#IReadsYou Review: X-MEN GOD LOVES, MAN KILLS Extended Cut #1

X-MEN: GOD LOVES, MAN KILLS EXTENDED CUT #1 (OF 2)
MARVEL COMICS

STORY: Christopher Claremont
ART: Brent Eric Anderson
COLORS: Steve Oliff
LETTERS: Tom Orzechowski
EDITOR: Louise Jones (original); Jennifer Grunwald (extended cut)
EiC: Jim Shooter (original); Akira Yoshida a.k.a. C.B. Cebulski (extended cut)
COVER: Salvador Larroca with Guru-eFX
VARIANT COVER ARTISTS: Brent Anderson; Rod Reis; Giuseppe Camuncoli and Erick Arciniega
44pp, Color, $4.99 U.S. (June 2020)

Rated T+

The X-Men created by Stan Lee and Jack Kirby

The X-Men are a Marvel Comics superhero team and franchise created by writer-editor Stan Lee and writer-artist Jack Kirby.  In The X-Men #1 (cover dated: September 1963), readers were introduced to a professor who was also team-leader to his students.  Each student had unique powers and abilities because he or she was a “mutant.”

X-Men: God Loves, Man Kills (Marvel Graphic Novel #5) was an original graphic novel published in 1982 by Marvel Comics.  It was written by Christopher Claremont and illustrated by Brent Eric Anderson.  Colorist Steve Oliff and letterer Tom Orzechowski completed the graphic novel's creative team.  The story pits the X-Men and their longtime enemy, Magneto, against a fanatical religious leader bent on exterminating “mutantkind.”  The graphic novel went on to become one of the most popular and beloved X-Men stories of all time.  Elements of the God Loves, Man Kills were used in the 2003 X-Men, film, X2: X-Men United.

Back in 2020, Marvel republished X-Men: God Loves, Man Kills as a two-issue miniseries, entitled X-Men: God Loves, Man Kills Extended Cut.  The series divides the story in two parts and brackets it with a new ten-page framing sequence or story produced by the original story's creating team.  The first issue of this “extended cut” opens with five pages of the framing sequence and the second issue ends with the other five pages.

In this new sequence, the member of the X-Men known as Kitty Pryde and her pet dragon, Lockheed, are in southwest Texas.  There, Kitty visits a young woman named Kate who met Erik Lehnsherr a.k.a. “Magneto.”  Kitty has decided to tell the young woman the story that is X-Men: God Loves, Man Kills.

X-Men: God Loves, Man Kills Extended Cut #1 opens in the “Gold Star Cafe,” somewhere in southwest Texas.  There, Kitty Pryde of the X-Men meets Kate, a friend of Magneto, and decides to tell her the story of a time when Kitty was new to the X-Men and was known by the code name, Ariel.

Once upon a time, there was a popular and fanatical religious leader named William Stryker who led a religious organization called the “Stryker Crusade.”  Under the guise of evangelical Christianity, Stryker hatched a plot to destroy all mutants on Earth.  To begin, Stryker targeted Charles Xavier a.k.a. Professor X, the lynch pin to his plot.

To get to Xavier, Stryker will have to go through the X-Men:  Cyclops, Storm, Wolverine, Colossus, Nightcrawler, and Kitty Pryde/Ariel.  To fight the X-Men, Stryker had a strike force, a form of armor-wearing men he called the “Purifiers.”

Professor X and his X-Men were unaware of the danger to their lives.  Colossus' younger sister, Illyana, was also living with the team.  After Professor X and two of his X-Men are captured, the X-Men begin to fight back, but they will find themselves needing help from the greatest enemy, Magneto.

THE LOWDOWN:  I read X-Men: God Loves, Man Kills several times in my youth, but prior to reading this reprint series, I don't think that I had read it in decades.  I didn't read the sequel to it that Chris Claremont wrote for his former X-Men comic book series, X-Treme X-Men (2001-04).  Entitled “God Love, Man Kills Part II, it ran from X-Treme X-Men #25 (July 2003) to X-Treme X-Men #30 (October 2003).  The entire story line was collected in the trade paperback, X-Treme X-Men Vol. 5: God Love, Man Kills (October 2003).

It turns out that I had forgotten quite a bit of “God Loves, Man Kills.”  That includes the action-packed final battle against the Purifiers and that final debate with William Stryker at the “Stryker Building.”  I also had forgotten that Claremont has Kitty Pryde use the term “nigger-lover” in anger at Stevie Hunter.  An African-America woman, Stevie was a recurring, non-mutant character, who mostly appeared in The Uncanny X-Men and New Mutants in the early 1980s.  Four decades later, I have to say that I don't like that scene very much and I'm not happy about the use of that term.  I'm not surprised that Marvel did not remove it, but I am sure that it would not be used today in a scene of a similar context.

X-Men: God Loves, Man Kills is a pivotal point in the publication history of the X-Men.  I believe that the X-Men began as a group of costume adventurers and superheroes who were defined by the fact that they were mutants and who faced prejudice because of it.  However, the original X-Men comic book series also focused on the action and was essentially an adventure serial.

After the debut of the “new X-Men” in 1974, writer Chris Claremont wrote the X-Men comic book as a serialized soap opera, although the X-Men team of the time traveled around the world having adventures and facing one peril after another.  Under Claremont, the X-Men and mutants, in general, became outcasts because of their mutant status.  No matter what they did as superheroes, being a mutant overshadowed or defined their actions.

Eventually, the X-Men, which was eventually re-titled “Uncanny X-Men,” became a comic book in which the narrative focused on prejudice, bigotry, racism, and hate.  The X-Men's struggles were a metaphor for the struggles of persecuted and hated minority groups fighting to be accepted by the wider society.  What made them different did not make them “less human” was a recurring theme, even as the traveled around the world and off it.

X-Men: God Loves, Man Kills was the point of no return.  Never again would the The Uncanny X-Men and its various spin-off series really be about adventure.  Past, present, and future – even future-past – would be about the mutant struggle and what forms the struggle would take.  Eventually, the X-Men would become a franchise that was insular and redundant.  I think that is why over time the Uncanny X-Men went from being a bestselling comic book franchise to being in the shadow of titles like Avengers, Batman, and Justice League, to name a few.

The mutant struggle became repetitive and tired and it began with a really memorable story, X-Men: God Loves, Man Kills.  The X-Men were once mutants who really wanted to prove that they could be the kind of superheroes who protected both mutants and humans and fought to save a world upon which both shared.  Then, the X-Men became just mutants.

Apparently, individual issues of comic books that are reprints of other individual comic books have been popular with buyers for more than a decade.  That is the only reason to reprint X-Men: God Loves, Man Kills Extended Cut.  The X-Men are not as relevant as they once were, and the original X-Men: God Loves, Man Kills was rendered irrelevant by repetition of its themes long ago.

As for the new framing sequence:  there is a kernel of something relevant in Claremont's scenario.  And Brent Anderson's art reminds us that he is still an important artist in the history of X-Men publications despite his small output in the franchise.  If one of the themes of X-Men: God Loves, Man Kills was and still is “hope,” then, X-Men: God Loves, Man Kills Extended Cut, at least for me, suggests that there is hope for the X-Men  It is hope that the franchise can be more than what it is now – a consumer product, an intellectual property (IP), and for some, a fetish.

I READS YOU RECOMMENDS:  Fans of the original X-Men: God Loves, Man Kills will want to give X-Men: God Loves, Man Kills Extended Cut a try.

[This comic book includes two interviews, one with Chris Claremont and one with Brent Anderson.]

A-
★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and  syndication rights and fees.

--------------------------

#IReadsYou Review: STAR WARS: Crimson Reign #1

STAR WARS: CRIMSON REIGN #1 (OF 5)
MARVEL COMICS – @Marvel

STORY: Charles Soule
ART: Steven Cummings
COLORS: Guru-eFX
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Leinil Francis Yu with Sunny Gho
VARIANT COVER ARTISTS: Steve Cummings with Guru-eFX; Ario Anindito with Edgar Delgado; Clayton Crain; Valerio Giangiordano with Arif Prianto; David Lopez; Rahzzah; Khoi Pahm with Lee Loughridge
36pp, Color, $4.99 U.S. (February 2022)

Rated T

Part 1: “The Orphans”

Star Wars: War of the Bounty Hunters was a Marvel Comics Star Wars publishing event that was comprised of 34 individual comic books, published from May to October 2021.  The series imagines a series of events that occur between the time bounty hunter, Boba Fett, collects Han Solo frozen in carbonite in 1980s The Empire Strikes Back (Star Wars: Episode V – The Empire Strikes Back) and his appearance in 1983's Return of the Jedi (Star Wars: Episode VI – Return of the Jedi).

Coming out of War of the Bounty Hunters is the comic book miniseries, Star Wars: Crimson Reign.  It is written by Charles Soule; drawn by Steven Cummings; colored by Guru-eFX; and lettered by Travis Lanham.  According to Marvel, Crimson Reign is the second installment of a trilogy that will reshape the history of the Star Wars Galaxy during the “Age of Rebellion.”

Star Wars: Crimson Reign #1 opens in the halls of the group known as “Crimson Dawn.”  Qi'ra of Corellia is now the group's leader.  She has taken on the killers, liars, and thieves that make up this group and has given them a purpose.

Qi'ra has gathered a diverse group:  “The Knights of Ren,” “Chanath Cha and the Orphans,” Deathstick, Ochi of Bestoon, Margo and Trinia, and the Archivist to carry out of her plans, which is to destroy the Sith in order to free the galaxy.  Her main targets, of course, are Emperor Palpatine a.k.a. “Darth Sidious” and his apprentice, Darth Vader.  Qi'ra begins her mission by sending her allies against the galaxy's criminal syndicates, but has doom for herself and her group already been foretold?

THE LOWDOWN:  I have enjoyed the vast majority of the Charles Soule's Star Wars comic book work that I have read.  I have enjoyed Steven Cummings art since I was first exposed to it in some OEL (original English language) manga from Tokyopop, including Pantheon High (2007), Star Trek: The Manga (2007), and CSI: Intern at Your Own Risk (2009).

However, Star Wars: Crimson Reign #1 isn't the kind of first issue that will inspire me to go out of my way to read the rest of the series.  It is professionally written, professionally drawn, professionally colored, and professionally lettered.  This isn't a bad comic book.  I simply have little interest in Qi'ra's conspiracy, which is contrived past the point of being credible.  I find it hard to believe that not one syndicate leader would notice that the troubles begin shortly after Qi'ra and her ilk begin meeting with the syndicates.  Does it take two issues for even one of them to figure this out?

Lucasfilm and Marvel seem determined to retcon the fuck out of the original Star Wars trilogy and the imaginary timeline surrounding it – known as the “Age of Rebellion.”  That is their prerogative, but it is mine to choose to read it.  I choose not to.  I have never been that curious about “what happened” between the films, The Empire Strikes Back (1980) and Return of the Jedi (1983).  But if that is your thing, Crimson Reign is not only a miniseries, but it is an event that will take place in various issues across Marvel's line of Star Wars comic books.

I READS YOU RECOMMENDS:  Fans of Marvel's Star Wars comic books may want to try Star Wars: Crimson Reign.

B

★★★ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

#IReadsYou Review: Marvel Comics' ALIEN #1

ALIEN #1
MARVEL

STORY: Phillip Kennedy Johnson
ART: Salvador Larroca
COLORS: Guru-eFX
LETTERS: VC's Clayton Cowles
EDITOR: Jake Thomas
EiC: Akira Yoshida a.k.a. C.B. Cebulski
COVER: InHyuk Lee
VARIANT COVER ARTISTS: Steve McNiven with Laura Martin; Peach Momoko; Ron Lim with Israel Silva; Todd Nauck with Rachelle Rosenberg; Patrick Gleason; Skottie Young; David Finch with Frank D'Armata; Salvador Larroca with Guru-eFX
40pp, Color, $4.99 U.S. (May 2021)

Parental Advisory

Alien is a 1979 science fiction horror film directed by Ridley Scott and written by Dan O'Bannon, based on a story that O'Bannon wrote with Ronald Shusett.  The film depicts a battle for survival between the crew of the commercial towing vehicle,  the space ship named “the Nostromo” and an aggressive deadline extraterrestrial creature, the “Alien” of the title, that is now known as a “Xenomorph.”

Alien, which went on to win an Academy Award, spawned a film franchise, beginning with writer-director James Cameron's 1986 science fiction action film, Aliens.  Alien also begat a media franchise, which included a comic book adaptation and also a novelization of the original film.  In 1988, Dark Horse Comics launched its first Alien comic book series, a 1988-89, six-issue comic book miniseries, entitled Aliens.  Dark Horse had the license to produce comic books based on the Alien franchise from 1988 to 1999 and again from 2009 to 2020.

Marvel Comics announced in 2020 that it had obtained the license to produce comic books based on the Alien film franchise.  Marvel Comics recently launched the first comic book series, Alien.  It is written by Phillip Kennedy Johnson; drawn by Salvador Larroca; colored by Guru-eFX, and lettered by Clayton Cowles.  This new Alien comic book focuses on a recently retired security agent who once faced the Xenomorphs and may have to again.

Alien #1 opens in January of the year 2200 on the Epsilon Orbital Research and Development Station.  It introduces Gabriel Cruz, a man who has given his life to Weyland-Yutani as a defense agent.  He is retiring as the security agent for Weyland-Yutani's Epsilon Station.  With the help of his friend, a Bishop-model android, Cruz hopes to reconnect and patch things up with Danny, his estranged son.  However, Danny has dangerous and ulterior motives for reuniting with his father.

Once upon a time, Gabriel barely survived an alien attack.  And now, it seems that his encounters are far from over.

THE LOWDOWN:  I am a big fan of the Alien film franchise, and I have lost count of how many times I have watched James Cameron's Aliens, including a few times just recently.  I have seen both Alien vs. Predator films numerous times and will watch them many times more.

Early in Dark Horse Comics' run of Alien comic books, I was devoted to the company's output, but lost interest after several years.  I thought the new Marvel Comics' title would be a good time to start reading Alien comic book again, and I was right.

Writer Phillip Kennedy Johnson whets the appetite with the promise of thrills to come while offering tasty teases of back story involving Gabriel Cruz.  Books about writing will always say that the writer should create strong characters and that the plot will develop from the characters.  Basically, the characters should act as the spine of the story.  I find the spine of this story, Gabriel and Danny, to be dull, and I have no interest in their crappy relationship.  On the other hand, the plot is quite strong.  Johnson makes Alien #1 a fun read when he focuses on the threat of the “Aliens” and on the looming disaster that will fully bring them into the story.

I would not call the art and graphical storytelling in Alien #1 peak Salvador Larroca.  For one thing, all the characters have faces that look like they underwent bad plastic surgery.  The compositions have a generic, Larroca clip art quality, but Guru-eFX's power-coloring and super-hues cover up the blemishes as well as any coloring can.

Still, Marvel's Alien #1 intrigues, especially if you, dear readers, are fans of the Xenomorphs.  I think I should keep reading … at least for the first story arc.

I READS YOU RECOMMENDS:  Fans of the Alien/Aliens film and comic book franchises will certainly want to try Marvel's Alien.

A-
7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Marvel
https://www.marvel.com/
https://www.marvel.com/comics
https://www.comixology.com/Marvel_Comics


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

#IReadsYou Review: STAR WARS VOL. 1: The Destiny Path

STAR WARS VOL. 1 (2020): THE DESTINY PATH
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon, and visit the "Star Wars Central" review page here.]

STORY: Charles Soule
ART: Jesus Saiz
COLORS: Arif Prianto with Jesus Saiz (#1); Rachelle Rosenberg (#4); and Dan Brown (#5)
LETTERS: VC's Clayton Cowles
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: R.B. Silva with Guru-eFX
MISC. ART: Arthur Adams with Jesus Aburtov; Jen Bartel; Adam Hughes; Mahmud Asrar with Matthew Wilson; Phil Noto; Ema Lupacchino with Jesus Aburtov; Daniel Acuna; Patch Zircher with Edgard Delgado; John Tyler Christopher
ISBN: 978-1-302-92078-4; paperback (November 10, 2020)
152pp, Color, $17.99 U.S., $22.99 CAN

Rated T

In 2015, Marvel Comics began publishing Star Wars comic books again.  Marvel's new Star Wars #1 opened in the time immediately after the events depicted in the original film, Star Wars (1977), which is also known as Star Wars: Episode IV – A New Hope.  After 75 issues, that series ended.

In late 2019, the new Star Wars ongoing series began.  It is written by Charles Soule; drawn by Jesus Saiz; colored by Arif Prianto; and lettered by Clayton Cowles.  Star Wars (cover dated: 2020) starts during the last act of the 1980 Star Wars film, The Empire Strikes Back (also known as Star Wars: Episode V: The Empire Strikes Back) and then, goes on to tell the story of the aftermath of the events depicted in Episode V.

The first six issues of Star Wars (2020) are collected in the recently released trade paperback, Star Wars Vol. 1: The Destiny Path.  “The Destiny Path” is the first story arc of this new series.

Star Wars Vol. 1: The Destiny Path opens inside the Millennium Falcon.  Its passengers:  Luke Skywalker, Princess Leia, Chewbacca, R2-D2, C-3PO, and Lando Calrissian have fled the Cloud City of Bespin, formerly owned by Lando.  They also escaped capture by the forces of the Galactic Empire, thanks to a save by R2-D2 (as seen in The Empire Strikes Back).  However, there are also feelings of recrimination and anger over Han Solo being the prisoner of a group of bounty hunters, led by Boba Fett, in service of Darth Vader – with the involuntary assistance of Lando.

Leia's plan is for the Falcon to reach The Mid Rim, Rendezvous Point: Delta-Three and join the “Fourth Division” of the Rebel Fleet.  But the Fourth Division is trapped there by Imperial forces led by Lieutenant Gorr of the Imperial Star Destroyer, “Tarkin's Will.”  Now, Leia, Luke, Chewbacca, and Lando will have to put aside the anger, pain, and grief if they are going to save the Rebel Alliance.

“No … I am your father.”

Meanwhile, Luke struggles with his destiny as a Jedi Knight in the aftermath of his battle with Darth Vader at Cloud City.  He calls to his late mentor, Ben “Obi-Wan” Kenobi, but does not receive a reply, and Luke also feels out of sorts with the Force – as if it has abandoned him.  Then, Luke begins to have dreams and visions of a mystery woman who holds out a lightsaber to him – perhaps to replace the one he lost at Cloud City.  Now, Luke must find her, if he is to find his way with the Force … or so he thinks.  Plus, Leia, Luke, and Lando return to Cloud City, each for his or her own reasons.

THE LOWDOWN:  Star Wars Vol. 1: The Destiny Path takes place inside the final 10 minutes of The Empire Strikes Back.  It expands on what happens between the Millennium Falcon escaping the Imperial forces shortly after leaving Bespin and the film's final moments.  Then, The Destiny Path creates a larger story of what happens afterwards, which involves several sub-plots.

The Rebel Alliance must find a new base, but first, they have to escape Imperial forces, which have found a way to track the whereabouts of the separated “Divisions” of the Rebel Fleet.  The Imperials can track one Division in order to find a second; then, it destroys both.  The main goal of Leia, Luke, Lando, and Chewbacca is to find Han Solo, and if Boba Fett hasn't already turned Han over to Jabba the Hutt on Tatooine, then, they must track Boba.

Writer Charles Soule has previously said that he hopes to use this new Star Wars series to expand on what happened between The Empire Strikes Back and Return of the Jedi (1983), the final film of the original Star Wars trilogy.  And I'm all for that!  Star Wars Vol. 1: The Destiny Path is a very well written first arc.  Soule expounds on the conflict between Leia and Chewbacca against Lando.  Soule gives Lando a chance to settle his affairs at Cloud City and to reunite with a friend (and one of my favorite characters, Lobot).

Soule delves into Luke's struggles after his duel with Darth Vader, revealing a young man adrift and who may have to find his own way.  Soule plays up the idea that Luke's journey will be different from that of any other Jedi's.  The Destiny Path allows readers to see Luke take the first big steps that he takes alone on his path to being a Jedi.

I really like the art by illustrator Jesus Saiz and colorist Arif Prianto.  The graphical storytelling is moody and emotionally, but also offers edge-of-your-seat thrills, all of it well paced by Clayton Cowles' lettering.  For however long Saiz and Prianto work on this new Star Wars series, they seem capable of capturing the dark mood of a time when the Star Wars narrative fell into the deep, cold shadows of the Empire.

I have to be honest.  Although I was a regular reader of the previous series, Star Wars (2015), my excitement for the series's last 12 issues was about a third of what it was for the first 12 issues.  Star Wars Vol. 1: The Destiny Path is making me feel excited about Star Wars comic books the way the beginning of Star Wars 2015 did.  And I feel quite safe in recommending this collection to you, dear readers and Star Wars fans.

I READS YOU RECOMMENDS:  Fans of Star Wars comic books and of the time between Star Wars: Episodes V and VI will definitely want to sample Star Wars Vol. 1: The Destiny Path.

9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"

https://twitter.com/Marvel
https://twitter.com/starwars
https://www.starwars.com/
https://twitter.com/CharlesSoule


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

#IReadsYou Review: STAR WARS #1

STAR WARS #1 (2020)
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon and visit the "Star Wars Central" review page.]

STORY: Charles Soule
ART: Jesus Saiz
COLORS: Jesus Saiz; Arif Prianto
LETTERS: VC's Clayton Cowles
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: R.B. Silva with Guru-eFX
VARIANT COVER ARTISTS: Arthur Adams with Jesus Aburtov; Jen Bartel; Adam Hughes; Mahmud Asrar with Matthew Wilson; Phil Noto; Chris Sprouse; Karl Story with Neeraj Menon
4pp, Color, $4.99 U.S. (March 2020)

Rated T

“The Destiny Path” Part I

In 2015, Marvel Comics began publishing Star Wars comic books again.  Star Wars #1 opened in the time immediately after the events depicted in the original film, Star Wars (1977), which is also known as Star Wars: Episode IV – A New Hope.  After 75 issues, that series ended.

Now comes Star Wars 2020.  It is written by Charles Soule; drawn by Jesus Saiz; colored by Arif Prianto and Saiz; and lettered by Clayton Cowles.  The new series takes place after the events depicted in the 1980 Star Wars film, The Empire Strikes Back (also known as Star Wars: Episode V: The Empire Strikes Back).

Star Wars #1 opens inside the Millennium Falcon.  Its passengers:  Luke Skywalker, Princess Leia, Chewbacca, R2-D2, C-3PO, and Lando Calrissian escaped the Cloud City of Bespin, formerly owned by Lando.  They also escaped capture by the forces of the Galactic Empire, thanks to a save by R2-D2, as seen in The Empire Strikes Back.  There are also feelings of recrimination and anger over the capture of Han Solo by bounty hunters, led by Boba Fett, in service of Darth Vader.

Leia's plan is for them to reach The Mid Rim, Rendezvous Point: Delta-Three and join the “Fourth Division” of the Rebel Fleet.  But the Fourth Division is trapped there by imperial forces led by Lieutenant Gorr of the Imperial Star Destroyer, “Tarkin's Will.”  Now, Leia, Luke, Chewbacca, and Lando will have to put aside the anger, pain, and grief if they are going to save the Rebel Alliance... and find a traitor.  Meanwhile, Luke struggles with his destiny in the aftermath of his battle with Darth Vader in Cloud City.

Star Wars #1 (2020) takes place inside the final 10 minutes of The Empire Strikes Back.  It expands on what happened between the Millennium Falcon escaping the Imperial forces shortly after leaving Bespin and the film's final moments.  Writer Charles Soule has said that he hopes to use this new Star Wars series to expand on what happened between The Empire Strikes Back and Return of the Jedi (1983), the final film of the original Star Wars trilogy.  And I'm all for that!

Star Wars #1 is a very well written first issue, as Soule expounds on the conflict between Leia and Chewbacca against Lando.  Soule delves into Luke's struggles after his duel with Darth Vader, revealing a young man adrift and who may have to find his own way.  Soule plays up the idea that Luke's journey will be different from that of any other Jedi's.  Soule also offers a tremendous mini action-thriller involving a besieged part of the Rebel Fleet, facing certain doom at the hands of Imperial Star Destroyers.  Soule creates the perfect scenario in which he can show how the post-Episode V core of heroes:  Luke, Leia, Lando, Chewbacca, and the Droids can work together to save the Rebellion.

I really like the art by Jesus Saiz and Arif Prianto.  The graphical storytelling is moody and emotionally, but also offers edge-of-your-seat thrills, all of it well paced by Clayton Cowles' lettering.  For however long Saiz and Prianto work on this new Star Wars series, they seem capable of capturing the dark mood of a time when the Star Wars narrative fell into the deep, cold shadows of the Empire.

I have to be honest.  Although I was a regular reader of the previous series, Star Wars (2015), my excitement for the series's last 12 issues was about a third of what it was for the first 12 issues.  Star Wars #1 2020 has not made me feel the original highs I felt, but it's close enough.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

#IReadsYou Review: STAR WARS: The Rise of Kylo Ren

STAR WARS: THE RISE OF KYLO REN
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.  Also, visit Star Wars Review Central here.]

STORY: Charles Soule
ART: Will Sliney
COLORS: Guru eFX
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Clayton Crain
MISC ART: Carmen Carnero with Rachelle Rosenberg; John Tyler Christopher; Jodie Muir; Stefano Landini and Nicola Righi; Giuseppe Camuncoli with David Curiel
ISBN: 978-1-302-92418-8; paperback (August 11, 2020)
112pp, Color, $15.99 U.S., $20.99 CAN

Rated T

Star Wars: The Rise of Kylo Ren is a Marvel Comics trade paperback collection of the Star Wars comic book miniseries, Star Wars: The Rise of Kylo Ren #1-4 (December 2019 to March 2020).  The miniseries is written by Charles Soule; drawn by Will Sliney; colored by Guru eFX; and lettered by Travis Lanham.

The Rise of Kylo Ren is an official part of the Star Wars “canon” and explores the backstory of Kylo Ren.  He is the face of the Dark Side in the Star Wars “sequel trilogy” of films:  Star Wars: The Force Awakens, Star Wars: The Last Jedi, and Star Wars: The Rise of Skywalker.

Star Wars: The Rise of Kylo Ren opens long ago and introduces the mysterious leader called “Ren” and his “Knights of Ren.”  Two brothers, Karrst and Filin,” learn the high cost of being recruited by Ren.  The story moves to the present which finds the Jedi Temple of Luke Skywalker in flames, as Ben Solo, the son of Leia Organa and Han Solo and the nephew of Jedi Master Luke Skywalker, watches.

Soon, Ben is accused of murder by three fellow Jedi students:  Voe, Hennix, and Tai.  Escaping their attempts at justice, Ben seeks the counsel of Snoke, a user of the Dark Side of the Force, who has been in contact with Ben for some time.  Snoke points Ben to the Knights of Ren as a “good stop” on his journey to the Dark Side.

But will Ben truly be able to find himself and his place with the Knights?  How will he measure up to the expectations of the Knights' leader, Ren, with his talk of “good death” and of the “Shadow?”  How will Ben deal with his former classmates as they pursue him in the name of justice.  And most of all, when will Ben be able to embrace his new name?...

THE LOWDOWN:  In the recent “Skywalker Saga” Star Wars films, Kylo Ren is a figure of intrigue and mystery.  Except for a few flashback sequences, visions, and what little Luke Skywalker and Kylo himself say, little is known about his past.

In a little more than 90 pages of narrative, writer Charles Soule illuminates the history of Kylo Ren and chases away at least some of the shadows of Kylo's past.  In the little more than five years since Marvel Comics resumed publishing Star Wars comic books, Soule has made himself one of the very best writers of Star Wars comic books.  While he offers a tale of duplicity and violence, Soule also reveals the true struggle of Kylo Ren, to be liberated from the expectations and legacies of others so that he can chart his own path.

After reading Star Wars: The Rise of Kylo Ren, I have no doubt in my mind that Charles Soule could spin many a wonderful yarn featuring Kylo Ren.  I don't want to minimize the work of artist Will Sliney, who is a good graphical storyteller.  Or the work of Guru eFX, which brings this story's settings to life with a variety of hues.  Or the work of letterer Travis Lanham, who is always quite good at capturing the right tone of the characters' dialogue.  However, Charles Soule's writing is the star in Star Wars: The Rise of Kylo Ren simply because he does what so few have done – deliver on the potential of the character known as both Ben Solo and as Kylo Ren.

I READS YOU RECOMMENDS:  Fans of Star Wars comic books and of Star Wars canon will certainly want to read Star Wars: The Rise of Kylo Ren.

10 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2020 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------------

Amazon wants me to inform you that the link below is a PAID AD, but I technically only get paid (eventually) if you click on the ad below AND buy something(s).

Review: JOURNEY TO STAR WARS: The Rise of Skywalker - Allegiance #1

JOURNEY TO STAR WARS: THE RISE OF SKYWALKER – ALLEGIANCE No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon. And visit the "Star Wars Central" review page here.]

STORY: Ethan Sacks
ART: Luke Ross
COLORS: Lee Loughridge
LETTERS: VC's Clayton Cowles
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Marco Checchetto
VARIANT COVER ARTISTS: Brian Stelfreeze; Will Sliney with Guru-eFX
36pp, Color, $4.99 U.S. (December 2019)

Rated T

Journey to Star Wars: The Rise of Skywalker – Allegiance Part I - “An Old Hope”

Journey to Star Wars: The Rise of Skywalker – Allegiance is four-issue Star Wars comic book series from Marvel Comics.  Published weekly this month (October 2019), Allegiance takes place before the events depicted in the upcoming film, Star Wars: The Rise of Skywalker.  Journey to Star Wars: The Rise of Skywalker – Allegiance is written by Ethan Sacks; drawn by Luke Ross; colored by Lee Loughridge; and lettered by Clayton Cowles.

Journey to Star Wars: The Rise of Skywalker – Allegiance #1 (“An Old Hope”) opens in the aftermath of the film, Star Wars: The Last Jedi.  The Resistance is in tatters, and its adversary, the First Order, and its Supreme Leader, Kylo Ren, will stop at nothing to crush what is left.  General Leia Organa, the head of the Resistance, leads the last of the rebels, which includes Rey (Jedi-in-training), Finn, Poe Dameron, Rose Tico, Chewbacca the Wookie, and the droids:  C-3PO, R2-D2, and BB-8.

The story opens on the Mid Rim ice planet, Tah'Nuhna, which the First Order's General Hux uses as a warning to any other worlds that may be considering offering any kind of assistance to the Resistance.  General Organa decides that it is time for her to be proactive with a new mission, for which she takes Rey, Rose, and Tico with her.  On the refueling station, “The Wayward Comet,” Finn, Poe, and BB-8 hope to meet a contact who will point them to a weapons cache that the Resistance can use.  However, they are unaware that they are being watched.  Meanwhile, Leia and her delegation approach “an old hope” with lots of hope and some trepidation...

I wish I could say that Journey to Star Wars: The Rise of Skywalker – Allegiance #1 temporarily sates my appetite for Star Wars: The Rise of Skywalker, but it doesn't.  Hell, it doesn't even whet my appetite for the film.

Journey to Star Wars: The Rise of Skywalker – Allegiance #1 is not a bad comic book; it simply reads like filler material.  It also seems like a movie tie-in that is mostly a cynical money grab.  I will say that writer Ethan Sacks has presented a scenario that does have potential; so there is... hope.  Perhaps, this issue is mostly set-up, and future issues will read more like a complete story and less like... just-another-Star-Wars-thing.

I must note that the art team of Luke Ross (pencils) and Lee Loughridge (colors) turns in some really pretty art.  Clayton Cowles' lettering is sharp, and the back matter is a nice addition to this first issue.

Will my mixed feelings about Journey to Star Wars: The Rise of Skywalker – Allegiance #1 stop me from reading the second issue?  No.  Like a true Star Wars sucker, I will probably get all four issues!

[This comic book includes a script-to-art-to-colors look at the process of scripting, drawing, and coloring five pages of Journey to Star Wars: The Rise of Skywalker – Allegiance #1.  There is also a look at Marco Checchetto's cover art for all four issues of Journey to Star Wars: The Rise of Skywalker – Allegiance.]

6 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------------

Review: STAR WARS: Age of Resistance - Finn #1

STAR WARS: AGE OF RESISTANCE – FINN No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon. And visit the "Star Wars Central" review page here.]

STORY: Tom Taylor
ART: Ramon Rosanas
COLORS: Guru eFX
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Phil Noto
VARIANT COVER ARTISTS: Giuseppe Camuncoli with Elia Bonetti; Mike McKone with Guru eFX; Glyn Dillon (Concept Design Variant Artist)
28pp, Color, $3.99 U.S. (September 2019)

Rated T

“Infestation”

Finn is one of the new Star Wars characters that appear in the “sequel” film series.  Finn debuted in Star Wars: The Force Awakens (2015).  Finn was a stormtrooper of the “First Order,” and he was known as “Designation FN-2187.”  Finn was shocked by the cruelty of the First Order that he witnessed on his first mission.  He escaped the First Order and eventually joined “the Resistance.”

Marvel Comics is currently publishing a new Star Wars maxi-series project that is comprised of three series:  Star Wars: Age of Republic and Star Wars: Age of Rebellion (both of which have been completed, and the new series, Star Wars: Age of Resistance.  This project will span 30 issues in total (reportedly), with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).

Star Wars: Age of Resistance – Finn #1 is the first release in the Age of Resistance series.  It is written by Tom Taylor; drawn by Ramon Rosanas; colored by Guru eFX, and lettered by Travis Lanham.  This comic book is set before the events depicted in Star Wars: The Force Awakens and offers a look at the origins of Finn's doubts about his life as a stormtrooper.

Star Wars: Age of Resistance – Finn #1 (“Infestation”) opens on “Starkiller Base.”  We meet FN-2187, a young First Order stormtrooper.  Like his partner, FN-3761, FN-2187 is a janitor, and he has a mop in his hand, even when he meets the mysterious Kylo Ren.  His commander, Captain Phasma, orders the two stormtrooper janitors to join a cleaning crew.  Upon arrival, however, 2187 and 3761 discover that the members of this cleaning crew are holding weapons instead of mops.  There seems to be some kind of pest control issue, but how will that lead FN-2187 to question everything?

I have not read all the “Age of” Star Wars comic books that Marvel Comics have released (as of this writing).  I read only two of the Age of Republic titles, but I read five of the Age of Rebellion titles because the “Age of Rebellion,” otherwise known as the “original trilogy” era, is the Star Wars time period I truly love.  I have not made up my mind about how much I want to delve into the Age of Resistance comics.  I do really like the Resistance's heroic trio of Rey, Finn, and Poe Dameron, but I can't say I care much for characters like Captain Phasma and General Hux.

I like Star Wars: Age of Resistance – Finn #1.  Like the Luke Skywalker and Darth Vader entries in this series (or series of series), Finn #1 gives us a look at the development of Star Wars figure's character and personality.  Clearly, something had been going on in Finn's mind that led him to take the actions that separated him from the First Order, as seen early in Star Wars: The Force Awakens.  You know, there are the makings for a potentially high-quality Star Wars comic book series in Finn's life before his debut in “Episode VII.”

Although I like this story, “Infestation,” it is not anything heavy.  Tom Taylor offers something sweet and gentle that does not rock the continuity boat.  I like Ramon Rosanas' art, and Guru eFX's color effects, which are nice against the somewhat muted colors.  There is also something sweet and gentle in Rosanas' graphical storytelling and in Guru's coloring that makes me like this comic book more than I probably should.  As I usually say, letterer Travis Lanham has been providing excellent work on these AOR titles, and continues to do so here.

I can't say that Star Wars: Age of Resistance – Finn #1 will make me read all the Age of Resistance titles, but I like this enough to give all of them at least a cursory glance.

[This comic book includes the text piece, “I'm Gonna Call You Finn,” by Bryan Young.]

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-------------------------

Review: STAR WARS: Age of Rebellion - Princess Leia #1

STAR WARS: AGE OF REBELLION – PRINCESS LEIA No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.  And visit the "Star Wars Central" review page here.]

STORY: Greg Pak
ART: Chris Sprouse and Karl Story; Will Sliney, Marc Deering and Karl Story
COLORS: Tamra Bonvillain
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Terry Dodson with Rachel Dodson
VARIANT COVER ARTISTS: Giuseppe Camuncoli with Elia Bonetti; Mike McKone with Guru eFX
28pp, Color, $3.99 U.S. (June 2019)

Rated T

“Princess Scoundrel”

Princess Leia is one of the most beloved characters in the Star Wars film series.  In fact, her rescue is what forces Luke Skywalker to answer the call to adventure in the original 1977 Star Wars film (also known as Star Wars: Episode IV – A New Hope or simply, Star Wars: A New Hope).

Marvel Comics is currently publishing a new Star Wars maxi-series project that comprises three books:  Star Wars: Age of Republic, Star Wars: Age of Rebellion, and Star Wars: Age of Resistance.  This project will span 30 issues in total (reportedly), with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).

Star Wars: Age of Rebellion – Princess Leia #1 (“Princess Scoundrel”) is one of the first two releases in the Age of Rebellion series (along with Star Wars: Age of Rebellion – Grand Moff Tarkin #1).  It is written by Greg Pak.  The story is drawn by two art teams:  Chris Sprouse (pencils) and Karl Story (inks) on pages 1-12 and page 20 and Will Sliney, Marc Deering and Karl Story on pages 13 to 19.  The story is colored by Tamra Bonvillain, and lettered by Travis Lanham.  “Princess Scoundrel is set sometime between the events depicted in The Empire Strikes Back (Star Wars: Episode V) and Return of the Jedi (Stars Wars: Episode VI).

Star Wars: Age of Rebellion – Princess Leia #1 (“Princess Scoundrel”) finds Leia and Chewbacca, the longtime Wookie partner and friend of Han Solo, aboard the Millennium Falcon.  They are one their way to rescue Han, who has been captured by the galactic crime lord and gangster, Jabba the Hutt, when they get a call from the Rebel Alliance.  A rebel craft has been shot down over the Outer Rim planet of Arkanis.  Who needs rescuing but Lando Calrissian, the man who is responsible for Han's current state of affairs.  Now, to rescue him, Leia must play a game of bounty hunters.

First, I have to say that I think that Star Wars: Age of Rebellion – Princess Leia #1 would make a better miniseries than it does as a one-shot, but I guess it is best not to encourage Marvel Comics when it comes to Star Wars miniseries.  Still, in this twenty-page story, writer Greg Pak composes what is an interesting depiction of the relationship dynamics between Leia and Lando.  Pak also offers a compelling game of deception involving Leia, Lando, and Chewbacca and the infamous bounty hunters, Boushh and Bossk.

The art, produced by two teams for this comic book, is beautiful.  I think the second team does a good job producing art that looks like that of the first team.  The art especially captures the visual appearances of the characters as we expect them to look (like the actors that originally portrayed them) and also creates the exotic environments and landscapes we expect of a Star Wars world.

Tamra Bonvillain's gorgeous colors are perfect for a Star Wars comic book, and I have to be honest.  I always think that Bonvillain's colors are gorgeous.  Travis Lanham's lettering and effects are also excellent; he is seems like a just-right letterer for Star Wars, too.

I would like more of Star Wars: Age of Rebellion – Princess Leia #1.  In fact, once again, let me say that I wish it were a miniseries.

7.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------

Review: STAR WARS: Age of Rebellion - Luke Skywalker #1

STAR WARS: AGE OF REBELLION – LUKE SKYWALKER No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon. And visit "Star Wars Central" review page here.]

STORY: Greg Pak
PENCILS: Chris Sprouse; Scott Koblish; Stefano Landini
INKS: Karl Story; Marc Deering
COLORS: Tamra Bonvillain
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Terry Dodson with Rachel Dodson
VARIANT COVER ARTISTS: Chris Sprouse and Karl Story with Neeraj Menon; Mike McKone with Guru eFX; Ralph McQuarrie (Concept Design Variant Artist)
28pp, Color, $3.99 U.S. (August 2019)

Rated T

“Fight or Flight”

Luke Skywalker is one of the most beloved characters in the Star Wars film series.  He is my personal favorite.  I think that he has the most fascinating character arc in the Star Wars films, although some would argue that Darth Vader/Anakin Skywalker does.  Luke debuted in the original 1977 Star Wars film, but he appears as an infant in the “prequel trilogy” film, Star Wars: Episode III – Revenge of the Sith (also known as Star Wars: Revenge of the Sith).

Marvel Comics is currently publishing a new Star Wars maxi-series project that is comprised of three series:  Star Wars: Age of Republic, Star Wars: Age of Rebellion, and Star Wars: Age of Resistance.  This project will span 30 issues in total (reportedly), with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).

Star Wars: Age of Rebellion – Luke Skywalker #1 is a new release in the Age of Rebellion series.  It is written by Greg Pak; drawn by Chris Sprouse, Scott Koblish, and Stefano Landini (pencils) and Karl Story and Marc Deering (inks); colored by Tamra Bonvillain, and lettered by Travis Lanham.  The story finds Luke Skywalker facing his first temptation from the Sith.

Star Wars: Age of Rebellion – Luke Skywalker #1 (“Fight or Flight”) opens in the galaxy's Outer Rim at the Imperial Refining Platform M36.  The Imperial Support Vessel 49AX3 approaches the refinery, but it is actually under Rebel control.  One of the rebels involved in this mission is Luke Skywalker.  Although the rebels are able to secure desperately needed fuel from the Imperial facility, the ease of the operation makes one rebel major uncomfortable, especially because of Skywalker.  Meanwhile, Luke begins to have concerns of his own, unaware of a dark influence from far away.

The few “Age of” Star Wars comic books that I have read have been average, good, and really good.  Star Wars: Age of Rebellion – Luke Skywalker #1 is really good.  Its central theme of trust is one that would seem to be an obvious one for Star Wars comic books, but has rarely come up in Star Wars comic books that I have read.  Here, Greg Pak expertly uses it in this tale of an important rebel mission and of an important moment in the development of Luke Skywalker's personality and in his journey from farm boy to Jedi Knight.

Although there are three artists illustrating this issue, the art looks consistent.  When an “Age of” book has to have more than one artist or art team, it seems that editor Mark Paniccia manages to find artists whose work has at least a passing resemblance to one another.

Colorist Tamra Bonvillain and letterer Travis Lanham have been providing excellent work in their respective roles on these AOR titles.  They don't disappoint here.  I am also not at all disappointed in Star Wars: Age of Rebellion – Luke Skywalker #1.  I am even surprised at how much I like it.  Perhaps, I like Luke Skywalker so much that am appreciative (maybe even overly-appreciative?) of any even remotely good story starring Luke, my first Star Wars hero.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

----------------------

Review: STAR WARS: Age of Rebellion - Lando Calrissian #1

STAR WARS: AGE OF REBELLION – LANDO CALRISSIAN No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Greg Pak
ART: Matteo Buffagni
COLORS: Tamra Bonvillain
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Terry Dodson with Rachel Dodson
VARIANT COVER ARTIST: Mike McKone with Guru eFX; Nilo Rodis-Jamero (Concept Design Variant Artist)
28pp, Color, $3.99 U.S. (July 2019)

Rated T

“Cloud City Blues”

Lando Calrissian is one of the most beloved characters in the Star Wars film series.  However, Lando had a controversial start in the 1980 film, The Empire Strikes Back (also known as Star Wars: Episode V – The Empire Strikes Back or simply, Star Wars: The Empire Strikes Back).

Marvel Comics is currently publishing a new Star Wars maxi-series project that comprises three books:  Star Wars: Age of Republic, Star Wars: Age of Rebellion, and Star Wars: Age of Resistance.  This project will span 30 issues in total (reportedly), with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).

Star Wars: Age of Rebellion – Lando Calrissian #1 is a new release in the Age of Rebellion series.  It is written by Greg Pak; drawn by Matteo Buffagni; colored by Tamra Bonvillain, and lettered by Travis Lanham.  The story finds Lando trying to take care of his money problems while dealing with his bad luck that often ruins his plans.

Star Wars: Age of Rebellion – Lando Calrissian #1 (“Cloud City Blues”) opens on Cloud City, the gas mining facility that floats above the planet Bespin.  Former smuggler Lando Calrissian is now Cloud City's “Baron Administrator.”  Calrissian has a beautiful dream of a life of leisure and luxury and of being totally legitimate, but he has money problems.  Along with his cyborg aide, Lobot, Lando becomes involved in a scam that will gain him the fantastic wealth and the peace of mind that comes with it, except that his bad luck won't make it that easy.

Since Marvel Comics started publishing Star Wars comic books again (in 2015), the publisher has given us two Lando Calrissian miniseries and now this one-shot comic book.  Charles Soule and Alex Maleev's 2015 miniseries, Lando, remains one of Marvel's best Star Wars publications.  2018's Lando: Double or Nothing, a tie-in to the 2018 film, Solo: A Star Wars Story, is an average work with some entertaining moments.

Star Wars: Age of Rebellion – Lando Calrissian #1 falls somewhere between.  As far as the story, “Cloud City Blues” is average like Lando: Double or Nothing.  It is filler material that finds the character to be in the same place, in the end, as he was in the beginning. The best writer Greg Pak seems able to do here is say that Lando is a rogue with a heart of gold and possessing some morals and ethics.  But I am always happy to see Lando's cyborg aide, Lobot, whose only film appearance was in The Empire Strikes Back.

On the art side, Star Wars: Age of Rebellion – Lando Calrissian #1 is closer to Alex Maleev's fantastic work on the 2015 miniseries.  Artist Matteo Buffagni's clean line work and smooth brushstroke create comic book art that is classic cool science fiction.  As Maleev had colorist Paul Mounts, Buffagni also has a talented comic book colorist in Tamra Bonvillain.  Travis Lanham does fine lettering for this comic book, the same way he has been doing for other AOR titles.

So yes, I found things to like in Star Wars: Age of Rebellion – Lando Calrissian #1.  As a Lando comic book, it, like Lando: Double or Nothing, is a missed opportunity.

6 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------------

Review: STAR WARS: Age of Rebellion - Han Solo #1

STAR WARS: AGE OF REBELLION – HAN SOLO No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Greg Pak
PENCILS: Chris Sprouse
INKS: Karl Story
COLORS: Tamra Bonvillain
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Terry Dodson with Rachel Dodson
VARIANT COVER ARTISTS: Gerald Parel; Mike McKone with Guru-eFX; Yasmine Putri; Ralph McQuarrie (Concept Design Variant Artist)
28pp, Color, $3.99 U.S. (July 2019)

Rated T

“Running from the Rebellion”

Han Solo is one of the most beloved characters in the Star Wars film series.  Han Solo was the first ally farm boy, Luke Skywalker, and former Jedi Knight, Ben Kenobi, gathered as Luke answered the call to adventure in the original 1977 Star Wars film (also known as Star Wars: Episode IV – A New Hope or simply, Star Wars: A New Hope).

Marvel Comics is currently publishing a new Star Wars maxi-series project that comprises three series:  Star Wars: Age of Republic, Star Wars: Age of Rebellion, and Star Wars: Age of Resistance.  This project will span 30 issues in total (reportedly), with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).  [The project is abbreviated as “Star Wars AOR.”]

Star Wars: Age of Rebellion – Han Solo #1 is a recent release in the Age of Rebellion series.  It is written by Greg Pak; drawn by Chris Sprouse (pencils) and Karl Story (inks); colored by Tamra Bonvillain, and lettered by Travis Lanham.  “Running from the Rebellion” is set not long (apparently) after the events depicted in A New Hope.

Star Wars: Age of Rebellion – Han Solo #1 (“Running from the Rebellion”) finds Han Solo and his Wookie friend, companion, and copilot, Chewbacca, counting the 17,000 in Imperial credits they have received as a payoff from the promise made to them by the “late” Ben Kenobi.  Now, Han has plans.  He is ready to move back to his life as a smuggler, which includes paying the crime lord Jabba the Hutt the money that he owes them.  Thus, Han is a bit perturbed when Luke Skywalker asks for one last favor, and Han gets pulled into a rebel mission that might wreck all his plans.

First, I have to say that I think that Star Wars: Age of Rebellion – Han Sol #1 is, thus far, my favorite of the four comic books in the “AOR” line that I have read.  If I understand correctly, Marvel Comics' Star Wars comic books, as of 2015, are official Star Wars canon.  So this delightful story, “Running from the Rebellion,” explains how Han Solo became a member of the Rebel Alliance.  Or it at least explains why he is still stuck with the rebels at the beginning of The Empire Strikes Back (1980).

Greg Pak's script for this comic book is well written, and Pak can be hit or miss.  Unlike the recent AOR Princess Leia comic book, the art team of Chris Sprouse and Karl Story draws the entirety of “Running from the Rebellion,” and an entire issue of Chris Sprouse's pencils is always a good thing.  Tamra Bonvillain's gorgeous colors are perfect for a Star Wars comic book, especially for a Chris Sprouse-Karl Story drawn Star Wars comic book.  And, of course, I see you, Travis Lanham, with your always high-quality lettering.  It's all good.

I hope more AOR comics are like Star Wars: Age of Rebellion – Han Solo #1.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

---------------------------

Review: STAR WARS: Age of Rebellion - Darth Vader #1

STAR WARS: AGE OF REBELLION – DARTH VADER No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Greg Pak
ART: Ramón Bachs
COLORS: Stéphane Paitreau
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Terry Dodson with Rachel Dodson
VARIANT COVER ARTISTS: Gabriele Dell'Otto; Mike McKone with Guru eFX; Tommy Lee Edwards; Ralph McQuarrie (Concept Design Variant Artist)
28pp, Color, $3.99 U.S. (August 2019)

Rated T

“To The Letter”

Darth Vader is one of the most beloved and feared characters in the Star Wars film series.  Many fans think that he has the most fascinating character arc in the Star Wars films (although some, like myself, dear readers, would argue Luke Skywalker does).  Darth Vader debuted in the original 1977 Star Wars film, but he appears as Anakin Skywalker in the “prequel trilogy” films, and as Darth Vader in Star Wars: Episode III – Revenge of the Sith (also known as Star Wars: Revenge of the Sith).

Marvel Comics is currently publishing a new Star Wars maxi-series project that is comprised of three series:  Star Wars: Age of Republic (which has been completed), Star Wars: Age of Rebellion, and Star Wars: Age of Resistance.  This project will span 30 issues in total (reportedly), with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).

Star Wars: Age of Rebellion – Darth Vader #1 is a new release in the Age of Rebellion series.  It is written by Greg Pak; drawn by Ramón Bachs; colored by Stéphane Paitreau, and lettered by Travis Lanham.  This issue, which is set after the events depicted in Revenge of the Sith, finds Vader having to bend his knee to an Imperial bureaucrat.

Star Wars: Age of Rebellion – Darth Vader #1 (“To the Letter”) opens on the “Mid Rim” world of Namzor.  Aboard a Star Destroyer, its commander, Governor Ahr, seethes after Darth Vader goes against his wishes.  When he takes his complaint against Vader to Emperor Palpatine, Ahr is surprised by the result.  Vader, however, realizes that he has something left to prove and to learn.

The few “Age of” Star Wars comic books that I have read have been average, good, and really good.  Star Wars: Age of Rebellion – Darth Vader #1, like the recent Star Wars: Age of Rebellion – Luke Skywalker #1, is one of the really good issues.  The best entries in this series offer insight into the characters or into their relationships or focus on some stage of character development.  Darth Vader does both.  Without spoiling the story, I can say that writer Greg Pak presents a nifty tale showcasing the badness we expect from Vader and Palpatine.

Artist Ramón Bachs is an interesting choice for this story.  For one, his graphical style is appropriate for science fiction comics.  Secondly, his graphical interpretation of Darth Vader recalls the designs for the villain executed by the late Ralph McQuarrie.  It is as if the earliest version of Darth Vader has finally come to life, and Bachs presents him as a tall, dark, menacing figuring.  In this story, Vader is a black wraith stomping through this story to bring death.

Colorist Stéphane Paitreau adds layers of hues that have a threatening aura.  Letterer Travis Lanham have been providing excellent work on these AOR titles, and continues to do so here.  Lanham especially strikes a dark note on Palpatine's dialogue.  Star Wars: Age of Rebellion – Darth Vader #1 is a thoroughly enjoyable read, and I hope the next arc, Age of Resistance, can offer a least one or two issues as good a this Darth Vader comic book.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

------------------------

Review: STAR WARS: Age of Republic - Qui-Gon Jinn #1

STAR WARS: AGE OF REPUBLIC – QUI-GON JINN No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Jody Houser
PENCILS: Cory Smith
INKS: Walden Wong
COLORS: Java Tartaglia
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Paolo Rivera
VARIANT COVER ARTISTS: Cory Smith with Romulo Fajardo, Jr.; Giuseppe Camuncoli with Elia Bonetti; Mike McKone with Guru-eFX
28pp, Color, $3.99 U.S. (February 2019)

Rated T

“Balance”

Qui-Gon Jinn, a Jedi Knight, was one of the breakout characters in Star Wars: Episode I – The Phantom Menace.  He was killed in that movie, but his presence was a fixture in later films and animated television series, directly and indirectly.

Marvel Comics is currently publishing a new Star Wars maxi-series project that comprises three books:  Star Wars: Age of Republic, Star Wars: Age of Rebellion, and Star Wars: Age of Resistance.  This project will span 30 issues in total (reportedly), with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).

Star Wars: Age of Republic – Qui-Gon Jinn #1 (“Balance”) was the first release (December 2018) in the nine-issue Age of Republic series.  It is written by Jody Houser; drawn by Cory Smith (pencils) and Walden Wong (inks); colored by Java Tartaglia; and lettered by Travis Lanham.  The story is set sometime before the events depicted in The Phantom Menace.

The story entitled “Balance,” opens on the planet of “Bri'n.”  Qui-Gon was trying to negotiate a peace between Mistress Th'er, the “Priestess of the Wood,” who wants to save the trees of the planet and the “Metal Clan,” who want to cut down the trees.  Ultimately, Qui-Gon and his padewan, Obi-Wan Kenobi, have to take Th'er back to Coruscant, much to her chagrin.

Troubled by what happened on Bri'n, Qui-Gon has a philosophical discussion with Master Yoda of the Jedi Council.  The result of this conversation is that Qui-Gon seeks a place where he can commune with the Force, but only the Force will decide this place of communion.

Star Wars: Age of Republic – Qui-Gon Jinn #1 is a nice read.  Perhaps, here, writer Jody Houser is offering a tale that is a little stronger than the one she offers in Star Wars: Age of Republic – Darth Maul #1.  “Balance,” with its refusal to offer concrete answers, seems to personify the Qui-Gon of The Phantom Menace, a Jedi conflicted about the state of things concerning and surrounding the Jedi.

Artist Cory Smith is certainly a good Star Wars comic book artist.  The environments, characters, costumed, ships, etc.:  Smith illustrations here are convincing, and Walden Wong's inking makes Smith's pencils seem solid.  That is good thing in a story that can be a bit dreamy and ethereal in places.  Java Tartaglia's coloring is quite good, especially on the Bri'n scenes and in the “dream” sequence.  Travis Lanham keeps his lettering unobtrusive, but he tells the story in an effective manner while his lettering seems to blend into the scenery of the story.

I would like more of Star Wars: Age of Republic – Qui-Gon Jinn #1.  In fact, like all the Age of Republic comic books, this one especially should be a double issue.

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

-----------------------

Review: STAR WARS: Age of Republic - Darth Maul #1

STAR WARS: AGE OF REPUBLIC – DARTH MAUL No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Jody Houser
ART: Luke Ross
COLORS: Java Tartaglia
LETTERS: VC's Travis Lanham
EDITOR: Mark Paniccia
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Paolo Rivera
VARIANT COVER ARTISTS: Luke Ross with Nolan Woodard; Mike McKone with Guru-eFX
28pp, Color, $3.99 U.S. (February 2019)

Rated T

“Ash”

Darth Maul was a breakout character in Star Wars: Episode I – The Phantom Menace.  Although he was seemingly killed off in that movie, he returned in the animated series, “Star Wars: The Clone Wars” and was a major recurring character in a second animated series, “Star Wars Rebels.”  He even makes a surprise appearance at the end of Solo: A Star Wars Story.

Marvel Comics is currently publishing a new Star Wars maxi-series project that comprises three books:  Star Wars: Age of Republic, Star Wars: Age of Rebellion, and Star Wars: Age of Resistance.  This project will span 30 issues in total, with each issue spotlighting one hero or villain from one of three particular Star Wars eras:  Republic (prequel trilogy), Rebellion (original trilogy), and Resistance (sequel trilogy).

Star Wars: Age of Republic – Darth Maul #1 (“Ash”) is the second comic book in the nine-issue Age of Republic series.  It is written by Jody Houser; drawn by Luke Ross; colored by Java Tartaglia; and lettered by Travis Lanham.

The story opens on Coruscant, the “Lower Levels.”  Darth Maul, still seething with hate and itching to fight the Jedi, has found a new target, Zek Peiro.  Is the highly-regarded thief really worth Maul's efforts?  Will a trip to Malachor help the Sith apprentice learn patience, if patience is really something a Sith should have?

Illustrator Luke Ross was the artist of Marvel's 2017 Darth Maul miniseries, so it is nice to see his work in this Age of Republic Darth Maul comic book.  Writer Jody Houser offers what is essential two plots, each of which would make for a nice standalone comic book story.

The problem is that Star Wars: Age of Republic – Darth Maul #1, with its $3.99 cover price, offers only twenty pages of story.  American comic book publishers either don't get it or think that they can get away with charging $3.99 for a comic book with only twenty pages of story.  Thus, far they have, but there are signs that they have not gotten away with it by much and may not get away with it much longer.  Basically, the price of a comic book has increased while the page count has gone down.  This would be tolerable if those twenty pages offered an outstanding story.

“Ash” is not at all bad, but it is more a brief interlude in the (mis)adventures of Darth Maul than it is an actual fully-realized Darth Maul story.  Anyone who read the Darth Maul miniseries will realize that here Houser merely revisits familiar Darth Maul themes and conflicts.  There is nothing new here – at least nothing new that is worth $3.99.

Star Wars: Age of Republic – Darth Maul #1 was originally published in December 2018, and I ignored it then.  Something told me that it was not worth the price or effort to read it.  The latter is not entirely true, as this comic book is nicely written, and the art is good.  No, it is not worth the cover price.

6 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

--------------------------

Review: STAR WARS #38

STAR WARS No. 38 (2015)
MARVEL COMICS – @Marvel

[Visit the "Star Wars Central" review page here.]

STORY: Kieron Gillen
ART: Salvador Larroca
COLORS: Guru e-FX
LETTERS: VC's Clayton Cowles
COVER: David Marquez with Matthew Wilson
28pp, Color, $3.99 U.S. (January 2018)

Rated T

Part I: “The Ashes of Jedha”

In 2015, Marvel Comics restarted their publication of Star Wars comic books with a brand new Star Wars #1.  I wrote a review of it and went on to review a few more issues of the series, plus the first annual.  Jason Aaron was the series writer from the beginning and delivered a number of really good story arcs and, recently, several really good stand alone, single-issue stories.

Aaron has moved on and the new series writer is Kieron Gillen, who did stellar work on Marvel's initial Darth Vader title, which was drawn by Salvador Larroca.  In fact, I can make a good case that Gillen and Larroca's Darth Vader was and still is the best Star Wars comic book Marvel has published since it regained the license to produce such comic books.  Gillen, as writer, and Larroca, as artist, reunite as the new Star Wars creative team.  They are joined by Guru e-FX on colors and Clayton Cowles on letters.

Star Wars #38 (“The Ashes of Jedha”) finds that the forces of the Galactic Empire have returned to the desert moon Jedha, which the Empire nearly destroyed (as seen in the film Rogue One: A Star Wars Story).  The Empire wants the kyber crystals, which are plentiful on Jedha and which power lightsabers, that managed to survive the destruction wrought on the moon by a test of the Death Star.

Meanwhile, Luke Skywalker, Princess Leia Organa, Han Solo, Chewbacca, C-3PO, and R2-D2 have arrived on Jedha in hopes of forming an alliance with the “main” rebellion and the rebels on Jedha.  However, the partisans on Jedha are different in many ways from the Rebel Alliance, and these wild rebels of Jedha may hold the Alliance in as much disdain as they do the Empire.

As much as I was enjoying Star Wars the comic book, I know that there was a part of me that believed the series needed, if not a fresh start, some injection of freshness.  I think Kieron Gillen is that injection, and there is something about Gillen and Larroca that really works as a comic book creative team.  There is fire in the drama, and the tension is electrically charged.  Together, they produce comic books that have me hopping for the next issue every time I finish the issue at hand.

The rich colors by Guru e-FX dazzle my eyes.  It is near perfect, although the colors seem to emphasize a peculiar photo-like quality in many of the faces that Larroca draws.  I often don't mention lettering in my reviews, but here, Clayton Cowles actually super-charges the edgy mood of this story.

Once again, the creators of a Marvel Star Wars comic book title have me chomping at the bit to read the next issue.  In the case of the new Star Wars team, I am not ashamed to be a fanboy.

A
9 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

-------------------------------