Showing posts with label Dave Wilkins. Show all posts
Showing posts with label Dave Wilkins. Show all posts

Tuesday, February 13, 2024

#IReadsYou Review: CONAN THE BARBARIAN #1

CONAN THE BARBARIAN #1 (2023)
TITAN COMICS/Heroic Signatures

STORY: Jim Zub
ART: Roberto de la Torre
COLORS: José Villarrubia
LETTERS: Richard Starkings of Comicraft
EDITOR: Phoebe Hedges
COVER: Dan Panosian
VARIANT COVER ARTISTS: Roberto de la Torre; Artgerm; Patch Zircher; Mike Mignola; E.M. Gist, Dan Panosian; Jae Lee; Colleen Doran; Chris Jones; Dave Wilkins; Mark Schultz; Junggeon Yoon; Ian Nicholls; Eric Ray; Jay Anacleto; Chris Ehnot
32pp, Color, $3.99 U.S. (August 2023)

Suggested for mature readers

“Bound in Black Stone” Part I: “Scourge of the Dead”

Conan the Cimmerian was born in the pulp fiction of Robert E. Howard (REH), first appearing in the magazine, Weird Tales (1932).  In 1970, Marvel Comics brought Conan to the world of comic books via the title, Conan the Barbarian. With only a few pauses, Conan comic books have been published for the better part of five decades.

Titan Comics and Heroic Signatures are the new producers of Conan comic books, and they start with a new Conan the Barbarian series.  It is written by Jim Zub; drawn by Roberto de la Torre; colored by José Villarrubia; and lettered by Richard Starkings.  The new series finds Conan returned to his homeland of Cimmeria just when it faces a terrible new threat.

Conan the Barbarian #1 (“Scourge of the Dead”) opens in Northern Aquilonia, specifically at the outpost known as “Hauler's Roam.”  Recently arrived, Conan the Cimmerian is the closest that he has been to his homeland of Cimmeria in eight years.  But first, he must extricate himself from “the Bleeders,” the band of mercenaries of which he has been a part.

A weary Conan has returned to his homeland to seek rest and solitude, but a mysterious scout, Brissa, rides into Haurler's Roam” with a warning of an imminent threat on the march from the Pictish wilderness.  Will Conan and his new ally be able to hold off this new horde of invaders?

THE LOWDOWN:  Titan Comics has been providing me with PDF copies of their publications for review for several years now.  Their debut Conan title, Conan the Barbarian #1, is the latest.

When Marvel Comics resumed publishing Conan the Barbarian comic books in 2019 – for the first time since the late 1990s – I was somewhat exited.  I read a few issue, and while they did recall some of the best of classic Marvel Conan for me, I saw no reason to keep reading past the first six months of the revival.

Titan Comics and Heroic Signatures' debut Conan the Barbarian #1 seems a bit edgier than Marvel Comics' 2019 Conan the Barbarian... at least, in hindsight to me.  Part of it may be that writer Jim Zub's introductory story fits itself in with some of the literary Conan chronologies.  For instance, “Scourge of the Dead” references the “Sack of Venarium,” also known as the “Battle of Venarium,” which is depicted in the 2003 Conan novel, Conan of Venarium, written by Harry Turtledove.

Conan is apparently 14 or 15 at the time of the battle, but Zub may be setting his age at 16.  Eight years later, this story, “Scourge of the Dead” begins, and Zub references Conan's “twenty-four summers.”  In an interview, Zub said that this story takes place after the original Robert E. Howard Conan short story, “The Frost-Giant's Daughter.”  In some Conan chronologies, Conan is almost 30 at this point.

That said, by firmly planting Conan in a literary tradition, Zub makes this story feel like something substantial in the catalog of Conan fiction and storytelling.  This is something more than just another licensed comic book tie-in.  Also, having Conan face a seemingly unstoppable horde of ravenous killers also gives the story a kick.

The art and storytelling by artist Roberto de la Torre is what really sells Zub's script.  De la Torre's art here resembles of mix of the late John Buscema's Conan the Barbarian comic books and the late Joe Kubert's Tor comics.  De la Torre makes me feel the blood, violence, and the heat of bone-breaking, and he creates a sense of foreboding and then, terror when the horde strikes.

The art looks even more gorgeous under the colors of José Villarubia, one of the best and most skilled comic book colorists working in American comic books over the last three decades.  Richard Starkings' lettering is the cherry on top of this excellent graphics package.

Will I lose interest in this new series?  There is a good chance that I will, eventually, but I may stick around for longer than I did with the Marvel relaunch.  This new series is not standard Conan the Barbarian, and I like Conan enough to have watched three Conan films:  Conan the Barbarian (1982), Conan the Destroyer (1984), and Conan the Barbarian (2011), many times.

I READS YOU RECOMMENDS:  Fans of Conan comic books will want to try Titan Comics and Heroic Signatures' Conan the Barbarian.

[This comic book includes the essay, “Robert E. Howard and His Ages Undreamed Of,” by Jeffrey Shanks.]

A

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


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The text is copyright © 2023 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.

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Tuesday, February 25, 2020

#IReadsYou Review: WOLVERINE VS. BLADE SPECIAL #1

WOLVERINE VS. BLADE SPECIAL No. 1
MARVEL COMICS – @Marvel

[This review was originally posted on Patreon.]

STORY: Marc Guggenheim
ART: Dave Wilkins
COLORS: Dave Wilkins
LETTERS: VC's Travis Lanham
EDITOR: Darren Shan
EDITOR-IN-CHIEF: Akira Yoshida a.k.a. C.B. Cebulski
COVER: Dave Wilkins
VARIANT COVER ARTISTS: Matteo Scalera with Moreno Dinisio; Gabriele Dell'Otto
44pp, Color, $5.99 U.S. (September 2019)

Rated “Mature”

Blade created by Marv Wolfman and Gene Colan; Wolverine created by Roy Thomas, Len Wein, and John Romita

I like Wolverine, and I love Blade, so...

Blade is a Marvel Comics character created by writer Marv Wolfman and artist Gene Colan.  He first appeared in the comic book, The Tomb of Dracula #10 (cover dated:  July 1973), as a supporting character.  Blade is Eric Brooks, who was born half-vampire and half-human, after a vampire attacked and killed his mother.  Possessing a vampire's speed, strength, and healing, Eric became Blade the vampire hunter and killer.

Wolverine is also a Marvel Comics character.  He was created by Roy Thomas and Len Wein and artist John Romita and made his full-length debut in The Incredible Hulk #181 (cover-dated November 1974), after making a cameo appearance at the end of The Incredible Hulk #180.  A member of the X-Men, Wolverine is a mutant who possesses animal-keen senses, enhanced physical capabilities, a powerful healing factor, and three retractable claws in the back of each hand.

Wolverine and Blade meet in the new one-shot comic book, Wolverine vs. Blade Special #1.  It is written by Marc Guggenheim; painted by Dave Wilkins; and lettered by Travis Lanham.  This special pits two of Marvel's deadliest hunters ever to have stalked the night against each, Wolverine and Blade... with a horde of vampires circling them.

Wolverine vs. Blade Special #1 opens some unknown numbers of years in the past.  Wolverine and Blade are battling vampires in Wolverine's stomping grounds, the island-city of Madripoor.  The bloodsuckers, which belong to a vampire cult known as “The Creed,” have congregated at a temple where they practice ritual sacrifice of humans.

Six months later, Wolverine is in New York City hunting Dragoness, a mutant who has lately been killing humans and other mutants, and Wolverine is shocked to discover that Dragoness is no longer what she was known to be.  Meanwhile, in Von Stadt, Germany, Blade is battling the vampire, Count Von Stadt, when the vampire displays a shocking power not usually associated with vampires.  WTF?!  These different missions are connected, but will Wolverine and Blade kill each other before they become allies?

Although I am always down for a Blade comic book, I was cynical about the Wolverine vs. Blade Special.  After all, Marc Guggenheim apparently starting wrote this special over a decade ago around the time he wrote the short-lived, 12-issue, Blade ongoing series (2006-2007) and the “Logan Dies” story arc in Wolverine (2003) #57 to #61 (which was published in 2007).  I read recently that Marvel even cut three-pages from this story which was also drawn ages ago.

However, I am happy to say that Wolverine vs. Blade Special #1 is a fun read.  It is not great, but I wish there was more of it – say 48 pages instead of the 40 pages presented here.  Guggenheim writes this somewhat in the spirit of those Blade stories that Marv Wolfman and Chris Claremont wrote for Marvel Preview and Vampires Tales in the mid-1970s, which were badass and gory.  Guggenheim apparently takes delight in his two stars killing vampires in the most gruesome and brutal manner.

Artist Dave Wilkins' art and graphical storytelling seems a little outdated, like those Radical Comics titles from the 2000s.  However, he draws a snazzy, sleek, and gleaming Blade and some righteously monstrous vampires.  His Wolverine is a little stiff – too much muscle and brawn and an awkward-looking costume.  Still, what Wilkins does best – Blade and vampires – is graphical striking, and in general, my eyes think of some of the art here as candy.

Travis Lanham's precision lettering and murderous sound effects push Wolverine vs. Blade Special #1 over the top; it is like hearing a raucous audio track.  Hey, this comic book is not great, but it is better than you would think.  Who knew Wolverine and Blade were two great comic book tastes that could taste quite good together?

7 out of 10

Reviewed by Leroy Douresseaux a.k.a. "I Reads You"


The text is copyright © 2019 Leroy Douresseaux. All Rights Reserved. Contact this blog or site for reprint and syndication rights and fees.


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Thursday, August 15, 2013

Review: STAR WARS: LEGACY Volume 2 #5

STAR WARS: LEGACY VOLUME 2 #5
DARK HORSE COMICS – @DarkHorseComics

["Star Wars Central" review page is here.]

SCRIPT: Corrina Bechko and Gabriel Hardman
ART: Gabriel Hardman
COLORS: Rachelle Rosenberg
LETTERS: Michael Heisler
COVER: Dave Wilkins
EDITOR: Randy Stradley
28pp, Color, $2.99 U.S. (July 2013)

Prisoner of the Floating World: Part Five

“Prisoner of the Floating World,” the first story arc of the recently launched Star Wars comic book series, Star Wars: Legacy Volume 2, comes to an end.  According to publisher, Dark Horse Comics, Legacy Volume 2 takes place “approximately 138 years after the events depicted in Star Wars: Episode IV – A New Hope.”  Legacy Volume 2 focuses on junk dealer Ania Solo, the great-great granddaughter of Han Solo and Leia Organa Solo.

The storyline began when Miss Solo finds a battered Imperial communications droid and a lost lightsaber.  Because of these finds, Ania ends up on the run with her friend Sauk, an ice harvester and refugee from Mon Calamari.  Later, AG-37, an ancient assassin droid, joins them.  Meanwhile, young Imperial Knight, Jao Assam, searches for the master to whom he is apprenticed, Imperial Knight Yalta Val.  The quartet becomes involved in a Sith conspiracy centered on the building of a communications array in the Carreras System.

Star Wars: Legacy Volume 2 #5 opens with Ania blaming herself for everything bad that has happened and rejecting any connections that she has to a family legacy.  Now, Ania finds herself racing between a planetoid and the space station that holds the Carreras System’s communications array, which are on a collision course.  The Sith behind this new conspiracy reveals himself as Darth Wredd, and he stands between Ania and her comrades and escape.

This final issue of Star Wars: Legacy Volume 2’s first story arc has forced me to make this clear.  Star Wars: Legacy Volume 2 is the best new Star Wars comic book series of 2013 – better even than Brian Wood and Carlos D’Anda’s new eponymous Star Wars comic book series that has been getting a lot of attention.  Star Wars: Legacy Volume 2 is the best Star Wars comic book since Marvel Comics’ Star Wars (1977 to 1986).

Star Wars: Legacy Volume 2’s creative team of Corrina Bechko and Gabriel Hardman are creating Star Wars Expanded Universe fiction that recalls George Lucas’ original Star Wars films.  I don’t know how long Bechko and Hardman will work on Legacy Volume 2, as I’m certain Marvel or DC Comics will hire them away from Dark Horse, if they have not already done so.  In the meantime, we have this great comic book series.

A+

Reviewed by Leroy Douresseaux




Sunday, June 30, 2013

Review: STAR WARS: Legacy Volume 2 #4

STAR WARS: LEGACY VOLUME 2 #4
DARK HORSE COMICS – @DarkHorseComics

["Star Wars Central" review page is here.]

SCRIPT: Corrina Bechko and Gabriel Hardman
ART: Gabriel Hardman
COLORS: Rachelle Rosenberg
LETTERS: Michael Heisler
COVER: Dave Wilkins
EDITOR: Randy Stradley
28pp, Color, $2.99 U.S. (June 2013)

Prisoner of the Floating World Part Four

Star Wars: Legacy Volume 2 is a new comic book series from the creative team of co-writer Corrina Bechko and co-writer/artist Gabriel Hardman. This Star Wars comic book takes place “approximately 138 years after the events in Star Wars: Episode IV – A New Hope.” Legacy Volume 2 focuses on junk dealer, Ania Solo, the great-great granddaughter of Han Solo and Leia Organa Solo.

Young Miss Solo finds a battered Imperial communications droid and a lost lightsaber. Soon, Ania is on the run with her friend Sauk, an ice harvester and refugee from Mon Calamari. Later, AG-37, an ancient assassin droid, joins them. Meanwhile, young Imperial Knight, Jao Assam, searches for the master to whom he is apprenticed, Imperial Knight Yalta Val. The quartet becomes involved in a Sith conspiracy involving the building of a communications array in the Carreras System.

As Star Wars: Legacy Volume 2 #4 opens, Governor Biala of Shifala begins to realize that she cannot trust Imperial Knight Yalta Val, who has taken control of the construction of the Shifalan communications array. Little does she realize that this Val is an imposter and is actually a Sith warrior.

Ania, Sauk, AG-37, and Jao fall into a deadly trap, and Sauk makes a discovery about a disappearing planet. Can they escape with these secrets and their lives?

Brian Wood and Carlos D’Anda’s new eponymous Star Wars comic book series is getting a lot of attention. However, Corrina Bechko and Gabriel Hardman’s Star Wars: Legacy Volume 2 is the best new Star Wars comic book series of the year. I’m starting to think that Star Wars: Legacy Volume 2 is the best Star Wars comic book series I’ve read, after my beloved Marvel Comics’ Star Wars, of course.

Corrina Bechko and Gabriel Hardman have created a comic book with such dense character drama, superb character development, intricate politics, and intense plotting that it reads like a Star Wars novel… after only four issues! This is Star Wars as George Lucas and Lawrence Kasdan imagined it.

A+

Reviewed by Leroy Douresseaux

Friday, May 24, 2013

Review: STAR WARS: Legacy Volume 2 #3

STAR WARS: LEGACY VOLUME 2 #3
DARK HORSE COMICS – @DarkHorseComics

["Star Wars Central" review page is here.]

SCRIPT: Corinna Bechko and Gabriel Hardman
ART: Gabriel Hardman
COLORS: Rachelle Rosenberg
LETTERS: Michael Heisler
COVER: Dave Wilkins
EDITOR: Randy Stradley
28pp, Color, $2.99 U.S. (May 2013)

Prisoner of the Floating World Part Three

Star Wars: Legacy Volume 2 is a new Star Wars comic book series from Dark Horse Comics and writer Corrina Bechko and writer-artist Gabriel Hardman. The events depicted in this Star Wars comic book take place “approximately 138 years after the events in Star Wars: Episode IV – A New Hope.”

Legacy Volume 2 focuses on the character, Ania Solo, the great-great granddaughter of Han Solo and Leia Organa Solo. Young Miss Solo, the owner of a junkyard, is on the run after inadvertently stumbling onto a conspiracy involving the Carreras System. It begins when she finds a lost lightsaber.

As Star Wars: Legacy Volume 2 #3 opens, young Imperial Knight, Jao Assam, is deep inside the Surd Nebula, as he continues his search for Imperial Knight Yalta Val. Elsewhere, in the Carreras System, Ania and her friend, Sauk (a refugee from Mon Calamari), and the assassin droid, AG-37, are aboard the droid’s ship, trying to escape pursuing snub fighters.

Meanwhile, the Sith continue to manipulate the construction of a communications array in the Surd Nebula. Perhaps, Jao Assam and Solo and company need to find common ground… or space.

Brian Wood and Carlos D’Anda’s new eponymous Star Wars comic book series recalls both the original Star Wars films and Marvel Comics’ Star Wars comic book series (1970s-80s). It is about re-imagining classic Star Wars. The second new Star Wars comic book series, Star Wars: Darth Vader and the Ninth Assassin, is fun just because it puts Darth Vader and Emperor Palpatine in mortal danger.

Star Wars: Legacy Volume 2 is as “real Star Wars” as a Star Wars comic book can get, as far as I’m concerned. Star Wars: Legacy Volume 2 artists, penciller-inker Gabriel Hardman and colorist Rachelle Rosenberg, are doing their best impersonation of Al Williamson, a quintessential Star Wars comic book and comic strip artist, without it being a mere copy or pastiche. So, when I read this well-written series, I look at Hardman and Rosenberg’s art and think that I’m seeing Star Wars personally guided by George Lucas and Al Williamson, even if Star Wars: Legacy Volume 2 really isn’t.

Anyone who reads Star Wars comic books must read Star Wars: Legacy Volume 2.

A

Reviewed by Leroy Douresseaux

Saturday, April 27, 2013

Review: STAR WARS: LEGACY Volume 2 #2

STAR WARS: LEGACY VOLUME 2 #2
DARK HORSE COMICS – @DarkHorseComics

["Star Wars Central" review page is here.]

SCRIPT: Corrina Bechko and Gabriel Hardman
ART: Gabriel Hardman
COLORS: Rachelle Rosenberg
LETTERS: Michael Heisler
COVER: Dave Wilkins
EDITOR: Randy Stradley
28pp, Color, $2.99 U.S. (April 2013)

Prisoner of the Floating World Part Two

Star Wars: Legacy Volume 2 is a new series set in the Legacy era. In the Star Wars Expanded Universe, Legacy is a time period that begins 40 years after the end of the original Star Wars (or Star Wars: Episode IV – A New Hope) and continues to some indeterminate time.

The events depicted in Star Wars: Legacy Volume 2 take place “approximately 138 years after the events of A New Hope.” Legacy Volume 2 focuses on the character, Ania Solo, the great-great granddaughter of Han Solo and Leia Organa Solo. Young Miss Solo is also the owner of a junkyard.

As Star Wars: Legacy Volume 2 #2 opens, Ania Solo and her friend, Sauk, a refugee from Mon Calamari, are on the run in the sewers of Carreras Minor. Meanwhile, the captors of Imperial Knight Yalta Val make him an offer they don’t want him to refuse. Then, a younger Imperial Knight, Jao Assam, starts to think that Val is in trouble, but now, he must convince the Imperial Court. Also, the lightsaber she found brings Ania more trouble, but AG-37 comes to the rescue.

My review of Star Wars: Legacy Volume 2 #2 does not hold any new praises. The second issue offers more of the same, and ain’t it grand that issue #1, which provides the same, is so wonderful?

Star Wars: Legacy Volume 2 creators, co-writer Corrina Bechko and co-writer/artist Gabriel Hardman, are spinning one hell of a Star Wars yarn. They have an excellent character in Ania Solo, and the supporting cast is pretty good, too. If Star Wars by Brian Wood and Carlos D’Anda is the best new Star Wars comic book in some time, then, Star Wars: Legacy Volume 2 is determined to be more than next-best.

A

Reviewed by Leroy Douresseaux


Friday, April 5, 2013

Review: STAR WARS: Legacy Volume 2 #1

STAR WARS: LEGACY VOLUME 2 #1
DARK HORSE COMICS – @DarkHorseComics

["Star Wars Central" review page is here.]

SCRIPT: Corrina Bechko and Gabriel Hardman
ART: Gabriel Hardman
COLORS: Rachelle Rosenberg
LETTERS: Michael Heisler
COVER: Dave Wilkins
EDITOR: Randy Stradley
28pp, Color, $2.99 U.S. (March 2013)

Prisoner of the Floating World Part One

Dark Horse Comics recently launched a new Star Wars comic book series. Star Wars: Legacy Volume 2 is written by Corrina Bechko and Gabriel Hardman, drawn by Hardman, colored by Rachelle Rosenberg, and lettered by Michael Heisler.

In the Star Wars Expanded Universe, Legacy is a time period that begins 40 years after the end of the original Star Wars (or Star Wars: Episode IV – A New Hope) and continues to some indeterminate time. There was a long-running comic book series, Star Wars: Legacy, which Dark Horse Comics launched after the release of the film, Star Wars: Episode III – Revenge of the Sith.

Star Wars: Legacy Volume 2 is a new series set in the Legacy era. The events of Legacy Volume 2 take place “approximately 138 years after the events in Star Wars: Episode IV – A New Hope.” [Of note, the previous series began 130 years after A New Hope.] This new series focuses on the character Ania Solo, who is the great-great granddaughter of Han Solo and Leia Organa Solo and who also owns a junkyard.

Star Wars: Legacy Volume 2 #1 opens as Imperial Knight Yatla Val leads a mission to the Carreras System in the Outer Rim. This is part of a larger effort by the Triumvirate, which is a unity government made of the Jedi Council, Imperial Court, and Galactic Alliance, to connect the galaxy. The mission meets an unexpected snag.

On an ice mining platform in the rings of Carreras Minor, Ania Solo shows her latest finds to her friend, Sauk, a refugee from Mon Calamari. The young junkyard owner has recovered a lightsaber and an Imperial communications droid, and both will mean trouble for her.

Sometimes, I review books and don’t give a thought to revealing spoilers; if I spill a secret, it either does not bother me much or I wince a only a little. Other times, I am fastidious about saying too much, to the point that my review ends up being a timid paragraph dedicated to secret-keeping.

In this new review, I’m definitely being the latter. I want to be tentative and persnickety about my review of Star Wars: Legacy Volume 2 #1. Co-writer Corrina Bechko and co-writer/artist Gabriel Hardman give this first issue so many layers, such depth, and rich texture that it seems more like the first chapter of a prose novel than the first issue of a comic book. In Ania Solo, they have the potential to create one of the truly exceptional and great Star Wars Expanded Universe characters.

The art by Gabriel Hardman recalls the art Al Williamson produced for Marvel Comics’ adaptation of The Empire Strikes Back in the publisher’s long-running Star Wars comic book series. I don’t know anything about the quality of Corrina Bechko and Gabriel Hardman’s previous work on Betrayal of the Planet of the Apes, but Dark Horse should chain them in the company dungeon and keep them working on Star Wars comics.

A

Reviewed by Leroy Douresseaux


Wednesday, September 21, 2011

The New 52 Review: GREEN ARROW #1

GREEN ARROW #1
DC COMICS

WRITER: J.T. Krul
PENCILS: Dan Jurgens
INKS: George Perez
COLORS: David Baron
LETTERS: Rob Leigh
COVER: Dave Wilkins
32pp, Color, $2.99

Green Arrow is a superhero appearing in DC Comics publications. His secret identity is billionaire Oliver “Ollie” Queen. Created by Mort Weisinger and George Papp, he first appeared in More Fun Comics #73 (cover date November 1941). Green Arrow dresses like Robin Hood, and he was originally an archer who invented trick arrows with various special functions, such as net arrows, explosive arrows, boxing-glove arrows, etc. The various series writers have toned down the trick arrows over the last few decades.

With the re-launch of DC Comics’ superhero line, “The New 52,” a younger Green Arrow is back. Green Arrow #1 (entitled “Living a Life of Privilege”) re-introduces billionaire Oliver “Ollie” Queen, who is also the green-garbed archer and superhero, Green Arrow. He tracks celebrity criminals and has targeted three in Paris: Supercharge, Dynamix, and Doppelganger. Back at Queen Industries, the CEO is demanding that Queen spend more time in board meetings, while Green Arrow’s weapons designer, Jax, is having second thoughts about his career.

Thanks to the art by Dan Jurgens and George Perez, Green Arrow looks like a traditional superhero comic book that could have been published in the 1980s. On the opposite side of that, writer J.T. Krul immerses the series in corporate boardroom melodrama and international intrigue, or at least the superhero version of it. Green Arrow is a modern superhero who relies on technology and communication as he does on his paranormal physical and mental skills – traditional and new.

I’m curious to see where this goes, especially because Green Arrow seems to have a fascistic streak or at least a penchant for acting like Big Brother or Dick Cheney. Hopefully, Krul explores the dark side of Green Arrow, while the Jurgens/Perez team keeps churning out neo-soul art.

B+

August 31st
FLASHPOINT #5
http://ireadsyou.blogspot.com/2011/09/flashpoint-5.html
JUSTICE LEAGUE #1
http://ireadsyou.blogspot.com/2011/09/justice-league-1.html

September 7th
ACTION COMICS #1
http://ireadsyou.blogspot.com/2011/09/action-comics-1.html
ANIMAL MAN #1
http://ireadsyou.blogspot.com/2011/09/animal-man-1.html
BATGIRL #1
http://ireadsyou.blogspot.com/2011/09/batgirl-1.html
BATWING #1
http://ireadsyou.blogspot.com/2011/09/batwing-1.html
DETECTIVE COMICS #1
http://ireadsyou.blogspot.com/2011/09/detective-comics-1-2011.html
HAWK AND DOVE #1
http://ireadsyou.blogspot.com/2011/09/hawk-dove-1.html
JUSTICE LEAGUE INTERNATIONAL #1
http://ireadsyou.blogspot.com/2011/09/justice-league-international-1.html
MEN OF WAR #1
http://ireadsyou.blogspot.com/2011/09/men-of-war-1.html
OMAC #1
http://ireadsyou.blogspot.com/2011/09/omac-1.html
STATIC SHOCK #1 2.99
http://ireadsyou.blogspot.com/2011/09/static-shock-1.html
STORMWATCH #1
http://ireadsyou.blogspot.com/2011/09/stormwatch-1.html
SWAMP THING #1
http://ireadsyou.blogspot.com/2011/09/swamp-thing-1.html