FARMHAND No. 6
IMAGE COMICS – @ImageComics
[This review was originally posted on Patreon.]
STORY: Rob Guillory – @Rob_guillory
ART: Rob Guillory
COLORS: Taylor Wells
LETTERS: Kody Chamberlain
32pp, Colors, 3.99 U.S.(March 2019)
Rated “M/ Mature”
Farmhand created by Rob Guillory
Chapter 6: “ReCreation”
Farmhand is a science fiction and dark fantasy comic book series from comic book creator, Rob Guillory. Guillory is also known for his award-winning tenure on the long-running comic book, Chew (Image Comics), with writer John Layman. Farmhand is written and illustrated by Guillory; colored by Taylor Wells; and lettered by Kody Chamberlain (who also designed the Farmhand logo).
Farmhand focuses on Ezekiel “Zeke” Jenkins, a husband, father, and graphic designer and illustrator. He returns to the place where he grew up, Freetown, Louisiana, with his wife, Mae, and their children, Abigail and Riley. The old family business, “Jenkins Family Farm,” grew crops, as in plants. Now, Zeke's father, Jedidiah Jenkins, and “Jenkins Family Farmaceutical Institute” grow plant-based human organs and tissue.
Farmhand #6 (“ReCreation”) opens with a local minister, John Moore, feeling a sense of foreboding while he stands in a local graveyard. There is trouble all around, but Zeke, Jedidiah, Riley, and Riley's strange pal, Mikhail, are gone fishing. Meanwhile, at the institute, Andrea (Zeke's sister and Jed's daughter) is facing down mounting problems. Even Zeke and company will find that a fishing trip is not an escape from the spreading curse of that “miracle seed.”
In my previous reviews of the excellent Farmhand, I have connected this comic book to the work of late television writer and producer, Rod Serling, and his legendary TV series, “The Twilight Zone.” Farmhand also plants its roots in the rich, dark soil of that American master of speculative fiction and fantasy, Ray Bradbury.
Still, Farmhand is gradually a vine growing in its own directions, and I have started to wonder about the direction of this narrative. Yes, the events depicted here are often a horror show for the characters within, characters main, supporting, guests, and cameos. But what of this miracle seed? Is it in a state of distress as some of the characters in this series are?
One might interpret, as I did, a suggestion in this issue that the stem cell that has provided so many humans with new organs and body parts may also be some kind of A.I. – Artificial Intelligence. Maybe, the “miracle seed” is an artificial intelligence or perhaps, “independent intelligence.” Maybe, its actions are beyond the moral considerations of good and evil. In Jurassic Park, Dr. Ian Malcolm says that life will find a way, and Farmhand's seed seems to be finding its own way, by design grand, random, or otherwise.
Farmhand #6 is the start of a new story arc. Guillory's writing and art are still quite good. Taylor Wells' colors remain a wonderland of hues. Kody Chamberlain's lettering is like a steady drum beat telling a story to everyone in the valley who can hear it. However, whereas many series attempt to solidify its world and worldview by the second story arc, Farmhand and Rob Guillory are not solidifying; rather, they are in a state of change, if not evolution. When it comes to where the “Jedidiah seed” is going, there is no signpost up ahead.
10 out of 10
https://robguillory.com/
https://twitter.com/Rob_guillory
https://www.instagram.com/rob_guillory/
Reviewed by Leroy Douresseaux a.k.a. "I Reads You'
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
-----------------------
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Saturday, November 23, 2019
Review: FARMHAND #6
Labels:
Black Comics,
Image Comics,
Kody Chamberlain,
Neo-Harlem,
Review,
Rob Guillory,
Taylor Wells
Friday, November 22, 2019
Review: CATS OF THE LOUVRE
CATS OF THE LOUVRE
VIZ MEDIA – @VIZMedia
[This review was originally posted on Patreon.]
MANGAKA: Taiyo Matsumoto (with Saho Tono)
TRANSLATION/ENGLISH ADAPTATION: Michael Arias
LETTERS: Deron Bennett
EDITOR: Mike Montessa
ISBN: 978-1-9747-0708-9; hardcover (September 2019)
432pp, B&W with some color, $29.99 US, $39.99 CAN, £20.00 UK
Located in Paris, the Louvre is the world's largest art museum (and perhaps it most famous). Did you know, dear reader, that the Louvre also publishes comics? Yes, the most famous art museum in the world has been commissioning various legendary comic artists to write their own original stories inspired by the Louvre and its collection for the last decade. These comics are published via a joint venture between the Louvre and French publisher, Futuropolis.
Most of these artists are French, but increasingly the Louvre has been working with Japanese manga artists (mangaka). One of those mangaka is Taiyo Matsumoto, who is best known for his manga, Tekkonkinkreet. Matsumoto won one of American comics' most prestigious honors, an Eisner Award (“Best U.S. Edition of International Material,” 2008), for Tekkonkinkreet: Black and White, VIZ Media's English-language edition of Tekkonkinkreet.
Matsumoto's contribution to Louvre comics is Les Chats du Louvre (Cats of the Louvre), which Futuropolis published in two books, one in February 2017 and the second in August 2018. VIZ Media recently published an English-language edition of both volumes of Les Chats du Louvre in a single, hardcover, omnibus book under the title, Cats of the Louvre.
Cats of the Louvre, Part One (Chapters 1 to 10) and Part Two (Chapters 11 to 17 to Final Chapter) focuses on a group of human characters that works at the Louvre and a small family of cats that lives in the museum's attic. Cécile Gagnier, a recent hire, is a tour guide. Through Marcel, an elderly nightwatchman, Cécile learns that the paintings speak. Although Cécile and, Marcel's new assistant, Patrick Nasri, initially doubt the old nightwatchman stories, they gradually become believers, especially Cécile.
For the world-renowned Louvre museum contains more than just the most famous works of art in history. At night, within the Louvre's darkened galleries, an unseen and surreal world comes alive. It is a world witnessed only by the cats that live in the attic, until now… The cats, who change appearance at night into anthropomorphic forms, will end up sharing that magic with the humans. Long ago, Marcel's sister, Arrieta, disappeared in the Louvre when the two were children. Now, Cécile and a precocious white kitten named “Snowbébé” will solve a mystery that unites the world of the humans that work at the Louvre, the world of the cats, and the magical world a mysterious painting.
It is difficult to describe Cats of the Louvre. It is surreal and partly exists in the real world and in the world of magical realism; then, some of it is entirely magical and fantastical.
Taiyo Matsumoto fashions an interesting and endearing group of human characters. Marcel is mysterious, but he is the kind of old man who has a lot to say. I found that I could not get enough of him. Patrick Nasri is a nice spin on the skeptical youth type. Cécile Gagnier is our doorway into the entire world of the museum and its employees and the world of the family of cats in the attic. Her curiosity and determination and her willingness to listen and to believe make her an excellent focus and doorway into the narrative for readers.
The cats are something else entirely. Even as cats, they seem slightly supernatural, so when they become human-like at night, everything about them turns magical and exciting. I could follow their lives and adventures forever. Most of the cat characters are quite interesting, but the star is, of course, Snowbébé. This little white cat is the one who crosses the barriers, visiting the galleries during the day when the tourists and museum visitors can plainly see him. It is his adventure into the mystery painting that creates the most magical and surreal sections of Cats of the Louvre.
Matsumoto's art is as lyrical, as poetic, and as personal as his story. His odd, eccentric drawing style is perfect for comics; in fact, Cats of the Louvre looks like Eurocomics, American comics, and manga. The art and story are hypnotic and alluring. I found myself being pulled into the comic by the irresistible force of Matsumoto's graphical storytelling.
Michael Arias, the noted visual effects artist who directed the anime adaptation of Tekkonkinkreet, provides the translation and English adaptation for VIZ Media's edition of Cats of the Louvre. Arias captures the magic and brilliance of Matsumoto's tale of the Louvre and its cats, its humans, and its charmed works of art. Letter Deron Bennett turns in the best work of his career, providing the English lettering and sound effects and also, with his lettering, matching the beautiful spirit of Matsumoto's art.
I highly recommend Cats of the Louvre. No admirer of the medium of comics can ignore Matsumoto's stunning manga.
10 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
---------------------------
VIZ MEDIA – @VIZMedia
[This review was originally posted on Patreon.]
MANGAKA: Taiyo Matsumoto (with Saho Tono)
TRANSLATION/ENGLISH ADAPTATION: Michael Arias
LETTERS: Deron Bennett
EDITOR: Mike Montessa
ISBN: 978-1-9747-0708-9; hardcover (September 2019)
432pp, B&W with some color, $29.99 US, $39.99 CAN, £20.00 UK
Located in Paris, the Louvre is the world's largest art museum (and perhaps it most famous). Did you know, dear reader, that the Louvre also publishes comics? Yes, the most famous art museum in the world has been commissioning various legendary comic artists to write their own original stories inspired by the Louvre and its collection for the last decade. These comics are published via a joint venture between the Louvre and French publisher, Futuropolis.
Most of these artists are French, but increasingly the Louvre has been working with Japanese manga artists (mangaka). One of those mangaka is Taiyo Matsumoto, who is best known for his manga, Tekkonkinkreet. Matsumoto won one of American comics' most prestigious honors, an Eisner Award (“Best U.S. Edition of International Material,” 2008), for Tekkonkinkreet: Black and White, VIZ Media's English-language edition of Tekkonkinkreet.
Matsumoto's contribution to Louvre comics is Les Chats du Louvre (Cats of the Louvre), which Futuropolis published in two books, one in February 2017 and the second in August 2018. VIZ Media recently published an English-language edition of both volumes of Les Chats du Louvre in a single, hardcover, omnibus book under the title, Cats of the Louvre.
Cats of the Louvre, Part One (Chapters 1 to 10) and Part Two (Chapters 11 to 17 to Final Chapter) focuses on a group of human characters that works at the Louvre and a small family of cats that lives in the museum's attic. Cécile Gagnier, a recent hire, is a tour guide. Through Marcel, an elderly nightwatchman, Cécile learns that the paintings speak. Although Cécile and, Marcel's new assistant, Patrick Nasri, initially doubt the old nightwatchman stories, they gradually become believers, especially Cécile.
For the world-renowned Louvre museum contains more than just the most famous works of art in history. At night, within the Louvre's darkened galleries, an unseen and surreal world comes alive. It is a world witnessed only by the cats that live in the attic, until now… The cats, who change appearance at night into anthropomorphic forms, will end up sharing that magic with the humans. Long ago, Marcel's sister, Arrieta, disappeared in the Louvre when the two were children. Now, Cécile and a precocious white kitten named “Snowbébé” will solve a mystery that unites the world of the humans that work at the Louvre, the world of the cats, and the magical world a mysterious painting.
It is difficult to describe Cats of the Louvre. It is surreal and partly exists in the real world and in the world of magical realism; then, some of it is entirely magical and fantastical.
Taiyo Matsumoto fashions an interesting and endearing group of human characters. Marcel is mysterious, but he is the kind of old man who has a lot to say. I found that I could not get enough of him. Patrick Nasri is a nice spin on the skeptical youth type. Cécile Gagnier is our doorway into the entire world of the museum and its employees and the world of the family of cats in the attic. Her curiosity and determination and her willingness to listen and to believe make her an excellent focus and doorway into the narrative for readers.
The cats are something else entirely. Even as cats, they seem slightly supernatural, so when they become human-like at night, everything about them turns magical and exciting. I could follow their lives and adventures forever. Most of the cat characters are quite interesting, but the star is, of course, Snowbébé. This little white cat is the one who crosses the barriers, visiting the galleries during the day when the tourists and museum visitors can plainly see him. It is his adventure into the mystery painting that creates the most magical and surreal sections of Cats of the Louvre.
Matsumoto's art is as lyrical, as poetic, and as personal as his story. His odd, eccentric drawing style is perfect for comics; in fact, Cats of the Louvre looks like Eurocomics, American comics, and manga. The art and story are hypnotic and alluring. I found myself being pulled into the comic by the irresistible force of Matsumoto's graphical storytelling.
Michael Arias, the noted visual effects artist who directed the anime adaptation of Tekkonkinkreet, provides the translation and English adaptation for VIZ Media's edition of Cats of the Louvre. Arias captures the magic and brilliance of Matsumoto's tale of the Louvre and its cats, its humans, and its charmed works of art. Letter Deron Bennett turns in the best work of his career, providing the English lettering and sound effects and also, with his lettering, matching the beautiful spirit of Matsumoto's art.
I highly recommend Cats of the Louvre. No admirer of the medium of comics can ignore Matsumoto's stunning manga.
10 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
---------------------------
Labels:
Deron Bennett,
Eurocomics,
manga,
Michael Arias,
Review,
Taiyo Matsumoto,
VIZ Media,
VIZ Signature
Thursday, November 21, 2019
Review: AN INCURABLE CASE OF LOVE Volume 1
AN INCURABLE CASE OF LOVE, VOL. 1
VIZ MEDIA – @VIZMedia
[This review was originally posted on Patreon.]
MANGAKA: Maki Enjoji
TRANSLATION: JN Productions
LETTERS: Inori Fukuda Trant
EDITOR: Nancy Thislethwaite
ISBN: 978-1-9747-0931-1; paperback (October 2019); Rated “M” for “Mature”
192pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
Koi wa Tsuzuku yo Dokomade mo is a “josei” manga (comics for adult women) from Maki Enjoji, creator of the Happy Marriage?! manga. “Koi wa Tsuzuku yo Dokomade mo” was serialized in the Japanese magazine, Petit Comic, from February 2016 to January 2019. VIZ Media is publishing an English-language version of “Koi wa Tsuzuku yo Dokomade mo” in a graphic novel series, entitled An Incurable Case of Love.
An Incurable Case of Love, Vol. 1 (Chapters 1 to 5) introduces Nanase Sakura. Five years ago, she witnessed a handsome and charming doctor save a stranger’s life. Inspired by this mystery physician, Nanase trains to become a nurse. On her first day as a new nurse, Nanase meets the doctor again.
However, Dr. Kairi Tendo turns out to be nothing like the man she imagined or remembered him to be. He is so harsh and blunt, especially with her, that Nanase nicknames him “Dark Lord.” But, of course, there is more to him than she realizes.
The An Incurable Case of Love manga is not a typical “Shojo Beat” romance manga. For one thing, it has a “mature” rating and is a “josei” manga, and secondly, the romantic lead characters are both adults with serious adult responsibilities.
An Incurable Case of Love Graphic Novel Volume 1 is also the first time that I have read a manga set largely in a hospital and focusing on a nurse and a doctor. I have enjoyed romantic manga starring people who worked in the food industry, in the banking industry, and in the entertainment industry. I have enjoyed love stories featuring aliens, magical girls, and vampires, to name a few supernatural types. But no medical personnel, as far as I can remember.
An Incurable Case of Love also focuses on two characters badly at odds with one another. Nurse Nanase and Dr. Tendo clash so much that them getting together might take some willing suspension of disbelief. The hospital setting also presents sick and dying patients... yikes! JN Productions translation ably mixes the drama and the couple's sparring, and Inori Fukuda Trant's lettering captures the frequent shifts in mood. So this first volume is an interesting read.
I am curious about An Incurable Case of Love; this first volume is not great, but it does have potential. I think this series is certainly worth two reads; by then, I'll have an idea how strong this series is going to be.
7 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
-----------------------------
VIZ MEDIA – @VIZMedia
[This review was originally posted on Patreon.]
MANGAKA: Maki Enjoji
TRANSLATION: JN Productions
LETTERS: Inori Fukuda Trant
EDITOR: Nancy Thislethwaite
ISBN: 978-1-9747-0931-1; paperback (October 2019); Rated “M” for “Mature”
192pp, B&W, $9.99 U.S., $12.99 CAN, £6.99 UK
Koi wa Tsuzuku yo Dokomade mo is a “josei” manga (comics for adult women) from Maki Enjoji, creator of the Happy Marriage?! manga. “Koi wa Tsuzuku yo Dokomade mo” was serialized in the Japanese magazine, Petit Comic, from February 2016 to January 2019. VIZ Media is publishing an English-language version of “Koi wa Tsuzuku yo Dokomade mo” in a graphic novel series, entitled An Incurable Case of Love.
An Incurable Case of Love, Vol. 1 (Chapters 1 to 5) introduces Nanase Sakura. Five years ago, she witnessed a handsome and charming doctor save a stranger’s life. Inspired by this mystery physician, Nanase trains to become a nurse. On her first day as a new nurse, Nanase meets the doctor again.
However, Dr. Kairi Tendo turns out to be nothing like the man she imagined or remembered him to be. He is so harsh and blunt, especially with her, that Nanase nicknames him “Dark Lord.” But, of course, there is more to him than she realizes.
The An Incurable Case of Love manga is not a typical “Shojo Beat” romance manga. For one thing, it has a “mature” rating and is a “josei” manga, and secondly, the romantic lead characters are both adults with serious adult responsibilities.
An Incurable Case of Love Graphic Novel Volume 1 is also the first time that I have read a manga set largely in a hospital and focusing on a nurse and a doctor. I have enjoyed romantic manga starring people who worked in the food industry, in the banking industry, and in the entertainment industry. I have enjoyed love stories featuring aliens, magical girls, and vampires, to name a few supernatural types. But no medical personnel, as far as I can remember.
An Incurable Case of Love also focuses on two characters badly at odds with one another. Nurse Nanase and Dr. Tendo clash so much that them getting together might take some willing suspension of disbelief. The hospital setting also presents sick and dying patients... yikes! JN Productions translation ably mixes the drama and the couple's sparring, and Inori Fukuda Trant's lettering captures the frequent shifts in mood. So this first volume is an interesting read.
I am curious about An Incurable Case of Love; this first volume is not great, but it does have potential. I think this series is certainly worth two reads; by then, I'll have an idea how strong this series is going to be.
7 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.
-----------------------------
Labels:
JN Productions,
josei,
Maki Enjoji,
manga,
Nancy Thislethwaite,
Review,
shojo,
Shojo Beat,
VIZ Media
Wednesday, November 20, 2019
Review: DCEASED #1
DCEASED No. 1 (OF 6)
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: Tom Taylor
PENCILS: Trevor Hairsine; James Harren
INKS: Stefano Gaudiano; James Harren
COLORS: Rain Beredo
LETTERS: Saida Temofonte
EDITOR: Ben Abernathy
COVER: Greg Capullo with FCO Plascencia
32pp, Color, $3.99 U.S./ U.S. (July 2019)
Rated “T+” for “Teen Plus”
“Going Viral”
DCeased is a new six-issue comic book series from DC Comics. It chronicles the heroes of the DC Universe and their desperate struggle to end a techno-virus that is turning the people of earth into engines of destruction. The first issue of the series is written by Tom Taylor. It is drawn by Trevor Hairsine, (pencils), James Harren (pencils/inks); and Stefano Gaudiano (inks). Colorist Rain Beredo; letterer Saida Temofonte; and editor Ben Abernathy complete the creative team.
DCeased #1 (“Going Viral”) opens with the Justice League ending their latest battle against evil New God, Darkseid, and his legion of Parademons. The League: Superman, Batman, Wonder Woman, Flash, Black Lightning, Aquaman, Hawkgirl, Green Lantern, Green Arrow, and Nightwing have had enough of Darkseid's invasions of Earth, and Batman warns him against returning again. Darkseid's parting words, uttered as he retreats, are ominous enough that they should be accompanied by an equally ominous musical arrangement.
It seems that during the battle, the Parademons have taken possession of Justice League member, Cyborg, for their boss. Now, Darkseid and his master torturer, DeSaad, have a plan to merge the half of the anti-life equation in their possession with the half inside Cyborg. And their plot requires the participation of the New Gods' avatar of Death, Black Racer. But the best laid schemes o' DC mice and New Gods... Darkseid is about to unleash something that is beyond monstrous.
I was cynical about DCeased. I am no longer a fan of event comic book miniseries that feature large cast of superheroes and/or supervillains. I started to hear whispers and grumblings, however, that DCeased was a good read, and guess what boys and girls? It really is.
Unlike many first issues that tease so much that they barely introduce the plot or even all the main characters, DCeased #1 gets right to the point. Writer Tom Taylor serves up the main course, handing out the meat for the beast. I don't know if this entire miniseries will be good, but damn, we have quite the first issue – with a killer-ass last page, too, boo! And it all reads well under letterer Saida Temofonte's fear-inducing fonts of the living dead.
I really like artist James Harren's eight-page New Gods' segment, which is pivotal to the story. Colorist Rain Beredo covers Harren's illustrations with garish, acid-dropped, nightmarish colors. Together, Taylor, Harren, and Beredo create comic book ickiness. Meanwhile, Trevor Hairsine and Stefano Gaudiano focus on drawing the apocalypse with glee.
So, yeah, DCeased #1 is a real-deal good comic book, the anti-life antidote for the cynical comic book purchaser. So let's hope this series stays good.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
----------------------------
DC COMICS – @DCComics
[This review was originally posted on Patreon.]
STORY: Tom Taylor
PENCILS: Trevor Hairsine; James Harren
INKS: Stefano Gaudiano; James Harren
COLORS: Rain Beredo
LETTERS: Saida Temofonte
EDITOR: Ben Abernathy
COVER: Greg Capullo with FCO Plascencia
32pp, Color, $3.99 U.S./ U.S. (July 2019)
Rated “T+” for “Teen Plus”
“Going Viral”
DCeased is a new six-issue comic book series from DC Comics. It chronicles the heroes of the DC Universe and their desperate struggle to end a techno-virus that is turning the people of earth into engines of destruction. The first issue of the series is written by Tom Taylor. It is drawn by Trevor Hairsine, (pencils), James Harren (pencils/inks); and Stefano Gaudiano (inks). Colorist Rain Beredo; letterer Saida Temofonte; and editor Ben Abernathy complete the creative team.
DCeased #1 (“Going Viral”) opens with the Justice League ending their latest battle against evil New God, Darkseid, and his legion of Parademons. The League: Superman, Batman, Wonder Woman, Flash, Black Lightning, Aquaman, Hawkgirl, Green Lantern, Green Arrow, and Nightwing have had enough of Darkseid's invasions of Earth, and Batman warns him against returning again. Darkseid's parting words, uttered as he retreats, are ominous enough that they should be accompanied by an equally ominous musical arrangement.
It seems that during the battle, the Parademons have taken possession of Justice League member, Cyborg, for their boss. Now, Darkseid and his master torturer, DeSaad, have a plan to merge the half of the anti-life equation in their possession with the half inside Cyborg. And their plot requires the participation of the New Gods' avatar of Death, Black Racer. But the best laid schemes o' DC mice and New Gods... Darkseid is about to unleash something that is beyond monstrous.
I was cynical about DCeased. I am no longer a fan of event comic book miniseries that feature large cast of superheroes and/or supervillains. I started to hear whispers and grumblings, however, that DCeased was a good read, and guess what boys and girls? It really is.
Unlike many first issues that tease so much that they barely introduce the plot or even all the main characters, DCeased #1 gets right to the point. Writer Tom Taylor serves up the main course, handing out the meat for the beast. I don't know if this entire miniseries will be good, but damn, we have quite the first issue – with a killer-ass last page, too, boo! And it all reads well under letterer Saida Temofonte's fear-inducing fonts of the living dead.
I really like artist James Harren's eight-page New Gods' segment, which is pivotal to the story. Colorist Rain Beredo covers Harren's illustrations with garish, acid-dropped, nightmarish colors. Together, Taylor, Harren, and Beredo create comic book ickiness. Meanwhile, Trevor Hairsine and Stefano Gaudiano focus on drawing the apocalypse with glee.
So, yeah, DCeased #1 is a real-deal good comic book, the anti-life antidote for the cynical comic book purchaser. So let's hope this series stays good.
9 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
----------------------------
Labels:
Batman,
DC Comics,
FCO Plascencia,
Flash,
Green Lantern,
Greg Capullo,
Justice League,
Rain Beredo,
Review,
Superman,
Tom Taylor,
Wonder Woman
Tuesday, November 19, 2019
Review: JOURNEY TO STAR WARS: The Rise of Skywalker - Allegiance #1
JOURNEY TO STAR WARS: THE RISE OF SKYWALKER – ALLEGIANCE No. 1
MARVEL COMICS – @Marvel
[This review was originally posted on Patreon. And visit the "Star Wars Central" review page here.]
STORY: Ethan Sacks
ART: Luke Ross
COLORS: Lee Loughridge
LETTERS: VC's Clayton Cowles
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Marco Checchetto
VARIANT COVER ARTISTS: Brian Stelfreeze; Will Sliney with Guru-eFX
36pp, Color, $4.99 U.S. (December 2019)
Rated T
Journey to Star Wars: The Rise of Skywalker – Allegiance Part I - “An Old Hope”
Journey to Star Wars: The Rise of Skywalker – Allegiance is four-issue Star Wars comic book series from Marvel Comics. Published weekly this month (October 2019), Allegiance takes place before the events depicted in the upcoming film, Star Wars: The Rise of Skywalker. Journey to Star Wars: The Rise of Skywalker – Allegiance is written by Ethan Sacks; drawn by Luke Ross; colored by Lee Loughridge; and lettered by Clayton Cowles.
Journey to Star Wars: The Rise of Skywalker – Allegiance #1 (“An Old Hope”) opens in the aftermath of the film, Star Wars: The Last Jedi. The Resistance is in tatters, and its adversary, the First Order, and its Supreme Leader, Kylo Ren, will stop at nothing to crush what is left. General Leia Organa, the head of the Resistance, leads the last of the rebels, which includes Rey (Jedi-in-training), Finn, Poe Dameron, Rose Tico, Chewbacca the Wookie, and the droids: C-3PO, R2-D2, and BB-8.
The story opens on the Mid Rim ice planet, Tah'Nuhna, which the First Order's General Hux uses as a warning to any other worlds that may be considering offering any kind of assistance to the Resistance. General Organa decides that it is time for her to be proactive with a new mission, for which she takes Rey, Rose, and Tico with her. On the refueling station, “The Wayward Comet,” Finn, Poe, and BB-8 hope to meet a contact who will point them to a weapons cache that the Resistance can use. However, they are unaware that they are being watched. Meanwhile, Leia and her delegation approach “an old hope” with lots of hope and some trepidation...
I wish I could say that Journey to Star Wars: The Rise of Skywalker – Allegiance #1 temporarily sates my appetite for Star Wars: The Rise of Skywalker, but it doesn't. Hell, it doesn't even whet my appetite for the film.
Journey to Star Wars: The Rise of Skywalker – Allegiance #1 is not a bad comic book; it simply reads like filler material. It also seems like a movie tie-in that is mostly a cynical money grab. I will say that writer Ethan Sacks has presented a scenario that does have potential; so there is... hope. Perhaps, this issue is mostly set-up, and future issues will read more like a complete story and less like... just-another-Star-Wars-thing.
I must note that the art team of Luke Ross (pencils) and Lee Loughridge (colors) turns in some really pretty art. Clayton Cowles' lettering is sharp, and the back matter is a nice addition to this first issue.
Will my mixed feelings about Journey to Star Wars: The Rise of Skywalker – Allegiance #1 stop me from reading the second issue? No. Like a true Star Wars sucker, I will probably get all four issues!
[This comic book includes a script-to-art-to-colors look at the process of scripting, drawing, and coloring five pages of Journey to Star Wars: The Rise of Skywalker – Allegiance #1. There is also a look at Marco Checchetto's cover art for all four issues of Journey to Star Wars: The Rise of Skywalker – Allegiance.]
6 out of 10
Reviewed by Leroy Douresseaux a.k.a. "I Reads You"
The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.
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Labels:
Brian Stelfreeze,
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Guru EFx,
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Will Sliney
Monday, November 18, 2019
BOOM! Studios from Diamond Distributors for November 20, 2019
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SEP198459 HEARTBEAT #1 (OF 5) FOC ANDOLFO VAR (MR) $3.99
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JUL191338 EMPTY MAN TP MANIFESTATION $14.99
SEP191278 FIREFLY #11 CVR A MAIN GARBETT $3.99
SEP191279 FIREFLY #11 CVR B PREORDER QUINONES VAR $3.99
SEP198457 FIREFLY #11 FOC SLINEY VAR $3.99
JUL191342 GRASS KINGS TP VOL 02 $17.99
SEP191265 HEARTBEAT #1 (OF 5) CVR A LLOVET (MR) $3.99
SEP198459 HEARTBEAT #1 (OF 5) FOC ANDOLFO VAR (MR) $3.99
JUL191324 LUMBERJANES ORIGINAL GN VOL 02 SHAPE FRIENDSHIP $14.99
SEP198461 ONCE & FUTURE #3 (OF 6) (2ND PTG) $3.99
SEP191281 ONCE & FUTURE #4 (OF 6) $3.99
SEP191292 SOMETHING IS KILLING CHILDREN #3 $3.99
SEP198462 SOMETHING IS KILLING CHILDREN #3 FOC MARTIN VAR $3.99
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Dark Horse Comics from Diamond Distributors for November 20, 2019
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JUL190374 ART OF BRAVELY SECOND END LAYER HC $39.99
JUL190347 ART OF STAR WARS JEDI FALLEN ORDER HC $39.99
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SEP190313 DISNEY FROZEN TRUE TREASURE #1 (OF 3) CVR A KAWAII STUDIO (C $3.99
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SEP190239 HAZEL & CHA CHA SAVE CHRISTMAS TALES UMBRELLA ACADEMY CVR A $4.99
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JUN190379 HP LOVECRAFTS AT MOUNTAINS OF MADNESS TP VOL 02 $19.99
SEP190266 MASK I PLEDGE ALLEGIANCE TO THE MASK #2 (OF 4) CVR A REYNOLD $3.99
SEP190267 MASK I PLEDGE ALLEGIANCE TO THE MASK #2 (OF 4) CVR B HARREN $3.99
SEP190269 NEIL GAIMAN AMERICAN GODS MOMENT OF STORM #7 CVR A FABRY (MR $3.99
SEP190270 NEIL GAIMAN AMERICAN GODS MOMENT OF STORM #7 CVR B MACK (MR) $3.99
SEP190289 STEEPLE #3 (OF 5) CVR A ALLISON $3.99
SEP190290 STEEPLE #3 (OF 5) CVR B ROCHE & BURCHAM $3.99
SEP190285 STRAYED #4 (OF 5) CVR A DOE $3.99
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JUL190392 USAGI YOJIMBO 35 YEARS OF COVERS HC $39.99
SEP190311 WITCHER OMNIBUS TP VOL 01 $24.99
JUL190374 ART OF BRAVELY SECOND END LAYER HC $39.99
JUL190347 ART OF STAR WARS JEDI FALLEN ORDER HC $39.99
SEP190281 COUNT CROWLEY RELUCTANT MONSTER HUNTER #2 (OF 4) $3.99
JUL190413 DISNEY FROZEN HERO WITHIN TP $10.99
SEP190313 DISNEY FROZEN TRUE TREASURE #1 (OF 3) CVR A KAWAII STUDIO (C $3.99
SEP190314 DISNEY FROZEN TRUE TREASURE #1 (OF 3) CVR B RENIERI $3.99
JUL190414 DISNEY SNOW WHITE AND SEVEN DWARFS TP $12.99
MAY190257 DISSIDENT X TP $29.99
SEP190239 HAZEL & CHA CHA SAVE CHRISTMAS TALES UMBRELLA ACADEMY CVR A $4.99
SEP190240 HAZEL & CHA CHA SAVE CHRISTMAS TALES UMBRELLA ACADEMY CVR B $4.99
JUN190379 HP LOVECRAFTS AT MOUNTAINS OF MADNESS TP VOL 02 $19.99
SEP190266 MASK I PLEDGE ALLEGIANCE TO THE MASK #2 (OF 4) CVR A REYNOLD $3.99
SEP190267 MASK I PLEDGE ALLEGIANCE TO THE MASK #2 (OF 4) CVR B HARREN $3.99
SEP190269 NEIL GAIMAN AMERICAN GODS MOMENT OF STORM #7 CVR A FABRY (MR $3.99
SEP190270 NEIL GAIMAN AMERICAN GODS MOMENT OF STORM #7 CVR B MACK (MR) $3.99
SEP190289 STEEPLE #3 (OF 5) CVR A ALLISON $3.99
SEP190290 STEEPLE #3 (OF 5) CVR B ROCHE & BURCHAM $3.99
SEP190285 STRAYED #4 (OF 5) CVR A DOE $3.99
SEP190286 STRAYED #4 (OF 5) CVR B SCALERA $3.99
JUL190392 USAGI YOJIMBO 35 YEARS OF COVERS HC $39.99
SEP190311 WITCHER OMNIBUS TP VOL 01 $24.99
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