Friday, June 23, 2023

#IReadsYou Movie Review: THE FLASH

The Flash (2023)

Running time:  144 minutes (2 hours, 24 minutes)
MPAA – PG-13 for sequences of violence and action, some strong language and partial nudity
DIRECTOR:  Andy Muschietti
WRITERS:  Christina Hodson; from a screen story by John Francis Daley, Jonathan Goldstein, Joby Harold (based on the DC Comics characters)
PRODUCERS:  Barbara Muschietti and Michael Disco
CINEMATOGRAPHER:  Henry Braham
EDITORS:  Jason Ballantine and Paul Machliss
COMPOSER:  Benjamin Wallfisch

SUPERHERO/FANTASY/ACTION

Starring:  Ezra Miller, Michael Keaton, Sasha Calle, Michael Shannon, Ron Livingston, Maribel Verdu, Kiesey Clemons, Antje Traue Temuera Morrison, Ben Affleck, Gal Gadot, Nicolas Cage, George Clooney, Jason Momoa, and Jeremy Irons

The Flash is a 2023 superhero and action-fantasy film directed by Andy Muschietti.  The film is based on the DC Comics character, The Flash, with the two most famous versions being created by the teams of writer Gardner Fox and artist Harry Lampert and writer Robert Kanigher and artist Carmine Infantino.  The film is the 13th entry in the DC Extended Universe (DCEU).  In The Flash, the superhero known as “the fastest man alive” uses his super-speed to change his family's tragic past, but also creates a world without superheroes.

The Flash opens at a very important time in the life of Barry Allen/The Flash (Ezra Miller).  His father, Henry Allen (Ron Livingston), has been imprisoned, wrongfully convicted for murdering his wife and Ezra's mother, Nora Allen (Maribel Verdu).  As a police forensic investigator for the Central City Police Department, Barry has been using his knowledge and connections in a bid to free his father, whose next appeal of his conviction is a day away.

However, Barry's superhero life intrudes, so he races to Gotham City where he helps Batman (Ben Affleck) stop a terrorist group.  After that, the Flash visits his childhood home.  Overcome by his emotions, Barry starts running so fast that he does not realize that his power, super-speed, has tapped into the “Speed Force” to such an extent that he has traveled back in time.  Although Batman's alter-ego, Bruce Wayne (Ben Affleck), warns him against doing so, the Flash travels back in time, again.

He returns to the day his mother was murdered and changes events in order to save her life, and the thing about which Bruce warned Barry occurs, the unintended consequences of time travel.  Soon, Barry comes face to face with his younger self, college-age Barry (Ezra Miller).  Not long afterwards, Barry learns that his big change to the past has also created an Earth without superheroes.  As an alien threat looms, the two Barrys seek out the one superhero everyone knows exists – or at least once existed, Batman.  However, this Earth's Bruce Wayne (Michael Keaton) does not want to be Batman again, even if it dooms the world.

When I first heard of the premise of The Flash, I knew that Warner Bros. Pictures wanted to make its on version of Sony Pictures and Marvel Studios' multiverse adventure, Spider-Man: No Way Home (2021).  Unlike this very sharp Spider-Man flick, The Flash is not as crisp and as efficient.  The Flash's action scenes are always at least a minute too long and too overdone.  The drama is a bit too melodramatic, sometimes in danger of being corny.  Still, director Andy Muschietti and his editors offer a film that is often quite engaging, thrilling, and entertaining.

I believe that the persons that really carry The Flash are first, Ezra Miller as The Flash/Barry Allen and as younger Barry Allen and second, Michael Keaton as Batman/Bruce Wayne.  This time around Ezra offers a superhero and alter-ego that are both far less annoying and forced than they were in Joss Whedon's 2016 superhero film, Justice League.  Miller is so good at portraying two versions of Barry that they seem like distinctly different people and personalities.  Here, Miller's Flash is more like a quirky character than in Justice League, where he seemed like bad character writing and a resulting confused and awkward performance.  Sadly, Miller's legal problems may keep them from portraying the Flash again, which is a shame.  They have finally got a bead on how to play that kind of character in a way that makes him endearing.

To a slightly lesser extent, Michael Keaton also carries this film.  His Batman/Bruce Wayne is one of the most famous iterations of the character, having appeared in director Tim Burton's Batman (1989) and Batman Returns (1992).  Keaton revives the beats of the way he played the character over three decades ago, while adding a lot of new flavors to his character and new engagement in his performance.  After this appearance, I would really like to see more of Keaton's Batman.

Ben Affleck also makes a really nice turn as the “DCEU Batman/Bruce Wayne.”  Sasha Calle as Kara Zor-El/Supergirl gives a performance that makes the character seem shoe-horned into this film.  And there are some delightful cameos from other actors and characters that have appeared in DC Comics-related film and television series.  Plus, there is a surprise appearance from another cinematic Batman.  As I have said, however, Ezra Miller and Michael Keaton put a light-speed jolt into The Flash.  I found The Flash entertaining, but I'm giving it the grade I am because of Miller and Keaton.

[The Flash has one scene at the end of the credits.]

B+
★★★½ out of 4 stars

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, June 20, 2023

#IReadsYou Review: A TOWN CALLED TERROR #2

A TOWN CALLED TERROR #2
IMAGE COMICS

STORY: Steve Niles
ART: Szymon Kudranski
COLORS: Szymon Kudranski
LETTERS: Scott O. Brown with Marshall Dillon
COVER: Szymon Kudranski
28pp, Colors, 3.99 U.S.(May 2022)

Rated “M/Mature”

A Town Called Terror” created by Steve Niles and Szymon Kudranski

Part 2: “The Return”


A Town Called Terror is a new comic book series from writer Steve Niles and artist-colorist Szymon Kudranski.  The series blends the genres of crime and horror fiction and is set largely in a town of monsters and freaks.  Letterer Scott O. Brown completes the creative team.

In a town called “Terror” (population 1300), a great man has just come back from the dead – apparently not for the first time.  Henry West has also just been kidnapped to Terror, his hometown.  Meanwhile, his wife, Julie, knows very little of the circumstances surrounding her husband's disappearance, only that her husband has been kidnapped.

A Town Called Terror #2 (“The Return”) opens in a town called Terror.  No, it's not a nightmare, Henry.  You are back into Terror and are locked in.  In a tense meeting with his father, Henry learns that dear old dad has forced his return to Terror because his wife (and Henry's mother) has mysteriously disappeared, and Henry apparently has the skills to find her.

But being home has not only reacquainted Henry with painful memories, but also with old rivalries.

THE LOWDOWN:  Steve Niles may be the most famous writer of modern American horror comic books.  Artist Szymon Kudranski has been plying his trade on the dark side of comics with stints on Marvel Comics' The Punisher and on Spawn and recently on Nita Hawes NIGHTMARE Blog (also from Image Comics).  They have come together for a comic book that could be quite special.

Niles is playing out the story in monthly serial form; for instance, we really don't know what happened to his mother other than the vague “beyond the grave” offering.  While Niles werewolf-cock-teases us, Kudranski is slaying readers with some of the most beautifully haunting and hauntingly beautiful horror comic book art being published today.  [Honestly, it seems that the best artists of horror comic books are currently mostly at Image Comics.]

Here, Kudranski's art and storytelling is truly Film-Noir, not just light noir-ish pretend.  It is as if someone, Kudranski, in this case, took the sublime shadowy worlds of Bernie Wrightson and decided to evolve what the late artist did rather than just be “inspired” by it or “homage” it to death.

The world that Kudranski creates in A Town Called Terror is ... terrifying, but also too beautiful to resist.  If there is ever a film or TV adaptation of this comic book, no cinematographer or director of photography will be able to recreate the visual, graphical, and illustrative beauty that is the art of A Town Called Terror.

I READS YOU RECOMMENDS:  Fans of Steve Niles, Szymon Kudranski, and horror comic books will to try A Town Called Terror.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://www.steveniles.com/
https://twitter.com/SteveNiles
https://twitter.com/ImageComics
https://imagecomics.com/
https://www.instagram.com/imagecomics/
https://www.facebook.com/pages/Image-Comics-Inc/178643148813259
https://www.twitch.tv/imagecomics
https://www.youtube.com/channel/UCHmaKLo0FXWIPx-3n6qs3vQ
https://www.linkedin.com/company/image-comics/


The text is copyright © 2022 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Monday, June 19, 2023

Two Musical Tracks Released from "'The Flash' (Original Motion Picture Soundtrack)"

Two Batman-Themed Tracks Released From The Flash (Original Motion Picture Soundtrack)

“I Am Batman” and “Sounds About Right, Bruce” Now Available From WaterTower Music

Featuring the Music of 2X GRAMMY- and BAFTA-Nominated Composer Benjamin Wallfisch

The Flash (Original Motion Picture Soundtrack) Full Album Preorders Now Available: Triple LP, Two Color Vinyl and Double CD

LOS ANGELES--(BUSINESS WIRE)--WaterTower Music has announced the release of two highly anticipated tracks of music from Warner Bros. Pictures’ upcoming film “The Flash,” along with the availability of preorders for Triple LP, Two-Color Vinyl and Double CD versions of the full The Flash (Original Motion Picture Soundtrack).

The two Batman-related themes—“I Am Batman” and “Sounds About Right, Bruce”—are the latest music to be released from the upcoming The Flash (Original Motion Picture Soundtrack), which features the music of celebrated two-time GRAMMY- and BAFTA-nominated composer, Benjamin Wallfisch, (the “IT” films, “Shazam,” “Blade Runner 2049” [with Hans Zimmer]). Two previous tracks from the upcoming album, “Worlds Collide” and “Run,” were made available two weeks ago. All four pieces of music are now available for streaming (Standard and Dolby Atmos / Spatial Audio configurations) and digital purchase, and will be on the soundtrack, scheduled for release the same day as director Andy Muschietti’s “The Flash”—the DC Super Hero’s first-ever standalone feature film—is set to open in theaters in North America, June 16, 2023.

Fans may find familiarity upon hearing “I Am Batman,” and for good reason. “The Flash” composer Benjamin Wallfisch explains: “As a DC fan for as long as I can remember, I’ve loved Danny Elfman’s ‘The Batman Theme’ from the moment it hit me as a 10 year old back in 1989. It’s of course one of the most iconic themes of all time, and so beloved by fans around the world, it was my job to pull all the stops out and celebrate it in “The Flash” when Keaton is on screen, whilst also finding a way to completely reinvent it for our movie. Keaton returns to this role with more complexity, and a lot more physicality – the music needed to reflect that,” the composer continued. “Andy encouraged me to go all-in with mining all kinds of variations from those iconic six notes and you can hear them both full tilt, but also planted as Easter Eggs. It was so much fun to get to play in that world.

Wallfisch continued: “The music for Ben Affleck’s Batman, “Sounds About Right, Bruce,” has a completely different approach. I wanted to honor the sheer intensity of sound and orchestration that we’ve heard created for his character in recent films, but as his action takes place in the world of The Flash, it needed a ton of propulsion and forward motion, and from that came this new Batman Theme. There’s also a new theme capturing Batman’s backstory (as yet unreleased) that connects both Affleck and Keaton in the movie, heard several times at some key moments in the story.”


ABOUT “THE FLASH”:
Warner Bros. Pictures presents “The Flash,” directed by Andy Muschietti. Ezra Miller reprises their role as Barry Allen in the DC Super Hero’s first-ever standalone feature film. Worlds collide when Barry uses his superpowers to travel back in time in order to change the events of the past. But when his attempt to save his family inadvertently alters the future, Barry becomes trapped in a reality in which General Zod has returned, threatening annihilation, and there are no Super Heroes to turn to. That is, unless Barry can coax a very different Batman out of retirement and rescue an imprisoned Kryptonian… albeit not the one he’s looking for. Ultimately, to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?

“The Flash” ensemble also includes rising star Sasha Calle, Michael Shannon, Ron Livingston, Maribel Verdú, Kiersey Clemons, Antje Traue and Michael Keaton. It is produced by Barbara Muschietti and Michael Disco. The screenplay is by Christina Hodson, with a screen story by John Francis Daley & Jonathan Goldstein and Joby Harold, based on characters from DC. The executive producers are Toby Emmerich, Walter Hamada, Galen Vaisman and Marianne Jenkins.

Warner Bros. Pictures presents a Double Dream/a Disco Factory Production of an Andy Muschietti Film, “The Flash” will be distributed worldwide by Warner Bros. Pictures and is set to open in theaters in North America on June 16, 2023 and internationally beginning 14 June 2023.

ABOUT BENJAMIN WALLFISCH:
Golden Globe, BAFTA, two-time Grammy, Emmy and five-time World Soundtrack Award nominee, composer Benjamin Wallfisch has worked on over 80 feature films, collaborating with directors including Ron Howard, Ted Melfi, Andy Muschietti, Christopher Nolan, David F. Sandberg, Leigh Whannell, Gore Verbinski and Denis Villeneuve. His latest project is Andy Muschietti’s The Flash for DC / Warner Bros.

A graduate of the Royal Academy of Music in London—and mentored by Dario Marianelli and Hans Zimmer—Benjamin’s notable projects include It and It Chapter Two, Blade Runner 2049 (with Hans Zimmer), Shazam!, The Invisible Man, Mortal Kombat, Thirteen Lives, A Cure For Wellness, Annabelle: Creation, King Of Thieves, Hidden Figures (with Pharrell Williams and Hans Zimmer), and music based on Elgar’s Enigma Variations for Dunkirk.

Benjamin has performed live in over 100 concerts worldwide, conducting orchestras such as the London Philharmonic, Philharmonia, Los Angeles Philharmonic, Los Angeles Chamber Orchestra and the Sydney Symphony at venues including the Hollywood Bowl, Sydney Opera House and Royal Festival Hall. He is a member of the Academy of Motion Pictures Arts and Sciences and BAFTA, and is an Associate of the Royal Academy of Music. In 2019 he founded The Scoring Lab, a state-of-the art scoring production company and Dolby Atmos Certified mix studio in the heart of Santa Monica, California.

ABOUT WATERTOWER MUSIC:
WaterTower Music, the in-house label for the Warner Bros. Discovery companies, releases recorded music as rich and diverse as the companies themselves. It has been the soundtrack home to many of the world’s most iconic films, television shows and games since 2001.

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BOOM! STUDIOS

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APR230642 ULTIMATE INVASION #1 (OF 4) BLANK COVER VAR $8.99
APR230634 ULTIMATE INVASION #1 (OF 4) BRYAN HITCH FOIL VAR (Net) $PI
APR230635 ULTIMATE INVASION #1 (OF 4) CHRISTOPHER NEGATIVE SPACE VAR $8.99
APR230636 ULTIMATE INVASION #1 (OF 4) PEACH MOMOKO VAR $8.99
APR230639 ULTIMATE INVASION #1 (OF 4) RON LIM VAR $8.99
APR230641 ULTIMATE INVASION #1 (OF 4) RUSSELL DAUTERMAN VAR $8.99
APR230640 ULTIMATE INVASION #1 (OF 4) SARA PICHELLI VAR $8.99
APR230739 VENOM #21 $3.99
APR230741 VENOM #21 NIC KLEIN STORMBREAKER VAR $3.99
MAR230991 WOLVERINE EPIC COLLECTION TP TO THE BONE $44.99
APR230805 X-FORCE #41 $3.99
APR230806 X-FORCE #41 SALVADOR LARROCA VAR $3.99

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