asrar, who has worked on Brightest Day: The Atom Special and Avengers: The Initiative.

Star Wars: Jedi – The Dark Side is set during “The Rise of the Empire” era. This period takes place during the 1000 years before the Battle of Yavin (the climax of the original Star Wars film when Luke Skywalker destroys the Death Star). This particular story takes place approximately 53 years before the Battle of Yavin.

The lead character of this first story arc of Star Wars: Jedi – The Dark Side is Jedi Master Qui-Gon Jinn (ostensibly the lead in Star Wars: Episode I – The Phantom Menace). The Jedi Council dispatches Qui-Gon, his headstrong Padawan Xanatos, the beautiful Jedi Master Tahl, and the Padawan Orykan Tamarik, whose master is deceased, to the planet Telos IV. Their assignment is to quell the unrest caused by the mysterious death and possible assassination of High Priestess Liora.

Star Wars: Jedi – The Dark Side #2 opens in the aftermath of the attack on their ship that occurred as the Jedi arrived on Telos IV. Matters are further complicated by the fact that this planet is Xanatos’ home world, and his father, Lord Crion, is its ruler. Father and son have a difficult relationship, made even more difficult by Crion’s pride and Xanatos’ stubborn ways. Meanwhile, Qui-Gon and Orykan make a shocking discovery – the presence of some kind of Jedi at the murder scene. Meanwhile, Tahl finds herself in the fight of her life.

Qui-Gon Jinn is my favorite character from The Phantom Menace, so I’m excited by this original comic book story featuring the Jedi Master who came to an untimely end. Star Wars: Jedi – The Dark Side doesn’t disappoint, but it is more than just another Star Wars comic book. It is a murder mystery with elements of palace intrigue and political conspiracy. There are themes of family discord, professional jealousy, personal dissatisfaction, and nationalism (or the planetary equivalent of it).

Writer Scott Allie presents this story as a detective tale – dropping suspects and motives all over the place. In fact, it seems as if everyone here is guilty of something, and Allie adds an air of suspense and intrigue to the story by giving every character something to hide or something with which to struggle. It makes for a great summer potboiler. Artist Mahmud Asrar brings Allie’s script to life in comics form – a gripping graphic novel read. Asrar’s clean style and dramatic chops guarantee that this will be both a good comic book and a good Star Wars tale.

A-

---------------------------