#IReadsYou Review: NOCTERRA #1

NOCTERRA #1
IMAGE COMICS/Best Jacket Press

[This review was originally posted on Patreon.]

STORY: Scott Snyder
ART: Tony S. Daniels
COLORS: Tomeu Morey
LETTERS: Andworld Design
EDITOR: Will Dennis
COVER: Tony S. Daniels with Tomeu Morey
VARIANT COVER ARTISTS: Jock; Bosslogic; Greg Capullo
36pp, Colors, 3.99 U.S. (March 2021)

Rated “M/ Mature”

“FULL THROTTLE DARK”

Nocterra is a new comic book series from writer Scott Snyder and artist Tony S. Daniels.  Published by Image Comics, Nocterra is set on an Earth that has been experiencing an everlasting night for well over a decade.  Colorist Tomeu Morey and letterer Andworld Design complete the series' creative team.

Nocterra #1 opens in Denver, Colorado in the fifth grade class of Valentina “Val” Riggs.  This is the day of the “Big PM,” when the sky goes dark and the world is plunged into an everlasting night.  Any living organism left unlit in the dark for more than 10 hours starts undergoing a biological transformation and changes into a monstrous version of itself, becoming something called a “Shade.”

Thirteen years later (“13 PM”), Val is a big rig hauler, driving a heavily-illuminated 18-wheeler, and her call sign in “Sundog.”  She is a skilled “ferryman” who transports people and goods along deadly unlit roads between the few remaining human outposts.  At Luxville, Colorado, a well-lit outpost, Val hopes to find her brother Emory a.k.a. “Em” in better condition.  Waiting for Val, however, are two people with a request for help that she cannot refuse and that will change everything.

THE LOWDOWN:  I enjoy Scott Snyder's creator-owned series more than I enjoy his recent work for DC Comics.  I find all that Dark Nights: Metal stuff mostly unreadable, but I enjoyed Wytches (2014-15).

Nocterra #1 is a strong first issue because it offers so much information.  Snyder keeps a lot of secrets, but he gives readers a clear understanding of the basics when it comes to the lead character, the setting, and the plot.  Of course, the next few issues will thrill the readers with shocking reveals and new mysteries, but Snyder does not leave me with the maddening feeling that instead of reading the first issue of a comic book I have actually read a teaser.  Andworld Design's lettering conveys the shifts in tone of the dialogue, from the introspection of Val to the urgent appeals of her brother, Em.

Readers may be surprised to see how subdued Tony Daniels' art is.  His pencils are subtle and impressionistic, more original Mad Max than Mad Max: Fury Road.  The inking captures the nuance in the characterization and the action.  Daniels plus colorist Tomeu Morey is always a good thing, and here, Morey creates the sense of an eternal night dotted by the neon twilight of the human outposts.

I READS YOU RECOMMENDS:  Fans of Scott Snyder and Tony S. Daniels will want to sample Nocterra.

8 out of 10

[This comic book includes “A Note from Scott,” an afterword by Scott Snyder.]

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


https://twitter.com/Ssnyder1835
https://www.instagram.com/ssnyder1835/
https://twitter.com/TonyDanielx2
https://tonydaniel.bigcartel.com/
https://twitter.com/tomeu_morey
https://twitter.com/deronbennett
https://twitter.com/andworlddesign
https://twitter.com/ImageComics
https://imagecomics.com/


The text is copyright © 2021 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: BATMAN: Last Knight on Earth #2

BATMAN: LAST KNIGHT ON EARTH No. 2 (OF 3)
DC COMICS/DC Black Label – @DCComics

[This review was originally posted on Patreon.]

STORY: Scott Snyder
PENCILS: Greg Capullo
INKS: Jonathan Glapion
COLORS: FCO Plascencia
LETTERS: Tom Napolitano
EDITOR: Mark Doyle
COVER: Greg Capullo with FCO Plascencia
VARIANT COVER: Jock
56pp, Color, $5.99 U.S. (September 2019)

Mature Readers

Batman created by Bob Kane and Bill Finger

Parts (Five) “Who's There?,” (Six) “The Miracle,” (Seven) “Paradise”

Batman: Last Knight on Earth is a three-issue comic book miniseries written by Scott Snyder and drawn by Greg Capullo (pencils) and Jonathan Glapion (inks).  Colorist FCO Plascencia and letterer Tom Napolitano complete the creative team.

Batman: Last Knight on Earth is the second release in DC Comics' new prestige and event publication imprint, “DC Black Label.”  The series follows Batman as he travels a ruined Earth, with the bottled, still-alive head of The Joker in tow, trying to find the mysterious power that devastated the world.

Batman: Last Knight on Earth #2 opens as Batman awakens from a nightmare featuring Joe Chill, the man who killed Bruce Wayne's parents.  During Batman and Joker's continued travel, they encounter what is left of the Flash, the Unknown Soldier, and the Swamp Thing.  They also encounter the strange union of the Scarecrow and Bane, and more.  Then, it's off to “The Plains of Solitude” where Batman meets two old friends.

However, things are not what they seem when that reunion with old friends also comes with the appearance of a familiar super-villain, who may be the cause of the devastation of the Earth.  Finally, “Omega” the master of this scorched Earth, steps forward, and Batman learns that this monster has an uncomfortable connection to him.

Scott Snyder and Greg Capullo are the most popular Batman writer-artist pairing of this still young twenty-first century, and they are also among the most prolific of the last 50 years.  Snyder has portrayed Bruce Wayne as young and sleek with a humanitarian bent.  Snyder's Batman seems like a continuation of the Batman/Bruce Wayne that Frank Miller and artist David Mazzuchelli introduced to readers in the Batman: Year One story arc (originally published in the comic book, Batman, issues #404-407).  In artist Greg Capullo's Batman, science fiction and technology sit side by side with dark conspiracy and horror.  Capullo's clean-line style makes Batman and his world seem fresh, thanks to the contributions of inker Jonathan Glapion.

So is Batman: Last Knight on Earth Snyder and Capullo's Batman swan song?  If it is, this miniseries will only make readers want more.  Hugely imaginative and possessing high tension, Last Knight on Earth presents shocking twists and heart-breaking turns that don't seem contrived.  Snyder makes Batman so human and so vulnerable, and Capullo's sharp illustrations present eye-catching hellish landscapes designed to break us down as Batman's journey heightens his sense of guilt

FCO Plascencia continues to offer colors that recall the late Moebius' color art; the colors are pretty, but they smack that apocalyptic ass.  Tom Napolitano letters the end of the world, but saves some clever fonts in order to make the Joker's silliness seem genuinely funny.

Batman: Last Knight on Earth #2 is a fine middle issue, and teases an excellent final issue.  If you are only reading one Batman comic book, then, this is the one to read.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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#IReadsYou Review: BATMAN: Last Knight on Earth #1

BATMAN: LAST KNIGHT ON EARTH No. 1 (OF 3)
DC COMICS/DC Black Label – @DCComics

[This review was originally posted on Patreon.]

STORY: Scott Snyder
PENCILS: Greg Capullo
INKS: Jonathan Glapion
COLORS: FCO Plascencia
LETTERS: Tom Napolitano
EDITOR: Mark Doyle
COVER: Greg Capullo with FCO Plascencia
VARIANT COVER: Jock
56pp, Color, $5.99 U.S. (July 2019)

Mature Readers

Batman created by Bob Kane and Bill Finger

Parts (One) “The Cave,” (Two) “The Right Hand,” (Three) “The Asylum,” (Four) “Echolocation”

Batman: Last Knight on Earth is a new three-issue comic book miniseries written by Scott Snyder and drawn by Greg Capullo (pencils) and Jonathan Glapion (inks).  Colorist FCO Plascencia and letterer Tom Napolitano complete the creative team.

Batman: Last Knight on Earth is the second release in DC Comics' new prestige and event publication imprint, “DC Black Label.”  The series follows Batman as he travels a ruined Earth, trying to find the mysterious power that devastated the world.

Batman: Last Knight on Earth #1 opens with Batman facing a strange crime wave in Gotham City.  There are no victims.  For the past 363 days, someone has drawn a chalk line across a different, random five-foot stretch of Gotham – every morning.  The next day, it is gone and replaced by a new chalk line somewhere else.  Batman has discovered the chalk lines have something to do with him, and the answer to this mystery seems surprisingly to be at “Crime Alley,” the place where Bruce Wayne's parents were murdered.

After he wakes up in Arkham Asylum, however, as a young man, a sane young man, Bruce Wayne realizes that he has never been Batman.  And the world, destroyed by an unspeakable force, really needs Batman.

Scott Snyder and Greg Capullo are not only the most popular Batman writer-artist pairing of this still young twenty-first century; they are also among the most prolific of the last 50 years.  Snyder has portrayed Bruce Wayne as young and sleek with a humanitarian bent and Batman as being closer to Iron Man than to Frank Miller's Batman the Dark Knight.  In fact, I would say that Snyder's Batman/Bruce Wayne is really a continuation of the superhero/alter-ego pair Miller and artist David Mazzuchelli introduced to readers in the Batman: Year One story arc (originally published in the comic book, Batman, issues #404-407).

Greg Capullo's illustrations during his run with Batman presents a Gotham City where the Justice League fit as well as the Joker does.  Science fiction and technology sit side by side with dark conspiracy and horror.  Even Capullo's clean-line style makes Batman and his world seem fresh, thanks to the contributions of inker Jonathan Glapion.

FCO Plascencia colors this book as if he were coloring Moebius' art, with colors that shimmer, shine, and glow.  Tom Napolitano, who apparently does not contribute enough to have his name on the cover of this comic book, is one of the most distinctive and talented letters in comic books.  Neapolitan makes the shifting settings and surreal-like turns in plot coalesce into a single narrative.

That is the championship creative team that Batman: Last Knight on Earth #1 has.  I am reluctant to spoil anything in this first issue.  The sudden changes in plot and setting are bracing and promise a Batman story that may indeed by memorable... and worthy of the ambitions of DC Comics' “DC Black Label” imprint.

If Batman: Last Knight on Earth is going to be a “last Batman story” it should be better than most “last particular superhero” stories.  Batman: Last Knight on Earth #1 alone is quite a humdinger.

8 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: FIREFLY #1 (2018)

FIREFLY No. 1 (2018)
BOOM! Studios – @boomstudios

[This review was originally posted on Patreon.]

STORY: Greg Pak
ARTIST: Dan McDaid
COLORS: Marcelo Costa
LETTERS: Jim Campbell
EDITOR: Jeanine Schaefer
COVER: Lee Garbett
VARIANT COVER ARTISTS: Jock; Joe Quinones; Tula Lotay; J.G. Jones; Bill Sienkiewicz; Adam Riches; Diego Galindo
32pp, Colors, $3.99 U.S. (November 2018)

Firefly created by Joss Whedon

“Firefly” was a science fiction and Western-themed television series created by Joss Whedon.  It was originally broadcast on the Fox Television Network during the 2002-2003 television season, although Fox only televised 11 of the 14 episodes that were produced.

The series was set in the year 2157 in a star system where human immigrants from Earth settled some time in the distant past.  The primary characters are the crew of nine people traveling aboard the “Firefly-class” spaceship named “Serenity.”  The lead character is Malcolm “Mal” Reynolds, the owner and captain of the Serenity.  Like his second-in-command, Zoe Alleyne Washburne, Mal is a veteran of the human civil war known as the “Unification War,” fighting on the side of the “Independent Army.”

The other characters are Hoban “Wash” Washburne, Serenity's pilot and Zoe's husband, and Kaywinnet Lee “Kaylee” Frye, the ship's mechanic.  There are also Inara Serra, a “Companion” (a kind of sex-worker) who resides aboard one of Serenity's two shuttles; Derrial Book, a “Shepherd” (equivalent of a pastor); and the mercenary, Jayne Cobb.  The final two passengers are Dr. Simon Tam, a top trauma surgeon; and River Tam, his sister who is a child prodigy who was part of some kind of “Alliance” science experiment.

From 2005 to 2017, Dark Horse Comics produced four miniseries, two one-shots, and one original graphic novel based on the “Firefly” franchise, under the title, “Serenity,” the name of the 2006 film based on the TV series.  BOOM! Studios recently obtained the license to produce comic books based on “Firefly.”

BOOM!'s debut title is the comic book series, Firefly.  It is written by Greg Pak; drawn by Dan McDaid; colored by Marcelo Costa; and lettered by Jim Campbell.  Firefly the comic book 2018 will apparently delve into Mal and Zoe's past in the Unification War (also known as “War of Unification”).

Firefly #1 finds the Serenity suffering from the purchase of bad replacement parts.  Things get worse when the ship is attacked by the federals in the form of an Alliance Army dreadnaught.  Forced to land on a moon named “Bethlehem,” the crew of the Serenity must find jobs that will earn them the one thousand in platinum credits that it will take to buy the new replacement parts that will allow Serenity to return to space.  A new job is the least of their worries, however, as two of the crew members find themselves with high bounties placed on their heads.

I became a huge fan of the “Firefly” TV series after a friend gave me a box-set collection of the series as a gift.  I liked that the show was as much a Western drama as it was a space adventure.  Greg Pak writes in his afterword that he will use this comic book to explore three different sub-genres within the larger Western genre.  Firefly #1 seems to borrow the well-worn Western sub-genre that involves a wagon train of outcasts slash misfits employing “hired guns” to escort them on a perilous journey.

In this case, the “hired guns” are our heroes from the Serenity.  I'll go with this scenario because this Firefly comic book reminds me of the American Western TV series, “Wagon Train” (1957 to 1965).  I am a fan of this mostly black-and-white series, which focused on a “wagon master” and his employees.  Each episode also detailed the trials and tribulations a guest character or characters (usually portrayed by well-know film and television stars of the day).  Elements of Firefly 2018 also remind me of the 1950 John Ford Western film, Wagon Master, which apparently inspired “Wagon Train.”

I like what I have read in this new Firefly comic book, although I will admit that this story is simply a slight variation on familiar television characters and themes in addition to the elements taken from the “Firefly” TV series and the Serenity film.  Much of Dan McDaid's art for Firefly #1 is unattractive, and the characters' faces are “fugly.”  Still, the art is highly functional, from a graphical storytelling point of view, and the coloring and lettering is good.  So let's see where this goes.

[This volume includes an “Afterword” by Greg Pak and short text pieces from Joss Whedon and Dan McDaid.]

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: KICK-ASS #7 (The New Girl)

KICK-ASS No. 7 (2018)
IMAGE COMICS – @ImageComics

[This review was originally posted on Patreon.]

STORY: Steve Niles
ART: Marcelo Frusin
COLORS: Sunny Gho
LETTERS: John Workman
EDITOR: Rachel Fulton
COVER: Marcelo Frusin.
VARIANT COVER ARTISTS: Jock; Rafael Grampa
28pp, Color, $3.99 U.S. (September 2018)

Rated M/Mature

Kick-Ass and Hit-Girl created by Mark Miller and John Romita, Jr.

This year, writer Mark Millar and creator John Romita, Jr. revived their wildly popular superhero comic book series, Kick-Ass.  The duo transitioned from the story of Dave Lizewski, and Kick-Ass (2018) began the story of the “New Girl” who became Kick-Ass, Staff Sergeant Patience Lee, a combat veteran in the Afghanistan part of the “(Global) War on Terror.”

Both Millar and Romita moved on to other projects after the sixth issue of Kick-Ass.  The seventh issue introduces a new creative team.  It is comprised of writer Steve Niles; artist Marcelo Frusin; colorist Sunny Gho; and letterer John Workman.  At this point in the series, the new girl is still kicking ass, but she is making new and even more dangerous enemies.

Kick-Ass #7 finds Sgt. Patience Lee Kick-Ass moving along quite nicely in her new life.  As Kick-Ass, she has taken over and consolidated several criminal gangs.  She takes down drug operations and divides the spoils among the criminals who have joined her new gang.  Lee does this while keeping only $800 from her Kick-Ass operations for herself, and she still works as a waitress at a diner.  The latest self-styled crime lord that she has targeted is Hector Santos, who mostly seems to stay in hiding.  Santos is also a little more savvy than most of the criminals that Kick-Ass has been kicking around, and our anti-hero may be walking into a trap.

I loved and still love the original Kick-Ass comic books, which were published by Marvel Comics' Icon imprint.  Kick-Ass is my favorite work of artist John Romita, Jr., and it is my favorite work of Mark Millar, although his new comic book, The Magic Order, could overtake it.  I was not excited to hear that a new creative team would take over the series with the seventh issue of Kick-Ass (2018).

However, Kick-Ass #7 turns out to be a thoroughly enjoyable comic book.  Writer Steve Niles and artist Marcelo Frusin do not miss a beat in keeping the series consistent with the momentum Millar and Romita, Jr. built over the previous six issues.  The transition from originals to the new creative team for the “New Girl's” story is for all intents and purposes seamless.

In his story and script, Niles slowly builds the tension before exploding the story with a surprising change of plot.  No one can duplicate John Romita Jr.'s unique visual and graphical style, but Frusin makes Kick-Ass his own graphical storytelling feat.  This is still Kick-Ass (2018), but now, this gritty crime story is a gritty crime comic book.  Instead of Romita's explosive pop comics illustrations, Frusin gives us art that recalls recent popular crime comic books like 100 Bullets and Criminal.

Colorist Sunny Gho, who always seems to be offering something new with his comic book coloring, heightens Frusin's sense of tense drama and explosive action with subdued colors.  As always, John Workman proves that he is a master letterer with indispensable fonts and word balloons that are as beautiful as the art and are perfectly placed.

So I need not worry.  Steve Niles and Marcelo Frusin will make sure that Kick-Ass keeps kicking readers' imagination.  I am ready for the next issue.

8.5 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2018 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Review: REBORN #1

REBORN No. 1
IMAGE COMICS – @ImageComics

[This review was originally posted on Patreon.]

WRITER: Mark Millar – @mrmarkmillar
PENCILS: Greg Capullo
INKS: Jonathan Glapion
COLORS: FCO Plascencia
LETTERS: Nate Piekos of Blambot
COVER: Greg Capullo and Jonathan Glapion with FCO Plascencia
VARIANT COVERS: Greg Capullo; Greg Capullo and Jonathan Glapion with FCO Plascencia; Jock; Frank Cho with Laura Martin; John Cassady with Paul Mounts; Todd McFarlane with FCO Plascencia
28pp, Color, $3.50 U.S. (November 2015)

Rated M / Mature

Reborn is a new comic book miniseries from Mark Millar and Greg Capullo.  An action-fantasy, Reborn is set in a world where people go to fight for survival... after they die!   Reborn is written by Millar; drawn by Capullo (pencils) and Jonathan Glapion (inks); colored by FCO Plascencia; and lettered by Nate Piekos.

Reborn #1 opens in Minneapolis, 2002, the scene of a tragedy.  In 2016, we meet Bonnie Black, a 78-year-old woman intimately connected to that tragedy.  She believes that she is very close to the end of her life, and that death will come like a light being switched off.  But there is another life waiting for her, and that life may not be lived in Heaven or Hell.

For me, Mark Millar's creator-owned miniseries are hit (Kick-Ass, Empress) or miss (Huck).  So far, I think Reborn is leaning towards hit.  Its central conceit – that people go somewhere after death where their past (the good, the bad, and the ugly) await them – is creepy, but intriguing.  I am sure that Millar has even crazier stuff to reveal beyond Reborn #1, so I am ready for more.

Artist Greg Capullo is good in his first substantial post-New 52 Batman work.  So he can draw something other than Batman!  He mixes real-world-styled compositions with video game faux-reality with ease, but his storytelling in the fantasy world is a bit muddled.  That can be fixed in future issues, which I intend to read... and maybe tell you about.

www.millarworld.tv

Reviewed by Leroy Douresseaux


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

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Review: ALL-STAR BATMAN #6

ALL STAR BATMAN No. 6
DC COMICS – @DCComics

STORY: Scott Snyder
ART: Jock; Francesco Francavilla
COLORS: Matt Hollingsworth; Francesco Francavilla
LETTERS: Steve Wands
COVER: Jock
VARIANT COVER: Jock; Francesco Francavilla
40pp, Color, $4.99 U.S. (March 2017)

Rated “T” for Teen

Batman created by Bob Kane and Bill Finger

“Ends of the Earth” Part 1 and “The Cursed Wheel” Part 5

When I first saw the straight-to-video animated film, Batman & Mr. Freeze: SubZero, I realized what a great character long-time Batman nemesis, Mr. Freeze, could be.  To put it simply, the late actor Michael Ansara killed it delivering a great voice performance as Freeze in SubZero.  I think Boyd Kirkland and Randy Rogel created pathos for Freeze in SubZero that the character has rarely (if ever) had.  Since seeing that film, I have chosen to hear Michael Ansara's voice whenever I read comic books in which Mr. Freeze appears.

So I was happy to learn that Mr. Freeze is the bad guy in the second story arc of the new star-creator-driven Batman comic book series, All-Star Batman.  This new story features series writer Scott Snyder, and is drawn by Jock; colored by Matt Hollingsworth; and lettered Steve Wands.

All-Star Batman #6 opens with Batman trudging through snow in Alaska, 300 miles north of the Arctic Circle.  There is where he will find Mr. Freeze, hold up with a small army of living dead and about to hatch a plan to unfreeze Armageddon on humanity.

There is a sense of desperation in this new story, “Ends of the Earth.”  Personally, professionally, and socially – in the grand scheme of things, personal drive and desire drive conflict for the players in this new Batman thriller.  Each side believes that his choices are, if not the ultimate good, then, the best outcome for everyone.

This is the apocalypse writ intimately on old grudges and broken promises, and Jock's art is perfect for this stylish, world-ending, character study.  After the shiny, thrilling opening arc, Scott Snyder brings everything down to a simmer that still manages to threaten the world.  Meanwhile, “The Cursed Wheel” continues with a new artist, Francesco Francavilla, who delivers a creepy opening chapter.

A-

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: ALL-STAR BATMAN #5

ALL STAR BATMAN No. 5
DC COMICS – @DCComics

STORY: Scott Snyder
PENCILS: John Romita, Jr.
INKS: Danny Miki, Tom Palmer, Sandra Hope, and Richard Friend
COLORS: Dean White
LETTERS: Steve Wands
COVER: John Romita, Jr. and Danny Miki with Dean White
VARIANT COVERS: Jock; Declan Shalvey with Jordie Bellaire
40pp, Color, $4.99 U.S. (February 2017)

Rated “T” for Teen

Batman created by Bob Kane and Bill Finger

“My Own Worst Enemy” Finale

All-Star Batman is the recently launched Batman comic book that is written by superstar writer Scott Snyder and drawn by superstar artists and hot up-and-coming comic book-drawing talent.  The first story arc, the five-issue “My Own Worst Enemy,” is drawn by John Romita, Jr. (pencils) and Danny Miki (inks); colored by Dean White; and lettered by Steve Wands.

In “My Own Worst Enemy,” Batman and Harvey Dent/Two-Face are on a 498-mile journey to a house, where young Bruce Wayne and young Harvey Dent lived together as almost-brothers for a short while.  Now, Dent wants to go back to that house to find something that will be life-changing for him.  As a threat to keep Batman from interfering, Two-Face has promised to publicly reveal the dark secrets of Gotham's criminal overlords.  Now, Batman and Harvey Dent/Two-Face, with Batman's new partner, Duke, in tow, fight to reach their destination with some of Gotham's most lethal killers on their heels.

All-Star Batman #5 (“My Own Worst Enemy” Finale) opens with Batman and Two-Face practically at the last miles of their destination.  However, Batman is battered and the KGBeast wants to batter him some more, forcing Batman to protect both his and Duke's lives, as well as the life of Two-Face.  Now, Batman must outwit his pursuers and Two-Face, while back in Gotham, Commissioner Jim Gordon and the Gotham City Police Department are just feet away from discovering the secrets of the Batcave.

While I did not always like every issue of Scott Snyder's 2011 to 2016 run on Batman, I do believe that his off-beat storytelling did serve to liberate Batman the character from a 25-year malaise.  This rut resulted because practically every DC Comics editor and most Batman writers chose to follow the tone of Frank Miller's seminal Batman: The Dark Knight Returns.

Snyder made the Dark Knight/Detective less Batman-as-Clint Eastwood and more Batman-as-Bruce Wayne-on-a-mission.  Snyder returned the man to Batman, showing the humanity in the hero.  Snyder carried that over into All-Star Batman, where Snyder depicts a Bat-Man in stories that are action-thrillers.  All-Star Batman's tone and graphic aesthetic is almost like the “wide screen” action of Warren Ellis and Bryan Hitch's The Authority from the 1999-2000.  However, in All-Star Batman, Snyder cops the edgy, speedy, thrill-ride, action movie aspect of Chris Nolan's “The Dark Knight” trilogy, especially 2008's The Dark Knight.

Of course, Snyder needs a graphical storyteller and comic book artist that can pull that off.  John Romita, Jr. does big.  He does edgy.  He does kick-ass.  Here, Romita is cinematographer, designer, art director/set decorator, and stage director.  Danny Miki's electric inking adds the zing.  And yeah, Dean White is still smashing booty with his coloring.  Even Steve Wands' lettering is explosive.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2017 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for syndication rights and fees.

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Review: ALL-STAR BATMAN #2

ALL STAR BATMAN No. 2
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Scott Snyder
PENCILS: John Romita, Jr.; Declan Shalvey
INKS: Danny Miki; Declan Shalvey
COLORS: Dean White; Jordie Bellaire
LETTERS: Steve Wands
COVER: John Romita, Jr. and Danny Miki with Dean White
VARIANT COVER: John Romita, Jr. and Danny Miki with Dean White; Jock; Declan Shalvey with Jordie Bellaire
40pp, Color, $4.99 U.S. (November 2016)

Rated “T” for Teen

Batman created by Bob Kane and Bill Finger

“My Own Worst Enemy” Part 2

In my review of the first issue of All Star Batman, I wrote that I found Scott Snyder's run on Batman to be inconsistent, mostly because the story arcs were too long, with some issues within each arc reading like story padding.  Still, Snyder was wildly inventive in his run on Batman; often it seemed as if he were finding ways to advance Batman, a character that was moribund.  For 25 years, most writers of Batman comic books were merely wiping up the vestiges of Frank Miller's bomb, Batman: The Dark Knight Returns.

So here comes the new Batman comic book, All Star Batman.  It is written by Scott Snyder and is currently drawn by John Romita, Jr. (pencils) and Danny Miki (inks); colored by Dean White; and lettered by Steve Wands.  And it is looking like it could be Snyder's best Batman work.

All-Star Batman #2 (“My Own Worst Enemy” Part 2) opens with Jim Gordon and Detective Harvey Bullock about to embark on the raid of a home, an event that will seemingly change their lives as much as it will the owner of the house.  Two days before that raid, Batman and Two-Face/Harvey Dent continue their journey that Two-Face does not want to continue.  A who's who of Gotham's worst criminals and the roster of Batman's rogue's gallery are trying to help Two-Face get his cessation.  Back in Gotham, a trio is going to make a really dangerous decision to “help” Two-Face.  They are going to call on the services of a killer who is an absolute beast.

After reading the first two issues of All Star Batman, I've started to do the dangerous thing and think too much.  I'm thinking that Snyder seems in full bloom writing this series.  It is as if All Star Batman frees him of the expectations, history, and continuity of the flagship Bat-title, Batman.  With this new title, Snyder can do what he wants, and since this is a showcase for the superstars and the up-and-comers, perhaps, editorial will let Snyder run wild.

The result is a Batman comic book that is simply fun to read.  It is action-packed and kick-ass.  The villains are larger than their ordinary fictional lives.  Batman is a Dark Knight, but rather than rehash Frank Miller's Clint Eastwood-Dirty Harry'ish Batman, Snyder offers a Batman with a sly wit that can cut to the bone quicker than his gauntlets and boots can break bones.  This is the Kobe Bryant, LeBron James, Steph Curry Batman – the All Star Batman.  And, hey, we love to pay for all-stars, so this is the Batman comic book you should be reading.

Of course, it is good that there is an all-star art team to bring Snyder's writing to graphical story slash comic book life.  In fact, John Romita, Jr. seems to have gained new life since he moved from Marvel Comics to DC Comics.  Romita is doing his best work since Kick-Ass (with writer Mark Millar), and he is drawing with a lust for life and Miki is inking him with gusto.  Then, White is coloring the fuck out of this comic book.  With this art team, Snyder can't let up.

The back up story, “The Cursed Wheel” continues.  Written by Snyder and drawn by Declan Shalvey.  It is edgy where “My Own Worst Enemy” is big and spectacular, but this second story is holding its own and has a killer cliffhanger.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

------------------------

Review: ALL-STAR BATMAN #1

ALL-STAR BATMAN No. 1
DC COMICS – @DCComics

[This review was originally posted on Patreon.]

STORY: Scott Snyder
PENCILS: John Romita, Jr.; Declan Shalvey
INKS: Danny Miki; Declan Shalvey
COLORS: Dean White; Jordie Bellaire
LETTERS: Steve Wands
COVER: John Romita, Jr. and Danny Miki with Dean White
VARIANT COVER: John Romita, Jr. and Danny Miki with Dean White; Jock; Declan Shalvey with Jordie Bellaire
40pp, Color, $4.99 U.S. (October 2016)

Rated “T” for Teen

Batman created by Bob Kane and Bill Finger

“My Own Worst Enemy” Part 1

When I first read The New 52 Batman #1, which was written by Scott Snyder, I found it enjoyable, but I did not think of it as a comic book that I had to follow every month.  I actually preferred The New 52 version of Detective Comics, written and drawn by Tony S. Daniels.  Daniels' run on Detective Comics was over in about a year, while the Snyder-written and Greg Capullo-drawn Batman became a bestselling, critically-acclaimed hit.

I returned to Snyder-Capullo Batman for the start of the “Zero Year” story line (Batman #21).  It started off brilliantly, with at least three superb issues, but “Zero Year” came to define everything that was bloated about the second half of Snyder's run as writer on the Batman flagship comic book.  The story arcs were too long, and while each arc had at least one fantastic issue, many of the other issues were story line padding or read like filler material.

Now, here comes DC Comics' latest publishing event/initiative, “Rebirth,” and with it comes a new Batman comic book, All Star Batman.  This series will be written by Scott Snyder and drawn by “superstar” artists and hot up-and-comers.  The first story arc is drawn by John Romita, Jr. (pencils) and Danny Miki (inks); colored by Dean White; and lettered by Steve Wands.

All-Star Batman #1 (“My Own Worst Enemy” Part 1) opens at Auggie Mac's Diner, somewhere in the Midwest.  The bustling restaurant's routine of serving comfort food to regular Joes and Janes is interrupted by a pitched battle between Batman and the team of Firefly and Killer Moth.  Why are they fighting, other than the fact that they are hero vs. arch-enemies?  Well, it involves Two-Face, and Batman may find that no one is on his side this time.

So count this as one of those fantastic first issues of a Batman story arc that Scott Snyder does so well.  Hell, if you are just looking for a darn good read and don't mind that it ends on a to-be-continued, you could not go wrong with All Star Batman #1.  Romita, Jr. and Miki make a dynamite art team, and Dean White's rich hues are eye-candy colors.  I have flipped through this book several times over the past few days; graphically, it is that pretty.

All Star Batman #1 includes a second story, written by Snyder and drawn by Declan Shalvey.  It has an intriguing premise, although it is not hell-bent action as the lead feature.  Still, it adds to my excitement about All Star Batman.  Hopefully, this opening arc does not start to feel like it is running too long and is bloated.  But really, what is going to change?  Thus far, Snyder has gotten nothing but encouragement from readers, the fan press, and the powers-that-be at DC Comics, so why should he change what he is doing?  This is not necessarily a rhetorical question.

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2016 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

-------------------------

Review: THE GODDAMNED #1

THE GODDAMNED No. 1
IMAGE COMICS – @ImageComics

[This review was originally posted on Patreon.]

STORY: Jason Aaron
ART: r.m. Guéra
COLORS: Giulia Brusco
COVER: r.m. Guéra
VARIANT COVER: Jock
36pp, Color, $3.99 U.S. (November 2015)

Rated M / Mature

Before the Flood: Part One “The Mark of Cain”

The Goddamned is a new comic book series from writer Jason Aaron and artist r.m. Guéra.  It is set 1600 years after God expelled Adam and Eve from the Garden of Eden.

The Goddamned #1 (Before the Flood: Part One “The Mark of Cain”) opens somewhere on the edge of an unnamed desert.  A man who is supposed to be dead awakens in pond in which excrement, urine, and dead animals have replaced water.  Naked and driven by vengeance, the man intends on paying a visit to the “Bone Boys,” the men that cut his throat and took his belongs.  The Bones Boys are about to discover that this mystery man cannot be killed.

Jason Aaron and r.m. Guéra were the creative team behind the critically-acclaimed, crime and Western comic book series, Scalped (published by DC Comics/Vertigo), which I have never read.  After reading this first issue of The Goddamned, I'd like to give Scalped a try.

Honestly, I am not sure where this comic book, The Goddamned, is going.  With many comic books, I have a pretty good idea about the direction of the series, in terms of tone, if not also in terms of the narrative.  Since I am curious (for the time being), I will seek out at least the next two issues (if they don't sell out) of The Goddamned, although it mystifies me.

Now, although I am clueless (for the most part), I will still recommend that readers try The Goddamned, especially if they have read other work by Jason Aaron.  This is such a unique reading experience, with a bold and brazen interpretation of pre-Flood, Biblical times, that it is hard to look away from it.  I actually reread portions a few time after my first read.

Another reason to try this comic books is r.m. Guéra because he does some interesting things, illustratively and graphically, that make this comic book worth examining.  So god-damn-it, someone better save me a copy of issue #2

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

Review: JAMES BOND Volume 1 #1

JAMES BOND, VOL. 1 No. 1
DYNAMITE ENTERTAINMENT – @dynamitecomics

[This review was originally posted on Patreon.]

WRITER: Warren Ellis
ART: Jason Masters
COLORS: Guy Major
LETTERS: Simon Bowland
COVER: Dom Reardon
VARIANT COVER ARTISTS: Francesco Francavilla; Steven Mooney; Dan Panosian; Gabriel Hardman with Jordan Boyd; Glenn Fabry; Jock; Gabriel Hardman; Joe Jusko; Aaron Campbell; Timothy Lim; Dennis Calero; Robert Hack; Ben Oliver; Jason Masters
32pp, Color, $3.99 U.S.

Rated T+

“Vargr”

“James Bond” is a fictional British Secret Service agent created by Ian Fleming, a British writer and novelist.  Fleming introduced James Bond in the 1953 novel, Casino Royale, and featured the character in 12 novels and two short-story collections.  Of course, most people know Bond because of the long-running James Bond-007 film series, which began with the 1962 film, Dr. No.

After Fleming's death, a number of authors continued to produce James Bond novels, including the recently released Trigger Warning from author Anthony Horowitz.  Over the past 50+ years, Bond has made sporadic appearances in comic books.  The latest James Bond comic book appears courtesy of Dynamite Entertainment.

James Bond, Volume 1 is written by Warren Ellis, drawn by Jason Masters, colored by Guy Major, and lettered by Simon Bowland.  The first story arc is entitled is entitled “Vargr.”  According to Ellis, this James Bond comic book series will feature a James Bond that skews closer to the character that appeared in Ian Fleming's writing than in the film series.

James Bond, Volume 1, #1 opens in Helsinki, Finland.  There, James Bond-007 is settling a matter concerning 008.  Back in London at MI6 headquarters, M (Bond's immediate superior) informs Bond that he must take on a larger workload.  That will take him to Berlin and into danger.

When actor Daniel Craig was cast as James Bond around a decade ago, it was announced that the James Bond film series would return to the idea that 007 was a blunt instrument used by the British Secret Service.  That was evident in most of Craig's first outing as Bond, 2006's Casino Royale, although the film ultimately returned to the action movie theatrics that have defined the series for most of its existence.

In 22 pages, writer Warren Ellis makes it clear that the James Bond of “Vargr” is not only a blunt instrument, but also is a man who can be both suave and ordinary-like, as necessary.  This Bond is also classic and cool, like Sean Connery operating with a jazzy soundtrack in the background.  There is, however, also a touch of the edginess found in Richard Stark's Parker.

Jason Masters' art and graphical storytelling deglazes any cinematic sheen from both the subject and the story.  With Guy Major's colors, Masters' art does not seek to make this a matter-of-fact Bond, but rather it emphasizes the story and genre as much as it does the famous character.

I highly recommend this to fans of James Bond and to those who have been waiting for a James Bond comic book.  I must also note that not only is Moneypenny a Black character (as she is in the current films), but so is M.  I'll be waiting in Berlin...

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

------------------------------

Review: Batman #44

BATMAN No. 44
DC COMICS – @DCComics

[This review originally appeared on Patreon.]

STORY: Scott Snyder
WRITERS: Scott Snyder and Brian Azzarello
ART: Jock
COLORS: Lee Loughridge
LETTERS: Deron Bennett
COVER: Jock
VARIANT COVERS: Tony Daniel with Tomeau Morey (Green Lantern 75th Anniversary Cover)
40pp, Color, $4.99 U.S. (November 2015)

Rated “T” for “Teen”

Batman created by Bob Kane and Bill Finger

“A Simple Case”

Once upon a time, American network television sitcoms occasionally offered up episodes that focused on timely and/or relevant events, issues, and topics (sex, teen pregnancy, gun violence, abortion, etc.).  Such series installments came to be known as the “very special episode.”

There are a certain episodes that come to mind when I think of the “very special episode.”  In “Diff'erent Strokes” (which personified the special episode), a bicycle shop owner grooms Gary Coleman's “Arnold Jackson” and Arnold's friend “Dudley Jackson” (Shavar Ross) for sexual assault.  In “Family Ties,” Michael J. Fox's “Alex P. Keaton” loses his virginity to a woman who promptly dumps him, even though Alex had fallen in love with her after the encounter.  In “Good Times,” Jimmie Walker's “JJ” was engaged to a young woman who uses hallucinogenic drugs (angel dust?) that leads to to her jumping through a bathroom widow to her death.

Writers Scott Snyder and Brian Azzarello and artist Jock, with the assistance of colorist Lee Loughridge and letterer Deron Bennett offer up what could be considered a “very special issue” of Batman.  The story revolves around the police shooting of an unarmed young black man.

Batman #44 (“A Simple Case”) opens in the Gotham Marshes, near the old city limit.  Fifteen-year-old Peter Duggio, a resident of the Narrows, is found dead.  It looks as if he were dropped straight from the sky.  At first, Batman suspects a supervillain, one of his “rogues gallery.”  Then, it seems that Peter, an unarmed young black man, was shot by veteran Gotham City Police Department officer, Ned Howler.  However, Peter's death is far more complicated, with the teen boy's demise being the center of a web of deceit and lies.  And Bruce Wayne may be in that web.

I first heard about Batman #44 when it became a buzzed-about comic book story for a few days.  It generated only a little fake controversy.  The truth is that “A Simple Case” is not so much about a White cop shooting an unarmed Black kid, as it is about the entire, rotten, corrupted thing that a big city can become.  Peter Duggio's death is the result of criminals, corrupted public officials, law enforcement, and system-wide failure, especially on the part of institutions.

Snyder and Azzarello seem to be say that individuals can make a difference because each person can offer his of her singular focus.  On the other hand, institutions, agencies, organizations, etc. are made of multiple individuals and often cannot provide a singular focus where it is needed – in this case of needing singular focus, Peter Duggio.

The art by Jock is half graphical storytelling and half illustration.  Snyder and Azzarello's story seems separate from Jock's art, but that does not take away from the story.  Sometimes, Jock's art comes across as illustrations for an essay or piece of journalistic writing.  Jock's art becomes comic book storytelling in those moments when Snyder and Azzarello focus on character drama and character interaction.  Lee Loughridge's colors are moody, but also accentuate Batman's quest, giving it a sense of immediacy.  The colors suggest that this story is a dark and moody thriller, but at times, Loughridge understands that the story needs a sense of hope.

Batman #44 is a nice change of pace for the series.  Best of all, it is nice that the creative team offered more than something that is simply of the moment.  Peter Duggio's story is timeless because it depicts problems that just won't go away.

A

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

Review: BATMAN/SUPERMAN #21

BATMAN/SUPERMAN No. 21
DC COMICS – @DCComics

[This review originally appeared on Patreon.]

WRITER: Greg Pak
PENCILS: Ardian Syaf
INKS: Vicente Cifuentes
COLORS: Ulises Arreola
LETTERS: Rob Leigh
COVER: Ardian Syaf and Danny Miki with Ulises Arreola
VARIANT COVERS: Jock (Joker 75th Anniversary variant)
32pp, Color, $3.99 U.S. (August 2015)

Rated “T” for “Teen”

“Truth Hurts” Part One

Superman and Batman have been teaming up in various comic books for decades.  The best known Superman/Batman team-up series was the long-running World's Finest Comics (1941 to 1986).  The current incarnation of a Dark Knight/Man of Steel team-up comic book is Batman/Superman, which is currently written by Greg Pak; penciled Ardian Syaf, inked by Vicente Cifuentes; colored by Ulises Arreola; and lettered by Rob Leigh.

Batman/Superman #21 (Truth Hurts” Part One) is essentially the first DCYou issue of the series.  As the story begins, Superman is fighting for his life, when he shouldn't.  You see, Superman has lost his powers (as seen in Gene Luen Yang and John Romita, Jr.'s run on Superman, beginning with issue #41), and the world knows that he is also Clark Kent.  A visit to Lex Luthor pays off in information.  The source of the thugs that are plaguing Superman seems to be located in Gotham City.  But Superman does not know about the current Batman...

I would normally not spend a dime on Batman/Superman.  If I want to read about Batman and Superman partnering up, I will read a Justice League comic book or find a back issue of World's Finest.  However, I decided “what the heck?” because I want to read as many DCYou first issues and first chapters as I can.

This actually is not bad.  Ardian Syaf's art, which is awkward like a teen boy struggling through puberty, and Greg Pak's functional storytelling capture the struggles of this “new era” in both Superman and Batman titles.  This comic book is worth reading just to see how the new status quo works out for DC Comics' “Big Two” characters as a unit, at least for the time being.  In fact, I'm curious enough to read a few more issues of (DCYou) Batman/Superman.

B

Reviewed by Leroy Douresseaux


The text is copyright © 2015 Leroy Douresseaux. All Rights Reserved. Contact this blog for reprint and syndication rights and fees.

DC Comics from Diamond Distributors for September 2, 2015

DC COMICS

JUL150259     BAT MITE #4     $2.99
JUL150263     BATMAN ARKHAM KNIGHT #8     $3.99
JUL150265     BATMAN BEYOND #4     $2.99
JUL150212     DC COMICS BOMBSHELLS #2     $3.99
JUL150269     DETECTIVE COMICS #44     $3.99
JUL150338     FBP FEDERAL BUREAU OF PHYSICS #24 (MR)     $3.99
JUL150222     FLASH SEASON ZERO #12     $2.99
JUN150293     FLASH TP VOL 05 HISTORY LESSONS (N52)     $14.99
JUL150223     GREEN ARROW #44     $2.99
JUL150283     GREEN LANTERN #44     $3.99
JUL150218     INJUSTICE GODS AMONG US YEAR FOUR #9     $2.99
JUL150228     LOBO #10     $2.99
MAY150271     MAD MAX FURY ROAD TP (MR)     $14.99
JUL150230     MIDNIGHTER #4     $2.99
JUL150289     MORTAL KOMBAT X #10 (MR)     $3.99
JUN150294     NEW 52 FUTURES END TP VOL 03     $29.99
JUL150234     OMEGA MEN #4     $2.99
JUN150292     SUICIDE SQUAD TP VOL 01 TRIAL BY FIRE NEW ED     $19.99
MAY150269     SWEET TOOTH DELUXE ED HC BOOK 01 (MR)     $29.99
MAY150250     WONDER WOMAN HC VOL 07 WAR TORN     $24.99
JUN150295     WONDER WOMAN TP VOL 06 BONES (N52)     $14.99

DC COMICS/DC COLLECTIBLES

JAN150429     BATMAN BLACK & WHITE DICK GRAYSON BY JOCK 2ND ED STATUE     $79.95
APR150344     DC COMICS ICONS FIRESTORM STATUE     $99.95
MAR150326     SUPERMAN MAN OF STEEL STATUE BY CULLY HAMNER     $79.95

Image Comics from Diamond Distributors for February 4, 2015

IMAGE COMICS

NOV140563     APHRODITE IX CYBER FORCE #1 CROSS OVER SDCC SGN EXC     $20.00
DEC140720     BIRTHRIGHT #5     $2.99
NOV140645     COWL #8 (MR)     $3.50
NOV140646     DEAD AT 17 BLASPHEMY THRONE #6     $3.50
NOV140651     EAST OF WEST #17     $3.50
DEC140641     EGOS #5     $2.99
DEC140666     GOD HATES ASTRONAUTS TP VOL 02 A STAR IS BORN (MR)     $14.99
DEC140737     HUMANS #4 (MR)     $2.99
DEC140745     NAILBITER #10 (MR)     $2.99
DEC140599     NAMELESS #1 (MR)     $2.99
DEC140746     ODDLY NORMAL #5 CVR A FRAMPTON     $2.99
DEC140747     ODDLY NORMAL #5 CVR B JONES     $2.99
DEC140626     POSTAL #1 CVR A SEJIC     $3.99
DEC140627     POSTAL #1 CVR B GOODHART     $3.99
DEC140643     SAGA #25 (MR)     $2.99
SEP140751     SHELTERED #14 (MR)     $2.99
DEC140761     SINERGY #4 CVR A OEMING (MR)     $3.50
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OCT140692     SOUTHERN BASTARDS BOSS BBQ T/S LG MEN     $19.99
OCT140691     SOUTHERN BASTARDS BOSS BBQ T/S MED MEN     $19.99
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OCT140694     SOUTHERN BASTARDS BOSS BBQ T/S XXL MEN     $19.99
OCT140695     SOUTHERN BASTARDS BOSS BBQ T/S XXXL MEN     $19.99
OCT140686     SOUTHERN BASTARDS SAWWEET TEE T/S LG MEN     $19.99
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OCT140687     SOUTHERN BASTARDS SAWWEET TEE T/S XL MEN     $19.99
OCT140688     SOUTHERN BASTARDS SAWWEET TEE T/S XXL MEN     $19.99
OCT140689     SOUTHERN BASTARDS SAWWEET TEE T/S XXXL MEN     $19.99
NOV140541     SPAWN #250 CVR A MCFARLANE     $5.99
NOV140542     SPAWN #250 CVR B CAPULLO     $5.99
NOV140543     SPAWN #250 CVR C YOUNG     $5.99
NOV140544     SPAWN #250 CVR D JOCK     $5.99
NOV140545     SPAWN #250 CVR E MURPHY     $5.99
NOV140546     SPAWN #250 CVR F TAN     $5.99
NOV140580     STRAY BULLETS SUNSHINE & ROSES #1 (MR)     $3.50
AUG140689     VELVET #9 (MR)     $3.50
NOV140700     WYTCHES #4 (MR)     $2.99

IMAGE COMICS/MCFARLANE TOYS

OCT142303     TMP SPORTS NFL SERIES 35 AF     PI
OCT142306     TMP SPORTS NFL SERIES 35 DEZ BRYANT AF     PI
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OCT142305     TMP SPORTS NFL SERIES 35 MANZIEL AF     PI
OCT142304     TMP SPORTS NFL SERIES 35 NAMATH AF     PI
OCT142307     TMP SPORTS NFL SERIES 35 NICK FOLES AF     PI
OCT142309     TMP SPORTS NFL SERIES 35 RUSSELL WILSON AF     PI

Image Comics from Diamond Distributors for December 31, 2014

IMAGE COMICS

OCT140595     EAST OF WEST #16 CVR A     $3.50
OCT148243     EAST OF WEST #16 CVR B THE PRA     $3.50
OCT148244     EAST OF WEST #16 CVR C TEXAS     $3.50
OCT148245     EAST OF WEST #16 CVR D ENDLESS     $3.50
OCT148246     EAST OF WEST #16 CVR E KINGDOM     $3.50
OCT148247     EAST OF WEST #16 CVR F CONFEDERACY     $3.50
OCT148248     EAST OF WEST #16 CVR G UNION     $3.50
OCT148249     EAST OF WEST #16 CVR H ARMISTICE     $3.50
SEP148415     IMAGE FIRSTS WYTCHES #1     $1.00

I Reads You Review: WYTCHES #1

WYTCHES #1
IMAGE COMICS – @ImageComics

WRITER: Scott Snyder
ARTIST: Jock
COLORS: Matt Hollingsworth
LETTERS: Clem Robins
32pp, Color, $2.99 U.S. (October 2014)

Rated M / Mature

Wytches is a new comic book series from DC Comics superstar writer, Scott Snyder (Batman, American Vampire), and artist Jock (The Losers).  It presents an alternative version of witches as creatures called “wytches,” which are ancient, terrible, powerful, and hungry.

Wytches #1 opens in early September 2014.  The book introduces a teenager named Sailor Rooks, a girl beset by trauma and tragedy.  Her father is children's book author, Charles Rooks, and her mother, Lucy, is wheelchair bound.  The Rooks relocated because of a killing in which Sailor was involved, but the teen knows that her reputation or infamy has proceeded her.  That is not the only thing that has followed Sailor.

I thoroughly enjoy Scott Snyder's work on The New 52 relaunch of Batman (with artist Greg Capullo), which is surprising because I did not expect much for the series after reading their Batman #1.  Jock has created some comic books that I have liked... I guess.  I only bought Wytches #1 because I currently have an itch for number one issues published by Image Comics, which is Wytches' publisher.  Because the comic book shop I frequent sold out of Wytches #1, I had to pay $4.99 to get a copy from Mile High Comics.

Oh, yes, it was worth the extra two bucks plus postage to get this comic book.  I have decided to stop giving grades to number one issues.  Sometimes, I am conservative and give number one issues a lower grade than they deserve.  Sometimes, I am so surprised by a first issue that I really become to generous with the accolades and grading.

However, I am tempted to ignore my new policy and give Wytches #1 an A+, but I am going to stay the course like George H.W. Bush.  The concept is hugely intriguing, and Jock's art, with its bold, slashing brush work and jagged and edgy compositions, delivers some striking, bone-chilling, blood-curdling moments visuals and graphics.  I have to have the next issue, even if it is at Mile High Comics prices.

Reviewed by Leroy Douresseaux


The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: GRAYSON #1

GRAYSON #1
DC COMICS – @DCComics

PLOT: Tim Seeley and Tom King
SCRIPT: Tim Seeley
ART: Mikel Janin
COLORS: Jeremy Cox
LETTERS: Carlos M. Mangual
COVER: Andrew Robinson
VARIANT COVERS: Mikel Janin; Jock
32pp, Color, $2.99 U.S. (September 2014)

Rated “T” for “Teen”

Dick Grayson is a DC Comics character best known as the first person to take on the identity of Robin, Batman's kid sidekick.  Robin/Dick Grayson was originally created by Batman's creators, artist Bob Kane and writer Bill Finger, and also artist Jerry Robinson.  Robin debuted in Detective Comics #38 (cover date:  April 1940).

Batman's a junior counterpart, Robin, was known as the “Boy Wonder,” during the first three decades of the character's existence.  The team of Batman and Robin is commonly referred to as the “Dynamic Duo” or the “Caped Crusaders.”  Over time, the men who wrote the Batman comic books depicted Dick Grayson as growing up, even graduating from high school and attending college.  Robin would go on to lead a group of teen characters and sidekicks called the Teen Titans.  Eventually, Dick Grayson relinquished the name Robin and became a new superhero, Nightwing (first appearance in Tales of the Teen Titans #43)

As Nightwing, Dick Grayson has been the star of two eponymous comic book series.  The New 52 version of Nightwing was canceled some months ago.  It was recently replaced by a new comic book series, entitled Grayson, that spins out of DC Comics' 2013-14 crossover event series, Forever Evil (which I did not read).

Grayson #1 finds Dick Grayson in a blond wig.  He is now known as “Agent 37,” and he works for an international spy organization known as Spyral.  Grayson has just hitched a ride aboard the Trans-Siberian Railway, where his target for acquisition is Dubov Ninel.  However, Agent 37 isn't the only one out to get Ninel, and even after he obtains him, there is a new player looking to take what Grayson just obtained.  [SPOILER Alert!]  Enter Midnighter.

I read a preview of Grayson #1 in another comic book (can't remember which one), and that preview intrigued me.  I was excited about the series and visited two comic book stores to find a copy of issue #1.  Having read it I can say that I don't think that I would pay to read Grayson again.

It is not that Grayson is bad.  It is entertaining, and I like the art by Mikel Janin with colors by the always good Jeremy Cox.  It's just that besides an appearance by Midnighter (of Stormwatch and The Authority fame), nothing else about this first issue excited me.  It's good; just not special enough for me to set aside the cash to buy it on a regular basis.  I must say that if I am excited by the guest star in a particular future issue, I might buy that issue.

B

Reviewed by Leroy Douresseaux

The text is copyright © 2014 Leroy Douresseaux. All Rights Reserved. Contact this blog for syndication rights and fees.

I Reads You Review: BATMAN #21

BATMAN #21
DC COMICS – @DCComics

WRITER: Scott Snyder
PENCILS: Greg Capullo
INKS: Danny Miki
COLORS: FCO Plascenia
LETTERS: Nick Napolitano
COVER: Greg Capullo with FCO Plascenia
VARIANT COVER: Jock
40pp, Color, $3.99 U.S. (August 2013)

Batman created by Bob Kane with Bill Finger

Zero Year – Secret City: Part One

The latest Batman event story is “Zero Year.”  Written by Scott Snyder and drawn by Greg Capullo, the 10-issue story is currently running through the ongoing Batman title.

Batman #21 (Zero Year – Secret City: Part One) opens six years ago, which I’m assuming is a time period occurring before The New 52.  Batman looks cool on a motorcycle.  Then, the story moves to a period five months earlier than that.  Then, there are flashbacks to Bruce Wayne’s youth.  “Secret City,” which seems unhinged in time, features the Red Hood, Alfred Pennyworth, Dr. Thomas Wayne, Philip Kane (Bruce’s maternal uncle, whom obviously irritates Alfred), and a surprise appearance from a classic member of Batman’s rogues gallery.  See ya’ next issue.

Wow!  I’m ready to read more.  Snyder borrows elements (as far as I can tell) from Batman stories written by Frank Miller, Grant Morrison, and novelist Tracy Hickman.  He turns that into an intriguing tale of Batman’s early campaign against crime in Gotham City.  I think Uncle Philip is in this story to add a tragic twist, and for that Snyder has made him well suited for betrayal and blood.  One of my favorite things about this story is how Snyder portrays young Bruce Wayne as an explorer of Gotham.  It’s too cute, and it tugs at the heart.

Another favorite thing about Batman #21 is Greg Capullo’s quirky pencils, which under Danny Miki’s inks, creates a Batman milieu that is timeless.  The art seems inspired by the entire graphical landscape of Batman, from the 1960s to the early 21st century.  FCO Plascenia’s coloring captures lovely autumnal colors in a way that one would think not possible for a comic book (and certainly not a superhero comic book), and the coloring gives Gotham City character and personality.  I’m ready for more.

A-

Back-up story:  Bruce Wayne: Where the Hell Did he Learn to Drive?!

WRITERS:  Scott Snyder and James Tynion IV
ART: Rafael Albuquerque
COLORS: Dave McCaig
LETTERS: Taylor Esposito

“Bruce Wayne: Where the Hell Did he Learn to Drive?!” is a back-up short comic that presents a vignette of the life of 19-year-old Bruce Wayne.  I guess that you can’t tell a tale of early Batman, if you don’t also show how Bruce got to Batman.  I will assume that Bruce is in Rio do Janeiro (the story’s setting) to train for his future efforts in Gotham.  This is a clever story that hints at the future “Dark Knight,” especially Frank Miller’s Clint Eastwood-esque take on the character.  Rafael Albuquerque’s art is nice.

Reviewed by Leroy Douresseaux

The text is copyright © 2013 Leroy Douresseaux. All Rights Reserved. Contact this site for syndication rights and fees.