Showing posts with label Cully Hamner. Show all posts
Showing posts with label Cully Hamner. Show all posts

Friday, August 18, 2023

#IReadsYou Movie Review: BLUE BEETLE

Blue Beetle (2023)

Running time:  127 minutes (2 hours, 7 minutes)
MPA – PG-13 for sequences of action and violence, language, and some suggestive references
DIRECTOR:  Angel Manuel Soto
WRITER:  Gareth Dunnet-Alcocer (based on characters from DC Comics)
PRODUCERS:  Zev Foreman and John Rickard
CINEMATOGRAPHER:  Pawel Pogorzelski (D.o.P.)
EDITOR:  Craig Alpert
COMPOSER:  The Haxan Cloak

SUPERHERO/FANTASY/ACTION/FAMILY

Starring:  Xolo Maridueña, Bruna Marquezine, Damien Alcazar, Adriana Barraza, Belissa Escobedo, Elpidia Carrillo, Raoul Max Trujillo, Modesto Lacen, and Harvey Guillén, Susan Sarandon, George Lopez, and  (voice) Becky G

Blue Beetle is a 2023 superhero and action-fantasy film directed by Ángel Manuel Soto.  The film is based on the DC Comics character, Blue Beetle/Jaime Reyes, that was created by Keith Giffen, John Rogers, and Cully Hamner and first appeared in the comic book, Infinite Crisis #3 (cover dated: February 2006).  Blue Beetle the movie focuses on a young man who finds himself chosen to be the symbiotic host of an alien artifact that gives him a suit of armor.

Blue Beetle introduces recent college graduate, Jaime Reyes (Xolo Mariduena), who is returning to his hometown of Palmera City.  He receives a warm welcome from his family:  his father, Alberto Reyes (Damian Alcazar); his mother, Rocio Reyes (Elpidia Carrillo); his Nana (Adrian Barraza), his younger sister, Milagro (Belissa Escobedo); and his uncle, Rudy Reyes (George Lopez).  Jaime soon learns that his family will lose their home due to financial difficulties and to Alberto's poor health.  Still, Jaime is optimistic that he will quickly get a job and make enough money for his family.

Some time later, Jaime meets Jenny Kord (Bruna Marquezine), the daughter of Ted Kord, the currently-missing CEO OF Kord Industries.  Jenny is at odds with her aunt, Victoria Kord (Susan Sarandon), the current CEO.  Jenny discovers that Victoria has dark plans for her recent discovery, an alien artifact called “the Scarab.”  Jenny steals the Scarab, and not knowing its true nature, she passes it on to Jaime.
 
As soon as Jaime touches the Scarab, it activates and attaches to him, creating a suit of armor around him.  The suit gives Jaime extraordinary powers, such as flight, super-strength, and invulnerability, but those powers are unpredictable.  Now, Jaime's family calls him a “superhero.”  However, Jaime isn't sure that he wants to be a superhero, and Victoria Kord will do whatever she has to do – including murder – to regain possession of the Scarab.

The Blue Beetle first appeared in Fox Comics' Mystery Men Comics #1 (cover dated: August 1939) and was the secret identity of a young police officer, Dan Garrett.  The second Blue Beetle first appeared in Charlton Comics' Captain Atom #83 (November 1966) and was Ted Kord, an industrialist and owner of KORD Industries.  I mention this because Dan Garrett is referenced in this film.  Also, Ted Kord, with a new origin, is a major subplot in this film, although the story is that he has been missing for years under mysterious circumstances.

However, this is Blue Beetle/Jaime Reyes' film.  He comes across as a normal young man in his early twenties.  Warner Bros. didn't even cast some muscular young android-like actor for the role.  Xolo Mariduena's body is in good shape, but he looks more like a high school kid still in physical development.  Everything about Xolo comes across as boy-next-door, which makes him more relatable to a larger segment of the audience.  After all, Jaime seems so vulnerable that even an alien suit of armor doesn't seem capable of completely protecting him.  If there is a superhero of the people – the champion next door – Xolo makes Jaime Reyes as Blue Beetle fit the role perfectly.

Like Warner Bros.'s 2019 DC Comics film, Shazam, Blue Beetle emphasizes family, and the Reyes are delightful.  George Lopez's Uncle Rudy is a scene stealer, and I'm glad the story reveals that there is so much more to him than meets the eye.  Of course, one can judge how good a family is by placing it in contrast with a problematic family, and that is the Kords.  Susan Sarandon plays the evil aunt, Victoria Kord, with relish, although she doesn't really go over the top.  The film puts Jenny Kord, smoothly played by actress Bruna Marquezine, at the center of the good family (the Reyes)-bad family (Victoria Kord) dynamic.  Which will Jenny ultimately choose?  Like Shazam, Blue Beetle shows how cool an extended or surrogate family can be, especially to someone in need.

I like what director Angel Manuel Soto does with his collaborators, cast, and crew.  Blue Beetle is an easy-going superhero film that is fun for a family audience, even with the sometimes intense action and dark plot elements.  I'm surprised that the film has as its themes, “imperialism in the name of democracy” and “militarized capitalism,” neither of which are ever portrayed as a good thing.  Uncle Rudy even calls Batman a “fascist,” which has caused a stir in some Internet circles.  This film definitely has an anti-authoritarian streak.

That aside, Blue Beetle is hugely and surprisingly entertaining, and it sparkles with humor.  By focusing on Jaime Reyes as much as it does on the Blue Beetle armor, the film gets to center on the most winning aspect of it story, family and friends.  Blue Beetle won't get the attention of bigger superhero film productions, but it has more heart than most of those other films.

[Blue Beetle has two extra scenes during the end credits.]

B+
★★★½ out of 4 stars

Friday, August 18, 2023


The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Thursday, January 9, 2020

#IReadsYou Review: BLACK PANTHER VS. DEADPOOL #1

BLACK PANTHER VS. DEADPOOL #1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Daniel Kibblesmith
ART: Ricardo López Ortiz
COLORS: Felipe Sobreiro
LETTERS: Joe Sabino
EDITOR: Wil Moss
COVER: Ryan Benjamin with Rain Beredo
VARIANT COVER ARTISTS: Adi Granov; Cully Hamner with Laura Martin
28pp, Color, $3.99 U.S. (November 2018)

“Parental Advisory”

Black Panther created by Stan Lee and Jack Kirby; Deadpool created by Rob Liefeld and Fabian Nicieza; Dora Milaje created by Christopher Priest and Mark Texeira

Part One: “A Small Misunderstanding”

Black Panther is a Marvel Comics superhero created by Stan Lee and Jack Kirby.  The character first appeared in Fantastic Four #52 (cover dated: July 1966).  Black Panther is T'Challa, the king and protector of the (fictional) African nation of Wakanda.  Black Panther was also the first Black superhero in mainstream American comic books.

Deadpool is a Marvel Comics anti-hero character.  He was created by artist-writer Rob Liefeld and writer Fabian Nicieza and first appeared in The New Mutants #98 (cover dated: February 1991).  Deadpool is Wade Winston Wilson, a disfigured and deeply mentally disturbed assassin-for-hire and mercenary with a superhuman physical prowess and an accelerated healing factor.  The character is depicted as joking constantly, being sarcastic, and having a tendency to engage in the literary device of “breaking the fourth wall” and speaking to readers.

Black Panther and Deadpool are two of Marvel Comics' hottest movie characters, with Black Panther appearing in a record-setting 2018 film that has Oscar buzz.  Deadpool appeared in two films, Deadpool (2016) and Deadpool 2 (2018), each of which grossed well over $700 million dollars in worldwide box office.  Black Panther vs. Deadpool is a new comic book miniseries bringing the two hot Marvel characters together.  It is written by Daniel Kibblesmith; drawn by Ricardo López Ortiz; colored by Felipe Sobreiro; and lettered by Joe Sabino.

Black Panther vs. Deadpool #1 (“A Small Misunderstanding”) opens in Wakanda where the citizens are celebrating “Ubusuku Bokufa,” the nation's “Night of the Dead” festival.  T'Challa/Black Panther and his sister, Shuri, are working on a new surgical method for humans that involves something called “star cells.”  Meanwhile, in the United States, Deadpool's battle with “The Wrecker” causes a beloved Marvel Comics character to end up near death.  The one thing that can save him, “Vibranium Therapy,” may be out of reach for Deadpool.

Deadpool goes to Wakanda with a plan, a crazy plan that involves working things out with Black Panther in a plan-of-action that follows the line of action in a superhero-crossover-comic-book.  But does Black Panther want to play with let alone help Deadpool?

I am not going to act as if Black Panther vs. Deadpool is a great comic book, but I expected it to be a disaster.  Yet it is not; there are a few good moments.  Black Panther vs. Deadpool #1 has a kind of Looney Tunes quality to it.  I can see comedy elements that remind me of Wile E. Coyote vs. Road Runner and Bugs Bunny vs. Elmer Fudd (or vs. Yosemite Sam).  Daniel Kibblesmith does not quite pull off the madcap humor of classic Warner Bros. cartoon shorts, but I think he has potential.

I like Ricardo López Ortiz's art here more than I did his run on the first arc of Mark Millar's recent Hit Girl revival (entitled Hit Girl in Columbia).  Ortiz's scratchy, impressionistic drawing style is not as effective at storytelling as it could be simply because there is too much clutter in the line work and inking.  And here, some of the art is just ugly or badly drawn.

Felipe Sobreiro cannot fix this with his coloring, and Ortiz's art even makes Joe Sabino's lettering look like clutter, and that should not be.  While I found some things to like, I am not sure that I will return for the second issue.  I can't see myself paying $3.99 for this, let alone playing $21+ (with tax) to read the entire miniseries.  Black Panther and Deadpool fans might find Black Panther vs. Deadpool worth the price and the effort, though.

5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Thursday, July 5, 2018

Review: JIMMY'S BASTARDS #1

JIMMY'S BASTARDS No. 1
AFTERSHOCK COMICS – @AfterShockComix

[This review was originally posted on Patreon.]

WRITER: Garth Ennis
ARTIST: Russ Braun
COLORS: John Kalisz
LETTERS: Rob Steen
COVERS: Dave Johnson (A); Russ Braun with John Kalisz (B)
VARIANT COVERS: Terry Dodson with Rachel Dodson; Cully Hamner; Andrew Robinson; Mike Booth with Elizabeth Torque
32pp, Color, $3.99 U.S. (June 2017)

Mature Readers

Created by Garth Ennis and Russ Braun

“Get Daddy”

Jimmy's Bastards is a new comic book series from writer Garth Ennis and artist Russ Braun.  Ennis is known for the seminal DC Comics/Vertigo title, Preacher, and for his work on such titles as The Punisher and his controversial creator-owned title, The Boys.  Braun is known for his work on Vertigo titles like Fables, Fairest, and Jack of Fables.  On Jimmy's Bastards, John Kalisz is colorist and Rob Steen is letterer.

Jimmy's Bastards #1 (“Get Daddy”) introduces James “Jimmy” Regent, who is Great Britain's number one super-spy.  He has all the intrigue and adventure he can handle, and he has a license to shoot whomever he likes.  Jimmy can also perform whatever sexual acts he wishes on a veritable legion of beautiful and willing women.  His new partner, Nancy McEwan, isn't sold on his charms, though.  It turns out that she isn't the only one not so impressed with Jimmy.  Their is a new threat mounting against him and it is more personal than he can imagine.

I think that the central premise of Jimmy's Bastards is ripe with possibilities, but I don't like Jimmy Regent.  I think that he is supposed to be unlikable, but to me, he barely registers as a character.  Obviously, we will learn more about Jimmy in future issues (I hope).  I think that Nancy McEwan has more potential than Jimmy, but there will probably be some violence done to her in the end, ruining her full development.

I recommend Jimmy's Bastards to Garth Ennis fans, especially because I think the adversaries in this series will yield great fun.  Obviously, the second issue will reveal even more about this narrative than the first issue does.

[This comic book includes a six-page preview of Unholy Grail by Cullen Bunn and Miriko Colak.]

6.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Monday, January 8, 2018

DC Comics from Diamond Distributors for January 10, 2018

DC COMICS

NOV170219    ACTION COMICS #995    $2.99
NOV170220    ACTION COMICS #995 VAR ED    $2.99
NOV170229    BATGIRL AND THE BIRDS OF PREY #18    $3.99
NOV170230    BATGIRL AND THE BIRDS OF PREY #18 VAR ED    $3.99
OCT170358    BATMAN BEYOND TP VOL 02 RISE OF THE DEMON (REBIRTH)    $16.99
OCT170364    BATMAN SHADOW OF THE BAT TP VOL 03    $24.99
OCT170366    BLACK LIGHTNING YEAR ONE TP NEW ED    $14.99
JUL170499    DC DESIGNER SER SUPERMAN BY NEAL ADAMS STATUE    $150.00
NOV170251    DEADMAN #3 (OF 6)    $3.99
NOV170255    DETECTIVE COMICS #972    $2.99
NOV170256    DETECTIVE COMICS #972 VAR ED    $2.99
NOV170260    FLASH #38    $2.99
NOV170261    FLASH #38 VAR ED    $2.99
NOV170253    GOTHAM CITY GARAGE #7    $2.99
NOV170271    HAL JORDAN AND THE GREEN LANTERN CORPS #36    $2.99
NOV170272    HAL JORDAN AND THE GREEN LANTERN CORPS #36 VAR ED    $2.99
OCT170271    HARLEY QUINN #34    $2.99
OCT170272    HARLEY QUINN #34 VAR ED    $2.99
SEP170352    HARLEY QUINN BE CAREFUL WHAT YOU WISH FOR #1 SPC    $4.99
SEP170353    HARLEY QUINN BE CAREFUL WHAT YOU WISH FOR #1 SPC VAR ED    $4.99
OCT170360    HARLEY QUINN TP VOL 04 SURPRISE SURPRISE (REBIRTH)    $16.99
OCT170370    INJUSTICE GODS AMONG US YEAR THREE COMP COLL TP    $24.99
NOV170290    JUSTICE LEAGUE OF AMERICA #22    $2.99
NOV170291    JUSTICE LEAGUE OF AMERICA #22 VAR ED    $2.99
NOV170294    MISTER MIRACLE #6 (OF 12) (MR)    $3.99
NOV170295    MISTER MIRACLE #6 (OF 12) VAR ED (MR)    $3.99
NOV170296    NEW SUPER MAN #19    $3.99
NOV170297    NEW SUPER MAN #19 VAR ED    $3.99
NOV170298    RAGMAN #4 (OF 6)    $2.99
NOV170314    RED HOOD AND THE OUTLAWS #18    $3.99
NOV170315    RED HOOD AND THE OUTLAWS #18 VAR ED    $3.99
NOV170347    SCOOBY APOCALYPSE #21    $3.99
NOV170348    SCOOBY APOCALYPSE #21 VAR ED    $3.99
NOV170351    SCOOBY DOO WHERE ARE YOU #89    $2.99
NOV170310    SUICIDE SQUAD #33    $2.99
NOV170311    SUICIDE SQUAD #33 VAR ED    $2.99
NOV170316    SUPERGIRL #17    $3.99
NOV170317    SUPERGIRL #17 VAR ED    $3.99
OCT170377    SUPERGIRL TP VOL 04 DAUGHTER OF NEW KRYPTON    $19.99
NOV170318    SUPERWOMAN #18    $3.99
NOV170319    SUPERWOMAN #18 VAR ED    $3.99
NOV170322    TITANS #19    $3.99
NOV170323    TITANS #19 VAR ED    $3.99
NOV170332    WILDSTORM MICHAEL CRAY #4    $3.99
NOV170333    WILDSTORM MICHAEL CRAY #4 VAR ED    $3.99
NOV170326    WONDER WOMAN #38    $2.99
NOV170327    WONDER WOMAN #38 VAR ED    $2.99

Tuesday, September 1, 2015

DC Comics from Diamond Distributors for September 2, 2015

DC COMICS

JUL150259     BAT MITE #4     $2.99
JUL150263     BATMAN ARKHAM KNIGHT #8     $3.99
JUL150265     BATMAN BEYOND #4     $2.99
JUL150212     DC COMICS BOMBSHELLS #2     $3.99
JUL150269     DETECTIVE COMICS #44     $3.99
JUL150338     FBP FEDERAL BUREAU OF PHYSICS #24 (MR)     $3.99
JUL150222     FLASH SEASON ZERO #12     $2.99
JUN150293     FLASH TP VOL 05 HISTORY LESSONS (N52)     $14.99
JUL150223     GREEN ARROW #44     $2.99
JUL150283     GREEN LANTERN #44     $3.99
JUL150218     INJUSTICE GODS AMONG US YEAR FOUR #9     $2.99
JUL150228     LOBO #10     $2.99
MAY150271     MAD MAX FURY ROAD TP (MR)     $14.99
JUL150230     MIDNIGHTER #4     $2.99
JUL150289     MORTAL KOMBAT X #10 (MR)     $3.99
JUN150294     NEW 52 FUTURES END TP VOL 03     $29.99
JUL150234     OMEGA MEN #4     $2.99
JUN150292     SUICIDE SQUAD TP VOL 01 TRIAL BY FIRE NEW ED     $19.99
MAY150269     SWEET TOOTH DELUXE ED HC BOOK 01 (MR)     $29.99
MAY150250     WONDER WOMAN HC VOL 07 WAR TORN     $24.99
JUN150295     WONDER WOMAN TP VOL 06 BONES (N52)     $14.99

DC COMICS/DC COLLECTIBLES

JAN150429     BATMAN BLACK & WHITE DICK GRAYSON BY JOCK 2ND ED STATUE     $79.95
APR150344     DC COMICS ICONS FIRESTORM STATUE     $99.95
MAR150326     SUPERMAN MAN OF STEEL STATUE BY CULLY HAMNER     $79.95

Sunday, November 27, 2011

The New 52 Review: JUSTICE LEAGUE #3

"Here Comes Wonder Woman"

JUSTICE LEAGUE #3
DC COMICS

WRITER: Geoff Johns
PENCILS: Jim Lee
INKS: Scott Williams
COLORS: Alex Sinclair
LETTERS: Patrick Brosseau
COVER: Jim Lee, Scott Williams, and Alex Sinclair
VARIANT COVER: Greg Capullo and Jonathan Glapion with FCO Plascencia
40pp, Color, $3.99 U.S.

November is the third month of “The New 52,” DC Comics’ re-launch of its superhero comic book line. I want to offer thanksgiving for the re-launch’s most popular title, Justice League #3, written by Geoff Johns, penciled by Jim Lee, inked by Scott Williams, and colored by Alex Sinclair. Yes, I am still loving this new Justice League. What can I say? I am an easy mark for anything drawn by Jim Lee – even if the overall comic book is lousy, which this Justice League is not.

Maybe, it is mediocre for all I know, but I would still love it.

Justice League #3 (“Part Three”) brings Wonder Woman into the story. Feeling imprisoned at the Pentagon, she goes out into the public, which fears her. Her outing puts her right square in the middle of an invasion of otherworldly monsters that is plaguing the planet. Is she enough to help the overwhelmed team of Superman, Batman, Green Lantern, and Flash turn the tide? And a new hero enters the story.

Meanwhile, at S.T.A.R. Labs in Detroit, Silas Stone injects his son, Victor, with alien technology to save his life. Whatever else it may do to him, this technology is giving Victor a unique perspective of the invasion.

I’d normally be pissed off that this story is being stretched out over several issues (probably six), but Geoff Johns is packing so much action fudge into each page that I hardly notice that, so far, $11.97 plus tax gets me only half a story. Of course, Lee, Williams, and Sinclair continue to turn out pretty pictures that make excellent comics. For extras, there are two pages of Green Lantern sketches by Cully Hammer.

A

Monday, February 22, 2010

I Reads You Review: DETECTIVE COMICS #854

Detective Comics #854
DC COMICS

WRITER: Greg Rucka
ARTISTS: J.H. Williams III, Cully Hamner (backup)
COLORS: Dave Stewart, Laura Martin (backup)
LETTERS: Todd Klein, Jared K. Fletcher (backup)
40pp, Color, $3.99

Elegy Part One, “Agitato”

The Katherine Kane Batwoman began her reign over her very own Batman title in Detective Comics #854. Written by Greg Rucka, this issue is apparently part of the “Batman: Reborn” event, which, if I remember correctly, had something to do with the original Robin (Dick Grayson who now uses the first name, Richard) becoming Batman and Damien Wayne (Batman and Talia al Ghul’s lovechild) becoming the new Robin.

Apparently because Batman and Robin were busy at the time, Gotham City’s newest caped crusader, Batwoman, took on the responsibility of fighting the 13 covens that make up something called the Religion of Crime. Yes, DC Comics is now the “House of Ideas (Not).” That aside, what is now of note about Detective Comics is that Katherine Kane is a lesbian. Rucka even writes a rather dull scene in which Katherine and her lover have a very hetero you-don’t-bring-me-flowers slash you-don’t-sing-me-love-songs-anymore moment.

Dull is the word to describe Detective Comics #854. The fights are uninspired; the character drama falls flat, and the villains are just the latest in the mostly monotonous line of colorful, DC Comics baddies. Thank heavens for the art by J.H. Williams III (pencils and inks) and Dave Stewart (colors).

Williams and Stewart shine on the pages with Batwoman in action scenes. Their inspired art and graphical storytelling present Batwoman as a wraith, depicted in painted art against a backdrop of characters and settings whose colors are all muted to some extent by gray. These scenes look so pretty that I could eat them like candy. The Williams/Stewart art team also does good work on the Kathy Kane-civilian scenes, but even they seem a bit lackluster next to the visually striking superhero scenes.

Rucka redeems himself (a little) on the backup feature, which stars The Question. The venerable character, formerly a white man, is now a Latina named Renee Montoya. In the “Pipeline” story arc, she searches for a missing young Mexican woman. This looks to be the familiar human trafficking/Mexican mafia story, but at least it is better storytelling than the main feature.

B-